Search
Mark @ Carstairs Considers (2084 KP) rated The Thursday Murder Club in Books
Feb 10, 2021
Enjoyable but Flawed Debut
Welcome to Coopers Chase Retirement Village. It’s a community for active seniors in England. There are all kinds of activities happening on a regular basis, but the most unusual, and smallest, is a group of four friends who meet every Thursday to discuss cold criminal cases. Then one day, the murder of a developer takes place near the community. Naturally, these four friends jump at the chance to figure out what is really going on. Will they be able to solve the case?
I kept hearing about this book, so I had to give it a try. The premise is certainly right up my alley, and there was much I enjoyed about it. The characters are charming, and there were plenty of twists to the mystery. In fact, I feel like we could have done without a twist or two. Yes, everything makes sense at the end, but there are so many twists at the end, it is a little overwhelming. The book is funny, although at times it feels like it is trying too hard to be charming and funny. The police let the lead characters get away with a little too much, although I usually ignore that in the books I read, so this is worth noting in passing. I did struggle a bit with the justice done at the end of this book. The story is told in present tense from multiple points of view, but we always follow which character is our focus. This is one of those books with some obvious flaws, but I still enjoyed it overall. If you are interested in it, I definitely recommend you pick it up. I’ll be visiting the characters again for the sequel.
I kept hearing about this book, so I had to give it a try. The premise is certainly right up my alley, and there was much I enjoyed about it. The characters are charming, and there were plenty of twists to the mystery. In fact, I feel like we could have done without a twist or two. Yes, everything makes sense at the end, but there are so many twists at the end, it is a little overwhelming. The book is funny, although at times it feels like it is trying too hard to be charming and funny. The police let the lead characters get away with a little too much, although I usually ignore that in the books I read, so this is worth noting in passing. I did struggle a bit with the justice done at the end of this book. The story is told in present tense from multiple points of view, but we always follow which character is our focus. This is one of those books with some obvious flaws, but I still enjoyed it overall. If you are interested in it, I definitely recommend you pick it up. I’ll be visiting the characters again for the sequel.
Jarvis Cocker recommended Basement Five by Basement Five in Music (curated)
LoganCrews (2861 KP) rated Children of a Lesser God (1986) in Movies
Sep 19, 2020
Unfortunately doesn't come out entirely unscathed from stage to screen, a touch too long and a touch too slow for this to be consistently potent - and some segments are a bit too writerly even for me as well as the occasional Broadway banality here and there that sort of brings this to a lull in the middle. But all the same, this is surprisingly complex and fragile filmmaking on the subject for 1986. On a technical note the music and visuals are hushed rhapsody together, and I particularly admire how there's an expressive intimacy in the conversations Hurt has with deaf characters whereas there's this palpably cold distance in the ones he has with hearing ones - an aspect that seems almost intrinsic. And on that note I also have to appreciate how it confronts Hurt's fixer mentality *as well as* Matlin's resistant anger rather than making the deaf character ultimately bend to the will of the 'virtuous helper' 'for their own good'. William Hurt is sensational, and Marlee Matlin is in one of the top-tier greatest performances of the 80s - the fact that they self-gratifyingly gave her their pity award and then immediately refused to cast her in much else is evidence #18,000 on why the Oscars are rancid bullshit. On top of all of that it's packed with awesome scenes and it's just a damn good romance... though if I have one more quibble: do the hearing characters really need to repeat aloud every fucking thing the deaf characters sign to them to absolutely no one at all but themselves like they're talking to a toddler? This really couldn't have been subtitled? But I digress, I still cried multiple times so we aight.
Go Pro by Eric Worre - Meditation Audiobook
Lifestyle and Book
App
NEW, Groundbreaking Audiobook Meditation App puts your learning of "Go Pro: 7 Steps to Becoming a...
LeftSideCut (3778 KP) rated Wes Craven's New Nightmare (1994) in Movies
Nov 2, 2021
Off the bat, New Nightmare is a veritable treat for fans of A Nightmare on Elm Street. Six films deep, the cold hard fact is that this series had become so far removed from what it once was, for better or for worse, and this 7th entry into the franchise provided the shake up so sorely needed. It's meta as hell, taking place in the "real world" where ANOES is just a movie. It's a fun slasher that sees the beloved series bleeding over into reality, when an evil entity begins to terrorize the actual Heather Langenkamp, posing as the ever popular Freddy Krueger.
This whole premise is just great. The dialogue can be a bit on the nose sometimes, but it's honestly forgivable, considering that Wes Craven was trying to out-Scream himself before Scream even existed. Craven himself appears alongside the likes of Robert Englund and producer Rob Shaye as themselves. Krueger himself is thankfully a scary bastard once again. This version doesn't have time for quips or shenanigans, instead opting for general terrorising and murder (a particular highlight riffs on the infamous ceiling kill from the original, but adds to it in the best way) and is probably the scariest version of Freddy since the first two movies.
The plot is clever in its way that it connects back to the original 84 story, and deserves all the credit for having the balls to take the series in a new direction. It deserves bonus points for the commitment to using practical effects
New Nightmare is a wonderful example of what a somewhat stale series should do next, and further cements just how important Wes Craven was to the genre. It's an ambitious sequel that earns it status as a fan favourite.
This whole premise is just great. The dialogue can be a bit on the nose sometimes, but it's honestly forgivable, considering that Wes Craven was trying to out-Scream himself before Scream even existed. Craven himself appears alongside the likes of Robert Englund and producer Rob Shaye as themselves. Krueger himself is thankfully a scary bastard once again. This version doesn't have time for quips or shenanigans, instead opting for general terrorising and murder (a particular highlight riffs on the infamous ceiling kill from the original, but adds to it in the best way) and is probably the scariest version of Freddy since the first two movies.
The plot is clever in its way that it connects back to the original 84 story, and deserves all the credit for having the balls to take the series in a new direction. It deserves bonus points for the commitment to using practical effects
New Nightmare is a wonderful example of what a somewhat stale series should do next, and further cements just how important Wes Craven was to the genre. It's an ambitious sequel that earns it status as a fan favourite.
Merissa (11731 KP) rated Patch Up (Patch Up #1) in Books
Apr 10, 2023 (Updated Apr 10, 2023)
I will start with the only slight negative which is purely my personal opinion before gushing about the rest so consider this fair warning.
I understand the need for well-placed adjectives and how important a role they play - however, saying that I felt that certain adjectives were overused in this book. For example, 'frizzy' hair, 'strong' forearm, 'thin' fingers. I actually lost count of how many times these adjectives were used to describe the same part of anatomy over and over again. Like I said though, this is my personal opinion and is the only negative I could think of!
As for the rest of the story - I LOVED IT! This is not an easy read, in fact, it is quite harrowing in places. It will, however, grip you and draw you in as Skye fights to regain her life. You will cheer for every step she takes forward and commiserate with her as setbacks happen. Duke is the one who first tries to break through the wall that she has built around herself. Duke is not a hero, in fact, he is more of an anti-hero. He is just as broken as Skye but manages to hide it and deals with it in a different way. Neither of these characters is perfect and they both push each other away and hurt each other with their words. Trust me though, you will be rooting with everything you've got that these two will make it and survive. There is no insta-love in this book, not a single drop. That is just part of what makes it such a good read. It builds up slowly and is not the main focus at all. Life is messy, complicated and at times incredibly painful, even with the one you want to be with. This book describes all that with such clarity it is incredibly easy to lose yourself in it. The supporting characters are in no way lacking either. They support, comfort and emphasise the story in all the right places, doing their job perfectly. I understand that Derek and Kate have their own story coming too which I am looking forward to.
So in a nutshell, be prepared to be blown away by this novel. It will upset you, make you smile, give you warm fuzzies and cold chills. So much more than what I was expecting and I will definitely be reading Fix Up, the continuation of Duke and Skye's story, as soon as I possibly can.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 30, 2016
I understand the need for well-placed adjectives and how important a role they play - however, saying that I felt that certain adjectives were overused in this book. For example, 'frizzy' hair, 'strong' forearm, 'thin' fingers. I actually lost count of how many times these adjectives were used to describe the same part of anatomy over and over again. Like I said though, this is my personal opinion and is the only negative I could think of!
As for the rest of the story - I LOVED IT! This is not an easy read, in fact, it is quite harrowing in places. It will, however, grip you and draw you in as Skye fights to regain her life. You will cheer for every step she takes forward and commiserate with her as setbacks happen. Duke is the one who first tries to break through the wall that she has built around herself. Duke is not a hero, in fact, he is more of an anti-hero. He is just as broken as Skye but manages to hide it and deals with it in a different way. Neither of these characters is perfect and they both push each other away and hurt each other with their words. Trust me though, you will be rooting with everything you've got that these two will make it and survive. There is no insta-love in this book, not a single drop. That is just part of what makes it such a good read. It builds up slowly and is not the main focus at all. Life is messy, complicated and at times incredibly painful, even with the one you want to be with. This book describes all that with such clarity it is incredibly easy to lose yourself in it. The supporting characters are in no way lacking either. They support, comfort and emphasise the story in all the right places, doing their job perfectly. I understand that Derek and Kate have their own story coming too which I am looking forward to.
So in a nutshell, be prepared to be blown away by this novel. It will upset you, make you smile, give you warm fuzzies and cold chills. So much more than what I was expecting and I will definitely be reading Fix Up, the continuation of Duke and Skye's story, as soon as I possibly can.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 30, 2016
Bob Mann (459 KP) rated The Mercy (2018) in Movies
Sep 29, 2021
“With shroud, and mast, and pennon fair”.
It’s 1968. Donald Crowhurst (Colin Firth, “Kingsman: The Golden Circle“; “Magic in the Moonlight“), an amateur sailor and entrepreneur based in Teignmouth, Devon, is inspired by listening to single-handed round-the-world yachtsman Sir Francis Chichester and does a a crazy thing. He puts his business, his family’s house and his own life on the line by entering the Sunday Times single-handed round-the-world yacht race. It’s not even as if he has a boat built yet!
Lending him the money, under onerous terms, are local businessman Mr Best (Ken Stott, “The Hobbit“) and local newspaper editor Rodney Hallworth (David Thewlis, “Wonder Woman“, “The Theory of Everything“). With the race deadline upon him, Crowhurst is pressed into sailing away from his beloved wife Clare (Rachel Weisz, “Denial“, “The Lobster“) and young family in a trimaran that is well below par.
But what happens next is so ludicrous that it makes a mockery of whoever wrote this ridiculous work of fiction. Ah… but wait a minute… it’s a true story!
It is in fact such an astonishing story that this is a film that is easy to spoil in a review, a fact that seems to have passed many newspaper reviewers by (Arrrggghhh!!). So I will leave much comment to a “spoiler section” that follows the trailer (which is also best avoided). This is honestly a film worth seeing cold. What can I say that is spoiler-free then?
Firth and Weisz make a well-matched couple, and the rest of the cast is peppered with well-known faces from British film and (particularly) TV: Andrew Buchan and Jonathan Bailey (from “Broadchurch”); Mark Gatiss (“Sherlock”, “Out Kind of Traitor“); Adrian Schiller (“Victoria”; “Beauty and the Beast“).
The first part of the film is well executed and excellent value for older viewers. 60’s Devon is warm, bucolic and nostalgic. In fact, the film beautifully creates the late 60’s of my childhood, from the boxy hardwood furniture of the Crowhurst’s house to the Meccano set opened at Christmas time.
Once afloat though, the film is less successful at getting its sea-legs. The story is riveting, but quite a number of the scenes raise more questions than they answer. As stress takes hold it is perhaps not surprising that there are a few fantastical flights of movie fancy. But some specific elements in Scott Burns’ script don’t quite gel: a brass clock overboard is a case in point. What? Why?
And it seems to be light on the fallout from the race: there is a weighty scene in the trailer between Best and Hallworth that (unless I dozed off!) I don’t think appeared in the final cut, and I think was needed.
All in all, I was left feeling mildly dissatisfied: a potentially good film by “Theory of Everything” director James Marsh that rather goes off the rails in the final stretch.
This was a time where morality and honour were often rigidly adhered to – British “stiff upper lip” and all that – and seemed to carry a lot more weight than they do today. So some of the decisions in the film might mystify younger viewers. But for the packed older audience in my showing (Cineworld: this needs to be put on in a bigger screen!) then it was a gripping, stressful, but far from flawless watch.
I’d also like to take this opportunity to pay my respects to the film’s composer Jóhann Jóhannsson, who shockingly died last week at the ridiculously young age of 48. His strange and atmospheric music for films including “The Theory of Everything“, “Sicario” and (particularly) “Arrival” set him on the path to be a film composing great of the future. Like James Horner, another awful and untimely loss to the film music industry.
Lending him the money, under onerous terms, are local businessman Mr Best (Ken Stott, “The Hobbit“) and local newspaper editor Rodney Hallworth (David Thewlis, “Wonder Woman“, “The Theory of Everything“). With the race deadline upon him, Crowhurst is pressed into sailing away from his beloved wife Clare (Rachel Weisz, “Denial“, “The Lobster“) and young family in a trimaran that is well below par.
But what happens next is so ludicrous that it makes a mockery of whoever wrote this ridiculous work of fiction. Ah… but wait a minute… it’s a true story!
It is in fact such an astonishing story that this is a film that is easy to spoil in a review, a fact that seems to have passed many newspaper reviewers by (Arrrggghhh!!). So I will leave much comment to a “spoiler section” that follows the trailer (which is also best avoided). This is honestly a film worth seeing cold. What can I say that is spoiler-free then?
Firth and Weisz make a well-matched couple, and the rest of the cast is peppered with well-known faces from British film and (particularly) TV: Andrew Buchan and Jonathan Bailey (from “Broadchurch”); Mark Gatiss (“Sherlock”, “Out Kind of Traitor“); Adrian Schiller (“Victoria”; “Beauty and the Beast“).
The first part of the film is well executed and excellent value for older viewers. 60’s Devon is warm, bucolic and nostalgic. In fact, the film beautifully creates the late 60’s of my childhood, from the boxy hardwood furniture of the Crowhurst’s house to the Meccano set opened at Christmas time.
Once afloat though, the film is less successful at getting its sea-legs. The story is riveting, but quite a number of the scenes raise more questions than they answer. As stress takes hold it is perhaps not surprising that there are a few fantastical flights of movie fancy. But some specific elements in Scott Burns’ script don’t quite gel: a brass clock overboard is a case in point. What? Why?
And it seems to be light on the fallout from the race: there is a weighty scene in the trailer between Best and Hallworth that (unless I dozed off!) I don’t think appeared in the final cut, and I think was needed.
All in all, I was left feeling mildly dissatisfied: a potentially good film by “Theory of Everything” director James Marsh that rather goes off the rails in the final stretch.
This was a time where morality and honour were often rigidly adhered to – British “stiff upper lip” and all that – and seemed to carry a lot more weight than they do today. So some of the decisions in the film might mystify younger viewers. But for the packed older audience in my showing (Cineworld: this needs to be put on in a bigger screen!) then it was a gripping, stressful, but far from flawless watch.
I’d also like to take this opportunity to pay my respects to the film’s composer Jóhann Jóhannsson, who shockingly died last week at the ridiculously young age of 48. His strange and atmospheric music for films including “The Theory of Everything“, “Sicario” and (particularly) “Arrival” set him on the path to be a film composing great of the future. Like James Horner, another awful and untimely loss to the film music industry.
Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
Arendt and America
Book
German political philosopher Hannah Arendt (1906-75) fled from the Nazis to New York in 1941, and...
First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
Book
Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied...