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Mark @ Carstairs Considers (2200 KP) rated The Sentry in Books
Apr 23, 2019
Wrong Place, Wrong Time – But for Whom?
It all started because Joe Pike stopped to put air in his tires. While he is at the service station, he notices two suspicious men about to enter a sandwich stop across the street. Pike follows them and stops them from beating up the owner, Wilson Smith. When Pike is waiting to talk to the police, he meets Wilson’s niece, Dru Rayne. Both of them are refuges from New Oreleans, feeling after Hurricane Katrina five years before the story starts. When trouble comes for the duo again, Dru calls Pike, who brings his friend and partner Elvis Cole in to help. Elvis begins to uncover clues that things aren’t quite what they appear to be. What has the innocent act of stopping at a service station and doing a good deed gotten the duo into?
Thanks to the multiple view point narration, we have an idea what else might be happening before Pike and Cole do, but that doesn’t mean we aren’t interested. There is so much going on that what we are privy to is only a small part of the story. There are plenty of twists as this thriller works its way to the climax. Along the way we get new insight into both Joe Pike and Elvis Cole. We do see a few of the recurring characters, but they don’t get enough page time for any real development. The new characters are engaging enough to help keep us invested in the story. Even though we get some passages from Cole’s point of view, his humor is missing here, and I would have enjoyed it. Even by this series’ standards, this book is violent. While these books always have more language and violence than my normal cozy mysteries, I felt what we got here could have been tone down without impacting the story in the slightest.
Thanks to the multiple view point narration, we have an idea what else might be happening before Pike and Cole do, but that doesn’t mean we aren’t interested. There is so much going on that what we are privy to is only a small part of the story. There are plenty of twists as this thriller works its way to the climax. Along the way we get new insight into both Joe Pike and Elvis Cole. We do see a few of the recurring characters, but they don’t get enough page time for any real development. The new characters are engaging enough to help keep us invested in the story. Even though we get some passages from Cole’s point of view, his humor is missing here, and I would have enjoyed it. Even by this series’ standards, this book is violent. While these books always have more language and violence than my normal cozy mysteries, I felt what we got here could have been tone down without impacting the story in the slightest.
Billie Wichkan (118 KP) rated Remember Me in Books
May 22, 2019
Fifteen years ago Ellen Smith vanished from the woods near her small Welsh village. Never to be seen again.
Eight people were in the woods that night: eight splintered lives, eight people hiding a terrible secret. But who can remember the truth?
Now, Ellens best friend, Detective Ava Cole is all grown up back in the village where it all began, and everyone is asking the same question.
What really happened to Ellen?
The book is told from the point of view of Ava a New York detective who returns to her childhood welsh village upon learning about the terminal illness of her ex-husband. There is a lot going on in this book. It all centers around a group of friends who have known each other since childhood. They have a dark secret that they have concealed since their teen age years.
Gripping and creepy this is a claustrophobic thriller that never leaves Aberdyth.
The tension built throughout and I couldn't put it down until I finished it!
The plot has many twists and turns to keep the reader guessing.
I highly recommend this book.
Many thanks to NetGalley and the publisher for kindly providing me the eARC of this book.
Eight people were in the woods that night: eight splintered lives, eight people hiding a terrible secret. But who can remember the truth?
Now, Ellens best friend, Detective Ava Cole is all grown up back in the village where it all began, and everyone is asking the same question.
What really happened to Ellen?
The book is told from the point of view of Ava a New York detective who returns to her childhood welsh village upon learning about the terminal illness of her ex-husband. There is a lot going on in this book. It all centers around a group of friends who have known each other since childhood. They have a dark secret that they have concealed since their teen age years.
Gripping and creepy this is a claustrophobic thriller that never leaves Aberdyth.
The tension built throughout and I couldn't put it down until I finished it!
The plot has many twists and turns to keep the reader guessing.
I highly recommend this book.
Many thanks to NetGalley and the publisher for kindly providing me the eARC of this book.
Bob Mann (459 KP) rated Their Finest (2017) in Movies
Sep 29, 2021
Keep Calm and Carry on Writing.
In a well-mined category, “Their Finest” is a World War 2 comedy/drama telling a tale I haven’t seen told before: the story behind the British Ministry of Information and their drive to produce propaganda films that support morale and promote positive messages in a time of national crisis. For it is 1940 and London is under nightly attack by the Luftwaffe during the time known as “The Blitz”. Unfortunately the Ministry is run by a bunch of toffs, and their output is laughably misaligned with the working class population, and especially the female population: with their husbands fighting overseas, these two groups are fast becoming one and the same. For women are finding and enjoying new empowerment and freedom in being socially unshackled from the kitchen sink.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.