"Quick cheat again. I could easily have listed Le cercle rouge, Army of Shadows, Le doulos and Le deuxieme souffle, which are all in the Criterion collection. Melville is probably my favorite director and was a huge influence on the script of Drive. The cinema of process and silent taciturn heroes whose tough-guy exteriors hide lonely, fragile hearts."

"Cassavetes is the man. He changed filmmaking forever, in the most radical way. He is sensitive and loving in his approach. The acting is so good, sometimes you forget that it’s just a movie. The message is always love and the struggle it brings. The best part of this collection might even be the bonus documentary, A Constant Forge."

"Cassavetes is the man. He changed filmmaking forever, in the most radical way. He is sensitive and loving in his approach. The acting is so good, sometimes you forget that it’s just a movie. The message is always love and the struggle it brings. The best part of this collection might even be the bonus documentary, A Constant Forge."

"Cassavetes is the man. He changed filmmaking forever, in the most radical way. He is sensitive and loving in his approach. The acting is so good, sometimes you forget that it’s just a movie. The message is always love and the struggle it brings. The best part of this collection might even be the bonus documentary, A Constant Forge."

"Cassavetes is the man. He changed filmmaking forever, in the most radical way. He is sensitive and loving in his approach. The acting is so good, sometimes you forget that it’s just a movie. The message is always love and the struggle it brings. The best part of this collection might even be the bonus documentary, A Constant Forge."

"Cassavetes is the man. He changed filmmaking forever, in the most radical way. He is sensitive and loving in his approach. The acting is so good, sometimes you forget that it’s just a movie. The message is always love and the struggle it brings. The best part of this collection might even be the bonus documentary, A Constant Forge."

"It’s unfortunate that there aren’t more movies about working-class people killing rich perverts and taking their money. Paul Bartel is one of the great gonzo satirists of cinema, and with apologies to Costa-Gavras or whomever, this is probably the most common-sense, pragmatic political film in the Criterion Collection. Also one of Mary Woronov’s greatest roles."

"A perfect example of how something they won’t teach you is a masterpiece in school can in fact be a masterpiece. Because this was a Criterion Collection DVD, there was no argument over whether it was essential and must be taken seriously. Also the first time I understood the importance of getting something “out of print.”"