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Kristy H (1252 KP) rated Girls' Night Out in Books
Mar 10, 2019
Hokey & irritating, but has its intriguing moments
Natalie, Ashley, and Lauren have been friends since college, but lately their friendship has been showing a lot of strain. In fact, the trio has been estranged from Lauren for a year. So Ashley gets the idea for a girls' trip to Tulum, Mexico to help repair their friendship and mend fences. But once there, they find that fixing things isn't so easy. Each woman brings so much baggage and anger to the friendship. Natalie is angry at Ashley regarding the beauty business, BloMe, that they founded together. Lauren holds a grudge with Ashley relating to the death of her husband, Geoff. Both Natalie and Lauren are angry at themselves for letting their worlds revolve around Ashley. And their anger simmers even more when Ashley starts spending more time with Marco, a man she meets in Mexico, then with them. Suddenly, Ashley disappears. Did she run away with Marco? Was she kidnapped? Or--Natalie and Lauren fear--did they snap in anger at Ashley and harm her?
I had never read anything by the Fenton and Steinke writing team but had heard good things, so decided to try this one out. Its format takes a little getting used to: it switches in both time and narration, so you'll get Ashley, three days before the disappearance, and then the next chapter could be Lauren, two days after the disappearance. Once you get in the groove, it works pretty well, and builds suspense fairly effectively. Pieces of the story are slowly revealed, as we both don't know what happened to divide the friends in their friendship and, of course, don't know what happened to make Ashley disappear.
Honestly, I had just enough curiosity to find out what happened to Ashley that kept me reading. This was an interesting novel and certainly tense and intriguing, but I couldn't muster much interest or sympathy in these characters. Man, these women were just awful! I would not want a single one of them as my friend, that's for sure. Their friendship problems seemed petty, overblown, and childish, and I lost patience and interest with their myriad issues. There was just so much constant bickering. Bickering, drinking, more fighting, drinking, some more fighting. Ugh. They were so overly dramatic and even worse, most of the chapters would end with a sentence that had such an overblown "dramatic flair" to it that I found myself rolling my eyes at times.
A lot of the book just felt hokey, and I found myself wanting them to just go home and get their own lives (although their husbands didn't seem much better, honestly). Still, as mentioned, the reveals are interesting, and there is enough interest in what happened to Ashley to keep you reading. If you can get past the irritating characters, you'll be intrigued, albeit potentially annoyed.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
I had never read anything by the Fenton and Steinke writing team but had heard good things, so decided to try this one out. Its format takes a little getting used to: it switches in both time and narration, so you'll get Ashley, three days before the disappearance, and then the next chapter could be Lauren, two days after the disappearance. Once you get in the groove, it works pretty well, and builds suspense fairly effectively. Pieces of the story are slowly revealed, as we both don't know what happened to divide the friends in their friendship and, of course, don't know what happened to make Ashley disappear.
Honestly, I had just enough curiosity to find out what happened to Ashley that kept me reading. This was an interesting novel and certainly tense and intriguing, but I couldn't muster much interest or sympathy in these characters. Man, these women were just awful! I would not want a single one of them as my friend, that's for sure. Their friendship problems seemed petty, overblown, and childish, and I lost patience and interest with their myriad issues. There was just so much constant bickering. Bickering, drinking, more fighting, drinking, some more fighting. Ugh. They were so overly dramatic and even worse, most of the chapters would end with a sentence that had such an overblown "dramatic flair" to it that I found myself rolling my eyes at times.
A lot of the book just felt hokey, and I found myself wanting them to just go home and get their own lives (although their husbands didn't seem much better, honestly). Still, as mentioned, the reveals are interesting, and there is enough interest in what happened to Ashley to keep you reading. If you can get past the irritating characters, you'll be intrigued, albeit potentially annoyed.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Debbiereadsbook (1444 KP) rated Scott (Owatonna U Hockey #2) in Books
Mar 29, 2019
much better than book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Owatonna U Hockey trilogy, but you don't need to have read book one first. I have though, and found THAT book not really to my liking.
THIS one, however, I enjoyed far more.
Scott is suffering, since his brother died, and decides to self medicate with illegal steroids. After punching his best friend in the face, Scott is suspended for a whole 12 months, and is quite literally, chucked out his home. With nowhere to go, he happens to meet Hayne at a mandatory counselling session. Hayne, for reasons he cannot fathom, takes pity on Scott and the pair become inseparable. They each have their own demons, but together, they just might be able to overcome them.
Like I said, a MUCH better read, for me anyway, that Ryker. And much of that is because I didn't much care for Ryker in his book and I'll come back to that in a minute, though.
Hayne is a free spirited artist, in his final year at college. He is terrorised by his tenants, and spends all his time in his room, trying to paint his final piece. Meeting Scott, who turns out to be the muse he was missing, wasn't planned, but Hayne runs with it. Helping Scott get back to hockey seems the right and best thing to do. That Scott helps Hayne is a much added bonus.
Hayne is LOVELY!! So sweet, I wanted to punch his housemates! And the fact that he really sees Scott helps. Scott is trying to be the son his father wants, but he isn't his brother Luke. He will NEVER be Luke. His father pushes Scott away, and it takes his mother, who has been self medicating in the bottom of a bottle, to pull HER big girl panties up, and make her husband and son see that they are BOTH suffering and TOGETHER they can make some semblance of a relationship again.
Loved Hayne's mum and Mimi! Loved that they took Scott in when he needed someone the most, Hayne aside.
Back to Ryker. I did not like him in his book, but he does redeem himself somewhat here! While Scott is hiding, his friends, the ones he thought hated him, were planning an intervention, and Ryker is foremost at getting Scott to see that his friends don't hate him, they just didn't see how much he was suffering.
It does carry some darker story lines, grief, bereavement, alcohol and drug abuse, but they are all part and parcel of Scott's story, and they are very well written.
Oh, and you'll need tissues. I cried a LOT with this book!
Can't QUITE get past the first person to stretch to 5 stars, but a much better than book one:
4 stars
**same worded review will appear elsewhere**
This is book two in the Owatonna U Hockey trilogy, but you don't need to have read book one first. I have though, and found THAT book not really to my liking.
THIS one, however, I enjoyed far more.
Scott is suffering, since his brother died, and decides to self medicate with illegal steroids. After punching his best friend in the face, Scott is suspended for a whole 12 months, and is quite literally, chucked out his home. With nowhere to go, he happens to meet Hayne at a mandatory counselling session. Hayne, for reasons he cannot fathom, takes pity on Scott and the pair become inseparable. They each have their own demons, but together, they just might be able to overcome them.
Like I said, a MUCH better read, for me anyway, that Ryker. And much of that is because I didn't much care for Ryker in his book and I'll come back to that in a minute, though.
Hayne is a free spirited artist, in his final year at college. He is terrorised by his tenants, and spends all his time in his room, trying to paint his final piece. Meeting Scott, who turns out to be the muse he was missing, wasn't planned, but Hayne runs with it. Helping Scott get back to hockey seems the right and best thing to do. That Scott helps Hayne is a much added bonus.
Hayne is LOVELY!! So sweet, I wanted to punch his housemates! And the fact that he really sees Scott helps. Scott is trying to be the son his father wants, but he isn't his brother Luke. He will NEVER be Luke. His father pushes Scott away, and it takes his mother, who has been self medicating in the bottom of a bottle, to pull HER big girl panties up, and make her husband and son see that they are BOTH suffering and TOGETHER they can make some semblance of a relationship again.
Loved Hayne's mum and Mimi! Loved that they took Scott in when he needed someone the most, Hayne aside.
Back to Ryker. I did not like him in his book, but he does redeem himself somewhat here! While Scott is hiding, his friends, the ones he thought hated him, were planning an intervention, and Ryker is foremost at getting Scott to see that his friends don't hate him, they just didn't see how much he was suffering.
It does carry some darker story lines, grief, bereavement, alcohol and drug abuse, but they are all part and parcel of Scott's story, and they are very well written.
Oh, and you'll need tissues. I cried a LOT with this book!
Can't QUITE get past the first person to stretch to 5 stars, but a much better than book one:
4 stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated Hold Still in Books
Feb 13, 2018
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Feb 13, 2018
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Dana (24 KP) rated Twelfth Night: Texts and Contexts in Books
Mar 23, 2018
I am actually giving this play a 3.5 star review, not a 4 star review. This is the third or fourth time I have had to read this play; the second time for college alone. Oh, and this review may have spoilers to the plot of this play, so if by some chance you haven't read it yet and do not want to know any of the plot points, read at your own risk.
I used to absolutely love this play. It used to be one of my favorite Shakespearean comedies, but I think I've had to study it so many times that I'm getting tired of it.
The class that I am reading it for, my Approaches to Shakespeare class, is really fun. I feel like I am going to start liking the book more the more I study it in this class because we are not just reading it for plot. The first day we were studying it, we went line by line for the first scene and talked about the various possible meanings each word could have meant and that was so much fun to me!
Also, I love the title: Twelfth Night: Or What You Will. It makes Shakespeare seem like he's saying, "Twelfth Night: Or Whatever." I don't know why, but that cracks me up.
I love looking at a text in a new way, and this class is definitely doing that. We are looking at dress and identity, sexuality and identity, the nature of love, setting the scene, the problem of Malvolio, and clown and comedy in the next few weeks that we are studying the play. I think my favorite parts to study are going to be the dress and identity and the problem of Malvolio.
Dress and identity are main aspects of the play. I mean, the entire think is about mistaken identities and disguises, so of course that would be heavily shown throughout the play. But even with this, we are going to look at connections within the characters to see if there are even more layers to this.
The problem of Malvolio is also very important. He is the loose cannon of this play because he does not necessarily fit with the comedic structure. Most of the time in comedies, everything is wrapped up and everyone is happy, but not in this comedy. In this, he seeks revenge on those who messed with him, but why did Shakespeare go so dark with this ending? Especially since he did not do this for the other comedies. That is what I can't wait to find out in my class.
I may do an update after we finish studying this book just in case I get an answer for that question, but that will only be seen in the future.
Overall, this play will always have a place in my heart, but I need to see if time will let it come back to the higher spot it used to have before.
I used to absolutely love this play. It used to be one of my favorite Shakespearean comedies, but I think I've had to study it so many times that I'm getting tired of it.
The class that I am reading it for, my Approaches to Shakespeare class, is really fun. I feel like I am going to start liking the book more the more I study it in this class because we are not just reading it for plot. The first day we were studying it, we went line by line for the first scene and talked about the various possible meanings each word could have meant and that was so much fun to me!
Also, I love the title: Twelfth Night: Or What You Will. It makes Shakespeare seem like he's saying, "Twelfth Night: Or Whatever." I don't know why, but that cracks me up.
I love looking at a text in a new way, and this class is definitely doing that. We are looking at dress and identity, sexuality and identity, the nature of love, setting the scene, the problem of Malvolio, and clown and comedy in the next few weeks that we are studying the play. I think my favorite parts to study are going to be the dress and identity and the problem of Malvolio.
Dress and identity are main aspects of the play. I mean, the entire think is about mistaken identities and disguises, so of course that would be heavily shown throughout the play. But even with this, we are going to look at connections within the characters to see if there are even more layers to this.
The problem of Malvolio is also very important. He is the loose cannon of this play because he does not necessarily fit with the comedic structure. Most of the time in comedies, everything is wrapped up and everyone is happy, but not in this comedy. In this, he seeks revenge on those who messed with him, but why did Shakespeare go so dark with this ending? Especially since he did not do this for the other comedies. That is what I can't wait to find out in my class.
I may do an update after we finish studying this book just in case I get an answer for that question, but that will only be seen in the future.
Overall, this play will always have a place in my heart, but I need to see if time will let it come back to the higher spot it used to have before.
Jessica - Where the Book Ends (15 KP) rated True (True Believers, #1) in Books
Jan 30, 2019
I absolutely adored this book! This is the first book of Erin McCarthy's that I've ever read, and I just loved the whole thing. The characters were real, the plot was believable, and it left me with a renewed sense of hope in love and the human race.
The pace of the story seemed right on track; although, I have to say I felt like it ended too quickly. I wasn't ready for the book to be over, and wanted to know more about what happened with Rory & Tyler. I was pleased to see that there will be another book coming out based on the lives of one of the characters featured in this book.
Rory & Tyler's love didn't feel forced or faked at all which I really enjoyed. McCarthy was able to capture the internal frustration that young women feel in relationships, and showed that sometimes if you often just open your mouth and say how you feel things can turn out for the best!
The supporting characters were phenomenal and believable. Jessica & Kylie seemed like your typical party girl college students, and I just loved the way McCarthy managed to poke and have a little fun with them. I hope that McCarthy will take the opportunity to expand on these characters in her upcoming books.
There were three topics that were covered in this book, and I think they are extremely important and deserve mentioning here. The most obvious one would be teen sex. McCarthy did a great job covering this. I feel like she really showed young girls that it was okay to wait until you were ready and you didn't have to do anything you didn't want to do. I think that Tyler was a great advocate and on several occasions it was obvious that he was worried about the affect that his relationship with Rory would have on her life. I have nothing but praise for the way McCarthy handled this topic. She was able to write about it without making the book a list of dos and don'ts for teens. The second big topic that was addressed was drug use. McCarthy addressed this in two ways first with Tyler's family, and secondly with Jessica (Rory's roommate). She was able to show in both these instances how drug use can affect your life, and the lives of those around you. And, finally another topic that was brought up is bullying (I am saying bullying because I feel that this can encompass both the child abuse and the bullying of Tyler's mom on his younger brother for having Down Syndrome). These are some pretty hefty topics that McCarthy chose to tackle in this book and she pulled if off with flying colors. She was able to address them all with a good amount of importance and tie the story up with a pretty bow at the end. My hats off to you Ms. McCarthy!
The pace of the story seemed right on track; although, I have to say I felt like it ended too quickly. I wasn't ready for the book to be over, and wanted to know more about what happened with Rory & Tyler. I was pleased to see that there will be another book coming out based on the lives of one of the characters featured in this book.
Rory & Tyler's love didn't feel forced or faked at all which I really enjoyed. McCarthy was able to capture the internal frustration that young women feel in relationships, and showed that sometimes if you often just open your mouth and say how you feel things can turn out for the best!
The supporting characters were phenomenal and believable. Jessica & Kylie seemed like your typical party girl college students, and I just loved the way McCarthy managed to poke and have a little fun with them. I hope that McCarthy will take the opportunity to expand on these characters in her upcoming books.
There were three topics that were covered in this book, and I think they are extremely important and deserve mentioning here. The most obvious one would be teen sex. McCarthy did a great job covering this. I feel like she really showed young girls that it was okay to wait until you were ready and you didn't have to do anything you didn't want to do. I think that Tyler was a great advocate and on several occasions it was obvious that he was worried about the affect that his relationship with Rory would have on her life. I have nothing but praise for the way McCarthy handled this topic. She was able to write about it without making the book a list of dos and don'ts for teens. The second big topic that was addressed was drug use. McCarthy addressed this in two ways first with Tyler's family, and secondly with Jessica (Rory's roommate). She was able to show in both these instances how drug use can affect your life, and the lives of those around you. And, finally another topic that was brought up is bullying (I am saying bullying because I feel that this can encompass both the child abuse and the bullying of Tyler's mom on his younger brother for having Down Syndrome). These are some pretty hefty topics that McCarthy chose to tackle in this book and she pulled if off with flying colors. She was able to address them all with a good amount of importance and tie the story up with a pretty bow at the end. My hats off to you Ms. McCarthy!
Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
Emma @ The Movies (1786 KP) rated Boy Erased (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This is a tough one to get into, not because of the subject matter but because the beginning is just so slow. I actually sat there wondering if this was the movie I had thought I was going to be seeing when I walked in.
Let's just start by saying that Nicole Kidman is genuinely the best thing about this film. You can feel her shame, and the love she feels for her son... and all of that through the horrendous wig. The wig people are definitely out to get her in these recent films.
Boy Erased certainly doesn't pull any punches. There are two scenes in particular that are brutal and quite shocking, but they hit on completely opposite ends of the scale for me. The first sees a relationship develop between Jared and his male friend at college, this leads to a rape scene that should have a massive impact on the film but it somehow didn't. The second is at the conversion program and we see one of the members getting beaten by his family, this one had some very powerful performances. Two shocking scenes that should surely hold similar impact and yet they don't.
There is a break in this film that takes it from bad to good, that divide comes when the conversion therapy enters the story. Before that point nothing seems to hold much weight. Had there been something at the beginning that alluded to the latter part of the film then that incredibly long set up could have been forgiven.
When it comes to the acting it's really all over the shop. As I said, Nicole Kidman knocked my socks off as the leading lady, but when it came to the leading men I was a little underwhelmed. Crowe's performance didn't make me feel anything about his character, possibly because most of his role appears in the beginning of the film where it feels like nothing happens. Until he was able to start developing Jared's character with his interactions with other group members Lucas Hedges' offering wasn't much to write home about either. I could probably go on for ages about the supporting cast but there's good, there's bad, and there's unnecessary, but I'm sure that all the characters are there for a reason.
The story is an important one and had the scope to be amazing but somewhere along the line some choices were made that meant momentum was lost very early on in the film.
What you should do
I think it's worth a watch, but do be aware that it takes a while to reach its stride.
Movie thing you wish you could take home
I think we could all do with Nancy's ability to realise her mistake and rectify it against such powerful opposition. "Shame on you, and shame on me!"
Let's just start by saying that Nicole Kidman is genuinely the best thing about this film. You can feel her shame, and the love she feels for her son... and all of that through the horrendous wig. The wig people are definitely out to get her in these recent films.
Boy Erased certainly doesn't pull any punches. There are two scenes in particular that are brutal and quite shocking, but they hit on completely opposite ends of the scale for me. The first sees a relationship develop between Jared and his male friend at college, this leads to a rape scene that should have a massive impact on the film but it somehow didn't. The second is at the conversion program and we see one of the members getting beaten by his family, this one had some very powerful performances. Two shocking scenes that should surely hold similar impact and yet they don't.
There is a break in this film that takes it from bad to good, that divide comes when the conversion therapy enters the story. Before that point nothing seems to hold much weight. Had there been something at the beginning that alluded to the latter part of the film then that incredibly long set up could have been forgiven.
When it comes to the acting it's really all over the shop. As I said, Nicole Kidman knocked my socks off as the leading lady, but when it came to the leading men I was a little underwhelmed. Crowe's performance didn't make me feel anything about his character, possibly because most of his role appears in the beginning of the film where it feels like nothing happens. Until he was able to start developing Jared's character with his interactions with other group members Lucas Hedges' offering wasn't much to write home about either. I could probably go on for ages about the supporting cast but there's good, there's bad, and there's unnecessary, but I'm sure that all the characters are there for a reason.
The story is an important one and had the scope to be amazing but somewhere along the line some choices were made that meant momentum was lost very early on in the film.
What you should do
I think it's worth a watch, but do be aware that it takes a while to reach its stride.
Movie thing you wish you could take home
I think we could all do with Nancy's ability to realise her mistake and rectify it against such powerful opposition. "Shame on you, and shame on me!"
Darren (1599 KP) rated Leprechaun Returns (2019) in Movies
Oct 31, 2019
Characters – Lila is the daughter or Tory (from the original) she is moving back to the same house in the vents of the original to be part of a college sorority, she is clearly the outsider of the group desperate to make new friends after a lifetime of looking after her mother. She learns to start believing what her mother did and proves to be resourceful throughout the film. Katie is the slutty of the friends, Rose is the one trying to make a change and Meredith is the drunk one, while they are meant to be portrayed as smart, they are painfully generic and dumb throughout. The Leprechaun has returned looking for his gold and this time he isn’t going to be a friendly, trying to get his power back. He uses rhymes to try and scare the characters and new powers to make object move to kill.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.