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With a foreword by Geoffrey Yeo, University College London. This new and extensively revised second...
A really enjoyable coming of age story, Snowflake by Louise Nealon is about Debbie White, and how she navigates life away from her home. When Debbie gets a place at Trinity College, Dublin, it’s decided that she’ll commute every day by train from her farm in the country. This sets her apart from the beginning: most people seem to stay in Dublin. But Debbie struggles with how to behave around other students, and if not for Xanthe, who takes Debbie under her wing, I don’t think she would have made any friends at all.
Debbie’s home life is unconventional. Her mother is obsessed with dreams, and believes that she knows what people’s dreams are - that she can see right into them. She has periods of extreme moods, and Debbie has to look after her during these episodes.
And then there’s Debbie’s Uncle Billy. He runs the farm and lives in a caravan. I rather liked his no-nonsense approach to life, but he’s just as vulnerable as his sister and niece.
It isn’t all doom and gloom though. Debbie is funny, quirky and a highly likeable person - the book had moments that really made me laugh. It was these moments of light and dark that really made the book work for me. Louise Nealon is going to be a name to watch for in the future. I loved this. You should all go and read this now!
Many thanks to Manila Press for the copy provided to me through NetGalley.
Debbie’s home life is unconventional. Her mother is obsessed with dreams, and believes that she knows what people’s dreams are - that she can see right into them. She has periods of extreme moods, and Debbie has to look after her during these episodes.
And then there’s Debbie’s Uncle Billy. He runs the farm and lives in a caravan. I rather liked his no-nonsense approach to life, but he’s just as vulnerable as his sister and niece.
It isn’t all doom and gloom though. Debbie is funny, quirky and a highly likeable person - the book had moments that really made me laugh. It was these moments of light and dark that really made the book work for me. Louise Nealon is going to be a name to watch for in the future. I loved this. You should all go and read this now!
Many thanks to Manila Press for the copy provided to me through NetGalley.
Gareth von Kallenbach (980 KP) rated Pitch Perfect (2012) in Movies
Aug 7, 2019
I have to admit, I am a sucker for movies with singing and dancing. And when there’s competition involved, even better! When I saw the trailer for Pitch Perfect, my first thought was it looked like “Bring It On” but for a capella groups. My second thought was, “Where do I line up?”
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
BankofMarquis (1832 KP) rated Bringing Up Baby (1938) in Movies
Apr 4, 2020
The Perfect Example of a "Screwball Comedy"
It's always a bit of a crap-shoot when one shows an 82 year old, black and white film to a couple of college age students. But, with a film as crazy/zany as the 1938 Howard Hawks screwball comedy BRINGING UP BABY, the odds are in your favor.
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Merissa (12929 KP) rated Tomboy in Books
May 7, 2018
Tomboy by Janelle Reston
Tomboy is a short but sweet, dare I say gentle, novella about two young girls. One is the tomboy in the title, and one comes from a "traditional" family. The story is told through Harriet's eyes as she compares her upbringing and beliefs with those of Jackie, who is allowed to wear clothes more suited for a boy. Her mum isn't exactly 'normal' though, and this great attitude has rubbed of onto Jackie. We meet them as young children, and stay with them as they progress through school, until they've been to college.
This novella skips along quite merrily with the transitions from one age to the next being absolutely seamless. Jackie always knows (or at least that's the impression I got) who she is, and what she wants, whereas Harriet isn't too sure, and does some experimenting before coming to her senses. Rich in the history of the time, with references to films and actors that I loved, we see the support Harriet gets from her dad, the unusual attitude of Jackie's mum, and also mentions of the cold war. I found this to be an absolutely fascinating read, and loved every moment.
With no editing or grammatical errors to disrupt my reading flow, the time spent in this book sped by all too quickly. However, it has certainly given me another author to follow! A wonderful book that I would highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This novella skips along quite merrily with the transitions from one age to the next being absolutely seamless. Jackie always knows (or at least that's the impression I got) who she is, and what she wants, whereas Harriet isn't too sure, and does some experimenting before coming to her senses. Rich in the history of the time, with references to films and actors that I loved, we see the support Harriet gets from her dad, the unusual attitude of Jackie's mum, and also mentions of the cold war. I found this to be an absolutely fascinating read, and loved every moment.
With no editing or grammatical errors to disrupt my reading flow, the time spent in this book sped by all too quickly. However, it has certainly given me another author to follow! A wonderful book that I would highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sassy Brit (97 KP) rated Art Something in Books
Jun 6, 2019
Art Something (Strange Art #1) by Devon Layne is the first instalment of the Strange Art series, in which the main protagonist, a teenager called Arthur Étrange, lives in his own world where he expresses himself through his art. This causes most of his school mates to think him a little odd, hence his need to escape from the social side of life and immerse himself in his art.
His older sister, Morgan, not only loves and truly understands Art, but guides and protects him through the teenage trial and tribulations of life. So when she is due to go back to college Morgan worries how he’ll cope without her. Her answer? She decides to introduce Art to her friend, Annette, in the hope they’ll hit it off together. They do!
Although it’s not high on action, there is conflict in the form of issues teenagers can relate to. For example, Art’s lack of self-confidence and insecurities are exposed to the reader via his innermost thoughts and feelings. The threesome also provides that key support system to help Art overcome these obstacles with the love and understanding of two girls who have his best interests at heart.
This coming of age story is also my first ‘taboo’ book which explores a very loving and highly erotic, consensual polyamory relationship between brother, sister and their friend. Admittedly, this is not something I’d usually read, having said that, Devon Layne is a talented writer and this is a beautiful and sensual story encompassing a controversial subject. I’m looking forward to seeing how this series develops.
His older sister, Morgan, not only loves and truly understands Art, but guides and protects him through the teenage trial and tribulations of life. So when she is due to go back to college Morgan worries how he’ll cope without her. Her answer? She decides to introduce Art to her friend, Annette, in the hope they’ll hit it off together. They do!
Although it’s not high on action, there is conflict in the form of issues teenagers can relate to. For example, Art’s lack of self-confidence and insecurities are exposed to the reader via his innermost thoughts and feelings. The threesome also provides that key support system to help Art overcome these obstacles with the love and understanding of two girls who have his best interests at heart.
This coming of age story is also my first ‘taboo’ book which explores a very loving and highly erotic, consensual polyamory relationship between brother, sister and their friend. Admittedly, this is not something I’d usually read, having said that, Devon Layne is a talented writer and this is a beautiful and sensual story encompassing a controversial subject. I’m looking forward to seeing how this series develops.
Math Mutation Classics: Exploring Interesting, Fun and Weird Corners of Mathematics: 2016
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Maybe in Another Life
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From the acclaimed author of Forever, Interrupted and After I Do comes a breathtaking new novel...
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Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933
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For the last three hundred years, fictions of the vampire have fed off anxieties about cultural...