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Waiting for the Vote of the Wild Animals
Waiting for the Vote of the Wild Animals
Ahmadou Kourouma | 2001 | Contemporary, Fiction & Poetry, History & Politics
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"This is a humourous, irreverent and unabashedly political novel; it is an enraged lament about post-colonial Africa and how the leaders who inherited supposedly independent countries went on to fail their citizens. Some leaders are closely modelled on real characters – Mobutu of Zaire and Lumumba of the Congo are impossible to miss. The simplified summary of Kourouma: Colonialism has spawned monsters in the name of African leaders, and the West is the creator of these Frankensteins. The narrative is complex. There is a wonderfully oral quality to the telling, and many stories and anecdotes are laugh-aloud funny. Kourouma insists – and this underlies the narrative – that African dictators are mostly guided by their belief in the traditional, the supernatural, and that Islam or Christianity are mere window-dressing. This is a good example of an intelligent and important book that’s also genuinely interesting."

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Born a Crime: Stories from a South African Childhood
Born a Crime: Stories from a South African Childhood
Trevor Noah | 2017 | Biography
10
9.2 (16 Ratings)
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An insider's view of Apartheid
It seems unlikely that comedian Trevor Noah would have ever made it out of the prison of colonialism, apartheid, poverty and violence, yet now he's regarded as one of South Africa's biggest export. His memoir is brutal and harrowing, describing how because of the illegal interracial relationship between his Xhosa mother and his Swiss-German, his birth was actually a crime.

It's hard to imagine that this legal segregation only ended 26 years ago, yet Noah then faced the turbulent legacy of post-apartheid. Being mixed race posed its own problems, as Noah describes never fitting in anywhere, but being accepted to a certain degree because of his 'whiteness' and his chameleon-like ability to adapt to his surroundings.

There are moments which are truly disturbing, as Noah speaks about his violent stepfather and going hungry. In this way, his life can be seen as a story of personal survival, through intelligence and humour, which millions have come to love.
  
Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
1984 | Adventure, Drama
Umpty-tumpth Tarzan movie goes back to Burroughs and features most of the stuff you'd expect from this kind of thing: posh English couple cark it somewhere in Africa, leaving infant son to be raised by wild apes. He grows up, quickly learns to wear a loincloth so as not to outrage the censor, rediscovers his heritage, and so on.

Christopher Lambert is pretty good as the Lord of the Apes, though the script has to explain exactly why Tarzan has a French accent; Ralph Richardson and Ian Holm are really better in supporting roles, though. If the film has a problem it's that it's just a bit too downbeat and glum for a Tarzan movie - you can take gritty realism just a bit too far, and director Hugh Hudson seems determined to make serious angry points about the evils of imperialism, colonialism, and the British establishment. Still, it's probably preferable to most of the previous, ultra-silly Tarzan movies.
  
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Awix (3310 KP) rated Zama (2017) in Movies

Jun 5, 2018  
Zama (2017)
Zama (2017)
2017 | Drama, International
Very art-housey Argentinian movie which has managed to acquire some kind of profile due to the involvement as producers of Pedro Almodavar and Danny Glover. Mildly stressed functionary Zama finds himself posted to a backwater South American outpost of the Spanish empire, some time in the 17th century, desperately tries to get himself transferred elsewhere, has very little success with this. In the end it all goes a little bit Apocalypse Now/Aguirre the Wrath of God.

Beautiful to look at, but one of those films where the fact that not very much happens is kind of the point. Implicitly highly critical of colonialism and slavery, of course - the Spanish overlords and the trappings of their civilisation are shabby and squalid compared to the local people - but more a character study of someone who finds himself becalmed in life (nice central performance). As I say, not very much happens until quite near the end, but it doesn't happen very beautifully.