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Bonnie and Clyde: Dam Nation
Clark Hays and Kathleen McFall
10.0
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THE REDEMPTION OF BONNIE AND CLYDE Saving the working class from a river of greed. The year is...
series fiction alternative history Bonnie & Clyde Bonnie and Clyde
The Fixer Upper (Echo Springs #1)
Book
Abby Callier is more in love with Shakespearean heroes than any real man, and she’s beginning to...
Adult Contemporary Romance
Rachel King (13 KP) rated Pumpkin Roll (A Culinary Mysteries, #6) in Books
Feb 11, 2019
This book is the most recent in a mystery series, but the first book I have read by Josi S. Kilpack. I do not read much in the mystery genre, but the cooking aspect of the book interested me enough to try this one. All of the page numbers to the recipes are listed nicely on the back of the first page, so I was able to check those out without having to search for them, and they do look like quite delicious recipes, perfect for this time of year.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
JW
Jack Ward Thomas: The Journals of a Forest Service Chief
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Jack Ward Thomas, an eminent wildlife biologist and U.S. Forest Service career scientist, was...
Physics and Technology for Future Presidents: An Introduction to the Essential Physics Every World Leader Needs to Know
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Physics and Technology for Future Presidents contains the essential physics that students need in...
The 420 Gourmet: The Elevated Art of Cannabis Cuisine
Book
The foodie's guide to cannabis: a smart, sophisticated, and beautifully illustrated cookbook for...
Merissa (12128 KP) created a post
Feb 12, 2021
Lucky Day - Win Real Money!
Lifestyle and Games
6.0
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Lucky Day offers free scratcher, lotto, and raffle games to win real cash prizes and gift cards....
Sygic North America: GPS Navigation, Offline Maps
Navigation and Travel
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The World’s Most Advanced Navigation app, trusted by 200 million drivers. Sygic: GPS Navigation,...
Chris Sawin (602 KP) rated Moonfall (2022) in Movies
Feb 5, 2022
Terribly written. (2 more)
Overacted.
Halle Berry.
Moonfall Review: It’s Raining Moon
Moonfall is a $146 million sci-fi disaster film directed by Roland Emmerich (Independence Day, Godzilla) and written by Emmerich, Harald Kloser (2012, 10000 BC), and Spenser Cohen (Extinction, The Expendables 4).
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.