"William Klein, an expat photographer, looks at what drives the USA, a cocky hubris. Delirious colors and comic realities of the American way. Serge Gainsbourg music! A riotous pop art telling of the George W. Bush era long before it came to be"

"When Godard stopped the music on the soundtrack as the scene continued, I learned about editing, and when he put colors on-screen, I learned about creating images. If we can ball up the intellectual with the emotional, we can stir people."

"“War Music,” a collection of Logue’s poetic "account" of the “Iliad,” has some real goosebump moments. Logue didn't know Greek and unlike Homer, he's not really interested in people or feelings; but he is brilliant at evoking colors, movement, and the awe-inspiring apparition of the divine."

"I dove into the middle of it instead of starting at the beginning. I came across a lot of beautiful poetry of the whiteness of the whale and the colors of nightmares and the great spirit’s spout…I turned back to the start: ‘Call me Ishmael,’ and I was in love!"

"Fassbinder was an incredible filmmaker and made at least one of my all-time favorites. Brigitte Mira is so moving as the woman who is not doing what society says she is supposed to. The colors are amazing in this film as well. I also love the music by Peer Raben."

"I think Pinocchio is Disney’s masterpiece, and I think that it’s such a perfectly put-together film. It has such a beautiful message in it, and so much thought went into it, and of course it’s beautifully drawn, and the colors are extraordinary, and I love Monstro, and the underwater sequences are quite something."