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LeftSideCut (3778 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
Gene Simmons recommended Colour and the Shape by Foo Fighters in Music (curated)
Jesters_folly (230 KP) rated the PC version of Beat Saber in Video Games
Sep 14, 2019
Beat Saber is a rhythm/dance game for PC VR. The premise is quite simple, you are armed with two Sabers, one red & one blue (Although some levels have different colours) and you have to hit blocks of the corresponding colour in time to music. Sounds easy right but, the blocks have arrows on them to tell you which direction you have to hit them in, you also have to avoid hitting bombs and avoiding walls. Being a VR game the blocks come towards you and you are free to swing the Sabers in any direction (Just make sure you’re not going to hit anything/one in reality.) and, to avoid the walls you do actually need to move and duck to get out of the way.
There is a good selection of songs available with (at the time of writing) three albums and one ‘extras’ track list for free and two albums to buy as expansion packs. One of the expansions is a pack by Imagine Dragons so I hold hopes that more bands will release official content. If you don’t like the tracks provided then you have two options; the game has an inbuilt level editor so you can make your own game maps or, if you don’t feel creative then beat Saber does support modding, although not through Steam and there are a large number of songs available this way, not to mention different Sabers, effects and other little treats.
Each song has anything from one to five levels of difficulty and some of the mods do seem harder than the level advertised.
The one thing a lot of people say is missing it multi player. There is a mode where one player has a turn then passes the headset to the nest player and you compare scores but you can’t currently play directly against someone else although I believe this function is being worked on.
There is a good selection of songs available with (at the time of writing) three albums and one ‘extras’ track list for free and two albums to buy as expansion packs. One of the expansions is a pack by Imagine Dragons so I hold hopes that more bands will release official content. If you don’t like the tracks provided then you have two options; the game has an inbuilt level editor so you can make your own game maps or, if you don’t feel creative then beat Saber does support modding, although not through Steam and there are a large number of songs available this way, not to mention different Sabers, effects and other little treats.
Each song has anything from one to five levels of difficulty and some of the mods do seem harder than the level advertised.
The one thing a lot of people say is missing it multi player. There is a mode where one player has a turn then passes the headset to the nest player and you compare scores but you can’t currently play directly against someone else although I believe this function is being worked on.
LeftSideCut (3778 KP) rated Mortal Kombat Legends: Scorpion's Revenge (2020) in Movies
Sep 1, 2020
Scorpion's Revenge is an animated re-tread of a story that has been told countless times by now. The attempt to fit a narrative around a standard fighting game, especially one that exclusively deals with straight up murder, had never really worked with me until recently. I'm one of the few who doesn't really like the 1995 movie, even ironically, and have always found the stories in the Mortal Kombat franchise kind of forced.
Recently however, the backstory has been fleshed out pretty well, especially with last year's Mortal Kombat 11. This movie deals with the events of the first tournament once again, but it benefits from the aforementioned good story-telling. Characters like the titular Scorpion, and Sub-Zero are no longer simple colour pallette swaps, they have proper, well realised back stories, and Scorpion's Revenge relishes in it.
What happens to Scorpion in the opening of the film is just horrible, and the whole runtime I really wanted him to DESTROY the people who wronged him.
Lots of fan favourites appear here - Sonya Blade, Johnny Cage, Liu Kang, Raiden, Quan Chi, Shang Tsung, Baraka, Reptile, Kano, Kitana, Jax, Goro - and all are represented just as much as they need to me, none of them feel like dead weight, it's well balanced. It has a decent voice cast as well, including Jennifer Carpenter and Joel McHale.
The animation is ok. I found myself disliking it at times, and then loving it at other times. It just didn't seem too consistent to me, but it's not a massive negative. There's plenty of action, and a truly staggering amount of gore, which is really all you could want from a Mortal Kombat film.
Truth be told, I would much rather watch this than the live action stuff any day of the week. It's pretty entertaining and a must for any fans of the game series.
Recently however, the backstory has been fleshed out pretty well, especially with last year's Mortal Kombat 11. This movie deals with the events of the first tournament once again, but it benefits from the aforementioned good story-telling. Characters like the titular Scorpion, and Sub-Zero are no longer simple colour pallette swaps, they have proper, well realised back stories, and Scorpion's Revenge relishes in it.
What happens to Scorpion in the opening of the film is just horrible, and the whole runtime I really wanted him to DESTROY the people who wronged him.
Lots of fan favourites appear here - Sonya Blade, Johnny Cage, Liu Kang, Raiden, Quan Chi, Shang Tsung, Baraka, Reptile, Kano, Kitana, Jax, Goro - and all are represented just as much as they need to me, none of them feel like dead weight, it's well balanced. It has a decent voice cast as well, including Jennifer Carpenter and Joel McHale.
The animation is ok. I found myself disliking it at times, and then loving it at other times. It just didn't seem too consistent to me, but it's not a massive negative. There's plenty of action, and a truly staggering amount of gore, which is really all you could want from a Mortal Kombat film.
Truth be told, I would much rather watch this than the live action stuff any day of the week. It's pretty entertaining and a must for any fans of the game series.
Hazel (1853 KP) rated Red Rising in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Red Rising</i> by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike <i>The Hunger Games Trilogy</i> by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. <i>Red Rising</i> suddenly becomes <i>Hunger Games-esque</i> and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about <i>Red Rising</i> was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realizes that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of <i>Red Rising</i>. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
<i>Red Rising</i> by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike <i>The Hunger Games Trilogy</i> by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. <i>Red Rising</i> suddenly becomes <i>Hunger Games-esque</i> and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about <i>Red Rising</i> was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realizes that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of <i>Red Rising</i>. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Emma @ The Movies (1786 KP) rated Some Like It Hot (1959) in Movies
Sep 25, 2019
The dilemma of an obsessed movie-goer is choosing what films to watch when things clash. It really wasn't a tough choice when an Unlimited Screening was announced for the same evening as Some Like It Hot. The screening was only two days before release, I could wait. It wasn't big enough to miss the chance to see this classic on the big screen.
It's been a long time since I've seen this and I'm always a little cautious about revisiting old favourites as my taste in films gradually changes. But luckily this one hadn't lost any of it's magic. It's a simple idea that's taken to the next level by a talented cast and wonderful script.
One of the reasons I think I love old movies so much is that they had a love of musical elements. I was always a fan of The Andrews Sisters, the Road movies, and of course musicals. A jazzy little number kept you buzzing and always knocked the entertainment value up a notch. This is no exception. Everyone loves some sultry Monroe be-dooping on screen.
There are lots of snippets online about the production and it give you a fantastic background. Monroe was terrible at remembering even that basic lines and they ended up writing lots of them down to hide on set, but some how that still didn't help to reduce the number of takes they needed to do. Curtis' prim and proper Josephine actually came about from him being uncomfortable dressed as a woman. Lemmon gave up being taught how to walk in heels because he wanted to look like a man wearing heels for the part. Despite it being in Monroe's contract that all her films had to be in colour they agreed to film in black and white because the make-up Curtis and Lemmon were wearing made them looking slightly green on camera... that's just some of it. It's well worth having a look around for other tidbits.
It's amazing to think that the flawless looking make-up in black and white looks completely different in colour. Let's face it, they both turn out looking pretty good dressed as women.
As a double act Curtis and Lemmon are wonderful together, both and Joe & Jerry and Josephine and Daphne. The dialogue, timing and the way they interact physically is all brilliant. One of my favourite bits is very early on when they realise the "funeral" is about to get raided. It's cool, calm and coordinated, not a beat is missed and the whole sequence puts a smile on my face.
I went to log this film on Letterboxd and noticed that I'd rated it as a four star film. Accurate, I thought to myself. But as I started to write notes for this review I realised I was sorely under appreciating it. How could I not give this five stars? Everything it does, it nails.
Being really picky, I'm not a big fan of Marilyn Monroe as an actress. I never feel that she stood up on her own, it tends to be the effort of everyone else that makes her shine better. That being said, she still has that massive impact on the screen and a naivety that needs to be there for some of the humour to work. Curtis dropping the dead pan line about water polo wouldn't have worked with any other type of character.
If I were to list the best bits of the film here I might as well just narrate you the whole movie. There are so many fun bits but one of my top ones is the engagement. That childlike glee is just so much fun that you're rooting for it to work too.
What you should do
There's no way that you should go through life without seeing Some Like It Hot. While there are a couple of moments that feel dated the humour is so good it would be a travesty to miss it.
Movie thing you wish you could take home
Tough choice... Curtis' agility when climbing the front of the hotel, Lemmon's dance moves, or the ability to make a cocktail in a hot water bottle... decisions decisions!
It's been a long time since I've seen this and I'm always a little cautious about revisiting old favourites as my taste in films gradually changes. But luckily this one hadn't lost any of it's magic. It's a simple idea that's taken to the next level by a talented cast and wonderful script.
One of the reasons I think I love old movies so much is that they had a love of musical elements. I was always a fan of The Andrews Sisters, the Road movies, and of course musicals. A jazzy little number kept you buzzing and always knocked the entertainment value up a notch. This is no exception. Everyone loves some sultry Monroe be-dooping on screen.
There are lots of snippets online about the production and it give you a fantastic background. Monroe was terrible at remembering even that basic lines and they ended up writing lots of them down to hide on set, but some how that still didn't help to reduce the number of takes they needed to do. Curtis' prim and proper Josephine actually came about from him being uncomfortable dressed as a woman. Lemmon gave up being taught how to walk in heels because he wanted to look like a man wearing heels for the part. Despite it being in Monroe's contract that all her films had to be in colour they agreed to film in black and white because the make-up Curtis and Lemmon were wearing made them looking slightly green on camera... that's just some of it. It's well worth having a look around for other tidbits.
It's amazing to think that the flawless looking make-up in black and white looks completely different in colour. Let's face it, they both turn out looking pretty good dressed as women.
As a double act Curtis and Lemmon are wonderful together, both and Joe & Jerry and Josephine and Daphne. The dialogue, timing and the way they interact physically is all brilliant. One of my favourite bits is very early on when they realise the "funeral" is about to get raided. It's cool, calm and coordinated, not a beat is missed and the whole sequence puts a smile on my face.
I went to log this film on Letterboxd and noticed that I'd rated it as a four star film. Accurate, I thought to myself. But as I started to write notes for this review I realised I was sorely under appreciating it. How could I not give this five stars? Everything it does, it nails.
Being really picky, I'm not a big fan of Marilyn Monroe as an actress. I never feel that she stood up on her own, it tends to be the effort of everyone else that makes her shine better. That being said, she still has that massive impact on the screen and a naivety that needs to be there for some of the humour to work. Curtis dropping the dead pan line about water polo wouldn't have worked with any other type of character.
If I were to list the best bits of the film here I might as well just narrate you the whole movie. There are so many fun bits but one of my top ones is the engagement. That childlike glee is just so much fun that you're rooting for it to work too.
What you should do
There's no way that you should go through life without seeing Some Like It Hot. While there are a couple of moments that feel dated the humour is so good it would be a travesty to miss it.
Movie thing you wish you could take home
Tough choice... Curtis' agility when climbing the front of the hotel, Lemmon's dance moves, or the ability to make a cocktail in a hot water bottle... decisions decisions!
Sam (74 KP) rated Me Before You in Books
Mar 27, 2019
Will needed Lou as much as she needed him, but will her love be enough to save his life?
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun teashop and she knows she might not love her boyfriend Patrick.
What Lou doesn’t know is she’s about to lose her job or that knowing what’s coming is what keeps her sane.
Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he’s going to put a stop to that.
What Will doesn’t know is that Lou is about to burst into his world in a riot of colour. And neither of them knows they’re going to change the other for all time.
When/Why I Bought It
This is yet another one of those books that I can’t actually remember buying! I bought it when I found out about the hype just before the film came out.
Overall Thoughts
This has made it to be one of my favourite books of all time. My copy is beginning to look tatty from the amount of times I’ve read it and the fact that I’ve lent it out to so many different people.
I love Lou. Even through everything, she still keeps her head on. She stays strong throughout the whole novel and I admire that. Watching her relationship with Will develop was heartwarming and I really wish I could read more from just that section of their relationship.
I really like that the novel raises awareness for both disabilities and mental health. I know there has been a lot of a kick back about how it goes about raising awareness, but I really felt like the way it was done gave it maximum effect and it really opened my eyes.
If you are prone to crying, do not read this in public! It even made me a bit teary-eyed which is almost impossible.
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun teashop and she knows she might not love her boyfriend Patrick.
What Lou doesn’t know is she’s about to lose her job or that knowing what’s coming is what keeps her sane.
Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he’s going to put a stop to that.
What Will doesn’t know is that Lou is about to burst into his world in a riot of colour. And neither of them knows they’re going to change the other for all time.
When/Why I Bought It
This is yet another one of those books that I can’t actually remember buying! I bought it when I found out about the hype just before the film came out.
Overall Thoughts
This has made it to be one of my favourite books of all time. My copy is beginning to look tatty from the amount of times I’ve read it and the fact that I’ve lent it out to so many different people.
I love Lou. Even through everything, she still keeps her head on. She stays strong throughout the whole novel and I admire that. Watching her relationship with Will develop was heartwarming and I really wish I could read more from just that section of their relationship.
I really like that the novel raises awareness for both disabilities and mental health. I know there has been a lot of a kick back about how it goes about raising awareness, but I really felt like the way it was done gave it maximum effect and it really opened my eyes.
If you are prone to crying, do not read this in public! It even made me a bit teary-eyed which is almost impossible.
Neon's Nerd Nexus (360 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 13, 2019
Out of this world
#spidermanintothespiderverse isn't just an incredible film its also hands down THE best #Spiderman film period & a film fans of the #webhead simply must see. Wow what an intense, #nostalgic & visually breath taking movie, its downright #gorgeous with a dazzling & explosive colour pallet, great dimensional pop, slick smooth unique #animation & some of the most absolutely insane/creative camera angles ive seen all year. This film had my eyes constantly opening wider, searching around the screen trying to take in the immense/painstaking detail literally crammed into every scene. So much attention to detail & #love for years of spiderman material has gone into the making of this film that its honestly just a complete joy to behold. Story wise its a complete breath of fresh air too with constantly shocking plot twists a new spin on origins & extremely informative catch up scenes. Characters are all extremely likable & really well fleshed out & human that have to deal with some really tuff adult problems that i was not expecting to delve into in an #animated #film. Themes are vast here & my favourite explored how none of our #hero's really want the burden or responsibility of doing this as a job but understanding its their purpose/#destiny keeps them dedicated to it. There's also alot on commitment, loss, #courage, inner #demons, fate & #fear which again was awesome to see. Score & soundtrack wise it also shines with all the music intensifying & complimenting not only the tension but the obscure telltale visual style too. Speaking of tension its top notch too, there were scenes that had me sweating & sat on the edge of my seat in suspense & action so energetic, fluid & busy i felt goosebumps on my arms. While also absolutely #laugh out loud #hillarious the film can also be emotionally heavy at times too & i was surprised at just how often the film quickly got dark with either a surprising character death or deep philosophical dialog. Do yourself a favour see this in cinemas & in 3d we need #sony to realise this is the high quality spiderman we want more of. Simply stunning. #marvel #spidergwen #stanlee #mcu #comic #spiderpig #milesmorales #odeon #filmbuff #superhero
Neon's Nerd Nexus (360 KP) rated Mandy (2018) in Movies
May 13, 2019
Oh Mandy
#Mandymovie is an intoxicating & nauseating experience that left my head spinning & my body warm/tingly sunk into my seat. From the second #mandy starts i was simply hooked, #nostalgia running through my body & its #perfect visuals glistening off my eye balls. I felt almost in a #trance with its soothing/#hypnotic #soundtrack & its cinematography bathed in colour Mandy is simply #gorgeous right to its core. Atmosphere begins #beautifully creating so much intrigue, a sence of wonder/#mystery & a massive sense of love/commitment however its not long until this flips to deeply #unerving, #unsettling & down right skin crawling fast. So many scenes are Dialog sparce but with so much depth in the visuals & sound its really not missed or needed at all. An example of this is Cages love for mandy is shown as complete devotion, #passion/commitment like he sees her almost as a godess/his reason to live (shown using glowing light and warm fire acompanied by soft slow dialog) yet other peoples love for her is the complete oposite more as an #obsession, an object or a #desire (shown using pulsing red light, slow zooms and freeze frames and frantic pitch changing broken dialog). Its a masterful way of telling us about the characters & story making us feel/experiance there #emotions rather than wait for dialog to develop them for us. Acting is also stellar with this being #nicolascage best role in a very long time. His character is a #haunted & troubled man & his #pain can be felt deeply whenever he is on screen. Infunces/homages are everywhere here from #darioargento to #fridaythe13th & other #80s #horror movies. Infact mandy could easily be mistaken for a film released decades ago its that well made & its also destined to become a #cultclassic its self. Mandy is an absolute rare gem, every scene its drenched in such style, care & mesmerising #beauty youll be pushed to find another film like it now days. Im being vauge here on purpouse because to watching this film in the dark, on a big screen, turned up loud trully is one of the best experiences ive had watching a film this year. Insanely good & the perfect #arthouse #horror movie. #odeon #odeonlimitless #filmbuff #filmcritic
Paul Kellett (118 KP) rated Dawn of the Zeds (Third edition) in Tabletop Games
May 20, 2019
Staged rules to ease you in slowly (1 more)
Strong solo game plus team and 1 Vs many rules
The Ultimate Zombie Tower Defense
I've been wanting DotZ for some time so jumped on the reprint and expansions when they hit Kickstarter last year.
As a solo player, having a town defense game designed as a solo game first was a big draw for me and the game certainly doesn't disappoint.
After hearing so much about it and the complexity, I was surprised to find it a lot smaller than I expected - the board is smaller than most modern board games and there aren't anywhere near as many chits and cards as other wargames. The game will play easily on a coffee table.
The first thing you see are the 5 rule books, but these are handily split into a "Start Here" basic game book which lets you quickly jump in and play a basic game, just your heroes fending off the Zeds from reaching the town, the advanced rules which lead you through the next level of difficulty, adding in extra rules, the set-up guide with all the instructions for each difficulty level plus epilogues to see how well you did. Next there is the Farmingdale Dossier - a reference book with all the various hero and zombie special skills and finally, the complete rules A-Z with rules for all difficulty levels and game modes.
The levels are all colour coded so it is easy to sort and set up the desired difficulty level and the rules are similarly split up and each rule numbered so you can quickly find what you need.
Gameplay is tight and atmospheric, you really feel like you are holding back the zombie hoardes. Careful planning and strategy is vital as actions are limited (and you never actually know how many actions you will get from turn to turn making you make some hard choices as to what is best to do each turn.
Overall a very satisfying game that will keep me busy for a long time and the ability to add more advanced rules when I feel comfortable is great.
As a solo player, having a town defense game designed as a solo game first was a big draw for me and the game certainly doesn't disappoint.
After hearing so much about it and the complexity, I was surprised to find it a lot smaller than I expected - the board is smaller than most modern board games and there aren't anywhere near as many chits and cards as other wargames. The game will play easily on a coffee table.
The first thing you see are the 5 rule books, but these are handily split into a "Start Here" basic game book which lets you quickly jump in and play a basic game, just your heroes fending off the Zeds from reaching the town, the advanced rules which lead you through the next level of difficulty, adding in extra rules, the set-up guide with all the instructions for each difficulty level plus epilogues to see how well you did. Next there is the Farmingdale Dossier - a reference book with all the various hero and zombie special skills and finally, the complete rules A-Z with rules for all difficulty levels and game modes.
The levels are all colour coded so it is easy to sort and set up the desired difficulty level and the rules are similarly split up and each rule numbered so you can quickly find what you need.
Gameplay is tight and atmospheric, you really feel like you are holding back the zombie hoardes. Careful planning and strategy is vital as actions are limited (and you never actually know how many actions you will get from turn to turn making you make some hard choices as to what is best to do each turn.
Overall a very satisfying game that will keep me busy for a long time and the ability to add more advanced rules when I feel comfortable is great.
