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LeftSideCut (3778 KP) rated The Incredible Hulk (2008) in Movies
Feb 11, 2020 (Updated Apr 7, 2020)
The second entry into the ever expanding MCU has it's flaws, but it's still an entertaining enough monster movie featuring one of Marvel Comics most beloved characters.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
LeftSideCut (3778 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
Birds of Prey is a mixed bag, but there's just about enough good there to make it an enjoyable time.
I absolutely hated Suicide Squad, so naturally, didn't have high hopes for this. The film is aesthetically in the same vein, and carries a similar tone, but this time around, it mostly works.
One of the only things I liked in SS was Margot Robbie, so making her front and centre here is a smart move. She is undeniably the star, and even a cynical bastard like me has to admit, that she is a solid embodiment of Harley Quinn
The surrounding cast are unfortunately, under developed and have little impact. It's great to see characters like Black Canary, Huntress and Zsasz finally bought to the big screen, and Mary Elizabeth Winstead and Jurnee Smollett-Bell so a good job with what they're given, but the plots focus on Harley, and the films relatively brief runtime, leave little room for development past a flashback here and there, which is a shame.
The only character that comes close to matching the leading lady is Ewan McGregor's Roman Sionis aka Black Mask. McGregor obviously relishes in making Sionis seedy, nasty, misogynistic, and flamboyant, and results in one of those villains that you can't wait to get stomped down. The two of them carry the film, no doubt.
The pacing and narrative structure is comparable to Deadpool, with a good chunk of the film being told through various flashbacks. It honestly feels messy for much of the first half, and the truth is, this structure is hiding a fairly thread bare plot.
When the movie catches up with itself, if you will, and moves forward with a more traditional story path, is where there movie started to shine a bit more. The mid section lost me a little bit, with the exception of the odd set piece (the scene in the police station looks incredible), but when Birds of Prey hits it's third act, it's a lot of dumb, beautifully shot fun. The whole final sequence is great, and instead of the overloaded CGI orgies that I've come to expect from the DCEU, we get given fantastically choreographed, practical fight scenes, full of colour, swearing, a surprisingly hard hitting violence.
I left the cinema talking about all the bits that I liked, a stark contrast to the vitriol I felt after seeing Suicide Squad. It's not perfect, it's messy, it's a little cheesy, and is maybe guilty of thinking it's better than it is, but all in all, I can't find too much to complain about.
Also, that car chase scene was ridiculous (in a good way 👍)
I absolutely hated Suicide Squad, so naturally, didn't have high hopes for this. The film is aesthetically in the same vein, and carries a similar tone, but this time around, it mostly works.
One of the only things I liked in SS was Margot Robbie, so making her front and centre here is a smart move. She is undeniably the star, and even a cynical bastard like me has to admit, that she is a solid embodiment of Harley Quinn
The surrounding cast are unfortunately, under developed and have little impact. It's great to see characters like Black Canary, Huntress and Zsasz finally bought to the big screen, and Mary Elizabeth Winstead and Jurnee Smollett-Bell so a good job with what they're given, but the plots focus on Harley, and the films relatively brief runtime, leave little room for development past a flashback here and there, which is a shame.
The only character that comes close to matching the leading lady is Ewan McGregor's Roman Sionis aka Black Mask. McGregor obviously relishes in making Sionis seedy, nasty, misogynistic, and flamboyant, and results in one of those villains that you can't wait to get stomped down. The two of them carry the film, no doubt.
The pacing and narrative structure is comparable to Deadpool, with a good chunk of the film being told through various flashbacks. It honestly feels messy for much of the first half, and the truth is, this structure is hiding a fairly thread bare plot.
When the movie catches up with itself, if you will, and moves forward with a more traditional story path, is where there movie started to shine a bit more. The mid section lost me a little bit, with the exception of the odd set piece (the scene in the police station looks incredible), but when Birds of Prey hits it's third act, it's a lot of dumb, beautifully shot fun. The whole final sequence is great, and instead of the overloaded CGI orgies that I've come to expect from the DCEU, we get given fantastically choreographed, practical fight scenes, full of colour, swearing, a surprisingly hard hitting violence.
I left the cinema talking about all the bits that I liked, a stark contrast to the vitriol I felt after seeing Suicide Squad. It's not perfect, it's messy, it's a little cheesy, and is maybe guilty of thinking it's better than it is, but all in all, I can't find too much to complain about.
Also, that car chase scene was ridiculous (in a good way 👍)
Emma @ The Movies (1786 KP) rated Hope Gap (2020) in Movies
Mar 8, 2020
When picking things to watch at the London Film Festival the criteria was simple... read the synopsis and choose from that. If I got bogged down in anything more I was going to miss things that could have been "hidden gems", my list would also have been never-ending... but when you spot Annette Bening and Bill Nighy in a film together you can't say no really.
Edward and Grace have been married for 29 years but the humdrum living has become too monotonous, for Edward at least. He's felt like his life needs something different for a while, knowing that Grace will react badly he invites their son to aid in his plan to leave, but he too is in the dark about what on the cards for his visit.
I was keen to enjoy this one but I think sadly the film doesn't hit all the right notes. The set up of Edward (Nighy) and Grace (Bening) in the house together perfectly reflects their relationship. Everything is together and yet they're separate. They work in different rooms, their backs to each other and while they acknowledge each other and interact it's more habit than anything else.
I'm not the best at picking up subtle things when watching films the first time around, but I noted down a couple of times that there seemed to be a lot of colour coordination. Both main characters seemed to match with parts of the house and yet those colours never seemed to cross together at any time... one of the perils od not being able to rewind a film to check is that I'm left wondering if I actually saw something or not. Perhaps I imagined it! The similarities also extended to their son Jamie and his room... according to my unverifiable notes.
I thought that Josh O'Connor and Bill Nighy had a great dynamic together, their characters share many "inherited" traits together and that played out well on screen. Annette Bening's performance was strong at times and you could definitely see the progression clearly in Grace... but...
With those good touches came a lethargic pace. The laid back sense of the whole film with just Grace as the energetic feature was a struggle to watch. I can see that it could be exactly how it would happen in reality but that doesn't mean it will work on film when you aren't invested in the parties involved.
Hope Gap touches on some strong points but never seems to address them very directly. I'm not sure I can see another way that this would have jumped off the screen, in my head it feels more suited for the intimate setting of a theatre.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/hope-gap-movie-review.html
Edward and Grace have been married for 29 years but the humdrum living has become too monotonous, for Edward at least. He's felt like his life needs something different for a while, knowing that Grace will react badly he invites their son to aid in his plan to leave, but he too is in the dark about what on the cards for his visit.
I was keen to enjoy this one but I think sadly the film doesn't hit all the right notes. The set up of Edward (Nighy) and Grace (Bening) in the house together perfectly reflects their relationship. Everything is together and yet they're separate. They work in different rooms, their backs to each other and while they acknowledge each other and interact it's more habit than anything else.
I'm not the best at picking up subtle things when watching films the first time around, but I noted down a couple of times that there seemed to be a lot of colour coordination. Both main characters seemed to match with parts of the house and yet those colours never seemed to cross together at any time... one of the perils od not being able to rewind a film to check is that I'm left wondering if I actually saw something or not. Perhaps I imagined it! The similarities also extended to their son Jamie and his room... according to my unverifiable notes.
I thought that Josh O'Connor and Bill Nighy had a great dynamic together, their characters share many "inherited" traits together and that played out well on screen. Annette Bening's performance was strong at times and you could definitely see the progression clearly in Grace... but...
With those good touches came a lethargic pace. The laid back sense of the whole film with just Grace as the energetic feature was a struggle to watch. I can see that it could be exactly how it would happen in reality but that doesn't mean it will work on film when you aren't invested in the parties involved.
Hope Gap touches on some strong points but never seems to address them very directly. I'm not sure I can see another way that this would have jumped off the screen, in my head it feels more suited for the intimate setting of a theatre.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/hope-gap-movie-review.html
Ross (3282 KP) rated Doors: Twilight in Books
Mar 24, 2021
Great idea, poorly executed
The idea behind the Doors books is that of three different versions of a story with a shared beginning, but the stories diverge when the characters go through one of three (actually five but two are ignored as far as I'm aware!) doors. A team of people, each hired for their own area of expertise, are tasked with rescuing a rich German man's daughter who has wandered down into the mysterious cellar of their former family home, where a series of doors are believed to lead to strange new places.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
BookInspector (124 KP) rated The Belles: The Belles Book 1 in Books
Sep 24, 2020
The protagonist of this novel is Camellia, she is one of few Belles, who has the ability to make people beautiful by altering their bodies, from hair colour to bone structure. Being favourite is the ultimate goal of all Belles. They get recognition and exceptional treatment from the government. When Camellia arrives at the palace, one of her main tasks is to treat royals, and especially, to help princess Sophia, who is an absolute nightmare…
I really enjoyed, how the author picked the characters for this book. She offered a very wide variety to choose from, levelling the balance between positive and negative ones. All the characters have a unique set of characteristics that make this book very diverse and colourful. My favourite character was, of course, Camellia, as a reader I really got to know her personality, her thoughts and wishes, and I think she is a really nice girl, however, she is too weak to be a lead rebel, she needs more fire in her. My least favourite was, of course, Sophia, she is psychotic and an absolute nutter.
The narrative is told from Camellia’s perspective, and I did miss the input from other characters. I think it would’ve been more exciting if there would’ve been Sophia’s thoughts as well. It was a quite slow burner for me, to be honest, the transition between chapters was not very smooth and it did lack pace and adventure. The Belles sometimes felt like plastic surgeons or beauticians, I would’ve liked to see more magic or some unexpected powers. It kind of felt like an introduction to something, because not many things were happening throughout this book. In this novel author is praising women, the country is run by women, and some of the characters are even indulged in lesbian relationships. 🙂
The setting of this novel was absolutely amazing. The author wrote down the surroundings so detailed, that my imagination was working overtime. I would absolutely love to see this book on screen, I think the characters, dresses, atmosphere, all the things and buildings would look amazing in the Netflix series. It sounds so magical and absolutely stunning when you read it. The chapters were pretty short, and the language used was easy to read. I could feel this french breeze from time to time as well, especially with some of the product or food names… The ending was very exciting, and after reading this book, I hope that the second part will bring more adventure and that Camellia will deserve to be the rebel of this series.
So, to conclude, it is an interesting story, filled with very unique characters, and if you like books about beauty and evil princesses, I think you might quite enjoy this read.
I really enjoyed, how the author picked the characters for this book. She offered a very wide variety to choose from, levelling the balance between positive and negative ones. All the characters have a unique set of characteristics that make this book very diverse and colourful. My favourite character was, of course, Camellia, as a reader I really got to know her personality, her thoughts and wishes, and I think she is a really nice girl, however, she is too weak to be a lead rebel, she needs more fire in her. My least favourite was, of course, Sophia, she is psychotic and an absolute nutter.
The narrative is told from Camellia’s perspective, and I did miss the input from other characters. I think it would’ve been more exciting if there would’ve been Sophia’s thoughts as well. It was a quite slow burner for me, to be honest, the transition between chapters was not very smooth and it did lack pace and adventure. The Belles sometimes felt like plastic surgeons or beauticians, I would’ve liked to see more magic or some unexpected powers. It kind of felt like an introduction to something, because not many things were happening throughout this book. In this novel author is praising women, the country is run by women, and some of the characters are even indulged in lesbian relationships. 🙂
The setting of this novel was absolutely amazing. The author wrote down the surroundings so detailed, that my imagination was working overtime. I would absolutely love to see this book on screen, I think the characters, dresses, atmosphere, all the things and buildings would look amazing in the Netflix series. It sounds so magical and absolutely stunning when you read it. The chapters were pretty short, and the language used was easy to read. I could feel this french breeze from time to time as well, especially with some of the product or food names… The ending was very exciting, and after reading this book, I hope that the second part will bring more adventure and that Camellia will deserve to be the rebel of this series.
So, to conclude, it is an interesting story, filled with very unique characters, and if you like books about beauty and evil princesses, I think you might quite enjoy this read.
BookInspector (124 KP) rated The Spaces In Between in Books
Sep 24, 2020
let me begin by saying, that you have to take five seconds out of your day to enjoy this cover. Hats off from me to the artist who made it, and if I would’ve had a paperback of this book, I would not be able to resist the urge to colour it in 😀 It is just so cool 😀 Another thing which still has me debating with myself is was this book based on a true story? All this experience was real? I am just left confused, where the fiction ends and true facts begin…
The main star of this book is Nicholas for sure. It is his story which makes the jaw drop. Lack of money and job forces him to work in this creepy house as an English tutor, but this house has strange residents, who live like it is 1916ies Russia. I really liked the complexity of all the residents in that house, they all were very amusing and unique personalities. They all have a role to play, and it is hard to distinguish whether they want to help or to harm Nicholas. The main character brought out many different emotions in me, I felt pity for the events he had to suffer, I was happy when good things happened to him and I was angry when he took silly decisions.
The whole story was told from two different perspectives. We have the introduction and investigative part told by a psychologist Dr Marie – Claire Groller, and the main story written down by Nicholas. I found both of the stories absolutely fascinating. The events highlighted in the blurb, which Nicholas had to suffer, are absolutely unimaginable, and the whole story is very dark, atmospheric, twisted and unbelievable. There is so much detail and emotions in his story, it is just creepy. I really enjoyed the investigation done by Dr Marie Clare and her father. I really liked all the information which they were able to find out, but I do miss the proper conclusion to this story. I WANT JUSTICE! 😀
I really enjoyed the structure of this book, I think it gave this book a great element of surprise. This book was easy to read, except for the French parts. I know maybe three words in French, so all the sentences without a translation left me a little annoyed. I really liked the decent length of the chapters and I loved the mask picture on the pages throughout the book. It gave this good feeling, that I am reading something written in medieval times. 🙂 So, to conclude, I strongly recommend reading this book, filled with unusual, eccentric characters and very unique and sinister setting, where reality mixes with fiction and imagination. What is real and what is an illusion? That’s the question. Enjoy 😀
The main star of this book is Nicholas for sure. It is his story which makes the jaw drop. Lack of money and job forces him to work in this creepy house as an English tutor, but this house has strange residents, who live like it is 1916ies Russia. I really liked the complexity of all the residents in that house, they all were very amusing and unique personalities. They all have a role to play, and it is hard to distinguish whether they want to help or to harm Nicholas. The main character brought out many different emotions in me, I felt pity for the events he had to suffer, I was happy when good things happened to him and I was angry when he took silly decisions.
The whole story was told from two different perspectives. We have the introduction and investigative part told by a psychologist Dr Marie – Claire Groller, and the main story written down by Nicholas. I found both of the stories absolutely fascinating. The events highlighted in the blurb, which Nicholas had to suffer, are absolutely unimaginable, and the whole story is very dark, atmospheric, twisted and unbelievable. There is so much detail and emotions in his story, it is just creepy. I really enjoyed the investigation done by Dr Marie Clare and her father. I really liked all the information which they were able to find out, but I do miss the proper conclusion to this story. I WANT JUSTICE! 😀
I really enjoyed the structure of this book, I think it gave this book a great element of surprise. This book was easy to read, except for the French parts. I know maybe three words in French, so all the sentences without a translation left me a little annoyed. I really liked the decent length of the chapters and I loved the mask picture on the pages throughout the book. It gave this good feeling, that I am reading something written in medieval times. 🙂 So, to conclude, I strongly recommend reading this book, filled with unusual, eccentric characters and very unique and sinister setting, where reality mixes with fiction and imagination. What is real and what is an illusion? That’s the question. Enjoy 😀
Jesters_folly (230 KP) rated Mandy (2018) in Movies
Sep 25, 2019
Contains spoilers, click to show
Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
Darren (1599 KP) rated I Like Me (2018) in Movies
Sep 13, 2019
Characters – Maggie is a free spirit that has spent most of her life being carefree, she returns home for her father’s funeral where she invites herself to stay with her half-sister, Maggie will drink too much and cause constant stress in her sister’s life, while not even getting a conversation out of her son. She writes a self-help book that makes her a big star, which offers her a chance to help people, but she struggles to deal with her own problems in life. Hannah is the younger half-sister of Maggie, she is married and looking for a promotion at work, she has her life pretty much together, until Maggie arrives in her life and things start to go wrong. Luke is Hannah’s husband that is still feeling young heart being a fan of disco bowling. Michael is the son of Maggie’s, the person she most wants back in her life, but he keeps his distance from her.
Performances – Sue Schaffel and Anna Fagan take the leading roles, they show us great chemistry through the film as they both have to show the ups and downs of their lives. Chris Kozlowski will get most of the laughs in the film.
Story – The story here follows a free spirit that returns to her home town, where she tries to put her life back together with her self-help book making her an internet sensation, but can she fix her own life before it is too late. This is a story that does focus on the idea that people will need help in everybody life, people might turn to books, but in reality it will always be yourself that helps the most. We do see how people can go off the rails and will try to find their own directions, while we will also people that seem to be grounded, but lack direction. We do get the important messages here and by the end of the film you will understand the meaning behind everything in the story.
Comedy – The comedy in the film comes from Maggie’s action and a lot comes from Luke just trying to be a good husband without ever siding with anybody.
Settings – The film keeps the settings simple enough being everyday home locations, until we go to the disco bowling which adds the colour and fun to the life of the characters.
Scene of the Movie – Disco bowling.
That Moment That Annoyed Me – There could have been more on Maggie’s childhood, like was she raised with Hannah, who was her mother.
Final Thoughts – This is a fun comedy that does have a life message involved, it will get the laughs and has strong performances throughout.
Overall: Fun comedy.
Performances – Sue Schaffel and Anna Fagan take the leading roles, they show us great chemistry through the film as they both have to show the ups and downs of their lives. Chris Kozlowski will get most of the laughs in the film.
Story – The story here follows a free spirit that returns to her home town, where she tries to put her life back together with her self-help book making her an internet sensation, but can she fix her own life before it is too late. This is a story that does focus on the idea that people will need help in everybody life, people might turn to books, but in reality it will always be yourself that helps the most. We do see how people can go off the rails and will try to find their own directions, while we will also people that seem to be grounded, but lack direction. We do get the important messages here and by the end of the film you will understand the meaning behind everything in the story.
Comedy – The comedy in the film comes from Maggie’s action and a lot comes from Luke just trying to be a good husband without ever siding with anybody.
Settings – The film keeps the settings simple enough being everyday home locations, until we go to the disco bowling which adds the colour and fun to the life of the characters.
Scene of the Movie – Disco bowling.
That Moment That Annoyed Me – There could have been more on Maggie’s childhood, like was she raised with Hannah, who was her mother.
Final Thoughts – This is a fun comedy that does have a life message involved, it will get the laughs and has strong performances throughout.
Overall: Fun comedy.
Debbiereadsbook (1110 KP) rated The Problem (Single Dad Support Group #1) in Books
May 30, 2020
bloody LOVED this!
Independent reviewer for Gay Romance Reviews, I was gifted the audio version of this book.
I'm turning this review on it's head, writing about the narrator first, cos, you know, I can, it's my review :-)
Michael Ferraiuolo has been a bit of an enigma for me, I either love his work, or hate it, I won't lie. But THIS time? I freaking LOVED it!
Alex has synesthesia, which means he sees his emotions in colour. The whole book, Alex was seeing how Laurence was affecting him, and he wasn't sure what it meant. The best bits of this book were when Alex was describing his colours/emotions, to Laurence, to himself. I have no doubt I would not have been so moved by those scenes, had I READ this book. Ferraiuolo nails it, he really does. Moved me to tears in places!
Laurence is solid, a good man, with his 16 year old son, Matthew. I liked how, very quicky, he was wanting more from Alex, not just for the sex(but PHEW!) no. But MORE. He has lived his life for his son, and in one meeting, Alex makes him see that he still has life to live, that he does not have to been locked away. Matthew is growing, making *quite literally* a life for himself. Laurence needs Alex, and rapidly, Alex sees that he needs Laurence too.
I loved the voices given to all the characters, but I especially enjoyed the voices given to the Support Group when they were chatting. It annoyed me a little bit at first, I will admit, but once I got used to the way the group chats were delivered, I loved them.
When the reason Alex behaved the way he did, before Laurence, becomes clear, I was out walking. And I stopped in the middle of the street, and cried. And cried to whole way through that bit. THEN, when other things happen?? I stopped in the middle of the street, and NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO came out my mouth, so loud, the woman across the road shouted to see if I was okay! I did NOT see that coming at me, no way, never in a million years!
So, yeah, loved the book, and loved the narration.
And now I'm left with a bit of a pickle! This is the only one of the series that is available in AUDIO, the books are out, all 6, but I don't like to flip from listening to reading in a series (or vice versa) So my pickle is, do I READ the next one? Or do I wait (im)patiently for the next one in audio? ARGH! Such decisions!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
I'm turning this review on it's head, writing about the narrator first, cos, you know, I can, it's my review :-)
Michael Ferraiuolo has been a bit of an enigma for me, I either love his work, or hate it, I won't lie. But THIS time? I freaking LOVED it!
Alex has synesthesia, which means he sees his emotions in colour. The whole book, Alex was seeing how Laurence was affecting him, and he wasn't sure what it meant. The best bits of this book were when Alex was describing his colours/emotions, to Laurence, to himself. I have no doubt I would not have been so moved by those scenes, had I READ this book. Ferraiuolo nails it, he really does. Moved me to tears in places!
Laurence is solid, a good man, with his 16 year old son, Matthew. I liked how, very quicky, he was wanting more from Alex, not just for the sex(but PHEW!) no. But MORE. He has lived his life for his son, and in one meeting, Alex makes him see that he still has life to live, that he does not have to been locked away. Matthew is growing, making *quite literally* a life for himself. Laurence needs Alex, and rapidly, Alex sees that he needs Laurence too.
I loved the voices given to all the characters, but I especially enjoyed the voices given to the Support Group when they were chatting. It annoyed me a little bit at first, I will admit, but once I got used to the way the group chats were delivered, I loved them.
When the reason Alex behaved the way he did, before Laurence, becomes clear, I was out walking. And I stopped in the middle of the street, and cried. And cried to whole way through that bit. THEN, when other things happen?? I stopped in the middle of the street, and NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO came out my mouth, so loud, the woman across the road shouted to see if I was okay! I did NOT see that coming at me, no way, never in a million years!
So, yeah, loved the book, and loved the narration.
And now I'm left with a bit of a pickle! This is the only one of the series that is available in AUDIO, the books are out, all 6, but I don't like to flip from listening to reading in a series (or vice versa) So my pickle is, do I READ the next one? Or do I wait (im)patiently for the next one in audio? ARGH! Such decisions!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Zombie Tidal Wave (2019) in Movies
Jun 3, 2020
A zombie film made for the SyFy Channel starring Ian Ziering you say? Sign me up.
While out fishing a group of friends catch something sinister. They haul a putrid looking dead body out of the water and very quickly realise that it isn't quite as dead as they'd have hoped. That body is the first in an army of the undead that takes over the town as an unexpected tidal wave gives them a helping hand.
Is this film bad? Yes. Is it an entertaining watch? Also yes, but on that SyFy Original movie level of yes.
Bless Ian Ziering and his movie decision. In Zombie Tidal Wave (I really love saying the whole title) he plays Hunter, a fisherman who's about to leave town for a fresh start. Hunter is everything you hope he will be. I also noticed on IMDb that Ziering has a story credit... well colour me surprised... it's a super-duper amazing tale about zombies by the sea.
I'm not going to insult you by saying that this would win any awards, we all know it wouldn't even without watching it. It wouldn't even win a Razzie, that's how good it is! Everything about this is in fact distinctly average, apart from the following...
That story... it's got a great idea with twists and turns that "make sense". It could almost have been a serious zombie film if someone at some point hadn't gone "You know what? We need more." "More what?" "Everything."
Those special effects... are terrible. I have never seen such badly CGId water, and that's something you should take seriously coming from someone who has seen as many made for TV movies as I have.
The consistency... there are facts about locations and objects that the film just throws out the window, there are some continuity errors as well... but while that sounds like a bad thing it's really an essential part of the enjoyment/
This couldn't be a typical review so to complete it I just want to share with you some of my notes/interactions with the film, I'll include some cryptic highlights to look out for too.
- The zombie that must have unnaturally long legs or be standing on a zombie pyramid.
- Synchronised swimming zombies.
- I snort laughed so hard at a big reveal point that I nearly choked on my breakfast.
- A stunning Bond girl moment that might have been the best shot of the film.
- The different densities of glass.
- The Sharknado reference.
- ... and the result of that reference.
- Douchebag and his girlfriend.
- Family banter with a zombie.
- "Reinforcements".
- Zombie's styling flip flops.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/zombie-tidal-wave-movie-review.html
While out fishing a group of friends catch something sinister. They haul a putrid looking dead body out of the water and very quickly realise that it isn't quite as dead as they'd have hoped. That body is the first in an army of the undead that takes over the town as an unexpected tidal wave gives them a helping hand.
Is this film bad? Yes. Is it an entertaining watch? Also yes, but on that SyFy Original movie level of yes.
Bless Ian Ziering and his movie decision. In Zombie Tidal Wave (I really love saying the whole title) he plays Hunter, a fisherman who's about to leave town for a fresh start. Hunter is everything you hope he will be. I also noticed on IMDb that Ziering has a story credit... well colour me surprised... it's a super-duper amazing tale about zombies by the sea.
I'm not going to insult you by saying that this would win any awards, we all know it wouldn't even without watching it. It wouldn't even win a Razzie, that's how good it is! Everything about this is in fact distinctly average, apart from the following...
That story... it's got a great idea with twists and turns that "make sense". It could almost have been a serious zombie film if someone at some point hadn't gone "You know what? We need more." "More what?" "Everything."
Those special effects... are terrible. I have never seen such badly CGId water, and that's something you should take seriously coming from someone who has seen as many made for TV movies as I have.
The consistency... there are facts about locations and objects that the film just throws out the window, there are some continuity errors as well... but while that sounds like a bad thing it's really an essential part of the enjoyment/
This couldn't be a typical review so to complete it I just want to share with you some of my notes/interactions with the film, I'll include some cryptic highlights to look out for too.
- The zombie that must have unnaturally long legs or be standing on a zombie pyramid.
- Synchronised swimming zombies.
- I snort laughed so hard at a big reveal point that I nearly choked on my breakfast.
- A stunning Bond girl moment that might have been the best shot of the film.
- The different densities of glass.
- The Sharknado reference.
- ... and the result of that reference.
- Douchebag and his girlfriend.
- Family banter with a zombie.
- "Reinforcements".
- Zombie's styling flip flops.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/zombie-tidal-wave-movie-review.html