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White Stripes by The White Stripes
White Stripes by The White Stripes
1999 | Alternative
7.3 (3 Ratings)
Album Favorite

"I've got no idea what it's about but from what I can tell it's about a monkey that explodes things, a monkey that likes the colour red but doesn't like green apples, so he explodes the apples. I just think it's really cool. I love The White Stripes. I love Jack White. I love Meg White. I love how simple their songs are, and instinctive. It feels like they've just started playing at that moment and they're making it up as they go along, just seeing how and where it goes. Even the lyrics - the ""exploding monkey"" - it feels so random. They let the music go where it wants to go naturally, they don't get bogged down trying to glue together complicated bits of melody. Quite a lot of the process of songwriting is trying to find ways to stick bits together and it becomes mathematical in that way. Sometimes you get swamped and weighed down with two bits of music that you can't find a way of joining. And then I listen to The White Stripes and think ""Ahh! You just play them next to each other, you don't have to join them."" It's like what I said about Pixies, they make me feel like music can be anything and can be as simple and as messy as you want. And as loud as you want! I find it really freeing. A lot of songwriting is getting in the right frame of mind, so it's good to have this music that doesn't make you feel worried about what you're doing and not be overly precious about it. If one bit of music isn't working with another bit you've got, you can just throw it away and write another bit, it actually doesn't take very long and maybe it will be better. Or maybe it will be worse, but whatever! There's something magical about it. I loved the three-colour thing the White Stripes did, the little codes in the lyrics about the number three and the symbolism in the album covers. And the way they pretended to be brother and sister! Or were they? Or weren't they?! They're just so fucking cool. Out of all the bands to come out of the last twenty years I think they're one of the best. I'm also so glad they broke up. I'm so glad they stopped and that Jack White does his other stuff now. They left the things that they did and they didn't change. It was just perfect."

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Last Night in Soho (2021)
Last Night in Soho (2021)
2021 | Drama, Horror, Thriller
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)

Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
  
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Awix (3310 KP) rated Aquaman (2018) in Movies

Feb 12, 2019  
Aquaman (2018)
Aquaman (2018)
2018 | Action, Sci-Fi
DC Comics adaptation boasts a colour palette that will make your eyes bleed and some casting decisions that will leave your mind near-permanently boggled (Julie Andrews and Dolph Lundgren, together at last), but still manages to be one of their better recent films - I'm aware that probably isn't saying much, so let me clarify it: Aquaman is a lot of fun. Jason Momoa plays the scion of Atlantis as a slightly dimwitted bro, which is a curious but entertaining take on the character; he has to go off on a quest for plot coupons in order to stop a war between the underwater world and the surface nations.

It probably takes a bit too long, and if you don't like wall-to-wall CGI this is definitely not the movie for you, but it ticks all the boxes and manages to be jolly popcorn-blockbuster fun, unsaddled by references to other DC movies. There's a bit of dead wood along the way (Black Manta is just there to facilitate a big action sequence, and allow the designers to get away with one of the most ridiculous costumes in living memory), but this is a surprisingly confident and epic-feeling take on a perennially second-string character.