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Italian Lakes
Lonely Planet, Cristian Bonetto, Duncan Garwood and Belinda Dixon
Book
Discover the freedom of open roads with Lonely Planet Italian Lakes Road Trips, your passport to...
Lonely Planet Germany, Austria & Switzerland's Best Trips
Lonely Planet, Marc Di Duca, Nicola Williams and Kerry Christiani
Book
Lonely Planet: The world's leading travel guide publisher Discover the freedom of open roads while...
Lonely Planet Normandy and D-Day Beaches Road Trips
Lonely Planet, Stuart Butler, Oliver Berry and Jean-Bernard Carillet
Book
Lonely Planet: The world's leading travel guide publisher Discover the freedom of open roads with...
LP
Lonely Planet Tuscany Road Trips
Lonely Planet, Duncan Garwood, Paula Hardy and Robert Landon
Book
Discover the freedom of open roads with Lonely Planet Tuscany Road Trips, your passport to uniquely...
Tom Stringer: A Global View
Book
Tom Stringer is a prolific and highly regarded United States based interior designer whose work...
Wildflowers of South Africa, flower identification
Reference and Education
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"The step-by-step identification process is easier than using a coffee plunger." GETAWAY - SA's...
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Cadenza: Tuner + Metronome
Music and Education
7.0
Rate It
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We're happy to announce that, as of November 2016, more than 450,000 musicians¹ throughout the...
Debbiereadsbook (1197 KP) rated Feathers and Foxes (Brodyr Alarch #2) in Books
Aug 17, 2024
I love hearing from everyone! It fills the bigger picture with more colour and detai!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Brodyr Alarch series, but it's not necessary to have read Slippers and Songs, which is book one, nor is it necessary to read Sealed with a Curse, which is the sort of introduction to this world and to the princes who are Brodyr Alarch. Not necessary, but I think you should. It will give you a better view of what the princes did to warrant getting the curse that turned them into swans, and how they got out of their predicament. They are very good books, I gave them Sealed 4 stars and 5 stars to Slippers and Songs.
And 5 stars for this one too!
Two things I'm loving the most about these books.
I don't know the Brothers Grimm tales that Sheppard is using to form the basis of these books. They are the lesser known ones, and I'm almost intrigued enough to go and read The Brothers Grimm tales, just to see if I can match them up! Almost, but I won't. Cos it might spoil my enjoyment of these books.
They are CLEAN. Totally and utterly and so beautifully clean. I will, more often than not, say I like my books on the steamier side and I make no apologies for that, but I am LOVING that these books are not at all like that! Oh don't get me wrong, there is love and passion here, but there is no explicit steam. Not for Terrwyn and Sulien, nor for Selene and Conway (from Sealed) as we catch up with them a couple times in the book.
In my review for Slippers, I said I wanted to hear from Tesni, but we didn't. But here, we get Sulien! And a few others too. I love hearing from everyone! It fills the bigger picture with more colour and detail, and I loved that.
Again, the Welsh Gods play a part, and again, I'm not going to try to name them cos I can't say them, let alone spell them, but they get up to their tricks in helping the Brodyr Alarch find their love, even if things do go a little off plan here!
Macsen is up next, given the little epilogue that those aforementioned Goods have, and I can't wait to get my hands on it! But Gerallt's book is the one I'm waiting for, and I strongly suspect his will be the last one! Gerallt is the prince who kept a swan wing, to remind himself of what he did. I want in his head so bad!
Anyway, enough rambling, but in case I forgot to say:
I loved this book!
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 2 in the Brodyr Alarch series, but it's not necessary to have read Slippers and Songs, which is book one, nor is it necessary to read Sealed with a Curse, which is the sort of introduction to this world and to the princes who are Brodyr Alarch. Not necessary, but I think you should. It will give you a better view of what the princes did to warrant getting the curse that turned them into swans, and how they got out of their predicament. They are very good books, I gave them Sealed 4 stars and 5 stars to Slippers and Songs.
And 5 stars for this one too!
Two things I'm loving the most about these books.
I don't know the Brothers Grimm tales that Sheppard is using to form the basis of these books. They are the lesser known ones, and I'm almost intrigued enough to go and read The Brothers Grimm tales, just to see if I can match them up! Almost, but I won't. Cos it might spoil my enjoyment of these books.
They are CLEAN. Totally and utterly and so beautifully clean. I will, more often than not, say I like my books on the steamier side and I make no apologies for that, but I am LOVING that these books are not at all like that! Oh don't get me wrong, there is love and passion here, but there is no explicit steam. Not for Terrwyn and Sulien, nor for Selene and Conway (from Sealed) as we catch up with them a couple times in the book.
In my review for Slippers, I said I wanted to hear from Tesni, but we didn't. But here, we get Sulien! And a few others too. I love hearing from everyone! It fills the bigger picture with more colour and detail, and I loved that.
Again, the Welsh Gods play a part, and again, I'm not going to try to name them cos I can't say them, let alone spell them, but they get up to their tricks in helping the Brodyr Alarch find their love, even if things do go a little off plan here!
Macsen is up next, given the little epilogue that those aforementioned Goods have, and I can't wait to get my hands on it! But Gerallt's book is the one I'm waiting for, and I strongly suspect his will be the last one! Gerallt is the prince who kept a swan wing, to remind himself of what he did. I want in his head so bad!
Anyway, enough rambling, but in case I forgot to say:
I loved this book!
5 full and shiny stars!
*same worded review will appear elsewhere
Suswatibasu (1701 KP) rated A Kind of Freedom: A Novel in Books
Nov 6, 2017 (Updated Nov 6, 2017)
A book rooted in hope and endurance
Margaret Wilkerson Sexton's beautiful debut novel explores four generations of a family, from the time of segregation to mass incarceration.
In A Kind of Freedom, Sexton pursues a family’s history in a downward spiral, with three alternating plot lines that echo one another along the way. It begins with the budding love of Evelyn, brought up in New Orleans and the daughter of a Creole mother and black doctor father. She is courted by Renard, a poor man who works menial jobs to get by but aspires to study medicine. Their courtship reveals the strictures of a class- and colour-driven society that suffocates ambition and distorts desire.
The second generation is about Jackie, a single mother in 1980s New Orleans who is in love with her child’s father but afraid he will succumb to his crack addiction.
Eventually, we get to know Jackie’s son, T.C., in 2010, a young man at a turning point in his life. Through T.C.'s eyes, Sexton portrays a post-Katrina New Orleans where the smell of mold still lingers and opportunities for fast cash in the streets abound, as do the chances of getting shot or arrested.
It's an unflinching portrayal, slightly detached and not overbearing in its rhetoric. It shows where links have been bruised and sometimes broken, but dwells on the endurance and not the damage. A moving read.
In A Kind of Freedom, Sexton pursues a family’s history in a downward spiral, with three alternating plot lines that echo one another along the way. It begins with the budding love of Evelyn, brought up in New Orleans and the daughter of a Creole mother and black doctor father. She is courted by Renard, a poor man who works menial jobs to get by but aspires to study medicine. Their courtship reveals the strictures of a class- and colour-driven society that suffocates ambition and distorts desire.
The second generation is about Jackie, a single mother in 1980s New Orleans who is in love with her child’s father but afraid he will succumb to his crack addiction.
Eventually, we get to know Jackie’s son, T.C., in 2010, a young man at a turning point in his life. Through T.C.'s eyes, Sexton portrays a post-Katrina New Orleans where the smell of mold still lingers and opportunities for fast cash in the streets abound, as do the chances of getting shot or arrested.
It's an unflinching portrayal, slightly detached and not overbearing in its rhetoric. It shows where links have been bruised and sometimes broken, but dwells on the endurance and not the damage. A moving read.