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The Bandersnatch (199 KP) rated The Secret Garden in Books
Nov 7, 2019
Written and published in 1911 the secret garden started its life as a serialization ten issues of in The American magazine (November 1910-August 1911), before being published by the American publishers Fredrick A. Stokes in August 1911 and by British publishers Heinemann later that year. However Copyright expired in the states in 1987 and inmost other parts of the world by 1995 placing the book in public domain and resulting in several abridged and unabridged editions being published. The book has the theme of Rejuvenation and regeneration, showing that if something is neglected it dies and if its worked on and cared for it thrives (Like Mary, Colin and the garden do).
The story starts at the turn of the 20th century and follows Mary Lennox, a sickly and unloved child born abroad and brought back to her wealthy uncles house after a Cholera outbreak leaves her an orphan. As Mary gets used to her new isolated home she learns of a private walled garden once owned by her aunt forever locked by her uncle and hears crying which eventually leads to her cousin Colin. With Mary telling Colin stories about the moor, her friend Dickon and the secret garden she has access to, Colin is inspired to join her outside and as such both children improve beyond belief.
The books working title was Mistress Mary in reference to the English Nursery Rhyme Mary, Mary, Quite Contrary. Parts of the book was written during Burnett's visits to Buile Hill park, Maytham Hall in Kent, England. She'd lived there for a number of years and the garden was cited as influence for the book. Burnett herself kept an extensive garden however its noted besides the garden Maytham hall and Misslethwaite Manor are physically very different.
Having been marketed to both adults and children the reception may have been affected. The book was not as celebrated as Burnett's other books during her lifetime and paled in comparison to the popularity of her other books. The books revival could be traced by an almost complete eclipse at the time of Burnett's death in1924. With the rise of scholarly work in the past twenty five years the book has risen in popularity and prominence. Its often noted as amongst the best books of the 20th century. It ranked 51 in the Big Read (BBC Survey), was named amongst the Teachers top 100 books for children in 2007 and in 2012 ranked 15th in the all time children's novels in a survey published by School Library Journal.
There have been Six movies (1919, 1949, 1987, 1993 and 1994), a TV show (1975), a Musical (1989), an Anime TV series (1991), an Opera (2013), Even a colouring book published (2013) from the book each one with various degrees of popularity and success. There will be a new 'The Secret Garden' movie which is being produced by David Heyman and Rosie Alison with the Production company Heydey films and Studiocanal. Both Colin firth and Julie Walters are set to star as Mrs Medlock and Archibald Craven and the release date will be the 17th April 2020....I am very excited to go see it.
The Author is Francis Hodgson Burnett and her bio segment is in last Tuesdays book club on The Little Princess if you would like to read it.
MY OPINIONS
I came across the book after seeing the 1993 movie when I was 9/10 years old. I went looking for the book bought it and started reading. I really really like the book and I agree that the theme of rejuvenation and regeneration definitely runs through the book. I love this book and definitely will be reading it to my future children. I give this book 8/10.
The story starts at the turn of the 20th century and follows Mary Lennox, a sickly and unloved child born abroad and brought back to her wealthy uncles house after a Cholera outbreak leaves her an orphan. As Mary gets used to her new isolated home she learns of a private walled garden once owned by her aunt forever locked by her uncle and hears crying which eventually leads to her cousin Colin. With Mary telling Colin stories about the moor, her friend Dickon and the secret garden she has access to, Colin is inspired to join her outside and as such both children improve beyond belief.
The books working title was Mistress Mary in reference to the English Nursery Rhyme Mary, Mary, Quite Contrary. Parts of the book was written during Burnett's visits to Buile Hill park, Maytham Hall in Kent, England. She'd lived there for a number of years and the garden was cited as influence for the book. Burnett herself kept an extensive garden however its noted besides the garden Maytham hall and Misslethwaite Manor are physically very different.
Having been marketed to both adults and children the reception may have been affected. The book was not as celebrated as Burnett's other books during her lifetime and paled in comparison to the popularity of her other books. The books revival could be traced by an almost complete eclipse at the time of Burnett's death in1924. With the rise of scholarly work in the past twenty five years the book has risen in popularity and prominence. Its often noted as amongst the best books of the 20th century. It ranked 51 in the Big Read (BBC Survey), was named amongst the Teachers top 100 books for children in 2007 and in 2012 ranked 15th in the all time children's novels in a survey published by School Library Journal.
There have been Six movies (1919, 1949, 1987, 1993 and 1994), a TV show (1975), a Musical (1989), an Anime TV series (1991), an Opera (2013), Even a colouring book published (2013) from the book each one with various degrees of popularity and success. There will be a new 'The Secret Garden' movie which is being produced by David Heyman and Rosie Alison with the Production company Heydey films and Studiocanal. Both Colin firth and Julie Walters are set to star as Mrs Medlock and Archibald Craven and the release date will be the 17th April 2020....I am very excited to go see it.
The Author is Francis Hodgson Burnett and her bio segment is in last Tuesdays book club on The Little Princess if you would like to read it.
MY OPINIONS
I came across the book after seeing the 1993 movie when I was 9/10 years old. I went looking for the book bought it and started reading. I really really like the book and I agree that the theme of rejuvenation and regeneration definitely runs through the book. I love this book and definitely will be reading it to my future children. I give this book 8/10.
Kirk Bage (1775 KP) rated Stan & Ollie (2018) in Movies
Jan 28, 2021
My relationship with Laurel & Hardy is a tentative one. I do enjoy their short films, full of ingenuity and genuinely funny moments. But, they’d be down the list a bit for me on the greatest black and white comedy stars – Chaplin, Keaton, Lloyd, then the Marx Brothers maybe, then the slapstick duo next, maybe. It’s not that I don’t think they are great! They are, they definitely are. I just can’t sit down and take to much of them at once. Maybe because their schtick is very stagey, vaudevillian even, rather than cinematic. And that is because they were primary stage actors and clowns. Not necessarily in that order.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.