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I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
8.0
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Book
Is feminism still a dirty word? We asked twenty-five of the brightest, funniest, bravest young women...
Cinco by Jim Gaffigan
6.8
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A dry and clever standup comedian who's hateful toward Hot Pockets and proud to be pale, Jim...
Baillon Collection: A Sensational Barnfind
Book
"Found sheltering in a garage was one of just three Maserati A6G 2000 Berlinettas with coachwork by...
Away with Words: An Irreverent Tour Through the World of Pun Competitions
Book
Fast Company reporter Joe Berkowitz investigates the bizarre and hilarious world of pun competitions...
Stand Up & Sock it to Them Sister: Funny, Feisty Females
Book
"Funny is Funny" Joan Rivers But how do you make it in the world of comedy if you are a woman? With...
Robert Eggers recommended Mary Poppins (1964) in Movies (curated)
Midge (525 KP) rated The Next to Die in Books
Feb 17, 2019
Original And Very Unique
Five well deserved stars! This is such a good book for me - the witticisms, the sarcastic put-downs, as well as the hilarious musings and anecdotes, all help this book along for me. It’s nothing like any other novel that I can recall reading before and it is especially refreshing for a crime novel.
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Michael Packner (32 KP) rated Halloween (2018) in Movies
Jun 15, 2019 (Updated Jun 15, 2019)
The film starts off really good. The first half of the film is definitely quality. (1 more)
The strongest point of the film is an absolutely beautiful and brutal tracking shot that lasts about two minutes. Really epic stuff.
The second half of the film. At about halfway the film hits a wall and freefalls from there. (3 more)
Vicki's death scene is played for cheap laughs when the scene should've been dead serious. This is the start of the freefall.
The twist with the "New Loomis" is BRUTALLY awful.
The "epic" final act and long awaited showdown between Laurie and Michael is epically meh.
Before I start I want to qualify this by saying other than the first two films which are classics, I really do not like this series. It's overrated and boring and truthfully everything past part 2 is mediocre to crap, so I went into this honestly expecting to hate it and watched it more for my wife than myself. That being said, the first half hour I felt like I was right, but then it did get better. This was a better sequel than the previous ones. Michael is evil again and he is BRUTAL. The use of comedy in this film was overdone to a huge fault, especially one kill scene where they used comedy to absolutely kill the tension and the scene came off absolutely disrespectful and just mean spirited in a bad way. The new Loomis subplot was awful. Why? Just why? A father with his son makes the dumbest decision ever in a horror movie and that's ok, but people forgive it because it's this franchise. I did enjoy the final showdown between Michael and Laurie though so that's a positive. I rank the film as at least 3 or 4 in the franchise so there's that. At least I had fun and enjoyed it for the most part. Never let a comedian write a horror movie ever again.
Matthew Krueger (10051 KP) rated Joker (2019) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
The Killing Joke
I finally saw Joker yesterday with a full crowd of people in the theater. Which i was surpise of because it has been out for a month now. But the crowd and i loved Joker.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
BankofMarquis (1832 KP) rated Holmes and Watson (2018) in Movies
Apr 27, 2020
They can't all be winners
Well...they can't all be winners.
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)