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Nick Beaty (70 KP) rated Happy Death Day 2U (2019) in Movies
Dec 19, 2019 (Updated Dec 19, 2019)
Slightly disappointed...
I think it was inevitable that this one would struggle to live up to the surprise success of the first movie. I really wanted to like it, as I did genuinely enjoy the first installment but couldn't help feel slightly disappointed this time around.
For me it felt like the movie lost it's way early on. Where Happy Death Day knew exactly what it was (very much a comedy slasher) This time out we lose the slasher aspect after about 15 minutes for a more scientific take on events, trying to explain what caused the Groundhog Day effect in the first film.
The writing felt lazier this time around, with the multiverse angle being used for the millionth time and some of the dialogue and jokes coming across as cringe worthy and incredibly corny in places.
Overall it's no big surprise that they tried to cash in on the first movie but for me sometimes less is more and on this occasion, I think I'd prefer to remember Happy Death Day as the comedy slasher it was supposed to be in the first place.
For me it felt like the movie lost it's way early on. Where Happy Death Day knew exactly what it was (very much a comedy slasher) This time out we lose the slasher aspect after about 15 minutes for a more scientific take on events, trying to explain what caused the Groundhog Day effect in the first film.
The writing felt lazier this time around, with the multiverse angle being used for the millionth time and some of the dialogue and jokes coming across as cringe worthy and incredibly corny in places.
Overall it's no big surprise that they tried to cash in on the first movie but for me sometimes less is more and on this occasion, I think I'd prefer to remember Happy Death Day as the comedy slasher it was supposed to be in the first place.
Nick Beaty (70 KP) rated Stan & Ollie (2018) in Movies
Jan 12, 2020 (Updated Jan 13, 2020)
A must see for Laurel & Hardy fans...
This movie is a funny, moving and heartfelt biopic of the great Stan Laurel & Oliver Hardy.
Director Jon S. Baird and writer Jeff Pope clearly have a great love for Laurel & Hardy and this shines through in Stan & Ollie. You can definitely see this film has been made with love and respect for the legendary comedy duo, which makes it a must see for Laurel & Hardy fans.
Steve Coogan & John C. Reilly are absolutely faultless with their performances. I have read a few reviews that don't really give Steve Coogan the credit he deserves for this role. For me he proves he is so much more than his Alan Partridge character that a lot of people can't seem to see past. Like the real thing it takes near on perfect comedy timing from both men to perform the routines and they do the original performances a huge justice.
To wrap things up whether you are a Laurel & Hardy fan or not this is still a very well made movie, with two exceptional performances from the lead actors. This should definitely be one to add to your watch list.
Director Jon S. Baird and writer Jeff Pope clearly have a great love for Laurel & Hardy and this shines through in Stan & Ollie. You can definitely see this film has been made with love and respect for the legendary comedy duo, which makes it a must see for Laurel & Hardy fans.
Steve Coogan & John C. Reilly are absolutely faultless with their performances. I have read a few reviews that don't really give Steve Coogan the credit he deserves for this role. For me he proves he is so much more than his Alan Partridge character that a lot of people can't seem to see past. Like the real thing it takes near on perfect comedy timing from both men to perform the routines and they do the original performances a huge justice.
To wrap things up whether you are a Laurel & Hardy fan or not this is still a very well made movie, with two exceptional performances from the lead actors. This should definitely be one to add to your watch list.
Awix (3310 KP) rated Personal Services (1987) in Movies
Jan 19, 2020
Not many people get a film based on their life while they're still around: prostitute and brothel madam Cynthia Payne had not one but two released in the same year (this and 'Wish You Were Here') - makes one proud to be British. A typical story of rags to riches, embellished with a vast amount of kinky sex and tawdry etablishment hypocrisy - not entirely surprisingly, the women here are the tough and clever ones, the men who come to them are awkward, fragile creatures.
One of those off-beat comedy-drama films, with a strong sense of the seedier side of life, that the UK film industry went in for quite a lot in the 1980s. This one has a strong performance from Julie Walters, but the comedy often feels strained and it can't seem to quite decide how it's going to handle the more graphic material inevitably involved - straightforwardly, or in nudge-nudge style? Tends towards the latter. Passes the time reasonably well as a slightly odd piece of entertainment; may well also be of interest as an insight into the English psyche (God help us).
One of those off-beat comedy-drama films, with a strong sense of the seedier side of life, that the UK film industry went in for quite a lot in the 1980s. This one has a strong performance from Julie Walters, but the comedy often feels strained and it can't seem to quite decide how it's going to handle the more graphic material inevitably involved - straightforwardly, or in nudge-nudge style? Tends towards the latter. Passes the time reasonably well as a slightly odd piece of entertainment; may well also be of interest as an insight into the English psyche (God help us).
Tim McGuire (301 KP) rated What If (2014) in Movies
Mar 3, 2020
384. What If. A pretty decent romantic comedy. A very formulaic romantic comedy, tho the performances and a decent soundtrack helped a lot. This is of the 'we can be friends' variety. Wallace a med school drop up, just can't seem to find love, then he meets Chantry at a party, sparks fly. He walks her home, and as that awkward moment of should I kiss her, she drops, yea my boyfriend, blah blah, Wallace stopped listening for a second. Boyfriend? Wtf? Anyway, the sentence ends with here's my number we can be best friends! He's like, yea. Then promptly loses it in the wind. The End. No, fate. They meet up randomly outside of an airport sometime later, and he is so ready to be friends with the girl he has the hots for! Will he find a way to get the girl? Gee, I wonder. Like I said, very formulaic. It is a fun movie, Harry Potter plays Wallace. Zoe Kazan plays Chantry. Wallace's best friend, Allan, is played by Kylo Ren. Its nice to look at and fun to listen to with a cool soundtrack. Check it out. Filmbufftim on FB
Eduardo Sanchez recommended Notting Hill (1999) in Movies (curated)
Rowan Atkinson recommended This Is Spinal Tap (1984) in Movies (curated)
LoganCrews (2861 KP) rated Find Me Guilty (2006) in Movies
Sep 19, 2020
There are many ways you could frame defenses/reasons to watch this, but at the end of the day it will always be a one-man-show for Vin Diesel's consummate performance first and foremost. Unlike many I can't say this is his finest acting hour while đđ˘đ´đľ đđŞđˇđŚ still exists, but it's undoubtedly in his top 5. While the film itself is riddled with sins (ungodly long, content with being just a breezy comedy rather than really interrogating its fascinating real life subject matter with anything deeper, pretty melodramatic, paced like shit, and why the ever-loving fuck is that score so loud lmfao it's embarrassing), this performance is faultless. Comedy and drama is married within it in such a way that makes it just unforgettable. Without Vin, there is no movie - he singlehandedly makes you sympathize with the mob, and he can effortlessly go from hilarious to heartwrenching in the very same scene. Even as a Vin defender, I didn't think he had this one in him. This is what full commitment to a role looks like, and that hairpiece is just intrinsically funny.
LeftSideCut (3778 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 30, 2020
Slaughterhouse Rulez is a textbook example of a swing and a miss. It tries to give us a nice slice of comedy horror, but executes it pretty miserably.
A few things I liked...
- The fracking company were moustache twirling type villains, and were fairly amusing in the tiny amount of screentime dedicated to them.
- The CGI for the monsters is pretty decent, and the practical effects for close ups are also good.
- The whole final act when the monsters eventually turned up was effectively entertaining
But....
It takes a painfully long time to get to that bit. The hour plus of runtime preceding the monsters attacking is mostly boring setup, messy pacing and dialogue and a waste of a good cast.
The younger cast are fine, but it's hard not to feel that Simon Pegg, Nick Frost, Margot Robbie and Michael Sheen are just severely under utilised, in a sometimes humorous comedy that is trying ball achingly hard to be an Edgar Wright movie.
Slaughterhouse Rulez isn't awful by any means, more accurately frustrating because it feels like a much better movie is buried somewhere beneath the final product.
A few things I liked...
- The fracking company were moustache twirling type villains, and were fairly amusing in the tiny amount of screentime dedicated to them.
- The CGI for the monsters is pretty decent, and the practical effects for close ups are also good.
- The whole final act when the monsters eventually turned up was effectively entertaining
But....
It takes a painfully long time to get to that bit. The hour plus of runtime preceding the monsters attacking is mostly boring setup, messy pacing and dialogue and a waste of a good cast.
The younger cast are fine, but it's hard not to feel that Simon Pegg, Nick Frost, Margot Robbie and Michael Sheen are just severely under utilised, in a sometimes humorous comedy that is trying ball achingly hard to be an Edgar Wright movie.
Slaughterhouse Rulez isn't awful by any means, more accurately frustrating because it feels like a much better movie is buried somewhere beneath the final product.
LeftSideCut (3778 KP) rated Evil Dead II (1987) in Movies
Feb 9, 2022
Let's not beat around the bush here, Evil Dead II is quite simply, one of the best horror movies ever made.
Picking up immediately after the first one concludes, the narrative dives headfirst into another night of chaos for Ash Williams, stuck in a possessed cabin in the middle of nowhere. The breakneck pacing never relents, ensuring that the entire runtime is horrifically entertaining. The serious tone of the first isn't completely replaced, but a dark, slapstick-comedy coat of paint is laid on thick, and it works perfectly with just how absurd proceedings become. This aspect is also bolstered by Bruce Campbell. He manages to be a badass protagonist, but his physical comedy performance is perfectly on point, and his descent into utter madness is well realised. The physical effects work is nothing short of spectacular, and Raimis unique shooting style benefits from a bigger budget.
Evil Dead II is a true, all-time horror great. It's frequently hilarious, flat out ridiculous, has generous lashings of gore, and still manages to deliver some solid scares in spite of its goofiness.
Absolutely. Fucking. Perfect.
Picking up immediately after the first one concludes, the narrative dives headfirst into another night of chaos for Ash Williams, stuck in a possessed cabin in the middle of nowhere. The breakneck pacing never relents, ensuring that the entire runtime is horrifically entertaining. The serious tone of the first isn't completely replaced, but a dark, slapstick-comedy coat of paint is laid on thick, and it works perfectly with just how absurd proceedings become. This aspect is also bolstered by Bruce Campbell. He manages to be a badass protagonist, but his physical comedy performance is perfectly on point, and his descent into utter madness is well realised. The physical effects work is nothing short of spectacular, and Raimis unique shooting style benefits from a bigger budget.
Evil Dead II is a true, all-time horror great. It's frequently hilarious, flat out ridiculous, has generous lashings of gore, and still manages to deliver some solid scares in spite of its goofiness.
Absolutely. Fucking. Perfect.
Gareth von Kallenbach (965 KP) rated Seeking a Friend for the End of the World (2012) in Movies
Aug 7, 2019
How many times have you seen this premise played out in film or other forms of entertainment: The world is going to end and thereâs one last ditch plan or effort to save it (It inevitably succeeds, of course!); alternatively, the world has ended already and weâre left with post-apocalyptic society picking up the pieces. The premise is everywhere; the fascination with the end of days has been evident throughout our popular culture for decades. Yet, the thing about these two premises is that it avoids a (quite large) important question about the nature of the situation. What if our last ditch effort doesnât succeed? What if there is no post-apocalyptic setting giving us hope for a re-built future. âSeeking a Friend for the End of the Worldâ, a brand new film directed and written by Lorene Scafaria (âNick and Noraâs Infinite Playlistâ) attempts to focus on that gap often glossed over by apocalyptic fiction. It assumes there is no hope, there is a conclusion, and how do we deal with that?
Itâs a comedy drama that pokes fun of the absurdity of a monotonous society coping with the conclusion of all civilization, while interweaving a touching romance between two people with broken pasts and deep regrets. Yet, it is a movie with some notable flaws, mainly in how it focuses its attention.
The premise is fairly simple, and rightly so. There is a large asteroid named âMatildaâ barreling towards Earth and its impact will wipe out all life on our beloved planet. The film starts with the announcement that the last chance for Earthâs survival, a space mission to destroy the asteroid, has failed due to a fire on board the vessel. With only three weeks left to live, insurance salesman Dodge Peterson (Steve Carell) must decide how to spend the rest of his life. He decides to chase down an old highschool sweetheart and is accompanied by his neighbor, Penny (Keira Knightley) who wishes to return home to see her family one last time. They meet several characters in their roadtrip journey through pre-apocalyptica, including characters played by Rob Corddry and Martin Sheen.
The simple premise seems familiar due to its subject matter (Câmon, itâs 2012. Iâm surprised there hasnât been even more apocalypse movies flooding the theaters). Yet, strangely it feels fresh simply in how it handles itself. As said, most movies focus on the last daring mission to save mankind from certain destruction, or assumes that certain destruction really isnât the end. People like to see hope, they donât want to be confined by fate. This movie takes a different approach. Right off the bat it basically tells you there is zero hope, zero chance of getting out of this mess. Now what do you do? This particular premise lets comedy shine for the first two acts of the movie. There are subtle jokes, like the absurdity of naming a rock about to destroy all of mankind âMatildaâ.
There are more traditional joke set-ups, favoring quick joke-punchline material that is mostly laugh-out-loud funny. And there is a fair amount of dark humor, simple funniness in the absurdity of how people treat the end of days. People mowing their lawns, still cleaning houses, even cops who continue to pull people over all poke fun of how people cannot let go of even the most monotonous of tasks that define their lift â regardless of how pointless they are due to the situation. Or the people who just let go and want to spend their last days without care, throwing themselves into orgies, drugs or riots. However, the tone of the drama limits the humor of the movie, favoring those kinds of moderate laughs over hysterical or hilarious moments. Thatâs the underlying issue of the film: that it feels like the humor is constrained due to fear of it undermining its drama.
Those who expect a comedy movie will only get two-thirds of one. And those who expect a drama movie will get mostly one. By no means does it fail at comedy or drama, but it just does not strike that delicate balance to be both in the same setting. The last act of the movie almost completely drops the comedy in favor of a dramatic and romantic conclusion. Itâs not a huge fault, because the writing, and well-paced relationship development between the two main protagonists (Dodge and Penny), means that their inevitable romance seems natural, honest, and believable. The comedy is really only around in the first two thirds of the movie to try and keep your attention away from the obvious conclusion to their story â the fact that they end up together (and, perhaps, another conclusion entirely). So, when it does eventually happen, even though it was obvious from the start that it would, it does feel very endearing. The natural chemistry between Steve Carell and Keira Knightley is quite good, so buying their romance is not difficult in the slightest.
Yet, even still, that underlying issue keeps coming back. The fact that the comedy feels like a tool to facilitate a good dramatic ending ,instead of natural focus of the movie, undermines the experience for those who want to get some laughs. If there was a more natural balance between the romantic elements and comedy elements throughout the whole movie and not just the first two thirds, it could bring forth much more powerful comedy and/or drama. That way those who desire comedy or romance would be delighted to get a good deal of both intertwined.
I commend the film for how it handles the subject matter of inevitability. Even though it pokes fun at absurdity and really garners good laughs, it always has this underlying sense of regret, sadness and dread. Youâre always reminded in the back of your mind that the world is going to end, but it does a good enough job pulling you into the charactersâ last struggle to piece together their lives after decades of failure and regret that you end up really wanting to see them pull through somehow. Its last act is especially poignant, and definitely emotionally strong. Even though the themes of throwing away your past in favor of a happier future (despite it being such a short future) are not well concealed, they still end up being particularly strong. A film that can really make you appreciate what you have outside the film and the limited time you have left to enjoy it has to be commended for making you think.
âSeeking a Friend for the End of the Worldâ is a fairly powerful romance drama that focuses on how people deal with loss, regret and the prospect of inevitable fate. More importantly, though, is that it focuses on how people can build something profoundly beautiful even in the last moments of their lives â regardless of their pasts or (lack) of future prospects. It has comedy in the movie, but it never really shines nor intertwines with the drama. They almost feel like two separate elements that struggle to mix together. Yet, the comedy is mostly laugh-out-loud funny and the drama is quite poignant and endearing. It definitely had the potential to make us laugh to tears or even bring us to tears through drama, but instead it settles for simply making us laugh and reflect.
Itâs a comedy drama that pokes fun of the absurdity of a monotonous society coping with the conclusion of all civilization, while interweaving a touching romance between two people with broken pasts and deep regrets. Yet, it is a movie with some notable flaws, mainly in how it focuses its attention.
The premise is fairly simple, and rightly so. There is a large asteroid named âMatildaâ barreling towards Earth and its impact will wipe out all life on our beloved planet. The film starts with the announcement that the last chance for Earthâs survival, a space mission to destroy the asteroid, has failed due to a fire on board the vessel. With only three weeks left to live, insurance salesman Dodge Peterson (Steve Carell) must decide how to spend the rest of his life. He decides to chase down an old highschool sweetheart and is accompanied by his neighbor, Penny (Keira Knightley) who wishes to return home to see her family one last time. They meet several characters in their roadtrip journey through pre-apocalyptica, including characters played by Rob Corddry and Martin Sheen.
The simple premise seems familiar due to its subject matter (Câmon, itâs 2012. Iâm surprised there hasnât been even more apocalypse movies flooding the theaters). Yet, strangely it feels fresh simply in how it handles itself. As said, most movies focus on the last daring mission to save mankind from certain destruction, or assumes that certain destruction really isnât the end. People like to see hope, they donât want to be confined by fate. This movie takes a different approach. Right off the bat it basically tells you there is zero hope, zero chance of getting out of this mess. Now what do you do? This particular premise lets comedy shine for the first two acts of the movie. There are subtle jokes, like the absurdity of naming a rock about to destroy all of mankind âMatildaâ.
There are more traditional joke set-ups, favoring quick joke-punchline material that is mostly laugh-out-loud funny. And there is a fair amount of dark humor, simple funniness in the absurdity of how people treat the end of days. People mowing their lawns, still cleaning houses, even cops who continue to pull people over all poke fun of how people cannot let go of even the most monotonous of tasks that define their lift â regardless of how pointless they are due to the situation. Or the people who just let go and want to spend their last days without care, throwing themselves into orgies, drugs or riots. However, the tone of the drama limits the humor of the movie, favoring those kinds of moderate laughs over hysterical or hilarious moments. Thatâs the underlying issue of the film: that it feels like the humor is constrained due to fear of it undermining its drama.
Those who expect a comedy movie will only get two-thirds of one. And those who expect a drama movie will get mostly one. By no means does it fail at comedy or drama, but it just does not strike that delicate balance to be both in the same setting. The last act of the movie almost completely drops the comedy in favor of a dramatic and romantic conclusion. Itâs not a huge fault, because the writing, and well-paced relationship development between the two main protagonists (Dodge and Penny), means that their inevitable romance seems natural, honest, and believable. The comedy is really only around in the first two thirds of the movie to try and keep your attention away from the obvious conclusion to their story â the fact that they end up together (and, perhaps, another conclusion entirely). So, when it does eventually happen, even though it was obvious from the start that it would, it does feel very endearing. The natural chemistry between Steve Carell and Keira Knightley is quite good, so buying their romance is not difficult in the slightest.
Yet, even still, that underlying issue keeps coming back. The fact that the comedy feels like a tool to facilitate a good dramatic ending ,instead of natural focus of the movie, undermines the experience for those who want to get some laughs. If there was a more natural balance between the romantic elements and comedy elements throughout the whole movie and not just the first two thirds, it could bring forth much more powerful comedy and/or drama. That way those who desire comedy or romance would be delighted to get a good deal of both intertwined.
I commend the film for how it handles the subject matter of inevitability. Even though it pokes fun at absurdity and really garners good laughs, it always has this underlying sense of regret, sadness and dread. Youâre always reminded in the back of your mind that the world is going to end, but it does a good enough job pulling you into the charactersâ last struggle to piece together their lives after decades of failure and regret that you end up really wanting to see them pull through somehow. Its last act is especially poignant, and definitely emotionally strong. Even though the themes of throwing away your past in favor of a happier future (despite it being such a short future) are not well concealed, they still end up being particularly strong. A film that can really make you appreciate what you have outside the film and the limited time you have left to enjoy it has to be commended for making you think.
âSeeking a Friend for the End of the Worldâ is a fairly powerful romance drama that focuses on how people deal with loss, regret and the prospect of inevitable fate. More importantly, though, is that it focuses on how people can build something profoundly beautiful even in the last moments of their lives â regardless of their pasts or (lack) of future prospects. It has comedy in the movie, but it never really shines nor intertwines with the drama. They almost feel like two separate elements that struggle to mix together. Yet, the comedy is mostly laugh-out-loud funny and the drama is quite poignant and endearing. It definitely had the potential to make us laugh to tears or even bring us to tears through drama, but instead it settles for simply making us laugh and reflect.