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Bob Mann (459 KP) rated Johnny English Strikes Again (2018) in Movies
Sep 28, 2021
Spy spoof caper that’s only passably amusing.
It’s a HILARIOUS concept. It’s Bond but not as we know it: a suave, sophisticated, well-dressed hero but someone who’s a complete klutz when it comes to the spy business. Rowan Atkinson is perfect in the role: because when he plays his face ”straight” he IS strangely good-looking and certainly pulls off the air of confidence, intelligence and sophistication well.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
Bob Mann (459 KP) rated David Brent: Life on the Road (2017) in Movies
Sep 29, 2021
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
365Flicks (235 KP) rated I Love My Mum (2018) in Movies
Oct 31, 2019 (Updated Oct 31, 2019)
I feel this could be an instant cult favourite.
Prepare yourself Film Fans, for what could be the best British road trip comedy you will have seen in a long time. A bold statement I know however this Low budget Brit comedy punches way above its weight in almost every aspect and lands an absolute knockout for its viewers.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
Halt and Catch Fire
The Predator- love the first one, hated the second one, liked the reboot/remake in 2010 and this one well could of been better. Let me explain the predator franchise is a intrest franchise, mixing togther horror, sci-fi, action and comedy all togther. Sometimes it works like in the oringal one and the 2010 verison, sometimes it doesnt like the sequel. So how does this one hold up. Well all i can say is that its a mix bag. Sometimes the comedy works and sometimes it doesnt. Mostly it doesnt. The sci-fi, action and horror work mostly, kind of, not really. This movie fails as a reboot and fails to live up to the oringal and the 2010 version.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
Phillip McSween (751 KP) rated Ready or Not (2019) in Movies
Jan 6, 2021
Great From Beginning to End
A new bride agrees to an innocent game with her in-laws on her wedding night only to find out the game involves her murder.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10The film has a dark, yet colorful cast that works on both engaging and eery levels. Part comedy, part horror directors Matt Bettinelli-Olpin and Tyler Gillett masterfully capture both without either looking out of place. I was very impressed with the attention to detail.
Conflict: 10
Entertainment Value: 10It’s hard to miss when you combine action, comedy, and horror into a solid movie. Every moment of this movie is engaging. it’s a ride you’re excited to be a part of as you wade through what the heck is going to happen next. A fun, wild ride.
Memorability: 9
Ready Or Not will definitely stand in the memory long after being watched. Again, it checks the boxes in the three different categories. However, it doesn’t quite master any of them hence the docked point.
Pace: 10
Great start, then the tension continues to mount from there. it never lets its foot off the gas save for a few short breaths. It shoots out of a cannon then moves forward at a breakneck pace.
Plot: 10
Resolution: 10
One of my favorite parts of the entire story. Mums the word here.
Overall: 99
In the near future, I’m going to do a piece on “Movies I Can Watch Repeatedly and Not Get Bored”. Ready Or Not will probably make that list. It does so many things right. Definitely a movie to remember.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10The film has a dark, yet colorful cast that works on both engaging and eery levels. Part comedy, part horror directors Matt Bettinelli-Olpin and Tyler Gillett masterfully capture both without either looking out of place. I was very impressed with the attention to detail.
Conflict: 10
Entertainment Value: 10It’s hard to miss when you combine action, comedy, and horror into a solid movie. Every moment of this movie is engaging. it’s a ride you’re excited to be a part of as you wade through what the heck is going to happen next. A fun, wild ride.
Memorability: 9
Ready Or Not will definitely stand in the memory long after being watched. Again, it checks the boxes in the three different categories. However, it doesn’t quite master any of them hence the docked point.
Pace: 10
Great start, then the tension continues to mount from there. it never lets its foot off the gas save for a few short breaths. It shoots out of a cannon then moves forward at a breakneck pace.
Plot: 10
Resolution: 10
One of my favorite parts of the entire story. Mums the word here.
Overall: 99
In the near future, I’m going to do a piece on “Movies I Can Watch Repeatedly and Not Get Bored”. Ready Or Not will probably make that list. It does so many things right. Definitely a movie to remember.
James P. Sumner (65 KP) rated What Men Want (2019) in Movies
Jul 10, 2019
What men want... but is it what moviegoers want?
In keeping with the growing trend of gender-swapping reboots, What Men Want is a re-envisioning of the classic rom-com, What Women Want, with Mel Gibson replaced with the charismatic Taraji P. Henson, and a toaster in the bathtub replaced by a drug-dealing psychic.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
Lenard (726 KP) rated Late Night (2019) in Movies
Aug 26, 2019
Late Night is a well-written comedy about a non-white female hired to add diversity to the writing staff of a late night talk show. Katherine Newbury (Emma Thompson showing the comic skills developed during her university days as Hugh Laurie's girlfriend) is a older sophisticated woman who hosts a show whose audience is dying off, literally in some cases and figuratively. If things do not improve, she will no longer be host of her eponymous talk show. So, in an unexpected but obvious hiring decision, Molly Patel is hired to join the writing staff. At first, seen as an interloper with little comedy or writing experience, Molly uses her Mindy Kaling charm to win over her co-workers and her boss. As Katherine starts to see a way to take advantage of her uniqueness and the youth of Molly, she challenges the status quo of late night.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.
Dianne Robbins (1738 KP) rated Tag (2018) in Movies
Feb 3, 2019
Yikes
Contains spoilers, click to show
This movie started off as a fun, mindless romp but in the second half of the movie, one of the characters pretends to have a miscarriage and it is used as a joke among the other characters. As a woman who endured four traumatic miscarriages, this was a very dark turn for me and I could not focus so much on the movie as my nerves were made raw from their callous treatment of a sensitive, traumatic event that happens to more women than you think. Miscarriage has been a taboo topic in society and women have had to suffer in silence. It should not be used so lightly as a plotline in a freaking comedy. As I said, it ruined the movie for me and I do not recommend it.
Lee KM Pallatina (951 KP) rated Clerks (1994) in Movies
Jun 11, 2019
CLERKS
Clerks is an indie comedy shot in black and white about dante hicks (Brian O'Halloran) a man reluctantly left in charge of the Quick Stop. His place of work...on his day off! Working with his best friend Randall (Jeff Anderson) at the adjoined video store (when it suits him) who's hate for his job and its customers become problematic for dantes attempt at a customer service a nice guy,
Problems continue as dantes continuous fight with girlfriend veronica and feeble attempts at getting back with his ex caitlyn, not to mention local dealers Jay (jason mewes) and silent Bob (kevin smith).
Released in 1994, and spawning a sequel and multiple spin offs, written and directed by Kevin Smith, CLERKS is a magic cult hit with characters we can all identify ourselves with.
Problems continue as dantes continuous fight with girlfriend veronica and feeble attempts at getting back with his ex caitlyn, not to mention local dealers Jay (jason mewes) and silent Bob (kevin smith).
Released in 1994, and spawning a sequel and multiple spin offs, written and directed by Kevin Smith, CLERKS is a magic cult hit with characters we can all identify ourselves with.