"Let me really rattle my brain here. I want to go back. I’m going to say Halloween. When Mike Myers walks out of the backyard… It’s an establishing shot of the front of the house, and you think it’s just a standard exterior, night, Halloween, porch. [But] then the music goes [imitates Halloween theme]. And then [Myers] walks out of the shadow of the backyard. I, to this day, don’t look into a shadowy night yard situation without seeing him walk out. The same way that when I’m in a very sudsy bathtub — and, yes, I do take baths, don’t judge me — when my f–king toe comes out of the water — my number six pick would be Jaws — I still look at my toe and I still become frightened of Amity Beach and all the things that happened to the poor people in the Steven Spielberg epic. I grew up in a family that loved film, loved music, loved comedy. Thirsty for the how-to’s. Some kids liked to take apart radios. I wanted to know how Johnny Carson set up punch. I wanted to know how Burt Reynolds jumped over the bridge in Cannonball Run. I really have a love of film. And although I wanted to be a comedian primarily, I certainly wanted to, with a smidgen of success, be behind the camera and live that incredible world."

"The next movie would probably be Young Frankenstein. I remember going to see that as a kid. Because I loved all the Universal horror films, but I had only seem them on TV, like on Creature Double Feature on Friday afternoons. By that point I loved Gene Wilder, because I made the connection like, “Oh, that guy was in Willy Wonka. Now he’s in Young Frankenstein.” So that movie blew me away. And even to this day, I watch it all the time. It’s such an incredible movie because it’s really, really funny, with such incredible performances, but it’s so beautifully made. Nobody would spend the time now to make a comedy that well. Visually and technically, it’s so incredible. It doesn’t date; it holds up. Peter Boyle’s perfect, and Madeline Kahn and Gene Wilder, and everybody. It’s just an incredible movie. It really captured the feel of those Universal films, like Bride of Frankenstein, yet it is really funny. It’s something that almost never works. You know, kind of look at the Munsters on TV, and the Addams family, where you could get into it and they have the art direction there and everyone’s funny, but it almost never works. It’s almost always a disaster, and that film is just so perfect. I think the fact that people were brave enough back then to release black-and-white movies."