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Thunderbolts* (2025)
Thunderbolts* (2025)
2025 | Action, Adventure
7
7.0 (2 Ratings)
Movie Rating
Newest - at the time of reviewing - entry in the MCU, with Florence Pugh taking the lead (and with David Harbour mostly providing the comic relief), suffering from depression after the loss of her sister (Black Widow) and listlessly going about her assignments, until she finds herself ensnared in a death trap and forced to team-up with a similar group of misfits (and Bob) to escape.

I have to say, I found this one of the more enjoyable MCU movies in their recent post-Endgame run; found myself emphasising quite a bit with some of the characters (Bob) and appreciated the message behind it all.
  
Batman the Killing Joke
Batman the Killing Joke
Brian Bolland, Alan Moore | 2008 | Fiction & Poetry
8
7.4 (10 Ratings)
Book Rating
I really enjoyed reading this comic.

We get the Joker's origin story. He was in a robbery gone wrong and fell into acid because his wife and unborn child died in an electrical fire accident right before the robbery. He was poor, down on his luck, trying to get a job as a comic, and needed some money fast to keep them from losing their apartment. He started off by trying to do an honorable thing and it haunts him for the rest of his life. It is one of the reasons he has gone a bit loony, he cannot face the fact that he is alone in his grief.

We get the reason for Barbara Gordon's paralysis and her origin into becoming the Oracle. (Thanks Joker)

Detective Gordon is attacked by the Joker who is trying to show him how painful it is to lose something he loves. Joker wants to turn Gordon crazy, but doesn't.

Batman does not want his fight with the Joker to end in death, but it will if it has to.

Overall, I really enjoyed this comic and recommend it to anyone who likes the Joker and wants to know more about him.

I love the Joker's last joke, so I'm going to write it out.

Two guys are living in a lunatic asylum and one night they decide they do not like living in an any night they don't like living in an asylum anymore. They decide they're going to escape. So they get up onto the roof and there, just across this narrow gap, they see the roofs of the town, stretching away in the moonlight, stretching away to freedom. The first jumps across with no trouble. The second pauses, he is afraid of falling. The first calls back and says, "I'll turn on this flashlight I've got and you can walk across the beam." The second replies "What do you think I am, crazy? You'll turn the light off once I'm half way across."

I love that joke and the fact that both Batman and the Joker crack up after it.
  
    AllComics(Pro)

    AllComics(Pro)

    Book and Utilities

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    [AllComics] is a powerful comic browsing tool, it provides most convenient online comic browsing...

    FRAMED

    FRAMED

    Games

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    FRAMED is a multi-award winning noir-puzzle game where you re-arrange panels of an animated comic...

Love And Friendship (2016)
Love And Friendship (2016)
2016 | Comedy, Drama, Romance
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).

Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?

Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.

But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.

Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.

Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.