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Gareth von Kallenbach (980 KP) rated Jonah Hex (2010) in Movies
Aug 8, 2019
DC is at it again spinning comic book heroes, or better yet anti-heroes, into film adaptations. Moreover, the company is maintaining their one-of-a-kind knack for providing lead characters with bad vocals. In this case the raspy voice belongs to the traumatized lead character, a Bounty Hunter named Jonah Hex (Josh Brolin), who has a story to tell, in brutal and confusing detail.
The film mixes the lore of the Old West, vaguely historical aspects of post-Civil War America, and weapons from a very steampunk-the-Industrial-Revolution. The resulting environment is more explosive than the dynamite that is apparently everywhere.
Filled with ideas that trail off into the dust, it quickly becomes clear that this film was finished in a rush. There are too many characters that lack compelling, if any, back-story. The tale that remains is disjointed and drags. All the buzz about the leading lady, Lilah (Megan Fox), was over minimal participation in the film. Sure she looks nice, and wears a steampunky outfit while performing a few quick stunts, but the resulting character (and poor acting) is not worth the media hype.
The few well-played and interesting characters, aside from the brash but tends-to-grow-on-you Jonah, all have bit parts. Among the best performances are Hex’s best friend, Jeb Turnbull (Jeffery Dean Morgan), one of President Grant’s cohorts, Lieutenant Grass (Will Arnett), and the store owner and gun-runner, Smith (Lance Riddick). Most surprising is that the frequent scenes with screen veteran John Malkovich, as lead bad guy Quentin Turnbull, result in a drab uninterested character that completely fails to engage the audience. It is almost a shockingly poor performance for Malkovich.
But hey, the melding of comic book history with actual film shots in the beginning was some of the best work out there for explaining a complex and multi-media adapted back-story. Additionally, the bold uses of color, costume, sets and scenery made the film visually interesting to watch. But with a budget as big as this film had it is hard to accept there wasn’t a better story to tell.
The film mixes the lore of the Old West, vaguely historical aspects of post-Civil War America, and weapons from a very steampunk-the-Industrial-Revolution. The resulting environment is more explosive than the dynamite that is apparently everywhere.
Filled with ideas that trail off into the dust, it quickly becomes clear that this film was finished in a rush. There are too many characters that lack compelling, if any, back-story. The tale that remains is disjointed and drags. All the buzz about the leading lady, Lilah (Megan Fox), was over minimal participation in the film. Sure she looks nice, and wears a steampunky outfit while performing a few quick stunts, but the resulting character (and poor acting) is not worth the media hype.
The few well-played and interesting characters, aside from the brash but tends-to-grow-on-you Jonah, all have bit parts. Among the best performances are Hex’s best friend, Jeb Turnbull (Jeffery Dean Morgan), one of President Grant’s cohorts, Lieutenant Grass (Will Arnett), and the store owner and gun-runner, Smith (Lance Riddick). Most surprising is that the frequent scenes with screen veteran John Malkovich, as lead bad guy Quentin Turnbull, result in a drab uninterested character that completely fails to engage the audience. It is almost a shockingly poor performance for Malkovich.
But hey, the melding of comic book history with actual film shots in the beginning was some of the best work out there for explaining a complex and multi-media adapted back-story. Additionally, the bold uses of color, costume, sets and scenery made the film visually interesting to watch. But with a budget as big as this film had it is hard to accept there wasn’t a better story to tell.
Gareth von Kallenbach (980 KP) rated Iron Man 2 (2010) in Movies
Aug 8, 2019
Iron Man 2 picks up right where the first one left off, and manages to continue the enjoyment without losing too much steam in the process. Jon Favreau has kept the exciting action, lost a bit of character development, but added more of a comic-book dimension to the film series.
The plot was slow to start, but once you see how events start fitting together for the eventual showdown, the movie picks up speed and leads in for a very satisfying finish. Thankfully, there weren’t too many slow moments (this is an action movie, after all), and the plot flowed well from scene to scene. The action-packed ending more than makes up for any slow moments toward the beginning.
The interplay between the characters definitely felt more formal than the first film. Robert Downey, Jr. plays the title character with just as much snarky humor and snide dialogue as he did in the first film, but he seems to play his dramatic scenes with less emphasis than the first. Don Cheadle, as Colonel Rhodes, continues with the memorable character that Terrence Howard defined, but doesn’t come into his own until near the finale. Scarlett Johansson performs the part of the sultry and mysterious Natalie Rushman/Natasha Romanoff quite well, although aside from one stunning action scene, her role is relatively minor compared to the rest of the cast. The villains, Ivan Vanko, played by Mickey Rourke; and Justin Hammer, played by Sam Rockwell, more than match their opposition on screen. Rockwell in particular is absolutely fantastic in his portrayal: totally believable, animated, and fun to watch. I just wish everyone had his enthusiasm for the film, because I sensed less emotion this time around.
Iron Man 2 also has much more of a comic-book feel than the previous movie. Marvel fans will notice quite a few more nods to the Marvel Universe, but even more than that, Iron Man feels more like the fantastic character that he is when he has a properly villainous opponent. In the end, this film is a fitting sequel that nearly matches it’s predecessor.
The plot was slow to start, but once you see how events start fitting together for the eventual showdown, the movie picks up speed and leads in for a very satisfying finish. Thankfully, there weren’t too many slow moments (this is an action movie, after all), and the plot flowed well from scene to scene. The action-packed ending more than makes up for any slow moments toward the beginning.
The interplay between the characters definitely felt more formal than the first film. Robert Downey, Jr. plays the title character with just as much snarky humor and snide dialogue as he did in the first film, but he seems to play his dramatic scenes with less emphasis than the first. Don Cheadle, as Colonel Rhodes, continues with the memorable character that Terrence Howard defined, but doesn’t come into his own until near the finale. Scarlett Johansson performs the part of the sultry and mysterious Natalie Rushman/Natasha Romanoff quite well, although aside from one stunning action scene, her role is relatively minor compared to the rest of the cast. The villains, Ivan Vanko, played by Mickey Rourke; and Justin Hammer, played by Sam Rockwell, more than match their opposition on screen. Rockwell in particular is absolutely fantastic in his portrayal: totally believable, animated, and fun to watch. I just wish everyone had his enthusiasm for the film, because I sensed less emotion this time around.
Iron Man 2 also has much more of a comic-book feel than the previous movie. Marvel fans will notice quite a few more nods to the Marvel Universe, but even more than that, Iron Man feels more like the fantastic character that he is when he has a properly villainous opponent. In the end, this film is a fitting sequel that nearly matches it’s predecessor.
Gareth von Kallenbach (980 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Leigh J (71 KP) rated The Lost Boys (1987) in Movies
Nov 8, 2019
Best Movie Ever
Contains spoilers, click to show
Michael and Sam are Brothers who are moving, with their Mom Lucy, to Santa Carla following a Divorce. Santa Carla just happens to be the murder capital of the world. When they get to Santa Carla, they are met with an eccentric Grandpa and, shock horror!, no TV! Faced with the absolute atrocity that is no MTV, they decide to explore the nightlife of their new town and upon doing this, meet the beautiful and mysterious Star. Michael is instantly besotted and chases after her, leaving Sam at a local Comic Shop... and at the mercy of an intense duo called the Frog Brothers, who give Sam a comic called "Vampires Everywhere" and allude to the fact that he might want to read it to survive which Sam laughs off.
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Manga Storm - The Ultimate Manga Reader
Book and Entertainment
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Looking for a nice app to *Read* and *Follow* your favorite manga from your favorite websites? ...
The Apocalypedia: A Utopian Guide to What is and What isn't
3.0
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Book
Encyclopaedias and dictionaries are often boring, of no help when it comes to secretly filling train...
Charlie Cobra Reviews (1840 KP) rated Deadly Class in TV
Jul 3, 2020
Teenage Angst, Romance & The Deadly Arts - 8/10
Deadly Class is a tv series airing on SYFY based on the graphic novel created by Rick Remander and Wesley Craig and published by Image Comics. Developed by by Miles Orion Feldscott and produced by the Russo brothers, it's set in a much more macabre late 1980's San Francisco. For me this show has been addicting and is easy to get swept up in the chaos of the halls of Kong's Dominion.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
LeftSideCut (3776 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
LeftSideCut (3776 KP) rated Loki - Season 1 in TV
Jul 15, 2021
Contains spoilers, click to show
As another chapter within the MCU, Loki is a triumph. It manages to be a driving vehicle for Loki himself, boasting fantastic special effects, fun action scenes, that signature blend of drama and comedy. But beyond that, it's a wonderful character piece. Tom Hiddleston has been wonderfully cast as the titular anti-hero from the moment he first appeared in Thor. Since then, Loki has gone through a whole heap of double crossing, dying (multiple times), heroics, villainy, and everything in between. This series finds him a purpose and a place, and that place is Sylvie (Sophia Di Martino). Her role as a Loki variant makes their relationship both narcissistic and weirdly kind of sweet. Being the God of Mischief means that Loki is neither trusting, or trustworthy, but with Sylvie, all of his defences drop, and he's vulnerable. It's very well realised, and the chemistry between the two leads elevates the show tremendously. Owen Wilson is great as well, as is the the supporting cast, especially Wunmi Mosaku and Gugu Mbatha-Raw.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
tonidavis (353 KP) rated Brave: A Wicked Trilogy Volume 3 in Books
Dec 13, 2017
everything about this book is excellent (3 more)
Tink and his trolls
Tink and his amazon Prime Obsession
Fabian
Never fails to suprise
have been a long time fan of Jennifer work and this book is not exception.
Tink is once again the exuberant delight that provides both the comic relief need when things get hard and the loving emotional stable one when needed .
Ivy and Ren are a great couple with everything they faced last book this book sees there relationship tested more than ever and after so much heartache and turbulence already faced only a writer as good as Jennifer can capture how to develop their relationship so completely.
Fabian is a great character for a new character to come in and have such an impact in the final book of a series is rare of course to have a firepower of a once thought extint summer prince what do you expect from the brilliance of Jennifer.
As this is the final book of the series expect the big battle and lot of twist and turns once again.
Tink is once again the exuberant delight that provides both the comic relief need when things get hard and the loving emotional stable one when needed .
Ivy and Ren are a great couple with everything they faced last book this book sees there relationship tested more than ever and after so much heartache and turbulence already faced only a writer as good as Jennifer can capture how to develop their relationship so completely.
Fabian is a great character for a new character to come in and have such an impact in the final book of a series is rare of course to have a firepower of a once thought extint summer prince what do you expect from the brilliance of Jennifer.
As this is the final book of the series expect the big battle and lot of twist and turns once again.