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ClareR (5854 KP) rated Ghosts in Books

Feb 21, 2021  
Ghosts
Ghosts
Dolly Alderton | 2021 | Contemporary, Fiction & Poetry, Romance
9
7.5 (2 Ratings)
Book Rating
Ghosts was a great listen. I liked the character of Nina - she seems to be a great friend and a good daughter who wants to help both friends and family when she can. This doesn’t always seem to be reciprocated though. Nina is a successful food writer and owns her own home; the only thing missing in her life is someone to share it with. After the break up with her boyfriend, Joe, who she stays best friends with, Nina decides to try a dating app called Linx. She meets Max through the app, who is a handsome, enigmatic accountant. He announces on their first date that they will get married - and that’s where alarm bells started ringing for me, like the old cynic that I am.

Nina’s parents are lovely people, and her dads worsening dementia is heartbreaking. Her Mum is a bit of comic relief at times, changing her first name and joining clubs - but the reasoning behind her actions are understandable. She’s a lot younger than Ninas dad, and watching him forget more and more must be frightening and upsetting for her.

This book had me experiencing ALL the emotions - it’s funny, sad, worrying and infuriating. I laughed aloud whilst listening, had a bit of a cry, and shouted at Nina at one point (it was a Max thing and I was wearing headphones 🤷🏼‍♀️). The narrator was the exact right choice and it helped that the writing was really engaging too. It’s a really good book - and I wouldn’t hesitate to recommend it.
  
Blast of Silence (1961)
Blast of Silence (1961)
1961 | Crime, Drama, Thriller
(0 Ratings)
Movie Favorite

"One of my favorite mini-genres is the B crime movie from the late fifties and early sixties. It was a unique period in American cinema that gave birth to these half-cocked, no-budget movies that were made by some visionary filmmakers. They’re all super raw and gritty, very existential, and absolutely innovative in technique. It’s no wonder that the French New Wave filmmakers all discovered them and ripped them off (I’m looking at you, Jean-Pierre Melville). Movies like Don Siegel’s The Lineup and Irving Lerner’s Murder by Contract (both of which have popped up on the new Criterion Channel recently!) embody this subgenre, but the high point for me is Allen Baron’s Blast of Silence, which seems to grow in stature every year. It’s hard to describe it. Imagine if Orson Welles was a crazed junkie on the Bowery in the late 1950s and somehow conned someone out of $20k to make a bleak movie about a hit man. It’s sorta part Point Blank, part Taxi Driver, part Shadows, and it’s as hardboiled as they come. It’s also one of the great New York City movies, with amazing time-capsule photography in all the boroughs and near pristine documentary coverage of streets. The Criterion disc also unearthed another absolute gem: a 1990 documentary in which Baron visits all the locations from the film. Oh, and the Criterion cover art, by comic artist Sean Phillips, is maybe my favorite cover! And the edition also includes a graphic novel based on the film! (Damn, should I have put this first?)"

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Indiana Jones and the Temple of Doom (1984)
Indiana Jones and the Temple of Doom (1984)
1984 | Action, Adventure
Comedy comes in many forms and is certainly subjective. Unfortunately, slapstick comedy which is plastered all over the second outing for Indiana Jones really holds the film back as a whole for me.
Where Raiders of the Lost Ark and The Last Crusade are more straight shooting adventures, the comedic elements in them are placed fantastically, sparingly, and add to the overall experience. Temple of Doom is more of a gauntlet of jokes and over the top silliness, and most of it unfortunately doesn't land.
A lot of this comes from Willie Scott (Kate Capshaw), who acts as (constant) comic relief and Indiana Jones' love interest. The character is written in a way that she ends up at worst not being remotely likable, and at best being hugely grating.

Thankfully, the final third of Temple of Doom redeems matters a fair bit. The whole last sequence is unrelenting in its series of events. The action is masterfully executed, and feels like Spielberg was just constantly trying to one up himself in what he was doing, and his efforts result in an extremely fun and thrilling final act.
Once again, a lot of practical effects on display that lends this blockbuster series a sense of magic in a pre CGI age, and an as-per-usual incredible score from John Williams can be considered huge positives.

Overall then, Temple of Doom is a mixed bag for me, and easily my least favourite of the initial trilogy, even if I do have some find childhood memories attached to it!
  
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LeftSideCut (3776 KP) rated Logan (2017) in Movies

Sep 20, 2019 (Updated Sep 20, 2019)  
Logan (2017)
Logan (2017)
2017 | Action, Adventure
The crown jewel in Fox's X-Men saga
Logan is easily one of the best comic book movies out there.

This is the third solo outing for Wolverine (following one garbage pile attempt, and one annoyingly average attempt), James Mangold really pulled it out of the bag for this one.
The characters are great - Hugh Jackman at the top of his game for his final performance as Logan. He's a grizzled and pain ridden man, in this bleak, mutantless future.
Patrick Stewart is also at his best here as Charles Xavier. The two of them are the beating heart of this movie.
We're introduced to Dafne Keen (playing a young X-23) who rounds out the small cast nicely.
As Logan fights a shadowy organization to keep her safe, the stakes have never been higher, and no one feels safe at any point - something that has never really been explored in the X-Men franchise.

Logan is a hard film to watch, it's bleak, its gritty, it's not particularly colourful (especially if you opt for the brilliant Noir version), and it's brutally violent in parts.
The set pieces are nasty in places, and sometimes pretty shocking, but it all aids the narrative here - the narrative that Wolverine is an ailing old man, who is struggling against all odds to do one last good deed, and protect the few people that still mean something to him.

It's an emotional and powerful film, that deserves all the praise bestowed upon it - amazing work from everyone involved .