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LeftSideCut (3776 KP) rated X-Men Origins - Wolverine (2009) in Movies
Jul 10, 2019
A low point for the X-Men franchise
X-Men Origins: Wolverine is an awful awful film, for many reasons.
Firstly - no one really seems to be too enthusiastic about what they're doing. Hugh Jackman, Liev Schreiber, and Danny Huston do the best with the piss-poor script, but everyone else just seems to be going through the motions.
Secondly - the characters. This movie contains not one, but two fan favourite X-Men characters, making their big screen debut, just to be thrown under the bus. Gambit for starters, is a shadow of the character he is in the comic - Taylor Kitsch just being himself, whilst getting one very brief action scene that hardly shows off his powers.
The other character is of course Deadpool - Ryan Reynolds is entertaining enough throughout the opening scene - but when we're introduced to the proper Deadpool near the climax of the film... Words truly fail me, it's just embarrassing.
Thirdly - what the hell on Earth is going on with the CGI in this movie? This is the fourth X-Men film and the effects are worse than ever. Wolverines claws look like a child had just drawn over the film.
It's just terrible from start to finish. The fact that the following X-Men Origins: Magneto got cancelled almost immediately after this was released is a example of just how much of a misstep this film was.
There are a few positives though - the opening montage of Logan fighting in different wars throughout history was pretty cool, Liev Schreiber is a welcome addition as Sabretooth after Tyler Mane in the original X-Men movie, and the best thing about this film? The adaption of Deadpool was so abysmal that Ryan Reynolds took it upon himself to eventually get a proper Deadpool movie rolling.
Final thought - please don't let Will.I.Am near anymore movie sets, thanks.
Firstly - no one really seems to be too enthusiastic about what they're doing. Hugh Jackman, Liev Schreiber, and Danny Huston do the best with the piss-poor script, but everyone else just seems to be going through the motions.
Secondly - the characters. This movie contains not one, but two fan favourite X-Men characters, making their big screen debut, just to be thrown under the bus. Gambit for starters, is a shadow of the character he is in the comic - Taylor Kitsch just being himself, whilst getting one very brief action scene that hardly shows off his powers.
The other character is of course Deadpool - Ryan Reynolds is entertaining enough throughout the opening scene - but when we're introduced to the proper Deadpool near the climax of the film... Words truly fail me, it's just embarrassing.
Thirdly - what the hell on Earth is going on with the CGI in this movie? This is the fourth X-Men film and the effects are worse than ever. Wolverines claws look like a child had just drawn over the film.
It's just terrible from start to finish. The fact that the following X-Men Origins: Magneto got cancelled almost immediately after this was released is a example of just how much of a misstep this film was.
There are a few positives though - the opening montage of Logan fighting in different wars throughout history was pretty cool, Liev Schreiber is a welcome addition as Sabretooth after Tyler Mane in the original X-Men movie, and the best thing about this film? The adaption of Deadpool was so abysmal that Ryan Reynolds took it upon himself to eventually get a proper Deadpool movie rolling.
Final thought - please don't let Will.I.Am near anymore movie sets, thanks.
Phil Leader (619 KP) rated Life, the Universe and Everything in Books
Nov 20, 2019
Originally there were the two series of the radio show which Adams rewrote and reorganised into two books. And for a long time that was it, that was all there was of the Hitch Hiker's Guide to the Galaxy.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Gareth von Kallenbach (980 KP) rated Shaun the Sheep Movie (2015) in Movies
Aug 6, 2019
Shaun the Sheep is a spin-off from the popular British stop-motion animation show Wallace and Gromit. This one of a kind, smart, and loveable sheep burst on to the small screen nearly twenty years ago in the short “A Close Shave.” Winning the hearts of millions, it’s no surprise a movie was in the works.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
Gareth von Kallenbach (980 KP) rated What's Your Number? (2011) in Movies
Aug 7, 2019
According to a study published in a ladies’ magazine, the average woman will have a maximum of 10 sexual partners, and apparently, the higher your number of sexual partners, the lower your chances of ever finding Mr. Right. Ally, played by Anna Faris, takes this study to heart and after conducting her own study, masked as a bachelorette party game, she realizes her number is dangerously above average.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
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