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BET NOW 3.3.0 Watch your favorite BET shows anytime on your iPhone, iPad, or iPod Touch – now with...
Flannery
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The landscape of American literature was fundamentally changed when Flannery O'Connor stepped onto...
Shonen Jump Manga Reader
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The official English source to read Weekly Shonen Jump, the world's most popular manga magazine! You...
Sketch Master - My Cartoon Photo Filter Avatar Pad
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SKETCH MASTER is a simple, funny app that lets you convert your photos into sketch or cartoon...
Sketch Master Pro - My Cartoon Photo Effects Filter & Pic Editor Booth
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SKETCH MASTER Pro is a simple, funny app that lets you convert your photos into sketch or cartoon...
The Amory Wars: The Second Stage Turbine Blade
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Released in the summer of 2004, the comic books narrate the events of approximately the first third...
Emma @ The Movies (1786 KP) rated Mortal Kombat (2021) in Movies
Aug 21, 2021
Potentially, I'm one of the only people to have enjoyed Mortal Kombat Annihilation. Admittedly it was a long time ago that I saw it, but I remember good memories of it.
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
BankofMarquis (1832 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 24, 2021
Great Combination of Character, Humor, Action and Nostalgia
The newest Spiderman film, NO WAY HOME, is pretty much review proof in that there is such a strong, built-in audience for it, that it would do well even if it is a bad movie.
Fortunately for everyone, it is a really, really GOOD film.
Dipping deeply into nostalgia, but being it’s own movie as well, NWH strikes the balance between nostalgia and sentimentality quite well. This is because the nostalgic portion of this film is a compliment to the story itself - and not the main focus.
Credit for this must go to returning Director Jon Watts (he Directed the previous Spidey outing, FAR FROM HOME) and screenwriters Chris McKenna and Erik Sommers (and the powers to be at Marvel Studios). They balance the action -and a plotline that could be confusing - with ease. They made a basic, but important, decision. They kept things as simple as possible and leaned on the characters - and performances - to be the core of this film (and not the plot intracancies, the nostalgia and the Special Effects).
This is easy to do when you have 3 main characters in Tom Holland, Zendaya and Jacob Batalon as Peter Parker, MJ and Ned that are very charming and endearing performers at the heart of it - characters that the audience wants to spend time with. Add to that the domineering and forceful performance of Benedict Cumberbatch as Dr. Strange, the comic relief of Jon Favreau’s Happy Hogan and the warm and loving performance of Marisa Tomei as Aunt May and this film has a solid foundation to build on.
And, of course, there are the appearances of other characters/performers that the audience will well know from other properties - to mention them would be to spoil this film - but, suffice it to say, each one tops the one before it, building to a fun crescendo of heart, humor, action and nostalgia.
A very winning combination - and well worth checking out. And…if you’re comfortable with doing this - see it with an audience, it adds to the experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Fortunately for everyone, it is a really, really GOOD film.
Dipping deeply into nostalgia, but being it’s own movie as well, NWH strikes the balance between nostalgia and sentimentality quite well. This is because the nostalgic portion of this film is a compliment to the story itself - and not the main focus.
Credit for this must go to returning Director Jon Watts (he Directed the previous Spidey outing, FAR FROM HOME) and screenwriters Chris McKenna and Erik Sommers (and the powers to be at Marvel Studios). They balance the action -and a plotline that could be confusing - with ease. They made a basic, but important, decision. They kept things as simple as possible and leaned on the characters - and performances - to be the core of this film (and not the plot intracancies, the nostalgia and the Special Effects).
This is easy to do when you have 3 main characters in Tom Holland, Zendaya and Jacob Batalon as Peter Parker, MJ and Ned that are very charming and endearing performers at the heart of it - characters that the audience wants to spend time with. Add to that the domineering and forceful performance of Benedict Cumberbatch as Dr. Strange, the comic relief of Jon Favreau’s Happy Hogan and the warm and loving performance of Marisa Tomei as Aunt May and this film has a solid foundation to build on.
And, of course, there are the appearances of other characters/performers that the audience will well know from other properties - to mention them would be to spoil this film - but, suffice it to say, each one tops the one before it, building to a fun crescendo of heart, humor, action and nostalgia.
A very winning combination - and well worth checking out. And…if you’re comfortable with doing this - see it with an audience, it adds to the experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
RəX Regent (349 KP) rated The Dark Knight (2008) in Movies
Feb 19, 2019
Batman Begins‘ ending was a brilliant nod towards the things that were to come, as Gary Oldman’s, newly promoted Lieutenant Jim Gordon flashes The Joker’s calling card, Batman’s revival had now well and truly begun. A film with lesser known villains was about to retread more familiar ground with the introduction of The Joker and Harvey Dent/Two Face.
But this was Christopher Nolan’s more grounded take on the superhero, and his villains needed to be much more than the hammy caricatures that we’d seen before. The late Heath Ledger made the role of The Joker his own in ways that no-one could have imagined. This was a dark, evil and terrifying take on the character with an evil sense if humour but he is in keeping with the villain that we know so well.
The origins of the Dark Knight were covered expertly in the first film, and now it is time to take that story one step further, so consequently this is now more about crime in Gotham City. The criminal underworld is now in turmoil as Batman, Gordon and the new District Attorney, Harvey Dent are leaning on them, but when things turn ugly, they turn ugly!
The beauty of this film is that it takes off pretty much from where the first left off, but the tone has changed a bit. This owes a lot to Michael Mann’s, Heat, and focuses much more on Wayne/Batman’s attempts to rid the city of crime, whilst his opposite and nemesis, The Joker, is proving himself to be nothing less than a pure anarchist, unreasonable and nonnegotiable.
Is this better than Batman Begins? Yes, but only fractionally. It’s slightly tighter and more complex, with every set piece seamlessly moving on to the next complex sequence, where the grand plan is rarely what it appears to be. The film’s narrative is deceptive, playing with its characters and the audience alike. This is film-making at it’s very best. The perfect blend of grand direction, passionate character development and performance and writing, with a narrative and structure designed to engage and enthrall the viewer without patronising or insulting their intelligence.
I believe that this film is a masterpiece and genuinely the best movie of this genre ever made. There are so many examples of how to do a comic adaptation and many great examples to boot, but I feel that this blends them all so well. It’s a franchise film without falling into the trap of being part of franchise. Each film is a real film its own right, with a plot, arch and tone.
The narrative continues, but the feel evolves to suit the film, and though Begins and Knight seamlessly work together, either could also be taken as a film by themselves, each with the integrity to hold their own. But as a franchise movie, it is still littered with nods to the future, or in some cases, more subtle entries into the lore.
Take Mr. Reese for example. This was a name used by The Riddler and many suspected at the time that it was linked to the third film, but so far, there’s no talk of The Riddler’s involvement, in fact there has been an outright denial. But I believe that in effect, he has already appeared, though in a much muted manner. Mr. Coleman Reese, or Mister-REES (mysteries anyone?), threatens to out Wayne as Batman but is stopped by The Joker, but maybe the fact that he worked for a consultancy employed by Wayne Enterprises and threatened Wayne with blackmail etc… was a mild acknowledgment of The Riddler’s character.
This is what we’re talking about when we look at Nolan’s work. He spares nothing, but delivers the film in ways that doesn’t always conform to your expectations. And don’t forget th line about the Cats line either…
Overall, The Dark Knight is the epitome of the reboot genre, taking so much from the original source without copying, but bringing a genuinely deep, thoughtful and emotional take on a comic book character who dresses like a bat and solves crime… May the genius of Christopher Nolan and his team carry on for years to come, but I do fear that he’s heading for a fall, purely on the basis that no-one can produce films of this outstanding quality for ever… can they?
But this was Christopher Nolan’s more grounded take on the superhero, and his villains needed to be much more than the hammy caricatures that we’d seen before. The late Heath Ledger made the role of The Joker his own in ways that no-one could have imagined. This was a dark, evil and terrifying take on the character with an evil sense if humour but he is in keeping with the villain that we know so well.
The origins of the Dark Knight were covered expertly in the first film, and now it is time to take that story one step further, so consequently this is now more about crime in Gotham City. The criminal underworld is now in turmoil as Batman, Gordon and the new District Attorney, Harvey Dent are leaning on them, but when things turn ugly, they turn ugly!
The beauty of this film is that it takes off pretty much from where the first left off, but the tone has changed a bit. This owes a lot to Michael Mann’s, Heat, and focuses much more on Wayne/Batman’s attempts to rid the city of crime, whilst his opposite and nemesis, The Joker, is proving himself to be nothing less than a pure anarchist, unreasonable and nonnegotiable.
Is this better than Batman Begins? Yes, but only fractionally. It’s slightly tighter and more complex, with every set piece seamlessly moving on to the next complex sequence, where the grand plan is rarely what it appears to be. The film’s narrative is deceptive, playing with its characters and the audience alike. This is film-making at it’s very best. The perfect blend of grand direction, passionate character development and performance and writing, with a narrative and structure designed to engage and enthrall the viewer without patronising or insulting their intelligence.
I believe that this film is a masterpiece and genuinely the best movie of this genre ever made. There are so many examples of how to do a comic adaptation and many great examples to boot, but I feel that this blends them all so well. It’s a franchise film without falling into the trap of being part of franchise. Each film is a real film its own right, with a plot, arch and tone.
The narrative continues, but the feel evolves to suit the film, and though Begins and Knight seamlessly work together, either could also be taken as a film by themselves, each with the integrity to hold their own. But as a franchise movie, it is still littered with nods to the future, or in some cases, more subtle entries into the lore.
Take Mr. Reese for example. This was a name used by The Riddler and many suspected at the time that it was linked to the third film, but so far, there’s no talk of The Riddler’s involvement, in fact there has been an outright denial. But I believe that in effect, he has already appeared, though in a much muted manner. Mr. Coleman Reese, or Mister-REES (mysteries anyone?), threatens to out Wayne as Batman but is stopped by The Joker, but maybe the fact that he worked for a consultancy employed by Wayne Enterprises and threatened Wayne with blackmail etc… was a mild acknowledgment of The Riddler’s character.
This is what we’re talking about when we look at Nolan’s work. He spares nothing, but delivers the film in ways that doesn’t always conform to your expectations. And don’t forget th line about the Cats line either…
Overall, The Dark Knight is the epitome of the reboot genre, taking so much from the original source without copying, but bringing a genuinely deep, thoughtful and emotional take on a comic book character who dresses like a bat and solves crime… May the genius of Christopher Nolan and his team carry on for years to come, but I do fear that he’s heading for a fall, purely on the basis that no-one can produce films of this outstanding quality for ever… can they?
Andy Meakin (5 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 11, 2018
Welcome back to Jumanji
How dare they make a sequel/remake/reboot of Jumanji? I mean that film was a classic. Admittedly a very average classic that doesn’t really live up to your childhood memory of it, but still. And, yeah, Zathura was a kind of remake given it was adapted from a book by the same writer and explored the same themes, but nobody watched that, so how dare they do a new Jumanji film? I mean it’s only 22 years since the original came out!
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.