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RəX Regent (349 KP) rated V for Vendetta (2005) in Movies
Mar 7, 2019
Missed the point... Ponderously
Contains spoilers, click to show
"BOLLOCKS!" This is the standard British insult which is banded about by the stereotypical characters as perceived by our American cousins. Or is this a succinct review of the film? Alan Moore, more famously known for Watchmen, was the original author of the graphic novel of the same name, which was published between 1982 and '85 and then later reprinted in full by DC comics, had his name removed during production. The Brothers Wachowski, of The Matrix fame, a seminal film, penned the adaptation and did so without truly understanding the source.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
RəX Regent (349 KP) rated Watchmen (2009) in Movies
Mar 7, 2019
Director's Cut
Contains spoilers, click to show
I first watched the theatrical cut back in 2009 and though I was impressed, I knew that it required a second viewing to be judged fairly. This didn't happen until a couple of months ago when I was treated to the Director's Cut, a version extended by approximately 25 minutes.
The funny thing about this cut is that it is hard to see the joins, which is obviously very good, as a lot of special editions have scenes shoehorned in and held together with sellotape. But this was a smooth three hour epic, not so much redefining the genre but demonstrating how indeed, it can be done.
That in many ways was my problem the first time, that I was expecting more thrills and spills often associated with the comic genre, but was given an intellectual, character drama, played and directed so very well, that it is hard to peg this in to any particular slot. This is primarily a drama, and as such, is light on action but heavy on emotion and melodrama.
The cinematography is well conceived, though the whole film plays out in a relatively and surprisingly classical manner, sometimes at odds with story and visuals which they are showcasing.
The action, though brutal and at times rightly so, is showcasing the brutality of vigilantism, and at others, leading into a splatter territory. But on repeat viewings this holds up and once you accept that it is what it is, then this is a first class film, as well as a crackingly smooth director's cut, expanding the 153 minute version with ease, adding a few scenes to gain more context, and others snugly fitting into the original mold.
This is a fully developed adaptation of an iconic graphic novel from the 1980′s, though in that sense it is lacking some of the context of that day, but still resonates in many others. I would not have known much about this story if it had not been adapted for the screen and this is a faithful one, but I can understand the view of those who say that it is 'too' faithful, as this could have done well to employ a little more theatrical license, maybe sacrificing some of the accuracy in favor of the truth of the story.
In the end, this is what it is, and it is something special and I believe, potentially timeless
The funny thing about this cut is that it is hard to see the joins, which is obviously very good, as a lot of special editions have scenes shoehorned in and held together with sellotape. But this was a smooth three hour epic, not so much redefining the genre but demonstrating how indeed, it can be done.
That in many ways was my problem the first time, that I was expecting more thrills and spills often associated with the comic genre, but was given an intellectual, character drama, played and directed so very well, that it is hard to peg this in to any particular slot. This is primarily a drama, and as such, is light on action but heavy on emotion and melodrama.
The cinematography is well conceived, though the whole film plays out in a relatively and surprisingly classical manner, sometimes at odds with story and visuals which they are showcasing.
The action, though brutal and at times rightly so, is showcasing the brutality of vigilantism, and at others, leading into a splatter territory. But on repeat viewings this holds up and once you accept that it is what it is, then this is a first class film, as well as a crackingly smooth director's cut, expanding the 153 minute version with ease, adding a few scenes to gain more context, and others snugly fitting into the original mold.
This is a fully developed adaptation of an iconic graphic novel from the 1980′s, though in that sense it is lacking some of the context of that day, but still resonates in many others. I would not have known much about this story if it had not been adapted for the screen and this is a faithful one, but I can understand the view of those who say that it is 'too' faithful, as this could have done well to employ a little more theatrical license, maybe sacrificing some of the accuracy in favor of the truth of the story.
In the end, this is what it is, and it is something special and I believe, potentially timeless
Mark Jaye (65 KP) rated Suicide Squad (2016) in Movies
May 14, 2019
Contains spoilers, click to show
I'll say from the outset, I'm a lifelong comic book fan. During my teenage years back in the 80's I collected John Ostrander's Suicide Squad title and absolutely loved it. It was always a given for me therefore that I would jump at the prospect of a movie based on my favourite title.
You know the synopsis I'm guessing (if you're reading this review) - government official Amanda Waller assembles a group of the baddest incarcerated criminals to go up against the potential of a metahuman crisis should the 'next' Superman not share our values. This is deemed more relevant following the demise of the man of steel himself at the climax of Dawn Of Justice. Amongst those villains are Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), El Diablo (Jay Hernandez), and Enchantress/Dr June Moone (Carla Delevigne). Heading up the group is Colonel Rick Flagg (Joel Kinnaman), albeit reluctantly.
The story essentially revolves around Enchantress going rogue and converting a subway station in Midway City into a warzone as she resurrects her brother Incubus and the two attempt to destroy the world. The only criticism I have with the movie concerns the simplicity within which Enchantress 'turns' on the group shortly after it is her actions that cause the senate committee to approve the founding of Task Force X only a couple of scenes earlier in the movie. It just feels a bit rushed. It's also interesting to note that the events of the movie would never have taken place had Waller not established her little 'pet project' to begin with!
The dialogue is witty and sharp and the characters are highly likeable (despite them being arch-villains and - in some cases, murderers). Will Smith is the core of the group as Deadshot and his cold-bloodedness as an assassin is softened by the connection he has to his daughter (how the audience is expected no doubt to warm to him?). Joel Kinnaman's Rick Flagg is also key to the story's heart with his flawed relationship with Dr June Moone - Enchantress's alter ego. Margot Robbie is superb as Harley Quinn although at times it seems as if her rear's the star of the show.
What do I need to say about Jared Leto that hasn't been said before? You'll either love or hate his portrayal of Mr.J!
You know the synopsis I'm guessing (if you're reading this review) - government official Amanda Waller assembles a group of the baddest incarcerated criminals to go up against the potential of a metahuman crisis should the 'next' Superman not share our values. This is deemed more relevant following the demise of the man of steel himself at the climax of Dawn Of Justice. Amongst those villains are Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), El Diablo (Jay Hernandez), and Enchantress/Dr June Moone (Carla Delevigne). Heading up the group is Colonel Rick Flagg (Joel Kinnaman), albeit reluctantly.
The story essentially revolves around Enchantress going rogue and converting a subway station in Midway City into a warzone as she resurrects her brother Incubus and the two attempt to destroy the world. The only criticism I have with the movie concerns the simplicity within which Enchantress 'turns' on the group shortly after it is her actions that cause the senate committee to approve the founding of Task Force X only a couple of scenes earlier in the movie. It just feels a bit rushed. It's also interesting to note that the events of the movie would never have taken place had Waller not established her little 'pet project' to begin with!
The dialogue is witty and sharp and the characters are highly likeable (despite them being arch-villains and - in some cases, murderers). Will Smith is the core of the group as Deadshot and his cold-bloodedness as an assassin is softened by the connection he has to his daughter (how the audience is expected no doubt to warm to him?). Joel Kinnaman's Rick Flagg is also key to the story's heart with his flawed relationship with Dr June Moone - Enchantress's alter ego. Margot Robbie is superb as Harley Quinn although at times it seems as if her rear's the star of the show.
What do I need to say about Jared Leto that hasn't been said before? You'll either love or hate his portrayal of Mr.J!
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Kristy H (1252 KP) rated Bunny Finds a Friend in Books
Feb 13, 2018
Cara Jong is working as a process server when she delivers a summons to a Santa. Except this Santa is a gorgeous woman, who immediately strikes a chord with Cara. The two share a "moment," which stays with Cara for some time. She eventually tracks down said Santa, who turns out to be Jude Donovan, a well-known children's book author. The two "meet cute," so to speak, at a reading of Jude's and sparks fly. They begin dating, but it seems like things just aren't meant to be. Will Cara's flighty nature and lack of commitment (all well-documented by her older sisters) doom the relationship? What about Jude's ex and her young daughter Zoe, who doesn't seem happy to have her Mom dating again? Can Cara and Jude overcome these obstacles and find happiness?
This was a cute book, with fairly realistic characters leading a fairly realistic life--something that's harder to find than one would think in lesbian literature. Cara's a regular gal, with a typical lack of commitment found in a myriad characters in literature, gay and straight. Perhaps the biggest issue with this book is that it sort of seems like a sketch of what could have been an even more fully-developed and even more enjoyable novel. We don't get to see a lot of Cara and Jude's actual relationship development, for instance. Their courtship and issues are quickly glossed over. I would have liked to have seen more of what led them to fall for each other--and fall apart. After all, those sorts of things (falling in love, struggling to maintain a relationship while juggling exes and children and jobs) are what we all have in common.
Cara's sisters are also supposed to add a bit of comic relief, perhaps, to the novel, but they sometimes come across as harpy and annoying. While several of them are dealing with complex issues, they don't get the full attention they truly deserve.
Still, this was a fun, quick read. It's always refreshing to read lesbian fiction with normal characters navigating life. I liked Cara, sympathized with her on a multitude of levels, and did enjoy reading about her journey. Overall, 3.5 stars.
I received an ARC of this novel from Netgalley - thank you!
This was a cute book, with fairly realistic characters leading a fairly realistic life--something that's harder to find than one would think in lesbian literature. Cara's a regular gal, with a typical lack of commitment found in a myriad characters in literature, gay and straight. Perhaps the biggest issue with this book is that it sort of seems like a sketch of what could have been an even more fully-developed and even more enjoyable novel. We don't get to see a lot of Cara and Jude's actual relationship development, for instance. Their courtship and issues are quickly glossed over. I would have liked to have seen more of what led them to fall for each other--and fall apart. After all, those sorts of things (falling in love, struggling to maintain a relationship while juggling exes and children and jobs) are what we all have in common.
Cara's sisters are also supposed to add a bit of comic relief, perhaps, to the novel, but they sometimes come across as harpy and annoying. While several of them are dealing with complex issues, they don't get the full attention they truly deserve.
Still, this was a fun, quick read. It's always refreshing to read lesbian fiction with normal characters navigating life. I liked Cara, sympathized with her on a multitude of levels, and did enjoy reading about her journey. Overall, 3.5 stars.
I received an ARC of this novel from Netgalley - thank you!
Dana (24 KP) rated Annihilation, Book Three in Books
Mar 23, 2018
Again, this review will probably be quite short because I have already stated a lot of my thoughts on these characters.
I really enjoyed what they did what this series. The story line was well thought out, though there were a few moments that were a bit slow for me.
SPOILERS FOR THIS NEXT PARAGRAPH:
I loved Cammi's story arc in this series. She starts off a very strong character, so sassy and full of spunk, but in this book, she isn't allowed to have a lot of those moments as much. She is, quite literally, left behind when she is trying to have her heroic moment. I completely understand why they left her. Not only would Drax would have killed all of them for putting her in any amount of danger, she also would not have been able to survive. Not necessarily because she would not be able to hold her own, because I am completely convinced that she can and would kick some mega alien ass, but in an emotional aspect, I'm not quite sure she would have been able to come back from seeing what happened. All the death and carnage and hopelessness would have taken a toll on her, so, overall, I am glad she did not go along.
I also loved seeing Galactus' Heralds again. It's always great to see more of the characters who are seen as evil but are able to redeem themselves.
The wrap up of the series was a bit predictable for me, but there were some surprises. There will be some spoilers in this next part, if you don't want to read them, skip to the next paragraph. I knew from the beginning that the Annihilation virus was going to fail, ultimately, but I was okay with it. I liked seeing that not all of the characters made it. Though I didn't like seeing them gone, because I really liked some of those characters, but it was good to see there wasn't predictability.
The last section of this book is just the records from the Nova Corps index that had been shown throughout the previous three books. I didn't really see the need for that, but it's there and there's nothing I can do about that.
Overall, I enjoyed reading this series. I believe there may be one more small comic to read from this series, so I'll have to read that soon.
I really enjoyed what they did what this series. The story line was well thought out, though there were a few moments that were a bit slow for me.
SPOILERS FOR THIS NEXT PARAGRAPH:
I loved Cammi's story arc in this series. She starts off a very strong character, so sassy and full of spunk, but in this book, she isn't allowed to have a lot of those moments as much. She is, quite literally, left behind when she is trying to have her heroic moment. I completely understand why they left her. Not only would Drax would have killed all of them for putting her in any amount of danger, she also would not have been able to survive. Not necessarily because she would not be able to hold her own, because I am completely convinced that she can and would kick some mega alien ass, but in an emotional aspect, I'm not quite sure she would have been able to come back from seeing what happened. All the death and carnage and hopelessness would have taken a toll on her, so, overall, I am glad she did not go along.
I also loved seeing Galactus' Heralds again. It's always great to see more of the characters who are seen as evil but are able to redeem themselves.
The wrap up of the series was a bit predictable for me, but there were some surprises. There will be some spoilers in this next part, if you don't want to read them, skip to the next paragraph. I knew from the beginning that the Annihilation virus was going to fail, ultimately, but I was okay with it. I liked seeing that not all of the characters made it. Though I didn't like seeing them gone, because I really liked some of those characters, but it was good to see there wasn't predictability.
The last section of this book is just the records from the Nova Corps index that had been shown throughout the previous three books. I didn't really see the need for that, but it's there and there's nothing I can do about that.
Overall, I enjoyed reading this series. I believe there may be one more small comic to read from this series, so I'll have to read that soon.
Awix (3310 KP) rated The Incredible Hulk in TV
Mar 16, 2018 (Updated Mar 16, 2018)
The weird thing about the Hulk TV show is that it is almost nothing like the comic book version of the character, but still manages to be a classic piece of television (and was, for a long time, by far the most successful adaptation of a Marvel character to another medium). Creator Kenneth Johnson didn't want to do it, and did his hardest to distance his version from the book (he wanted to change the colour of the Hulk, but Marvel refused to let him), and ended up basically doing an American version of Les Miserables (the novel, not the musical) with Jean Valjean getting cross and swelling up into a monster twice an episode.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Sarah (126 KP) rated Justice League (2017) in Movies
Aug 25, 2018
Very Weak
Upfront, let me say that I'm neither a Marvel nor a DC girl - to be honest, I would struggle (in the past) to differentiate one universe from the other, so there's no bias - in that sense - to my review.
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
Kevin Wilson (179 KP) rated God of War in Video Games
Nov 9, 2018 (Updated Nov 14, 2018)
Great story (3 more)
Incredible acting, fantastic chemistry
Amazing bear mccreary score
Fun combat
A serious contender for game of the year
2018 has blown me away with video game releases. I believe this year and next year are going to be the highest point of this generation and currently my pick for game of the year.
I cannot praise this game enough. The main focus here is the acting and the chemistry between these characters. This game is not about the destination, it is about the journey. The journey of a father and son and their relationship and seeing it grow throughout the game. Their relationship is believable and honest and this is all thanks to the incredible acting. They give so much emotion and power in their performances that you are gripped all the way to the end. They show emotion, humour, anger, resentment and loyalty in a way you believe this is a father and son going through something difficult and showing their struggles. The writing was fantastic. Kratos struggling to find a connection with his son and atreus actually being written like a real kid that was actually likable and helpful in battle and in other gameplay elements.
Bear Mccreary provides the incredible score that only heightens all these moments which left me mouth hanging open for longer than I care to admit. But don't get me wrong this game doesn't just grip with with these characters. All of the side characters are as amazing. They provide a sense of comic relief when the emotion between the 2 main characters become intense.
The game is beautiful, I cant fault it visually. I'd have liked more blood but I wasnt missing it. I'd have liked more boss battles but at this point I'm trying to nitpick but I didn't miss them either because I dont think the game needed them. Maybe the sequel. The environments looked beautiful and varied. The gameplay also very fun and varied with a few shocks along the way, both story based and gameplay wise. A companion that was actually helpful in and out of battle while providing a lot of character building when travelling.
A must have for any ps4 owner and by far one of the best of this generation or even of playstation overall.
I cannot praise this game enough. The main focus here is the acting and the chemistry between these characters. This game is not about the destination, it is about the journey. The journey of a father and son and their relationship and seeing it grow throughout the game. Their relationship is believable and honest and this is all thanks to the incredible acting. They give so much emotion and power in their performances that you are gripped all the way to the end. They show emotion, humour, anger, resentment and loyalty in a way you believe this is a father and son going through something difficult and showing their struggles. The writing was fantastic. Kratos struggling to find a connection with his son and atreus actually being written like a real kid that was actually likable and helpful in battle and in other gameplay elements.
Bear Mccreary provides the incredible score that only heightens all these moments which left me mouth hanging open for longer than I care to admit. But don't get me wrong this game doesn't just grip with with these characters. All of the side characters are as amazing. They provide a sense of comic relief when the emotion between the 2 main characters become intense.
The game is beautiful, I cant fault it visually. I'd have liked more blood but I wasnt missing it. I'd have liked more boss battles but at this point I'm trying to nitpick but I didn't miss them either because I dont think the game needed them. Maybe the sequel. The environments looked beautiful and varied. The gameplay also very fun and varied with a few shocks along the way, both story based and gameplay wise. A companion that was actually helpful in and out of battle while providing a lot of character building when travelling.
A must have for any ps4 owner and by far one of the best of this generation or even of playstation overall.
Gareth von Kallenbach (980 KP) rated Captain Marvel (2019) in Movies
Jun 19, 2019
Marvel Studios has once again launched a new franchise within their expansive Marvel Cinematic Universe with the arrival of “Captain Marvel”. The film tells the origin of the title character (Brie Larson), who struggles with gaps in her memory while serving as a Kree Protector under the supervision of Yon-Rogg (Jude Law).
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/