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Spider-Man: Far From Home (2019)
Spider-Man: Far From Home (2019)
2019 | Action, Sci-Fi
A nice "palate cleanser" after Endgame
After the richness - both in emotion and spectacle - of the previous entry in the Marvel Cinematic Universe (that would be the epic that is AVENGERS: ENDGAME), SPIDERMAN: FAR FROM HOME is a palate cleanser.

And that is a smart move by the honchos at Marvel. It brings us back into this Universe acknowledging - and playing homage to - the previous film - but also points us to the future as we fondly remember, but don't dwell on, the past. This Spidey-film takes the titular web-slinger on a roadtrip to Europe where he teams up with Mysterio to fight the Elementals as Peter Parker grapples with the legacy of Tony Stark and a blossoming relationship with MJ.

And...it's a darn fine film. Director Jon Watts and writers Chis McKenna and Erik Sommers craft a light, fun action flick that leans heavily on the personality and charm of Peter Parker/Spiderman and this succeeds tremendously thanks to the continued strong performance of Tom Holland. He has grown into this role and has now fully embraced it a makes it his own. This is the 5th film that Holland has played Spiderman and he is fully in control of the character and is a joyous character to watch.

Ably joining in is Jake Gyllenhaal as Mysterio - another hero who just might be another strong mentor-like presence for Parker. A fine actor of interesting dimensions, Gyllenhaal understands the type of film that he is in and adapts his performance (and presence) accordingly. Jacob Batalon returns as Peter's friend Ned, and he is everything we've come to expect from Ned. The same can be said for Jon Favreau's Happy Hogan and Marisa Tomei's Aunt May - both are welcome, warming, presences that help everyone feel good.

The biggest surprise for me is Zendaya's performance as MJ - I really enjoyed it - and that's a surprise. It is one of those nuanced-type performances (in a Superhero film - of all things) that will make me re-assess my thinking about her as a performer. I thought she was that good.

Samuel L. Jackson and Cobie Smulders reprise their roles as Nick Fury and Maria Hill and they are solid while Martin Starr and J.B. Smoove provide broad comic relief as the two teachers who are chaperones of these high school kids (remember they are high school aged in this film - they'll have to graduate into college for the next one, their age is beginning to show). I've read/heard some negative comments on how "out of place" the 2 teachers were in style to the rest of this film (and the MCU in general) and I couldn't disagree more. I thought they brought just the right size of comedy to what is a light film.

And, make no mistake, this is a light film (which is why I call it a "palate cleanser" after Endgame) and that's just fine. The stakes are an excuse to spend time with this characters - and to dazzle with some interesting special effects that I thought were very well done.

If you're into Spiderman - or the Marvel Cinematic Universe - you'll like this film.

Letter Grade: B+

7 1/2 stars (out of 10) - and you can take that to the Bank(ofMarquis)
  
Go Cam DVR 757HD
Go Cam DVR 757HD
Camera & Photo > Camcorders
7
7.5 (6 Ratings)
Tech Rating
We’ve all heard the old adage that “Big things come in small packages”, and in today’s technological world it couldn’t be truer. Vivitar, a brand known for their incredible camera equipment are set out to prove that big things DO come in small packages, and with a price tag to match with it’s Vivitar Go Cam DVR 757HD.

The Vivitar Go Cam is packaged in a small clam-shell style plastic and contains everything one would need to make this one of the most versatile “go” style cameras on the market today. The camera itself is minuscule in size at only roughly 6” (W) X 4.5” (L) X 2” (D) you can easily slide it into your pocket and take it with you wherever you go. It offers a 12-megapixel picture and is advertised as being waterproof, dust proof, freeze proof and shock proof. Amazingly outside of getting just the camera itself you also get an assortment of mounts that come with it. Everything from a bicycle and helmet mount are here in addition to a car mount (to utilize the camera as a dash cam). The fact that all mounts that you could conceivably want come bundle with the camera is a huge plus.

The camera records it’s video on micro SD cards and includes a built-in rechargeable Lithium-ion battery that can be charged (or powered) via a micro USB port on the side. The charging cable and a silicon sleeve to place around the camera are also included.

I took the camera with me to San Diego Comic-con this year to wear it around and take live video footage of the crowds while shopping for my exclusives, and also took some still photos just to see how it compares to something that is far pricier like my iPhone. For a camera in its size and price-point (MSRP $29.99) it did surprisingly well capturing footage on the go (important for walking around but extremely important when in use as a dash cam). The picture, while certainly not as crisp as a much more pricey camera, was certainly serviceable and still enjoyable. The still shots were a little grainy, but far better than some more expensive cameras I’ve seen in the past. The portability is something that particularly comes in handy when you simply want to take a camera out of your pocket and take a quick shot of something.

The Vivitar Go Cam DVR 757HD is an incredible value for what you get with it. While it certainly can’t compete quality-wise with exponentially more expensive cameras, it comes with everything a budding videographer might want to use to start out with. If you are someone who is looking to casually record your bike rides or are looking for a lower cost option in dash cams, this is a camera worth trying out. I certainly would recommend buying this camera over a far more expensive one if you aren’t sure how often you will use it, and honestly with it’s 12MP and HD quality video you might just realize that you don’t need anything more than this. You certainly can do far worse for far more money and it’s inexpensive enough that the whole family could have one and embrace the trail together.
  
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James P. Sumner (65 KP) created a post

Aug 22, 2019  
So everyone's talking about Spiderman. As a huge Marvel geek, I am obviously disappointed there's a chance all the work the MCU has put in could be undone to an extent now that Sony has ended its deal with Disney. The chatter online centres around how awful Disney, Marvel and Sony are because they only care about money and not the fans...

The thing is, those companies didn't get where they're at today by not thinking about money and making smart business decisions. It's a vicious circle. On the one hand, yes, it's the fans that make them the money by consuming the product, but those companies need to money to make that product. I know Disney isn't exactly short of a few quid, but I can kind of see their point here.

When Marvel/Disney first acquired the rights to Spiderman, they were desperate. They didn't actually fully acquire them, they basically rented them in an extortionate deal that saw Sony keep 95% of the profits. Fast-forward a few years and Spiderman: Far From Home grosses $1.1B worldwide. From Sony's point of view, it became their biggest movie ever. For Disney, it was their fourth billion-dollar movie of the year. Knowing they have an excellent product, the Disney/Marvel Finance department said, "Hey, 5% of a billion is WAY less than, say, 50% of a billion. Seeing as we do everything, we should totally ask for more money, right?"

A fair point. However, Sony's Finance Department saw the proposal and were all like, "Hey, did you know, if we give 50% of a billion away, we're left with WAY less than if we only give 5% of a billion away?" This was backed up by Sony's top execs saying, "We still own Spiderman. We're Kings of the world now because we had one huge hit that someone else gave us. They need us more than we need them now. Tell Disney they get the same 5% or they get nothing."

I understand Sony not wanting a 50/50 split when it's their IP, but they need to understand they only made the money they did because Marvel but its name on it. I also think Disney could've negotiated a little. Maybe 75/25, for the sake of not ruining a multi-billion-dollar franchise they've spent 11 years building?

As things stand, the next Spiderman film will be made by Sony and will not be a part of the MCU, although talks between the two companies are apparently ongoing. For me, this is easily remedied by one of three options:

1. Sony stops being greedy and making childish excuses, Disney stops being unrealistic, and they negotiate like grown-ups.
2. Disney pays whatever Sony wants to obtain the full rights to the Spiderman franchise - pretty sure it'll be worth it.
3. Disney just buys Sony to spite them. Because they can. Probably.

People who say these companies don't care about the fans are thinking with their comic book hearts and I get that. But this is all a business at the end of the day. Sony are acting like stubborn bullies here. Disney need to be the bigger person. Whatever amount they have to part with will still be made back twice over, because it's Marvel. What's right for business is also right for the fans - put the MCU franchise first.
     
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Garrett (1099 KP) rated Joker (2019) in Movies

May 18, 2020  
Joker (2019)
Joker (2019)
2019 | Crime, Drama
Set design (2 more)
Costumes
Most of the acting
Story (2 more)
Theme
Message/meaning
I think I need to note a few things about my review before I actually get into it. First, I got this for free in a giveaway. Second, having watched the trailers for this I thought I wasn't going to like it and I didn't see it in theaters, the buzz and good reviews made me want to enter the giveaway so I could see it because I likely wouldn't have paid for it. Third, I know that I can "grade" movies I don't like harsher than maybe they deserve. Finally, in an effort to prevent me from being too harsh I "forced" my sister to watch it with me and some of her views of the movie and review are mixed in with my opinion of it.

It was apparent to me, and my sister, that this movie was not an attempt at a comic book movie or even a movie about the Joker but a character study and a look into mental illness. This is confirmed in the special features with an interview with the director/writer/producer. I think that if this wasn't a "Joker" movie I would have liked it a little bit more. The biggest problem that this movie has, and many others like it, when the main character is a "bad guy" and they try to make you understand/sympathize with them and it doesn't work it messes up the movie's feel. It did that for both of us.

As a "DC" movie and set in the Batman "universe" this fails in almost every way possible. The actor and character are way too old (mid 30's to 40's at best), when compared to how young Bruce Wayne is (about 8). Joker is malnourished, frail, weak, incapable of planning anything out, and I can't stress this enough famous throughout the country for the actions in this movie with his real name... None of that fits the Joker from any Batman in the comics.

There are good to great parts in this movie but they are few and far between. Within this movie are the bones of a much better movie. Many of the choices the director made, that he is proud of, I think severely damage this movie. Chief among them is the dancing. With the exception of the celebrating down the stairs which is one of the most famous and favorite scenes in the movie (and that's how I saw it as celibating not dancing) the rest of them are useless, don't fit with the actual character (the Joker), and add to the run time of an already bloated and often very slow movie.

In the end I know I'm probably in the minority with my opinion on this movie, of those that have seen it, but I do think there is a good lesson here. If you see the trailers for this movie and it looks up your alley or it interests you then see it, but maybe just on streaming or renting. If you see the trailers for this and don't think you'd like it you are probably very right and shouldn't waste your money on it. If you get a chance to see it for free and you want to see what all the "hype" is about maybe check it out... but there are probably many better options that you should see before trying this out.
  
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Shang-Chi and the Legend of the Ten Rings (2021)
Shang-Chi and the Legend of the Ten Rings (2021)
2021 | Action, Adventure
The latest film in the Marvel Cinematic Universe has arrived with “Shang Chi and The Legend of the Ten Rings”.

The film introduces audiences to Shang Chi (Simu Liu); an easygoing San Francisco resident who spends his time parking cars and hanging out with his friend Katy (Awkwafina) and her family.

Life is steady if unspectacular until he is accosted on a city bus by a group looking to take a pendant his mother gave him. When Shang Chi shocks Katy and the occupants of the bus with his martial arts abilities; he attempts to find his sister Xialing (Meng’er Zhang); who runs an underground fight club. While Xialing is estranged from her brother; their father Wenwu (Tony Chiu-Wai Leung) has conspired to bring them and their pendants before him.

Their father uses the power of sacred devices known as the Ten Rings to rule for over a thousand years and destroys all who would oppose him thanks to their power and the army he has gathered over the centuries.

Wenwu wants to revive their long-dead mother as he is convinced that she is calling to him and he wants to be with her as he was able to be a better man and forsake the power and abilities the rings offered him.

When it is learned that Wenwu plans to go to a mythical realm that their mother came from and free her or burn the place to the ground; Shang Chi must make some hard choices between family and doing what he believes is right.

What follows is an action-filled thriller with plenty of mysticism and humor. The film has a very engaging visual style that combines Asian and Western cinematic styles which results in some very engaging visuals as well as action sequences.

What really sets the film apart from many Super Hero films is that the characters have a solid base to them as they have a complexity to them in regards to their past and their motivations. Their relationships with one another are key to the film as family, honor, and justice are key elements to the film but they are not given lip service but are developed well along with their characters.
While the final act may be a bit FX heavy for some; I found it in keeping with the story and the characters and the great Sir Ben Kingsley provides some very welcome comic relief in his return as Trevor.

Awkwafina is also great as she provides some very laugh-out-loud moments but is not afraid to mix it up when the situation calls for him. Simu Liu was very enjoyable in the lead role as he performed the physical aspects of his character well but added a restrained sensitivity to his character as he is a complicated individual who is conflicted by choices he made in his youth and the ramifications of them now as an adult.

There are bonus scenes that set up future adventures well including one that will no doubt have Marvel fans heatedly debating when the film premieres.

Once again Marvel has shown why they have had such a sustained success with their films as they have done a great job again of introducing a new character to the Cinematic Universe but also connecting him to their cinematic past and future.

4 stars out of 5
  
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Bob Mann (459 KP) rated Stuber (2019) in Movies

Sep 28, 2021  
Stuber (2019)
Stuber (2019)
2019 | Action, Comedy
An action comedy that takes you for a ride.
Kumail Nanjiani hits my funny bone… again.
Like no other genre, comedy is highly personal and one person’s comedy gold is another person’s comedy nightmare (“Mrs Brown’s Boys” anyone?). Similarly there are some comedians that I really engage with and others that really irritate. For me, stand-up comedian Kumail Nanjiani falls into the former category. Although having had bit-part roles in many films over the last ten years, it was his starring role playing… well… basically, himself in “The Big Sick” that first caught my attention. Here he repeats that starring role and delivers a deft performance as the shy and ‘scaredy-cat’ driver making a pick-up he won’t forget in a hurry.

He’s paired here, in an unusual ‘buddy cop’/’not buddy cop’ manner, with “Spectre” bad-guy Dave Bautista, a giant of a man who displays a knack for comic delivery (albeit as the straight man) that I was not expecting.

The seeing-eye Uber man.
Bautista plays cop Vic Manning who is in an obsessive pursuit of bad-guy Oka Tedjo (Iko Uwais). Suffering from increasingly bad eyesight, Manning undergoes laser eye surgery on the very day that the “big tip-off” comes through. Being almost blind, Manning hires (read kidnaps) Stu to be his unwilling partner in a battle that puts Stu as well as Manning’s attractive artist daughter (Natalie Morales) in harm’s way.

There’s comedy to be mined in the blind cop set-up…. it’s similar in some ways to the Gene Wilder/Richard Pryor comedy “See No Evil, Hear No Evil”.

Surprisingly visceral action.
We all know that Bautista can do a good fight scene. That fight onboard a train in “Spectre“, with Daniel Craig‘s Bond, was almost on a par with the famous Connery/Shaw fight in “From Russia With Love”. Here, Bautista gets to brawl with gusto in a few scenes.

In general, the “action” in this “action-comedy” is pretty full-on and entertaining. The opening scenes in particular, with Manning and officer Sara Morris (the ever-watchable Karen Gillan) taking on Tedjo in an upper floor of a high-rise building are exciting and dramatic. This is due in no small part to the acrobatic capabilities of Iko Uwais. (Uwais is an Indonesian champion at the martial art Silat… and it shows).

Slick writing that delivers some great lines.
The script is by Tripper Clancy, with this being his first US film after penning two previous German films. And it really made me laugh a lot, both in terms of some of the set up scenes (one in an animal hospital is particularly funny) and in some of the dialogue. As an example, when pushed to the limit of his stress, Stu wails “So I’m gonna have to get cheap student therapists who quote white guys with Indian names and tell me that I should meditate. I…DO…MEDITATE!!!!”.

Also top-notch is the use of music in the film. A use of the Hollies classic “Air that I breathe” during the above mentioned Animal Hospital scene was brilliant.

Summary
Comedies need to make me laugh. This one did. Repeatedly. It even made the illustrious Mrs Movie Man laugh too. Repeatedly. As such “Stuber” comes with a “recommended” from me.