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Zuky the BookBum (15 KP) rated I am missing in Books
Mar 15, 2018
<b>3.5 stars</b> but Im rounding up to 4 because I liked more than I disliked.
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
Kristy H (1252 KP) rated Now That You Mention It in Books
Jun 5, 2018
Lovely book with a great protagonist and supporting cast
Nora Stuart has overcome a lot. After a combination of relentless bullying and being overlooked and ignored in high school (even by her sister, Lily), she earned a scholarship to Tufts on her way to becoming a gastroenterologist. She thought the worst was behind her as she found happiness with her medical practice and her boyfriend, but then boom it all changed in a second--literally--when she stepped off a curb and was hit by a car. So she does the only thing she can think of: go home. For the first time in fifteen years, Nora finds herself back in Maine on Scupper Island, living with her Mom and sharing a room with her teenage niece, Poe. The townspeople still think of her as "Sharon's other daughter," and being home doesn't exactly bring back good memories. But Nora's banged up (inside and out); her younger sister is in jail; and Poe clearly could use some stability. Maybe, just maybe, coming home will be a much-needed chance to start over.
This is the type of book where you probably know how things will turn out (disgraced woman returns to her former home, which just happens to be an island). Still, in a way, I think they are the hardest to write, because, for me, they require such well-written plot with an excellent cast to pull it off. To get past it all, you need a really strong protagonist and a truly "lovable" love interest. You get all that in spades here. I'd never read a Kristan Higgins novel before, but had heard such good things about this book (especially from my Goodreads friend, Melissa) that I couldn't resist picking it up. I'm so glad I did. This novel was such a delight and such a good choice to read during my beach vacation with my daughters.
I really enjoyed Nora from the beginning: she felt real, and her love for her dog and her family was palatable. She made her job and her situation (which wasn't always easy) a pleasure to read. The supporting cast was also wonderful. Nora's mom is a total trip--I could just picture her reticent Maine self. Add in her niece, Poe, whom Higgins managed to keep from being a cliche, and another teenager, Audrey, who was a delight--I loved them. Even better, all the characters added to some hilarious moments, even among some of the serious parts of the book. There were some downright laugh out loud scenes in this book, particularly a dinner party on Nora's boat--featuring some great moments with her fellow Scupper Island residents--and a ham dinner at her Mom's. I couldn't believe how into the story I was or how funny and real all these people felt. Nora's love of Harry Potter was rather endearing as well.
The novel also dealt with its serious moments deftly as well. Nora has to overcome so much (almost an overload it felt), and the book handled the serious parts appropriately, with both gravitas and humor. She was a strong character, and I found myself very touched by some sweet pieces in the novel. There's a lot more to this one than meets the eye with its sunny cover.
Overall, this was a lovely book--fun yet serious--with a great protagonist and a wonderful supporting cast. It was downright laugh out loud funny at parts and just a refreshing, enjoyable read. I'm kicking myself for not requesting Higgins' latest ARC but will certainly be reading a lot more of her books in the future.
This is the type of book where you probably know how things will turn out (disgraced woman returns to her former home, which just happens to be an island). Still, in a way, I think they are the hardest to write, because, for me, they require such well-written plot with an excellent cast to pull it off. To get past it all, you need a really strong protagonist and a truly "lovable" love interest. You get all that in spades here. I'd never read a Kristan Higgins novel before, but had heard such good things about this book (especially from my Goodreads friend, Melissa) that I couldn't resist picking it up. I'm so glad I did. This novel was such a delight and such a good choice to read during my beach vacation with my daughters.
I really enjoyed Nora from the beginning: she felt real, and her love for her dog and her family was palatable. She made her job and her situation (which wasn't always easy) a pleasure to read. The supporting cast was also wonderful. Nora's mom is a total trip--I could just picture her reticent Maine self. Add in her niece, Poe, whom Higgins managed to keep from being a cliche, and another teenager, Audrey, who was a delight--I loved them. Even better, all the characters added to some hilarious moments, even among some of the serious parts of the book. There were some downright laugh out loud scenes in this book, particularly a dinner party on Nora's boat--featuring some great moments with her fellow Scupper Island residents--and a ham dinner at her Mom's. I couldn't believe how into the story I was or how funny and real all these people felt. Nora's love of Harry Potter was rather endearing as well.
The novel also dealt with its serious moments deftly as well. Nora has to overcome so much (almost an overload it felt), and the book handled the serious parts appropriately, with both gravitas and humor. She was a strong character, and I found myself very touched by some sweet pieces in the novel. There's a lot more to this one than meets the eye with its sunny cover.
Overall, this was a lovely book--fun yet serious--with a great protagonist and a wonderful supporting cast. It was downright laugh out loud funny at parts and just a refreshing, enjoyable read. I'm kicking myself for not requesting Higgins' latest ARC but will certainly be reading a lot more of her books in the future.
postapocalypticplayground (27 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Aug 13, 2018
Firstly, I did enjoy Heart of Thorns, I found it an easy going read with lots going on and some twists I genuinely didn't see coming. Whilst Mia is the MC, I have to say that Quin does actually steal the show. As far as character development goes his transformation from formal and unemotional prince to what he becomes is a real joy to read with so many facets of his personality. I liked the way that the history of the world we find ourselves in is laid out conversationally rather than in one big chunk. The journey Mia and Quin find themselves on is long and for the most part without peril so it's the perfect way to fill the time. Given Quin's sheltered upbringing at the castle it's not so far fetched that given his fathers fears, he would know very little of the surrounding lands. Mia does struggle to get out her one dimension though, which I don't know if is by design to explain things later on or whether she simply needed a bit more breathing room and perhaps a different focus from time to time. Things really felt like she was too transfixed on righting the wrongs of the past to focus upon the present dangers.
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Curvature (2018) in Movies
Jul 8, 2019
If there’s any particular genre i’m particularly keen too, it’s science fiction. Books, movies, television, comics, you name it. I’ve been watching the old school versions of ‘The Twilight Zone’ and ‘The Outer Limits’ since I was like 5 years old (that could explain quite a few things actually). As far as movies? That’s going to lead only to the past, the future, other dimensions, etc. If you had to nail it down even further within the genre of science fiction, I’d have to go right to anything revolving around time travel. That’s where today’s film for your consideration comes in. This one in particular doesn’t seem to be getting the credit it deserves and although it’s a bit rough around the edges, I think it also deserves a shot.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
Emma @ The Movies (1786 KP) rated Frozen II (2019) in Movies
Nov 30, 2019
Anna's character development (1 more)
Reindeer
Songs (1 more)
Olaf
Having arrived at the cinema on Saturday afternoon I was very glad I changed my plans to see this after work on Friday. The foyer was packed with children and it looked like a costume shop had a Disney special running. My 3D screening the day before had been a much more pleasant affair.
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Broken Dolls (Broken Dolls, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Bob Mann (459 KP) rated The New Mutants (2020) in Movies
Sep 9, 2020
Character-driven storyline rather than wham-bam Marvel action (1 more)
Illyana Rasputin - great character
"Glass" - Half Full.
So, I've heard a lot of bad word-of-mouth about this X-Men flick, but otherwise knew very little about it. As such, I went in with low expectations. And although there is nothing remotely novel about the movie, I didn't think it was too bad at all.
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
Kirk Bage (1775 KP) rated What We Do in the Shadows in TV
Jan 22, 2021
Anyone who watched and enjoyed the entirely silly, but mostly genius, original film version of this, written and directed by the same partnership of Jermaine Clement and Taika Waititi, should not miss this show! Although Clement and Waititi step down from acting duties (aside from cameo appearences), they are replaced by the ideal, if not actually better, pairing of Matt Berry and Kayvan Novak, whose previous experience in left-field comedy with an improvisational edge leaves them perfectly placed to make this comedy fly like a startled bat!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
Emma @ The Movies (1786 KP) rated Justice League (2017) in Movies
Sep 25, 2019
A powerful force is hidden on Earth, three Mother Boxes, previously used by Steppenwolf and his army of Parademons in an attempt to conquer Earth. As the planet mourns the loss of Superman the power is ignited again and triggers Steppenwolf's return to Earth. When Themyscira is attacked and their Mother Box is stolen, Queen Hippolyta warns her daughter of what is to come.
Bruce Wayne (Batman, shhhh don't tell anyone) enlists Diana Prince to help him gather other metahumans in an effort to stop the impending destruction of the Earth. It's time to meet the new recruits: Arthur Curry AKA Aquaman, Barry Allen AKA The Flash, and Victor Stone AKA Cyborg.
My worry here was that they couldn't come close to how well they did with Wonder Woman. Thankfully, while not everything was quite right, I really enjoyed this film and I barely felt any pain at watching this... all the pain happened when I rewatched Batman Vs Superman before going to see Justice League.
Let me get the gripes out of the way. The CGI, which seems to be a quibble from a lot of people. I'm not really sure how you manage to successfully do so much of it, and yet the villain... quite a major part of the film... looked terrible. In all honesty he kind of looked like they'd tried to recreate Liam Neeson in some shots so why not just get Liam Neeson in and wack some makeup on him. I'd totally have watched that. As for CGIing off Henry Cavill's moustache, admittedly some of the shots looked a little bit off, but I'm not convinced that if we hadn't known about it that most of us would have been able to tell, because who is going to be staring at that unless you have a fetish for his upper lip?
They also tried to make Batman/Bruce Wayne funny, which felt a little odd, and slightly forced at times. You can understand it to some degree, when you're bringing in Flash who is generally regarded as the comedian of the bunch then you're going to have to add some humour in so that he doesn't stick out like a sore thumb.
Obviously we know that I love Wonder Woman, so there isn't a lot I need to say there, she still rocked. I enjoyed Jason Momoa as Aquaman, and yes, a significant portion of that was looking at his half naked body. But I thought he played the part really well, and I loved him getting caught out by Diana's lasso. With the other two I was worried that me knowing them from other things would make it difficult getting to grips with these new incarnations. Thankfully it wasn't too bad though. As it happens I'm not a fan of either Grant Gustin or Ezra Miller in the role of Flash. This film version is probably more how I picture his character, but neither actor really brings it across to me quite how I'd hope. Finally, Ray Fisher as Cyborg, mock me if you must, but I've only seen the character in action as part of Teen Titans Go! In that he's a somewhat happy go lucky chap who loves his food, and this one is a bit more angsty as his creation is quite fresh. I enjoyed him as a character though, it was interesting to see how he developed as his powers did.
I'm not really sure how I felt about the Superman regeneration part of the story, I suppose at least he did a David Tennant and regenerated into himself.
Not a bad offering after Wonder Woman, and I'm looking forward to the follow up films that'll be coming out over the next few years.
Bruce Wayne (Batman, shhhh don't tell anyone) enlists Diana Prince to help him gather other metahumans in an effort to stop the impending destruction of the Earth. It's time to meet the new recruits: Arthur Curry AKA Aquaman, Barry Allen AKA The Flash, and Victor Stone AKA Cyborg.
My worry here was that they couldn't come close to how well they did with Wonder Woman. Thankfully, while not everything was quite right, I really enjoyed this film and I barely felt any pain at watching this... all the pain happened when I rewatched Batman Vs Superman before going to see Justice League.
Let me get the gripes out of the way. The CGI, which seems to be a quibble from a lot of people. I'm not really sure how you manage to successfully do so much of it, and yet the villain... quite a major part of the film... looked terrible. In all honesty he kind of looked like they'd tried to recreate Liam Neeson in some shots so why not just get Liam Neeson in and wack some makeup on him. I'd totally have watched that. As for CGIing off Henry Cavill's moustache, admittedly some of the shots looked a little bit off, but I'm not convinced that if we hadn't known about it that most of us would have been able to tell, because who is going to be staring at that unless you have a fetish for his upper lip?
They also tried to make Batman/Bruce Wayne funny, which felt a little odd, and slightly forced at times. You can understand it to some degree, when you're bringing in Flash who is generally regarded as the comedian of the bunch then you're going to have to add some humour in so that he doesn't stick out like a sore thumb.
Obviously we know that I love Wonder Woman, so there isn't a lot I need to say there, she still rocked. I enjoyed Jason Momoa as Aquaman, and yes, a significant portion of that was looking at his half naked body. But I thought he played the part really well, and I loved him getting caught out by Diana's lasso. With the other two I was worried that me knowing them from other things would make it difficult getting to grips with these new incarnations. Thankfully it wasn't too bad though. As it happens I'm not a fan of either Grant Gustin or Ezra Miller in the role of Flash. This film version is probably more how I picture his character, but neither actor really brings it across to me quite how I'd hope. Finally, Ray Fisher as Cyborg, mock me if you must, but I've only seen the character in action as part of Teen Titans Go! In that he's a somewhat happy go lucky chap who loves his food, and this one is a bit more angsty as his creation is quite fresh. I enjoyed him as a character though, it was interesting to see how he developed as his powers did.
I'm not really sure how I felt about the Superman regeneration part of the story, I suppose at least he did a David Tennant and regenerated into himself.
Not a bad offering after Wonder Woman, and I'm looking forward to the follow up films that'll be coming out over the next few years.