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LeftSideCut (3776 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
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Debbiereadsbook (1421 KP) rated Restrained Desires (Rehoboth Pact #3) in Books
Apr 9, 2022
Saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere
Debbiereadsbook (1421 KP) rated Blood King (Heart Stones #1) in Books
May 4, 2022
Left with so many questions but so bloody good!!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
I'm not gonna write a bit about this book. I'm not gonna rehash any sort of plot line, but what I am gonna say is this:
ARGGGGGGGGGGGGGGGGGGHHHH!
Sayle has a particular way of messing with my head, she leaves me with question after question. Mostly, questions I cannot voice, but my head knows it has questions and Sayle drives me freaking nuts about it!
So, once I got over my spit-your-dummy-out, throw-your-toys-out-the-pram and I'll-scream-and-scream-and-scream-until-I'm-sick kind of tantrum, here's what I thought about this book.
So good, this first book in a new series, a very different book than of late for Sayle and I read this and flung my kindle at the wall and my partner looked at me like I grew a third head!
Why, you ask? Because questions, people, I have a lot, A LOT of freaking questions about this book and it's taken me 3 days to manage to write something about this book that actually makes sense!
I am, however, fairly certain that I will not be the only one why has questions, hell, I'm not even sure if Sayle has all the questions, let alone the answers to everything that was NOT said here.
Because while you get everything you need about Aion and Shiesha NOW, there is much, so (I really wanna use the Fword here but some sites don't like that, but I need to stress the point!) freaking MUCH, that is not said. About who Aion and Shiesha are running from, about what happened to Aion's family, about who Shiesha really is, about WHAT he is! And those bloody monks? Cryptic or what! But those monks, I understood. They are bound by a higher power and sworn to secrecy. Aion and Shiesha have all the answers, they just need to listen to their hearts to find them.
And then we get to the ending! A cliff hanger, people, of massive proportions! I knew this was coming, the blurb says so, but still. I had 10 minutes left in the book and then it was finished and sheesh, I was not happy! There is a teeny tiny bit that happens next, a bit of an epilogue slash sneak peak but I would rather have not had that, to be honest! I think it would have had a bigger reaction from people to not have that sneak peak, and I am left a little . . .annoyed . . .maybe. . . by it! I don't know WHY, but book feelings, people, I'm sharing my book feelings!
Anyway!
Because I have questions;
because I read it in one sitting;
because I threw my kindle at the wall (and it's been a long ass time since I did that!)
because of that freaking cliff hanger;
because, even, of that sneak peek;
because it's my review and I can. . .
5 freaking amazing stars!
But write quicker, Ms Sayle.
Write.
Quicker.
*same worded review will appear elsewhere
I'm not gonna write a bit about this book. I'm not gonna rehash any sort of plot line, but what I am gonna say is this:
ARGGGGGGGGGGGGGGGGGGHHHH!
Sayle has a particular way of messing with my head, she leaves me with question after question. Mostly, questions I cannot voice, but my head knows it has questions and Sayle drives me freaking nuts about it!
So, once I got over my spit-your-dummy-out, throw-your-toys-out-the-pram and I'll-scream-and-scream-and-scream-until-I'm-sick kind of tantrum, here's what I thought about this book.
So good, this first book in a new series, a very different book than of late for Sayle and I read this and flung my kindle at the wall and my partner looked at me like I grew a third head!
Why, you ask? Because questions, people, I have a lot, A LOT of freaking questions about this book and it's taken me 3 days to manage to write something about this book that actually makes sense!
I am, however, fairly certain that I will not be the only one why has questions, hell, I'm not even sure if Sayle has all the questions, let alone the answers to everything that was NOT said here.
Because while you get everything you need about Aion and Shiesha NOW, there is much, so (I really wanna use the Fword here but some sites don't like that, but I need to stress the point!) freaking MUCH, that is not said. About who Aion and Shiesha are running from, about what happened to Aion's family, about who Shiesha really is, about WHAT he is! And those bloody monks? Cryptic or what! But those monks, I understood. They are bound by a higher power and sworn to secrecy. Aion and Shiesha have all the answers, they just need to listen to their hearts to find them.
And then we get to the ending! A cliff hanger, people, of massive proportions! I knew this was coming, the blurb says so, but still. I had 10 minutes left in the book and then it was finished and sheesh, I was not happy! There is a teeny tiny bit that happens next, a bit of an epilogue slash sneak peak but I would rather have not had that, to be honest! I think it would have had a bigger reaction from people to not have that sneak peak, and I am left a little . . .annoyed . . .maybe. . . by it! I don't know WHY, but book feelings, people, I'm sharing my book feelings!
Anyway!
Because I have questions;
because I read it in one sitting;
because I threw my kindle at the wall (and it's been a long ass time since I did that!)
because of that freaking cliff hanger;
because, even, of that sneak peek;
because it's my review and I can. . .
5 freaking amazing stars!
But write quicker, Ms Sayle.
Write.
Quicker.
*same worded review will appear elsewhere
Remind Me (Mystic Beach Fantasy Rockstar Romances, #4)
10.0
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Recipe for a Delicious Love Story: • 1 spicy rockstar • 1 salty chef • a sweet first love ...
Paranormal RockStar Romance
Kristy H (1252 KP) rated The Perfect Stranger in Books
Feb 1, 2018
Leah Stevens needs to get away from Boston. Due to an article she published, her job as a journalist is over thanks to fears of a lawsuit coupled with an in-place restraining order. So when she comes across her old friend Emmy in a bar, the timing seems perfect. Emmy is coming out a bad relationship and she suggests the pair--once former roommates--move to rural Pennsylvania and start over. Leah gets a teaching position at the nearby school, and Emmy picks up a series of odd jobs. But their fresh start is jeopardized when a local woman, with a startling likeness to Leah, is attacked. Then Emmy vanishes, and Leah really starts to worry. Leah works with the local police, but quickly fears she may be under suspicion as well, as it rapidly becomes clear that Leah didn't know Emmy well at all. In fact, Leah is starting to wonder: did Emmy even exist?
This is Miranda's follow-on to [b:All the Missing Girls|23212667|All the Missing Girls|Megan Miranda|http://images.gr-assets.com/books/1452098621s/23212667.jpg|42755300], and I actually found myself liking THE PERFECT STRANGER even more. While GIRLS hooked you with its backward narrative shtick, STRANGER pulls you immediately with the strength of its story, and it never lets go. Everything in the novel is complicated and interrelated, it seems, and you're constantly digesting details and facts and trying to put these intricately interwoven pieces together, just as Leah is. Because she has a past as a reporter, she's great at digging through facts, but you also can't trust her as a narrator, and it puts you--the reader--in quite a bind. What is true? Who is real? It was a frustrating (in a good way) dilemma, and I loved it.
The novel gets progressively creepier as it unfolds: to the point that I found myself checking the curtains when I was up late at night (frantically reading the book, of course!). I kept wondering what on earth was going on and how everything could possibly fit together. At one point, there was a great plot twist that I totally didn't see coming. I love when that happens! The book kept me puzzling right up until the end. It's really quite spellbinding.
It reminded me a bit of a [a:Mary Kubica|7392948|Mary Kubica|http://images.gr-assets.com/authors/1447464986p2/7392948.jpg] novel; you really do start to doubt if Emmy exists. As mentioned, Leah is a very unreliable narrator in many ways. She brings her reporter instincts to this small town (despite trying to escape that part of her past), and it's truly fascinating watching her try to unravel the story. Her searches become really exciting, even if you don't completely trust her or know if you can believe her.
Everything ties together really well. The only downside for me was that the ending was a bit anticlimactic, but the "aha" moments when everything fits together are amazing. It's a really intricate and well-plotted novel. I stayed up late to finish it because I could not go to bed without knowing what had happened. I was more excited about finishing this book than Duke's defeat in the NCAA tournament - that should say a lot. :)
Overall, a very exciting and interesting (and often spooky!) thriller. Definitely recommend.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 04/11/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This is Miranda's follow-on to [b:All the Missing Girls|23212667|All the Missing Girls|Megan Miranda|http://images.gr-assets.com/books/1452098621s/23212667.jpg|42755300], and I actually found myself liking THE PERFECT STRANGER even more. While GIRLS hooked you with its backward narrative shtick, STRANGER pulls you immediately with the strength of its story, and it never lets go. Everything in the novel is complicated and interrelated, it seems, and you're constantly digesting details and facts and trying to put these intricately interwoven pieces together, just as Leah is. Because she has a past as a reporter, she's great at digging through facts, but you also can't trust her as a narrator, and it puts you--the reader--in quite a bind. What is true? Who is real? It was a frustrating (in a good way) dilemma, and I loved it.
The novel gets progressively creepier as it unfolds: to the point that I found myself checking the curtains when I was up late at night (frantically reading the book, of course!). I kept wondering what on earth was going on and how everything could possibly fit together. At one point, there was a great plot twist that I totally didn't see coming. I love when that happens! The book kept me puzzling right up until the end. It's really quite spellbinding.
It reminded me a bit of a [a:Mary Kubica|7392948|Mary Kubica|http://images.gr-assets.com/authors/1447464986p2/7392948.jpg] novel; you really do start to doubt if Emmy exists. As mentioned, Leah is a very unreliable narrator in many ways. She brings her reporter instincts to this small town (despite trying to escape that part of her past), and it's truly fascinating watching her try to unravel the story. Her searches become really exciting, even if you don't completely trust her or know if you can believe her.
Everything ties together really well. The only downside for me was that the ending was a bit anticlimactic, but the "aha" moments when everything fits together are amazing. It's a really intricate and well-plotted novel. I stayed up late to finish it because I could not go to bed without knowing what had happened. I was more excited about finishing this book than Duke's defeat in the NCAA tournament - that should say a lot. :)
Overall, a very exciting and interesting (and often spooky!) thriller. Definitely recommend.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 04/11/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Gareth von Kallenbach (980 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Aug 14, 2019
It seems of late that every month Hollywood either releases or plans to release a remake of a classic film. This summer has spawned no less than 5 remakes of classic films or televisions shows and with box office receipts in decline, it would seem that the public is craving for something fresh.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
East-Commerce: China, E-Commerce and the Internet of Things
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A New E-Commerce Model is Coming from the East it is More Advanced and it is Spreading Worldwide...
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The best Pixar film?
I have recently purchased a ‘100 Movies Bucket List’ scratch off poster, with the intention of finally crossing off all of the classic films I’ve never seen before. However with the current and ongoing COVID lockdowns, now seemed like a perfect time to watch all of the 100 films on this list including those I know and love. These will be watched in no particular order, and will be highly dependent on my mood and film availability. First on my list is Up.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
