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The best Pixar film?
I have recently purchased a ‘100 Movies Bucket List’ scratch off poster, with the intention of finally crossing off all of the classic films I’ve never seen before. However with the current and ongoing COVID lockdowns, now seemed like a perfect time to watch all of the 100 films on this list including those I know and love. These will be watched in no particular order, and will be highly dependent on my mood and film availability. First on my list is Up.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Debbiereadsbook (1410 KP) rated Nine Small Sips (Tales Of Bryant #2) in Books
Jun 28, 2019
my only fault? No Brian!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
The Problem (Single Dad Support Group #1)
9.0
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Laurence’s new lover is half his age. The problem? His relationship is about to make his life a...
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LeftSideCut (3776 KP) rated Cloverfield (2008) in Movies
Aug 13, 2019 (Updated Aug 19, 2019)
Cloverfield is a rare beast - it's a genuinely quality movie experience, but another aspect that truly sets it apart is it's infamous marketing, which I'll talk about first.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
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A really enjoyable coming of age story, Snowflake by Louise Nealon is about Debbie White, and how she navigates life away from her home. When Debbie gets a place at Trinity College, Dublin, it’s decided that she’ll commute every day by train from her farm in the country. This sets her apart from the beginning: most people seem to stay in Dublin. But Debbie struggles with how to behave around other students, and if not for Xanthe, who takes Debbie under her wing, I don’t think she would have made any friends at all.
Debbie’s home life is unconventional. Her mother is obsessed with dreams, and believes that she knows what people’s dreams are - that she can see right into them. She has periods of extreme moods, and Debbie has to look after her during these episodes.
And then there’s Debbie’s Uncle Billy. He runs the farm and lives in a caravan. I rather liked his no-nonsense approach to life, but he’s just as vulnerable as his sister and niece.
It isn’t all doom and gloom though. Debbie is funny, quirky and a highly likeable person - the book had moments that really made me laugh. It was these moments of light and dark that really made the book work for me. Louise Nealon is going to be a name to watch for in the future. I loved this. You should all go and read this now!
Many thanks to Manila Press for the copy provided to me through NetGalley.
Debbie’s home life is unconventional. Her mother is obsessed with dreams, and believes that she knows what people’s dreams are - that she can see right into them. She has periods of extreme moods, and Debbie has to look after her during these episodes.
And then there’s Debbie’s Uncle Billy. He runs the farm and lives in a caravan. I rather liked his no-nonsense approach to life, but he’s just as vulnerable as his sister and niece.
It isn’t all doom and gloom though. Debbie is funny, quirky and a highly likeable person - the book had moments that really made me laugh. It was these moments of light and dark that really made the book work for me. Louise Nealon is going to be a name to watch for in the future. I loved this. You should all go and read this now!
Many thanks to Manila Press for the copy provided to me through NetGalley.
Sarah (7799 KP) Nov 18, 2020
Dean (6927 KP) Nov 18, 2020