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This Tender Land
This Tender Land
8
8.0 (1 Ratings)
Book Rating
Thank you to Libro.fm and Recorded Books for letting me listen and review this book. I enjoyed this book more than I thought I would and it has a lot to digest from it. I've been thinking about it to try to formulate a review for a couple of days since I finished it.
This story is about 4 orphans on a life-changing journey during the era of the Great Depression in 1932.
In Minnesota, they are at a horrible place called The Lincoln School, where Native American children that have been separated from their families are sent to get an education. It's also where Odie is, who is the MC/one of the 4 orphans in this story. After getting in a lot of trouble and gaining the school superintendent's attention and wrath, Odie, his brother, Albert, their friend, Mose, and Emmy all run away together in a canoe they stole, going to the Missippi and to find a place of their own.
What follows is the telling of their journey during the summer, an adventure where they meet others who are wandering and on their own journeys as well. They meet all types of people like pig farmers, faith healers and others who are lost and trying to find their own way in life and to their own places to call home as well.
It's a coming of age tale, where they come across and are deciding and figuring things out for themselves like religion, belief in God, first crush/love, what's right and wrong, how to treat others with respect and love and so many things.
This story kept sucking me back in whenever I listened to it so I felt like I was there on the banks of the river watching their story or in the school or in the faith revival tents or towns along the way. I was a bit overwhelmed at times from the bigger picture they were showing and talking about along the way, but it also resonated with me a lot and reminded me a lot of Mark Twain's writing with his books about Huck Finn and Tom Sawyer that I remember loving and connecting with when I was younger.
The only thing that bothered me some was that if like me you try to go for clean reads, there's a little bit of language throughout the book, but other than that it was a really good story and the audio was great.
  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
Tom Holland as Peter Parker/Spider-man Michael Keaton as Vulture The John Hughes feel of it The action sequences are cool The use of Tony Stark. The film never suddenly became Iron man 4 (0 more)
Zendaya is under used The casting of Flash, the actor was good but no offence i could take you. (0 more)
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.


Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?

Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.

One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.

I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?

Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.

The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
  
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Heather Cranmer (2721 KP) rated The Lying Game in Books

Feb 9, 2019 (Updated Feb 9, 2019)  
The Lying Game
The Lying Game
Ruth Ware | 2017 | Fiction & Poetry, Mystery, Thriller
7
7.8 (23 Ratings)
Book Rating
Awesome plot twist (2 more)
Interesting story line
Fast paced
Overuse of profanity (1 more)
Immature characters
A Good Read
There was something about the synopsis for The Lying Game by Ruth Ware that caught my attention. I guess I wanted to see how this lying game the girls played would turn out. While The Lying Game was a good read, it didn't really focus on the actual lying game too much.

The plot for The Lying Game was interesting enough. Thea, Isa, Fatima, and Kate all met at Salten, a boarding school for girls, when they were all 15 years old. Thea and Kate tell Fatima and Isa about they lying game as well as the rules. However, that's about as much as the plot focuses on the the actual game which was disappointing. When a body is found near Salten many years after the girls were expelled from their boarding school, they must all come together to get their story straight. Isa isn't taking what happened at face value and begins to become suspicious of Kate's tell of events. She will do whatever it takes to discover the truth about what happened that fateful night that changed all four of the girls' lives. I will admit that there were some great plot twists in The Lying Game that I never figured out.

The world building in The Lying Game was mostly believable. I do feel like the townspeople of Salten would have been a bit more suspicious of the women coming back to Salten when a body is found. The women say it's because of Salten school's reunion dinner (which happens during the middle of the week, strangely), but this is the first time they've ever been to one of the dinners. I also had a hard time with Isa's baby, Freya. Freya seemed to be the most well behaved six month old baby! Isa brought Freya with her to Kate's house, but during much of the story, Freya never cries. Yes, there are a few times where it's mentioned she cries, but for the most part, Freya is happy wherever she is. Isa seems to be more obsessed with Freya more than any mother I've ever known, yet she puts that baby in a lot of danger during the course of the story.

The characters in The Lying Game were just okay. I did like Fatima the most. She seemed to be the most mature and reasonable out of the lot of them. Thea was alright. I did like how blunt she could be. Kate came across as being a bit whiny and manipulative. Isa was just very selfish. She seemed to only think of herself instead of her baby and husband. She blamed her husband for so much when it was clearly her fault their relationship was falling apart. I felt so sorry for Owen, her husband. Luc was an interesting character. I did feel sorry for him for how he was treated during his childhood. The major thing that annoyed me was all the profanity. The four main characters, Thea, Fatima, Kate, and Isa, swore so much. I'm okay with swearing, but a lot of the swearing seemed misplaced and like it was written in just to be there. It served no purpose. I would understand it more if they swore a lot in their teens, but these were women in their thirties sounding like they were swearing to sound cool or because they normally weren't allowed to. I just think the swearing was a bit over the top.

The pacing is very good in The Lying Game. Events flowed well, and I found myself not wanting to put the book down. I had to know what would happen next. Not one part of this story became too boring.

Trigger warnings in The Lying Game include lots of profanity, drinking (both underage and of age), cigarette smoking (underage and of age), animal violence (the death of a sheep), no sex but things leading up to it although not graphic, some drug references, overdosing, the drawings of naked underage girls, and murder.

All in all, The Lying Game is a good read. Yes, it doesn't have some problems like the characters being immature and selfish and the overuse of profanity, but it's still a fast paced thriller with a fantastic plot twist. I would recommend The Lying Game by Ruth Ware to those aged 18+ who are fans of thrillers.
  
Lady Bird (2017)
Lady Bird (2017)
2017 | Comedy, Drama
Masterpiece
Set in 2002, Lady Bird is a coming of age story for high school senior Christine "Lady Bird" McPherson. The film follows her pursuit of college while growing up in a low-income family. While that is the main plot, Lady Bird is about so much more. Quite frankly, the movie is perfect. I haven't seem a film this memorable since Boyhood.

Trying to find something wrong with this film is like trying to catch a fly while blinking rapidly. Not only does it do everything right, it does it flawlessly. What impresses me the most is this is Greta Gerwig's directorial debut (who also did the screenplay). For someone to hit a homerun like this on their first try is an incredible thing to consider.

I won't go into too much detail here because I want you go into this with as little knowledge of the film as I, but here are a few things I loved about it. At just ninety-three minutes, Lady Bird carries a consistent pace with an ending that is just too perfect for words. It's going to make you laugh out loud. A lot. It will probably make you tear up a bit as well as it's just as much heartbreaking as it is hilarious. The acting, highlighted by Saiorse Ronan and Laurie Metcalf is stellar through and through. Emotions are captured in a way that what you feel you are seeing is something real, not a script. So real it hits home in a way that might surprise you. Finally, this film gets all the little things right. Those small extra mile touches that add a lasting touch to a film.

As cliche as I have to be in this moment, Lady Bird is a masterpiece. That's why I'm giving it a perfect 100.
  
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Dubbsbrother1 (1 KP) Dec 9, 2017

This movie was weak. Definitely not a masterpiece. Last years Edge of Seventeen was 1000x better.

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Loz Hughes (80 KP) Aug 4, 2018

I agree with you Philip, I thought it was really well done too.

Moonlight (2016)
Moonlight (2016)
2016 | Drama
Waxing or Waning?
Seldom do I go to see a movie where I know so little about the plot as this one. I knew it was a “coming of age” drama about a young man growing up in a black neighbourhood in Miami. Period. That ignorance was bliss (so that’s the way this review will stay: I will avoid my usual high-level summary here). For there are twists in this story that you don’t see coming, and moments of such dramatic force that they are cinematically searing.

Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.

Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.

Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.

The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.

There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
  
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Hazel (1853 KP) rated A List of Cages in Books

Dec 17, 2018  
A List of Cages
A List of Cages
Robin Roe | 2017 | Contemporary
8
9.3 (3 Ratings)
Book Rating
<i>This ARC was provided by the author in exchange for an honest review </i>

Debut novelist Robin Roe is emerging with a bang with soon-to-be-published young adult novel, <i>A List of Cages</i>. Dealing with relatable school experience as well as devastating, painful realities, Roe engages the reader in a gripping, heartbreaking narrative.

Told through the words of two characters, <i>A List of Cages</i> explores contrasting personalities of high school students. On the one hand there is Julian, a quiet, anxious 14-year-old who is often ostracized and ridiculed by the members of his classes. Suffering from dyslexia, Julian does not enjoy school or have any friends to talk to. To make things worse, his parents have died, leaving Julian in the care of irascible Uncle Russell. In contrast, Adam, a senior, is a popular, well-loved student, whose diagnosis of ADHD causes him to be loud and energetic – the opposite of fearful Julian.

Having known Julian before the death of his parents, Adam is quick to notice the change in Julian’s personality and uses his role as aide to the school psychologist to get to know him better. Much to his friends’ unease, Adam begins bringing Julian along to parties, concerts and days out where, despite initially sticking out like a sore thumb, Julian begins to relax and realize that people enjoy having him around. Yet, Adam is still acutely aware that something is not right, and although suspicious of Julian’s uncle, does not do anything until it is almost too late…

For a fairly short story, <i>A List of Cages</i> covers a broad range of themes. Many of these are comparisons that reveal the potential problems students may face during high school. The obvious issue of learning difficulties are highlighted by Adam’s ADHD and Julian’s Dyslexia, as well as the contrasting ways teachers deal with them. There is also the difference in personality that alters the way the characters are received by their peers.

A prominent theme is grief – coming to terms with the sudden deaths of parents; but the most important subject raised is the advantage an ignoble adult may take on a vulnerable child. The abuse inflicted on Julian is demoralizing and painful to read - the understanding that this is a real issue in today’s world, shatteringly upsetting. The ease with which an abuser controls their victim is extremely scary, however the knowledge that there are people around to help and/or rescue the child is uplifting.

<i>A List of Cages</i> has been listed as suitable for readers between the ages of 12 and 18, however I disagree. The distressing storyline will most likely upset the lower end of this scale, especially as at that age they may not be able to fully understand the circumstances described. The occasional use of expletives support my opinion that older readers are the more appropriate audience.

It may take a few chapters to get a feel for the book, however <i>A List of Cages</i> is a highly recommended novel. Many writers over the past decade have brought topics previously taboo to readers’ attentions. Robin Roe continues to create an awareness of such matters through her incisive story. Her writing style will appeal to many well-read teenagers, and it is hoped that she will continue publishing works in this vein.
  
Dust (Heirs of Neverland, #1)
Dust (Heirs of Neverland, #1)
10
10.0 (1 Ratings)
Book Rating
<a href="https://travelingwife4life.wordpress.com/2020/08/05/the-dust-celebrate-lit/">Travelers Wife 4 Life</a>

Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!

<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland­­- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>

The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.

<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>

The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!

I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!

<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>

I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
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Suggs recommended Clash by The Clash in Music (curated)

 
Clash by The Clash
Clash by The Clash
1977 | Rock
8.6 (5 Ratings)
Album Favorite

"I wasn’t really a punk. I was about 16 when that album came out. But I was living above Maples, a carpet shop near Tottenham Court Road, and it was right by Capital Radio, and I remember suddenly these 14-foot letters appeared in spraypaint on Capital‘s windows, ‘THE CLASH’! And there was a thing in Melody Maker, where I heard about this club called The Roxy at Covent Garden, so I went down there. Me and my friends already looked a bit skinhead-y, suedehead-y, and I had this mohair suit, but the connection was that the punks had straight trousers in this world of flares and Kevin Keegan hairdos. Nobody was wearing Vivienne Westwood clothing: there was a guy in a dinner jacket painted pink, and someone else in a boiler suit they’d made themselves, and it was really DIY. The tribalism between mods and skinheads and punks hadn’t really started at that time, and it hadn‘t fractured into a million pieces yet. In 1977, if you had short hair, and you were prepared to have someone call you a fucking cunt in your ear for it, you were in. I saw a band called Eater at the Roxy, whose average age I later found out was 14. And I first heard The Clash’s ‘1977’ and ‘White Riot’ on record there. I felt like I was at the advent of something new. I liked punk, and I liked the attitude, but by 1978 we had our own thing going. But I always had a soft spot for The Clash, because they had the reggae thing, like us, and there was a bit of soul in their music, for want of a better word. Joe Strummer definitely had a bit of soul in his voice. Every fucking track on that album’s brilliant, but my favourite’s ‘London’s Burning’. And they were fucking brilliant live. And we [2 Tone bands] wouldn’t have had anywhere to play if it wasn’t for punk. You had pub rock informing punk, and punk informing us, and The Specials were a direct amalgam of punk and ska, and we realised that the faster we played, the more likely we could get the crowd jumping up and down, which was a legacy of punk. All these different movements, fracturing then coming back together. You’d need 60,000 sociologists to untangle those couple of years."

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