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Gareth von Kallenbach (977 KP) rated Steve Jobs (2015) in Movies
Aug 6, 2019
Steve Jobs is written by Aaron Sorkin and directed by Danny Boyle, stars Micheal Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, and Michael Stuhlbarg.
Now that those formalities are out of the way I will just come out and say it. Steve Jobs is the best dramatic bio-pic I have seen. In fact, it is the best movie I have seen this year. Acted fantastically to the point of realism, the film takes the typical three act story arc and shows us the life of Steve Jobs at three periods of his life right before a product launch where we see Jobs as both innovator and villain alike. Each period consist of the 30-45 minutes of visually stimulating and aggressive cinematography leading up to each product launch and how the major people in Job’s life come in and out of those moments. These moments reveal that seemingly simple interactions with Jobs lead to a constant chess match of words and minds to maintain the reality distortion field of a seemingly great man but seemingly not a very good person. Clearly the film takes some Hollywood liberties, but with the screenplay based off the authorized biography of the same name by Walter Isaacson, the film Steve Jobs is probably the most realistic portrayal we may see of the man himself.
That portrayal is delivered splendidly by Michael Fassbender. Fassbender’s performance though each phase of the film is scary. That is to say he plays the egotistical narcissist to perfection. We get real moments of a cold and calculating manipulative intelligent person with quiet moments of compassion here or there. During arguments, Fassbender knows how to delivers bombs out of moments where you would not expect them and at points those arguments feel like high speed action scenes in an otherwise action less film. It is quite remarkable to witness.
Seth Rogen (uncredited) delivers the best dramatic performance of his career as Steve Wozniak. Michael Stuhlbarg likewise delivers a solid performance that stands in this film. While Jeff Daniels, coming off a great performance in the recently successful film The Martian, delivers an outstanding nuanced performance here across from Fassbender. When the two of them are on screen together it is as if they are speaking high prose to each other, albeit at times screaming. I would not be surprised if Daniels is nomination on his work for this film.
Finally we come to Kate Winslet who plays marketing executive Joanna Hoffman. To me she delivered the most fantastic performance in this film. Perhaps because she was the likable better half to Fassbender but more importantly we see this woman who is the only one to stand up to and in a sense understand Steve Jobs’s reality distortion field and work in and out of it as she desperately tries to hold everything together. We she her grow as someone who clearly loves and admires this man however recognizes his faults and is willing to call him out on them. Winslet reminds us yet again why she is one of the best actress in Hollywood and I predict she will be taking home a little gold statue to go with her performance in this film.
If you are still on the fence about watching this film, let me push you off it. Watch it. That may not mean in theaters, which is perhaps my only small complaint about this film. This is the type of film that would be great if it was released same day on digital distribution so you could watch it a few times from home over a few days while you think about it. But at some point you owe it to yourself to be amazed by the fantastic performances and cinematography of this film. While it may not be something you have to see on the big screen, it is absolutely worth the full price of admission. Do not miss it.
Now that those formalities are out of the way I will just come out and say it. Steve Jobs is the best dramatic bio-pic I have seen. In fact, it is the best movie I have seen this year. Acted fantastically to the point of realism, the film takes the typical three act story arc and shows us the life of Steve Jobs at three periods of his life right before a product launch where we see Jobs as both innovator and villain alike. Each period consist of the 30-45 minutes of visually stimulating and aggressive cinematography leading up to each product launch and how the major people in Job’s life come in and out of those moments. These moments reveal that seemingly simple interactions with Jobs lead to a constant chess match of words and minds to maintain the reality distortion field of a seemingly great man but seemingly not a very good person. Clearly the film takes some Hollywood liberties, but with the screenplay based off the authorized biography of the same name by Walter Isaacson, the film Steve Jobs is probably the most realistic portrayal we may see of the man himself.
That portrayal is delivered splendidly by Michael Fassbender. Fassbender’s performance though each phase of the film is scary. That is to say he plays the egotistical narcissist to perfection. We get real moments of a cold and calculating manipulative intelligent person with quiet moments of compassion here or there. During arguments, Fassbender knows how to delivers bombs out of moments where you would not expect them and at points those arguments feel like high speed action scenes in an otherwise action less film. It is quite remarkable to witness.
Seth Rogen (uncredited) delivers the best dramatic performance of his career as Steve Wozniak. Michael Stuhlbarg likewise delivers a solid performance that stands in this film. While Jeff Daniels, coming off a great performance in the recently successful film The Martian, delivers an outstanding nuanced performance here across from Fassbender. When the two of them are on screen together it is as if they are speaking high prose to each other, albeit at times screaming. I would not be surprised if Daniels is nomination on his work for this film.
Finally we come to Kate Winslet who plays marketing executive Joanna Hoffman. To me she delivered the most fantastic performance in this film. Perhaps because she was the likable better half to Fassbender but more importantly we see this woman who is the only one to stand up to and in a sense understand Steve Jobs’s reality distortion field and work in and out of it as she desperately tries to hold everything together. We she her grow as someone who clearly loves and admires this man however recognizes his faults and is willing to call him out on them. Winslet reminds us yet again why she is one of the best actress in Hollywood and I predict she will be taking home a little gold statue to go with her performance in this film.
If you are still on the fence about watching this film, let me push you off it. Watch it. That may not mean in theaters, which is perhaps my only small complaint about this film. This is the type of film that would be great if it was released same day on digital distribution so you could watch it a few times from home over a few days while you think about it. But at some point you owe it to yourself to be amazed by the fantastic performances and cinematography of this film. While it may not be something you have to see on the big screen, it is absolutely worth the full price of admission. Do not miss it.
Kristy H (1252 KP) rated Cool for the Summer in Books
May 13, 2021
A simply wonderful book about finding yourself and love
Larissa "Lara" Bogdan has had a crush on one person for her entirety of high school: Chase Harding, the handsome, beloved football quarterback. But it's not until she comes back from a summer at the Outer Banks that he seems to take real notice of Lara. Like, flirting, asking her out notice. Now, she suddenly has everything she's ever wanted. But Lara can't seem to shake her memories of that Outer Banks summer and the girl she spent it with: Jasmine. Those memories come back in full force when Jasmine unexpectedly shows up at Lara's school on the first day and sees Chase flirting with Lara. Lara finally has Chase now. So why can't she stop thinking about Jasmine?
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
Lucy Buglass (45 KP) rated Venom (2018) in Movies
Jun 20, 2019
It’s not as bad as you might think…
It feels like everyone has something to say about Venom. Amongst critics and fans, it’s caused a lot of debate and controversy. Whenever this happens, I tend to find myself becoming even more curious about the film because if everyone else has strong words to say, maybe I will too?
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
BankofMarquis (1832 KP) rated Toy Story (1995) in Movies
Dec 16, 2018
Truly a classic
With Toy Story 4 coming out in theaters this summer, I thought I'd go back and check out a beloved classice - the original TOY STORY (1995) to see if this film holds up to my memory of it.
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated Knight and Day (2010) in Movies
Aug 8, 2019
Knight and Day, directed by James Mangold (previous director of 3:10 to Yuma and Walk the Line), is an uninspiring, uninteresting action movie. Getting both of those words to work with the phrase “action movie” is quite a challenge, but somehow, through a group effort, it was pulled off. The movie itself gets boring primarily because the Tom Cruise and Cameron Diaz have little to no chemistry between them both. Useless action sequences merely add to the feeling that all those involved were ruining a great premise for an action/date movie.
The plot of the movie started out fun and original, but again, the lack of a spark between the two leads just led to disinterest. The director made ample use of what I’ll call the “invisible montage,” wherein one of the main characters is semi-conscious, and what happens to them is revealed in a series of blurred, but outlandishly crazy situations only a few seconds in length and increasing in surrealism. This was a clever, if overused technique, but oftentimes the entire movie felt like longer episodes of these montages, with little reason for each to be happening other than to fill the quota for requisite action sequences. Because of some poor foreshadowing in the beginning of the film, even the finale became extremely predictable and had no weight.
Tom Cruise, playing the bizarrely comic spy Roy Miller, manages to pull his weight in his role. Cruise’s special kind of natural crazy is actually an advantage to the character he is playing. His unpredictability and his utter charm kept me, at the very least, entertained throughout the film.
Cameron Diaz, playing clueless midwesterner June Havens is obviously the weak link here. She can’t seem to keep up with Cruise’s character on screen, and aside from a few cutesy moments in the film, is outclassed by her co-star, and often by members of the supporting cast as well. Diaz doesn’t have a reputation for doing in-depth character studies of her portrayals, but the very least she could do is drop the same confused face she uses for most of the movie.
Together, Cruise and Diaz lack the chemistry that would have made this a decent movie without forcing the audience to shut off the emotional parts of their brains. In fact, the key make-out scene between the two of them was so clichéd as to be boring. Looking back at the entire movie, I believe that after their first few minutes together, the rest of their interactions just felt forced.
As for the rest of the cast, I have no special complaints or accolades, but I would like to single out one individual, and say that I would have loved to see more of Peter Sarsgaard. It’s immediately obvious that knows what he is doing on screen, and he deserved a much larger role than the one given to him.
In summary, Knight and Day is definitely worth skipping out on. Wait a week and soon enough some real 4th of July action blockbusters will be coming out. We’ll be sure to let you know which ones are the real deal and which ones are the duds. It’s just too bad this one was a dud, because it definitely had a lot of potential.
The plot of the movie started out fun and original, but again, the lack of a spark between the two leads just led to disinterest. The director made ample use of what I’ll call the “invisible montage,” wherein one of the main characters is semi-conscious, and what happens to them is revealed in a series of blurred, but outlandishly crazy situations only a few seconds in length and increasing in surrealism. This was a clever, if overused technique, but oftentimes the entire movie felt like longer episodes of these montages, with little reason for each to be happening other than to fill the quota for requisite action sequences. Because of some poor foreshadowing in the beginning of the film, even the finale became extremely predictable and had no weight.
Tom Cruise, playing the bizarrely comic spy Roy Miller, manages to pull his weight in his role. Cruise’s special kind of natural crazy is actually an advantage to the character he is playing. His unpredictability and his utter charm kept me, at the very least, entertained throughout the film.
Cameron Diaz, playing clueless midwesterner June Havens is obviously the weak link here. She can’t seem to keep up with Cruise’s character on screen, and aside from a few cutesy moments in the film, is outclassed by her co-star, and often by members of the supporting cast as well. Diaz doesn’t have a reputation for doing in-depth character studies of her portrayals, but the very least she could do is drop the same confused face she uses for most of the movie.
Together, Cruise and Diaz lack the chemistry that would have made this a decent movie without forcing the audience to shut off the emotional parts of their brains. In fact, the key make-out scene between the two of them was so clichéd as to be boring. Looking back at the entire movie, I believe that after their first few minutes together, the rest of their interactions just felt forced.
As for the rest of the cast, I have no special complaints or accolades, but I would like to single out one individual, and say that I would have loved to see more of Peter Sarsgaard. It’s immediately obvious that knows what he is doing on screen, and he deserved a much larger role than the one given to him.
In summary, Knight and Day is definitely worth skipping out on. Wait a week and soon enough some real 4th of July action blockbusters will be coming out. We’ll be sure to let you know which ones are the real deal and which ones are the duds. It’s just too bad this one was a dud, because it definitely had a lot of potential.
Night Reader Reviews (683 KP) rated Dragon Wing in Books
Jan 9, 2020
Dragon Wing by Rebecca Bush was one of the books I was more looking forward to reading here recently. Sadly I was disappointed by this book. The back of the book talks about how the village Sigrun lives in wanted her killed even as a baby. This is not reflected in the book very well because for the most part Sigrun is treated fairly good by most of the other village faeries. This book turned out to be more of a teen romance than I expected, so be prepared.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Heather Cranmer (2721 KP) rated Spare Room in Books
Feb 19, 2020 (Updated Feb 19, 2020)
While browsing Audible one day for an audiobook to listen to, I stumbled upon Spare Room by Dreda Say Mitchell. The book synopsis instantly had me hooked, and I knew I had to listen to this book. I ended up liking Spare Room very much!
Lisa is a young women with some psychological problems. However, she is determined to make it on her own without relying on her parents. When she spots an ad in the newspaper for a spare room in London for a great price, she inquires about the room and ends up living there. After finding a suicide note in her room, Lisa decides to find out more about this man while trying to figure out her own murky past. However, all this will place Lisa in grave danger.
The plot for Spare Room was highly interesting and written very well. Mitchell did a fantastic job at making it easy to transport readers into the setting. I felt like I was with Lisa every step of the way. The pacing, for the most part, is decent, and I found myself having to know more. There were a few spots were the pacing slowed, but for the most part, this book had a lot of action. I had to know more about Lisa's past. There were times I was questioning whether Lisa was sane horrific things happen to her or if she was just losing her mind. There were quite a few plot twists. Some were predictable, but others, I never saw coming. All of my questions were answered by the end of the book, and there were no cliff hangers which I was happy about.
The characters in Spare Room all felt realistic and like they were real people instead of characters in a novel. Mitchell did such a great job of breathing life into each individual character. Lisa was such a complex woman. I admired her tenacity to find out the truth at all costs even when she had everything going against her. Her determination was fierce, and she never let anyone get in her way. Alex was a sweetheart, and I loved how caring he was towards Lisa and how much he helped her out. Lisa's parents cared for Lisa, it was obvious, but I found myself wishing they would go about helping Lisa in better ways. Martha and Jack were fantastic! I always found myself not trusting Martha even though she came across as completely innocent to begin with, and I was always wondering if Jack really was as bad as Lisa thought he was. Patsy was probably my favorite character. That old woman reminded me of my grandma a lot of the time.
The narration, done by Kristin Atherton, was pretty good for the most part. I felt like Atherton started out the beginning of the book a bit flat, but she quickly got better. Her accents and voice changes for different characters were fantastic especially for the characters of Jack and Patsy.
Trigger warnings for Spare Room include violence, animal murder, attempted murder, murder, suicide, alcohol, some sex (though not graphic), profanity, and gas-lighting.
All in all, Spare Room weaves an interesting story with a fantastic cast of characters that will suck you right into their world. I would definitely recommend Spare Room by Dreda Say Mitchell to everyone aged 16+ who loves a great solid story.
Lisa is a young women with some psychological problems. However, she is determined to make it on her own without relying on her parents. When she spots an ad in the newspaper for a spare room in London for a great price, she inquires about the room and ends up living there. After finding a suicide note in her room, Lisa decides to find out more about this man while trying to figure out her own murky past. However, all this will place Lisa in grave danger.
The plot for Spare Room was highly interesting and written very well. Mitchell did a fantastic job at making it easy to transport readers into the setting. I felt like I was with Lisa every step of the way. The pacing, for the most part, is decent, and I found myself having to know more. There were a few spots were the pacing slowed, but for the most part, this book had a lot of action. I had to know more about Lisa's past. There were times I was questioning whether Lisa was sane horrific things happen to her or if she was just losing her mind. There were quite a few plot twists. Some were predictable, but others, I never saw coming. All of my questions were answered by the end of the book, and there were no cliff hangers which I was happy about.
The characters in Spare Room all felt realistic and like they were real people instead of characters in a novel. Mitchell did such a great job of breathing life into each individual character. Lisa was such a complex woman. I admired her tenacity to find out the truth at all costs even when she had everything going against her. Her determination was fierce, and she never let anyone get in her way. Alex was a sweetheart, and I loved how caring he was towards Lisa and how much he helped her out. Lisa's parents cared for Lisa, it was obvious, but I found myself wishing they would go about helping Lisa in better ways. Martha and Jack were fantastic! I always found myself not trusting Martha even though she came across as completely innocent to begin with, and I was always wondering if Jack really was as bad as Lisa thought he was. Patsy was probably my favorite character. That old woman reminded me of my grandma a lot of the time.
The narration, done by Kristin Atherton, was pretty good for the most part. I felt like Atherton started out the beginning of the book a bit flat, but she quickly got better. Her accents and voice changes for different characters were fantastic especially for the characters of Jack and Patsy.
Trigger warnings for Spare Room include violence, animal murder, attempted murder, murder, suicide, alcohol, some sex (though not graphic), profanity, and gas-lighting.
All in all, Spare Room weaves an interesting story with a fantastic cast of characters that will suck you right into their world. I would definitely recommend Spare Room by Dreda Say Mitchell to everyone aged 16+ who loves a great solid story.
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Kristy H (1252 KP) rated I Kissed a Girl in Books
Aug 12, 2021
A fun movie set romance
Noa Birnbaum's dream is to work in the movies: in horror special effects and makeup. She finally gets a chance to work on a real movie (one step closer to joining the union), but it means dropping out of school, where she's earning her theater degree. Her parents won't be pleased. On the set, she's face to face with actress Lilah Silver, whom Noa has had a crush on for ages. Lilah has her own dreams, to move beyond B-list horror films and into true stardom. This starring role as the "final girl" could be her opportunity. When she meets openly out Noa, Lilah may finally have a chance to admit to her own bisexuality. But a relationship could have its own problems for both Lilah and Noa.
"Noa'd thrown away everything else in her life for this job. And now she was seriously considering throwing the job away for a chance at a girl? Stupid beyond words."
This is a cute story whose strength comes across in its representation--queer characters covering bi, trans, lesbian and more. There's also some excellent Jewish representation, as both Noa and Lilah bond over their religious beliefs. As a member of the LGBTQIA community, I love seeing stories that reflect myself and my friends. Watching Lilah grapple with her bisexuality and coming out and seeing Noa hang out with her friends, being openly out and accepted. These are still stories and characters we do not get to see and read about regularly. Even better, it seems like I read a lot of queer YA books, not a lot where the characters are adults (although they might not always act like it in this story, ha). It was fun and refreshing.
"Special effects artist had never been on the list of things Good Jewish Girls Did."
For me, this book was a little long. It could have been a bit shorter and would have felt more snappy. A lot of the focus in this story is on miscommunication, which is a pet peeve of mine. I just can't handle when so much of the plot could be avoided if the characters just spoke openly to one another. It's also not entirely clear why Noa crushes so much on Lilah, to the point that it seems that she can't rationalize clearly. A lot of this inability to communicate or think clearly leads to some back and forth storylines, so it seems like as if the plot zigs and zags. Up and down. Will Noa go for a relationship with Lilah or keep her job? Is Lilah willing to risk her career for her sexuality? Again, if things had been just a bit shorter, we probably could have skipped a bit of this.
Still, this is a fun story. While Lilah and Noa can be frustrating sometimes, they are engaging characters. The horror film set adds an interesting level to the book (there's another plot line involving Lilah and threats to her safety). It's a little long, but I appreciated all the queer and Jewish rep. 3+ stars.
I received a copy of this book from Sourcebooks Casablanca and Netgalley in return for an unbiased review. It releases 8/3/2021.
"Noa'd thrown away everything else in her life for this job. And now she was seriously considering throwing the job away for a chance at a girl? Stupid beyond words."
This is a cute story whose strength comes across in its representation--queer characters covering bi, trans, lesbian and more. There's also some excellent Jewish representation, as both Noa and Lilah bond over their religious beliefs. As a member of the LGBTQIA community, I love seeing stories that reflect myself and my friends. Watching Lilah grapple with her bisexuality and coming out and seeing Noa hang out with her friends, being openly out and accepted. These are still stories and characters we do not get to see and read about regularly. Even better, it seems like I read a lot of queer YA books, not a lot where the characters are adults (although they might not always act like it in this story, ha). It was fun and refreshing.
"Special effects artist had never been on the list of things Good Jewish Girls Did."
For me, this book was a little long. It could have been a bit shorter and would have felt more snappy. A lot of the focus in this story is on miscommunication, which is a pet peeve of mine. I just can't handle when so much of the plot could be avoided if the characters just spoke openly to one another. It's also not entirely clear why Noa crushes so much on Lilah, to the point that it seems that she can't rationalize clearly. A lot of this inability to communicate or think clearly leads to some back and forth storylines, so it seems like as if the plot zigs and zags. Up and down. Will Noa go for a relationship with Lilah or keep her job? Is Lilah willing to risk her career for her sexuality? Again, if things had been just a bit shorter, we probably could have skipped a bit of this.
Still, this is a fun story. While Lilah and Noa can be frustrating sometimes, they are engaging characters. The horror film set adds an interesting level to the book (there's another plot line involving Lilah and threats to her safety). It's a little long, but I appreciated all the queer and Jewish rep. 3+ stars.
I received a copy of this book from Sourcebooks Casablanca and Netgalley in return for an unbiased review. It releases 8/3/2021.
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