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Debbiereadsbook (1166 KP) rated Forged Futures (Tribal Spirits #4) in Books
May 30, 2019
my fav of the four!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book four in the Tribal Spirits series, and I would STRONGLY recommend you read books one through three first. There is an ongoing story arc that rears its ugly head again, and you need to know the devastation this has caused before now.
Lana’s husband was killed by the Landsliders last year, and she is existing. She isn’t surviving, or living, just existing. When those Landsliders come after Lana, Lucas, of the East Coast Tribe, is back in town to find out why. To get the shaman who has been at the right hand of the man who betrayed The Tribe. Having to stay in Lana’s house though, wasn’t in the plan but the tiger within Lucas demands he stay, to keep her safe. When they realise the Landsliders are looking for a device that Lana’s dead husband stole from them, the Red River and Silver Springs packs prepare for all-out war on the Landsliders. But what about after? Lucas will leave and Lana will be left alone again. Won’t they?
Like I said, book 4 in the series, and I think, maybe my favourite of the four so far. Can’t tell you why, though, but that’s my feeling and ya’ll know I’m ALL about the book feelings!
Lana is just about getting by. As a cat, she needs that physical connection and since her husband’s death, she gets it only from her friend, Ally. Which, while lovely, it doesn’t quite help, you know? Lana’s attraction to Lucas was as unexpected as it was unwanted. Lana feels guilty for cheating on her husband, even though he is gone. Once Gavin’s friends are made to see how much she needs this with Lucas, she jumps all in.
As Tribe, Lucas moves around, having only his family home as a base. Staying with Lana makes him see what he has been missing. Coming home to someone who gets him, on a deep level that no one, not even his Tribe mates, do. Lana SEES Lucas, she really does.
But what I particularly loved about this one, what made it stand out, was there was none of that MINE thing that usually comes with shifter mates. There was attraction, and feelings and emotions, yes, and these grew over time, but that immediate MINE moment? Nothing, not until they were fully mated, and it was a kind of “OH!” moment for Lana and Lucas and I really loved that. While they were taking comfort in each other, the mating bonds formed and neither realised til that moment. Loved that!
There are many secrets that come out here, and poor Lana bears the brunt of them.
Sierra and Dax; Jer and Raven play a huge part here, but Finn and Navi are only mentioned.
With one half of the head of the Landsliders now disposed of, lets hope in the next book they can get rid of them entirely. And I believe that Drew, the Landslider who turned against them, gets his story next. The bad boy does turn good here, fighting for the packs and there are some mahoosive clues (unless I’m totally dense and misread them totally wrong!) as to who might be Drew’s mate. I hope I did not read them wrong, cos the cat in question clearly has feelings for Drew and vice versa, and they are no clearer then when they are “stuck” So, please let it be her!
5 full and shiny stars.
**same worded review will appear elsewhere**
This is book four in the Tribal Spirits series, and I would STRONGLY recommend you read books one through three first. There is an ongoing story arc that rears its ugly head again, and you need to know the devastation this has caused before now.
Lana’s husband was killed by the Landsliders last year, and she is existing. She isn’t surviving, or living, just existing. When those Landsliders come after Lana, Lucas, of the East Coast Tribe, is back in town to find out why. To get the shaman who has been at the right hand of the man who betrayed The Tribe. Having to stay in Lana’s house though, wasn’t in the plan but the tiger within Lucas demands he stay, to keep her safe. When they realise the Landsliders are looking for a device that Lana’s dead husband stole from them, the Red River and Silver Springs packs prepare for all-out war on the Landsliders. But what about after? Lucas will leave and Lana will be left alone again. Won’t they?
Like I said, book 4 in the series, and I think, maybe my favourite of the four so far. Can’t tell you why, though, but that’s my feeling and ya’ll know I’m ALL about the book feelings!
Lana is just about getting by. As a cat, she needs that physical connection and since her husband’s death, she gets it only from her friend, Ally. Which, while lovely, it doesn’t quite help, you know? Lana’s attraction to Lucas was as unexpected as it was unwanted. Lana feels guilty for cheating on her husband, even though he is gone. Once Gavin’s friends are made to see how much she needs this with Lucas, she jumps all in.
As Tribe, Lucas moves around, having only his family home as a base. Staying with Lana makes him see what he has been missing. Coming home to someone who gets him, on a deep level that no one, not even his Tribe mates, do. Lana SEES Lucas, she really does.
But what I particularly loved about this one, what made it stand out, was there was none of that MINE thing that usually comes with shifter mates. There was attraction, and feelings and emotions, yes, and these grew over time, but that immediate MINE moment? Nothing, not until they were fully mated, and it was a kind of “OH!” moment for Lana and Lucas and I really loved that. While they were taking comfort in each other, the mating bonds formed and neither realised til that moment. Loved that!
There are many secrets that come out here, and poor Lana bears the brunt of them.
Sierra and Dax; Jer and Raven play a huge part here, but Finn and Navi are only mentioned.
With one half of the head of the Landsliders now disposed of, lets hope in the next book they can get rid of them entirely. And I believe that Drew, the Landslider who turned against them, gets his story next. The bad boy does turn good here, fighting for the packs and there are some mahoosive clues (unless I’m totally dense and misread them totally wrong!) as to who might be Drew’s mate. I hope I did not read them wrong, cos the cat in question clearly has feelings for Drew and vice versa, and they are no clearer then when they are “stuck” So, please let it be her!
5 full and shiny stars.
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated How to Train Your Dragon 2 (2014) in Movies
Jun 10, 2019
Watch out pixar
Dreamworks’ How to Train Your Dragon was an example of setting your expectations low and coming out pleasantly surprised. The first film proved that the studio could create animated masterpieces and it left audiences across the globe hooked.
However, expectation has never been higher for its sequel, How to Train Your Dragon 2, but does it soar to the dizzying heights of its predecessor?
Thankfully the answer is a resounding yes. From beautiful animated dragons to breathtaking aerial-bound sequences, this sequel just about surpasses the original in every way.
Following on five years after events in the first film, Dragon 2 follows a 20-year-old Hiccup, voiced wonderfully by Jay Baruchel, and his sidekick Toothless in their home town of Berk as the residents come to terms with living peacefully alongside dragons.
Being Hiccup, he is naturally curious to learn about a legendary ‘dragon master’ who can enslave the beasts to form an army and sets out to persuade him to care for the animals like the villagers. This plot point is sidetracked from the outset however as we are introduced to Valka – Hiccup’s long lost mother, voiced by a rather miscast Cate Blanchett.
The bond between Hiccup and Toothless has grown massively in the five year break between films and this makes them even more enjoyable to watch. Yes, each of the villagers has their own dragon to look after, but it is the relationship between the two primary characters which we really care about the most.
Feline similarities in Toothless will not go unnoticed, his cat-like qualities give him an air of cuteness that you wouldn’t expect to come from such a menacing and ultimately deadly creature, and it is testament to Dreamworks that they have managed to craft such a personality for a character that never speaks.
The animation is also absolutely stunning, from the crystal waters of the sea around Berk to the people and dragons themselves, everything has been given an upgrade after the first film’s success and the battle scenes are beautiful in their simplicity – there’s no worrying about losing track of characters here.
However, it’s not all smoke and mirrors, the story has real meaning. Family values are explored, the way to treat animals is also looked at brieflyrs_634x1024-140205120546-634.cate-blanchett-bp.cm.2514 and ultimately, this is about one young man’s journey to maturity.
Unfortunately, the vocal performance of Cate Blanchett detracts somewhat from the overall magic. Her peculiar Scottish accent, which travels all over Europe by the time the end credits roll, is of particular annoyance and it’s a better film when she is not playing a central part. This is a shame as the realisation that Hiccup’s mother isn’t dead should be one of great consequence, but Blanchett’s strange acting hampers the scenes.
How to Train Your Dragon is to Dreamworks what WALL-E is to Pixar, each film is one of, if not the best animated feature from either studio and Dragon 2 follows that trend. It is the rare sequel that is superior to the first film – a la Spider-Man 2.
It’s an emotional rollercoaster too, and in some places very dark, possibly too much for children, but for teenagers and adults alike, there is something to enjoy here. From the engaging plot to the mesmerising soundtrack.
Overall, How to Train Your Dragon 2 is a fine film, helped along the way by some incredible animation, amazingly deep characters and a meaningful story. Only a poor showing by Cate Blanchett stops it achieving perfection.
https://moviemetropolis.net/2014/07/16/watch-out-pixar-how-to-train-your-dragon-2-review/
However, expectation has never been higher for its sequel, How to Train Your Dragon 2, but does it soar to the dizzying heights of its predecessor?
Thankfully the answer is a resounding yes. From beautiful animated dragons to breathtaking aerial-bound sequences, this sequel just about surpasses the original in every way.
Following on five years after events in the first film, Dragon 2 follows a 20-year-old Hiccup, voiced wonderfully by Jay Baruchel, and his sidekick Toothless in their home town of Berk as the residents come to terms with living peacefully alongside dragons.
Being Hiccup, he is naturally curious to learn about a legendary ‘dragon master’ who can enslave the beasts to form an army and sets out to persuade him to care for the animals like the villagers. This plot point is sidetracked from the outset however as we are introduced to Valka – Hiccup’s long lost mother, voiced by a rather miscast Cate Blanchett.
The bond between Hiccup and Toothless has grown massively in the five year break between films and this makes them even more enjoyable to watch. Yes, each of the villagers has their own dragon to look after, but it is the relationship between the two primary characters which we really care about the most.
Feline similarities in Toothless will not go unnoticed, his cat-like qualities give him an air of cuteness that you wouldn’t expect to come from such a menacing and ultimately deadly creature, and it is testament to Dreamworks that they have managed to craft such a personality for a character that never speaks.
The animation is also absolutely stunning, from the crystal waters of the sea around Berk to the people and dragons themselves, everything has been given an upgrade after the first film’s success and the battle scenes are beautiful in their simplicity – there’s no worrying about losing track of characters here.
However, it’s not all smoke and mirrors, the story has real meaning. Family values are explored, the way to treat animals is also looked at brieflyrs_634x1024-140205120546-634.cate-blanchett-bp.cm.2514 and ultimately, this is about one young man’s journey to maturity.
Unfortunately, the vocal performance of Cate Blanchett detracts somewhat from the overall magic. Her peculiar Scottish accent, which travels all over Europe by the time the end credits roll, is of particular annoyance and it’s a better film when she is not playing a central part. This is a shame as the realisation that Hiccup’s mother isn’t dead should be one of great consequence, but Blanchett’s strange acting hampers the scenes.
How to Train Your Dragon is to Dreamworks what WALL-E is to Pixar, each film is one of, if not the best animated feature from either studio and Dragon 2 follows that trend. It is the rare sequel that is superior to the first film – a la Spider-Man 2.
It’s an emotional rollercoaster too, and in some places very dark, possibly too much for children, but for teenagers and adults alike, there is something to enjoy here. From the engaging plot to the mesmerising soundtrack.
Overall, How to Train Your Dragon 2 is a fine film, helped along the way by some incredible animation, amazingly deep characters and a meaningful story. Only a poor showing by Cate Blanchett stops it achieving perfection.
https://moviemetropolis.net/2014/07/16/watch-out-pixar-how-to-train-your-dragon-2-review/
Kara Skinner (332 KP) rated Conference Cupid in Books
Jun 12, 2019
Genre: Contemporary
Word Count: 19,780
Average Smashwords Rating: 5 out of 5 stars
My Rating: 4 out of 5 stars
Get Conference Cupid free on Smashwords.
I’m still trying to catch my breath from reading Conference Cupid by Eden Elgabri. The sex and the romance is a huge whirlwind that left me wanting even more. But I’m still not sure why I liked it so much.
Devin Barnett can’t believe it when he sees his old high school crush walk into his hotel for the romance writers conference. She’s just as beautiful as he remembers, but he doubts she will recognize him. After all, he was just a skinny nerd in high school. He certainly never would have entered her radar. But maybe he can finally have her.
Keary hasn’t been with anyone since her divorce a year ago and she is used to being alone. But she can’t resist the sexy hotel worker who only has eyes for her. Little does she know that he’s known her for a long time and isn’t really a hotel worker, but the owner of the hotel.
Oh man. There is so much to love about this story. Despite his money, success, and looks, Devin immediately becomes an insecure shy guy whenever he is with Keary. All he really wants to do is worship her, and he knows he’ll daydream about her after the conference.
It became critical that he learn where she did her writing. He needed to be able to imagine her in that room. His heart hitched. He needed to be able to imagine her there after she left the conference, when she went home to her real life.
I also like that Keary doesn’t know she’s that great. She’s insecure after her divorce and is a little shy and unsure around Devin in the beginning. Together they have amazing chemistry and really hot sex scenes. Devin continues to worship her and Keary loves having someone who cares so much about her after an empty marriage.
But there were some things about both of them that I didn’t like. Devin does lie to her, after all. When the conference is coming to an end and he knows he’ll never see her again, he tries to impregnate her and trap her that way. What the hell, Devin? You were pretty great until then. Then he practically pressured her into unprotected sex, didn’t pull out like he said he would, and hoped she would get pregnant so she would stay with him. Seriously, WTF?
I’m annoyed at Keary but her criminal act is being rude to the staff at the hotel. When the receptionist tells her her hotel room has been upgraded to a regency suite and that all of her things have been moved for her, Keary glares at her and says she doesn’t like people touching her stuff. As if the poor girl had personally gone into Keary’s room and tried on her underwear. She stalks off without so much as a thank you, planning on complaining to the management. For a complimentary room upgrade. Just because she didn’t like the idea of some bored hotel staff, who couldn’t care less about going through her personal items, moving her bags from one room to another. Of course all her complaints disappear when she sees all the luxury perks that come with the upgrade.
If Keary and Devin had the ability to behave like responsible adults, their falling out would not have happened. But despite all of the unsettling character flaws in Devin and Keary, I still liked this book and I wish there was more. And that takes a lot of talented writing.
Word Count: 19,780
Average Smashwords Rating: 5 out of 5 stars
My Rating: 4 out of 5 stars
Get Conference Cupid free on Smashwords.
I’m still trying to catch my breath from reading Conference Cupid by Eden Elgabri. The sex and the romance is a huge whirlwind that left me wanting even more. But I’m still not sure why I liked it so much.
Devin Barnett can’t believe it when he sees his old high school crush walk into his hotel for the romance writers conference. She’s just as beautiful as he remembers, but he doubts she will recognize him. After all, he was just a skinny nerd in high school. He certainly never would have entered her radar. But maybe he can finally have her.
Keary hasn’t been with anyone since her divorce a year ago and she is used to being alone. But she can’t resist the sexy hotel worker who only has eyes for her. Little does she know that he’s known her for a long time and isn’t really a hotel worker, but the owner of the hotel.
Oh man. There is so much to love about this story. Despite his money, success, and looks, Devin immediately becomes an insecure shy guy whenever he is with Keary. All he really wants to do is worship her, and he knows he’ll daydream about her after the conference.
It became critical that he learn where she did her writing. He needed to be able to imagine her in that room. His heart hitched. He needed to be able to imagine her there after she left the conference, when she went home to her real life.
I also like that Keary doesn’t know she’s that great. She’s insecure after her divorce and is a little shy and unsure around Devin in the beginning. Together they have amazing chemistry and really hot sex scenes. Devin continues to worship her and Keary loves having someone who cares so much about her after an empty marriage.
But there were some things about both of them that I didn’t like. Devin does lie to her, after all. When the conference is coming to an end and he knows he’ll never see her again, he tries to impregnate her and trap her that way. What the hell, Devin? You were pretty great until then. Then he practically pressured her into unprotected sex, didn’t pull out like he said he would, and hoped she would get pregnant so she would stay with him. Seriously, WTF?
I’m annoyed at Keary but her criminal act is being rude to the staff at the hotel. When the receptionist tells her her hotel room has been upgraded to a regency suite and that all of her things have been moved for her, Keary glares at her and says she doesn’t like people touching her stuff. As if the poor girl had personally gone into Keary’s room and tried on her underwear. She stalks off without so much as a thank you, planning on complaining to the management. For a complimentary room upgrade. Just because she didn’t like the idea of some bored hotel staff, who couldn’t care less about going through her personal items, moving her bags from one room to another. Of course all her complaints disappear when she sees all the luxury perks that come with the upgrade.
If Keary and Devin had the ability to behave like responsible adults, their falling out would not have happened. But despite all of the unsettling character flaws in Devin and Keary, I still liked this book and I wish there was more. And that takes a lot of talented writing.
Zuky the BookBum (15 KP) rated I am missing in Books
Mar 15, 2018
<b>3.5 stars</b> but Im rounding up to 4 because I liked more than I disliked.
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
Kristy H (1252 KP) rated Now That You Mention It in Books
Jun 5, 2018
Lovely book with a great protagonist and supporting cast
Nora Stuart has overcome a lot. After a combination of relentless bullying and being overlooked and ignored in high school (even by her sister, Lily), she earned a scholarship to Tufts on her way to becoming a gastroenterologist. She thought the worst was behind her as she found happiness with her medical practice and her boyfriend, but then boom it all changed in a second--literally--when she stepped off a curb and was hit by a car. So she does the only thing she can think of: go home. For the first time in fifteen years, Nora finds herself back in Maine on Scupper Island, living with her Mom and sharing a room with her teenage niece, Poe. The townspeople still think of her as "Sharon's other daughter," and being home doesn't exactly bring back good memories. But Nora's banged up (inside and out); her younger sister is in jail; and Poe clearly could use some stability. Maybe, just maybe, coming home will be a much-needed chance to start over.
This is the type of book where you probably know how things will turn out (disgraced woman returns to her former home, which just happens to be an island). Still, in a way, I think they are the hardest to write, because, for me, they require such well-written plot with an excellent cast to pull it off. To get past it all, you need a really strong protagonist and a truly "lovable" love interest. You get all that in spades here. I'd never read a Kristan Higgins novel before, but had heard such good things about this book (especially from my Goodreads friend, Melissa) that I couldn't resist picking it up. I'm so glad I did. This novel was such a delight and such a good choice to read during my beach vacation with my daughters.
I really enjoyed Nora from the beginning: she felt real, and her love for her dog and her family was palatable. She made her job and her situation (which wasn't always easy) a pleasure to read. The supporting cast was also wonderful. Nora's mom is a total trip--I could just picture her reticent Maine self. Add in her niece, Poe, whom Higgins managed to keep from being a cliche, and another teenager, Audrey, who was a delight--I loved them. Even better, all the characters added to some hilarious moments, even among some of the serious parts of the book. There were some downright laugh out loud scenes in this book, particularly a dinner party on Nora's boat--featuring some great moments with her fellow Scupper Island residents--and a ham dinner at her Mom's. I couldn't believe how into the story I was or how funny and real all these people felt. Nora's love of Harry Potter was rather endearing as well.
The novel also dealt with its serious moments deftly as well. Nora has to overcome so much (almost an overload it felt), and the book handled the serious parts appropriately, with both gravitas and humor. She was a strong character, and I found myself very touched by some sweet pieces in the novel. There's a lot more to this one than meets the eye with its sunny cover.
Overall, this was a lovely book--fun yet serious--with a great protagonist and a wonderful supporting cast. It was downright laugh out loud funny at parts and just a refreshing, enjoyable read. I'm kicking myself for not requesting Higgins' latest ARC but will certainly be reading a lot more of her books in the future.
This is the type of book where you probably know how things will turn out (disgraced woman returns to her former home, which just happens to be an island). Still, in a way, I think they are the hardest to write, because, for me, they require such well-written plot with an excellent cast to pull it off. To get past it all, you need a really strong protagonist and a truly "lovable" love interest. You get all that in spades here. I'd never read a Kristan Higgins novel before, but had heard such good things about this book (especially from my Goodreads friend, Melissa) that I couldn't resist picking it up. I'm so glad I did. This novel was such a delight and such a good choice to read during my beach vacation with my daughters.
I really enjoyed Nora from the beginning: she felt real, and her love for her dog and her family was palatable. She made her job and her situation (which wasn't always easy) a pleasure to read. The supporting cast was also wonderful. Nora's mom is a total trip--I could just picture her reticent Maine self. Add in her niece, Poe, whom Higgins managed to keep from being a cliche, and another teenager, Audrey, who was a delight--I loved them. Even better, all the characters added to some hilarious moments, even among some of the serious parts of the book. There were some downright laugh out loud scenes in this book, particularly a dinner party on Nora's boat--featuring some great moments with her fellow Scupper Island residents--and a ham dinner at her Mom's. I couldn't believe how into the story I was or how funny and real all these people felt. Nora's love of Harry Potter was rather endearing as well.
The novel also dealt with its serious moments deftly as well. Nora has to overcome so much (almost an overload it felt), and the book handled the serious parts appropriately, with both gravitas and humor. She was a strong character, and I found myself very touched by some sweet pieces in the novel. There's a lot more to this one than meets the eye with its sunny cover.
Overall, this was a lovely book--fun yet serious--with a great protagonist and a wonderful supporting cast. It was downright laugh out loud funny at parts and just a refreshing, enjoyable read. I'm kicking myself for not requesting Higgins' latest ARC but will certainly be reading a lot more of her books in the future.
postapocalypticplayground (27 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Aug 13, 2018
Firstly, I did enjoy Heart of Thorns, I found it an easy going read with lots going on and some twists I genuinely didn't see coming. Whilst Mia is the MC, I have to say that Quin does actually steal the show. As far as character development goes his transformation from formal and unemotional prince to what he becomes is a real joy to read with so many facets of his personality. I liked the way that the history of the world we find ourselves in is laid out conversationally rather than in one big chunk. The journey Mia and Quin find themselves on is long and for the most part without peril so it's the perfect way to fill the time. Given Quin's sheltered upbringing at the castle it's not so far fetched that given his fathers fears, he would know very little of the surrounding lands. Mia does struggle to get out her one dimension though, which I don't know if is by design to explain things later on or whether she simply needed a bit more breathing room and perhaps a different focus from time to time. Things really felt like she was too transfixed on righting the wrongs of the past to focus upon the present dangers.
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (974 KP) rated Curvature (2018) in Movies
Jul 8, 2019
If there’s any particular genre i’m particularly keen too, it’s science fiction. Books, movies, television, comics, you name it. I’ve been watching the old school versions of ‘The Twilight Zone’ and ‘The Outer Limits’ since I was like 5 years old (that could explain quite a few things actually). As far as movies? That’s going to lead only to the past, the future, other dimensions, etc. If you had to nail it down even further within the genre of science fiction, I’d have to go right to anything revolving around time travel. That’s where today’s film for your consideration comes in. This one in particular doesn’t seem to be getting the credit it deserves and although it’s a bit rough around the edges, I think it also deserves a shot.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
Emma @ The Movies (1786 KP) rated Frozen II (2019) in Movies
Nov 30, 2019
Anna's character development (1 more)
Reindeer
Songs (1 more)
Olaf
Having arrived at the cinema on Saturday afternoon I was very glad I changed my plans to see this after work on Friday. The foyer was packed with children and it looked like a costume shop had a Disney special running. My 3D screening the day before had been a much more pleasant affair.
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Broken Dolls (Broken Dolls, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>