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Kristy H (1252 KP) rated Our Little Racket: A Novel in Books
Feb 8, 2018
The idyllic community of Greenwich, Connecticut is shaken when the investment bank, Weiss & Partners, fails. Its CEO, Bob D'Amico--a man known throughout the banking community for his loyalty to his employees--is at the center of the storm: did Bob know this was coming? And even worse, did things fall apart due to criminal actions on his part? Meanwhile, Bob's teenage daughter, Madison, struggles to understand what this all means, both for her father and her family. She gets little help from her mother, Isabel, who offers Madison no comfort during this crazy time. Madison's nanny, Lily, is busy caring for her younger twin brothers. Isabel's best friend, Mina, wants to help, but is still too afraid of offending Isabel: a pillar of the Greenwich scene. And Madison and her best friend, Amanda, seem to be drifting further apart every day. Madison and her family are under intense scrutiny, yet she's still just a girl trying to navigate being a teen. She's sure her father didn't do anything wrong; right?
I had a tough time with this book. There were several points where I considered setting it down for others in my always growing "to be read" pile, but I soldiered on. <i>I can't say I really enjoyed it, though I did find parts of it interesting.</i> It's clearly influenced by the Madoff scandal, which is referenced in the novel, and there is a lot of financial lingo in the book, even if it's really a story of a troubled family at its core.
The problem is that so few of the characters are really engaging, and the story seems to drag on endlessly at points. It's a peek in the world of the truly wealthy (think household servants, golf courses at their homes, multiple residences, hired cars, etc.), but I found myself unable to care for most of the characters. None of them are very nice to each other, and Bob and Isabel come across as neglectful and awful parents for the majority of the story. Even worse is the gaggle of Greenwich women, who gossip about the situation, feel like they are unable to continue to purchase expensive clothing and wares after Bob's "situation," and generally just annoy you with their harping. They don't understand anything about what their husbands do, but they run their households (well, they delegate it all) and fear that their carefully polished way of life is in jeopardy. You understand that this is a serious event for them, but you don't really care. Was I supposed to feel sorry for them? The novel is confusing at times in this facet. Perhaps I missed a great point somewhere: is it profound or just pretentious? Hard to tell.
The one thing that kept me reading was Madison. While she could be hateful at times, the story of her coming of age in a very strange environment, with a spotlight shining on her, was the most interesting part of the novel. Her dynamic with her father, whom she clearly adored, and her cold, distant mother, was far more fleshed out than any of the other characters. You could see her struggling to find her place in the world: she was just doing it under the watchful eye of the community (and a security detail hired to keep the press away from her family). Baker deftly portrays Madison's heartbreaking forays in romance, as well as some great scenes in which the teen shows off some spunk that will have you rooting for her. I couldn't help but want to give her a hug: even though I could see that her mother was a complicated individual, her parents were pretty awful, and poor Madison was forced to confront that in some terrible ways.
Still, despite Madison's story, most of this book fell flat for me. The epilogue was interesting and tied up some loose ends, but it ended things very abruptly as well. So much of the novel was about how Greenwich was nothing but smoke and mirrors: nothing was real in this world. Yet, I would have enjoyed some characters who felt more human, whom I could relate to in some way, whom I wanted to care for and to see come out of this "crisis" intact. Rating a 3-star due to Madison and the intricate story, but probably more of a 2.5-star on the overall enjoyment level scale for me.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 06/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I had a tough time with this book. There were several points where I considered setting it down for others in my always growing "to be read" pile, but I soldiered on. <i>I can't say I really enjoyed it, though I did find parts of it interesting.</i> It's clearly influenced by the Madoff scandal, which is referenced in the novel, and there is a lot of financial lingo in the book, even if it's really a story of a troubled family at its core.
The problem is that so few of the characters are really engaging, and the story seems to drag on endlessly at points. It's a peek in the world of the truly wealthy (think household servants, golf courses at their homes, multiple residences, hired cars, etc.), but I found myself unable to care for most of the characters. None of them are very nice to each other, and Bob and Isabel come across as neglectful and awful parents for the majority of the story. Even worse is the gaggle of Greenwich women, who gossip about the situation, feel like they are unable to continue to purchase expensive clothing and wares after Bob's "situation," and generally just annoy you with their harping. They don't understand anything about what their husbands do, but they run their households (well, they delegate it all) and fear that their carefully polished way of life is in jeopardy. You understand that this is a serious event for them, but you don't really care. Was I supposed to feel sorry for them? The novel is confusing at times in this facet. Perhaps I missed a great point somewhere: is it profound or just pretentious? Hard to tell.
The one thing that kept me reading was Madison. While she could be hateful at times, the story of her coming of age in a very strange environment, with a spotlight shining on her, was the most interesting part of the novel. Her dynamic with her father, whom she clearly adored, and her cold, distant mother, was far more fleshed out than any of the other characters. You could see her struggling to find her place in the world: she was just doing it under the watchful eye of the community (and a security detail hired to keep the press away from her family). Baker deftly portrays Madison's heartbreaking forays in romance, as well as some great scenes in which the teen shows off some spunk that will have you rooting for her. I couldn't help but want to give her a hug: even though I could see that her mother was a complicated individual, her parents were pretty awful, and poor Madison was forced to confront that in some terrible ways.
Still, despite Madison's story, most of this book fell flat for me. The epilogue was interesting and tied up some loose ends, but it ended things very abruptly as well. So much of the novel was about how Greenwich was nothing but smoke and mirrors: nothing was real in this world. Yet, I would have enjoyed some characters who felt more human, whom I could relate to in some way, whom I wanted to care for and to see come out of this "crisis" intact. Rating a 3-star due to Madison and the intricate story, but probably more of a 2.5-star on the overall enjoyment level scale for me.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 06/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Charlie Cobra Reviews (1840 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Jul 7, 2020
Impressive Cast & Visuals Are Not Enough When Compared To The First Film's Magical Story
Contains spoilers, click to show
The beginning started off strong for this movie and it immediately reminded me of what i liked about the first one. Angelina Jolie is just magnificent as Maleficent and you can tell she really enjoys acting the part. I didn't really understand why the people feared her is she wasn't a bad guy (which was the point of the first one I thought, showing the story from her side), but apparently the Queen was spreading rumors or stories to make people frightened. At the dinner scene it was quite believable from Maleficent's outburst that she might have done something to the King but to me it was too out of character that Aurora would believe her to do something like that. Also it was too Deus Ex Machina for another Fey, Connall to have been around close enough for him to save Maleficent when she is shot by an iron bullet. I really liked the scene where they fly around the underground caverns where the other Fey live and show the different biomes and talk about her unknown heritage. It bothered me that the Queen had that little fairy guy that was doing the experiments for her on his own people and how that stuff could kill him too, but what bothered me more was that it never showed his motivations when he released the little creatures in the dungeon. It just showed him do it and never said why or what changed his mind, I feel like there might have been a scene cut there or something. And then there was a couple of ridiculous scenes for me that almost killed this movie for me. One was that all the fairy creatures were invited to the wedding, which was obviously a trap with the red powder already being hinted at, but the fact that the people didn't make as much a deal about it like they did when Maleficent came to dinner surprised me. I mean they had guards holding back the citizens but when Maleficent appeared they ran away, wouldn't they have acted similarly if there were monsters coming to their kingdom. The attack by the Dark Fey on the castle was also one of those parts that made me wonder what the hell was going on. They are massacred on a big scale by the red powder which earlier in the film, it said that it was hard to make or took a long time, but they had butt loads of it in this battle. They had so much that when the Dark Fey retreat and change where they attack the humans even had traps setup in those areas as well. I mean it made for an interesting intense battle scene but Maleficent was the only one of her kind the humans had ever seen and only the Queen's servant said she saw one similar to her save her from the water. How did they know an army was coming and attacking by air. Good planning, smart Queen I guess. I was greatly disappointed that Maleficent didn't turn into a dragon like the cartoon. I love seeing a good dragon on screen but I guess the Phoenix was a good change and fit more with the story especially with her sacrifice. Phoenix's are reborn from their ashes as it says. The last part I found to be laughable was that when the battle is over Aurora is like, "Weddings back on". Her and the Prince are like, we will live in peace from now on with the Moors. Ok, you were just killing each other a couple of minutes ago, and so many Dark Fey died it wasn't even funny. Oh yeah, this movie also did quite a great job of hiding any blood whatsoever in a lot of scenes where there probably should have been some maybe a little. I mean Maleficent gets shot, Connall gets shot up like swiss-cheese, and the soldiers are shooting in the final battle and everyone has weapons like axes, swords, etc..
The beginning started off strong for this movie and it immediately reminded me of what i liked about the first one. Angelina Jolie is just magnificent as Maleficent and you can tell she really enjoys acting the part. I didn't really understand why the people feared her is she wasn't a bad guy (which was the point of the first one I thought, showing the story from her side), but apparently the Queen was spreading rumors or stories to make people frightened. At the dinner scene it was quite believable from Maleficent's outburst that she might have done something to the King but to me it was too out of character that Aurora would believe her to do something like that. Also it was too Deus Ex Machina for another Fey, Connall to have been around close enough for him to save Maleficent when she is shot by an iron bullet. I really liked the scene where they fly around the underground caverns where the other Fey live and show the different biomes and talk about her unkown heritage. It bothered me that the Queen had that little fairy guy that was doing the experiments for her on his own people and how that stuff could kill him too, but what bothered me more was that it never showed his motivations when he released the little creatures in the dungeon. It just showed him do it and never said why or what changed his mind, I feel like there might have been a scene cut there or something. And then there was a couple of ridiculous scenes for me that almost killed this movie for me. One was that all the fairy creatures were invited to the wedding, which was obviously a trap with the red powder already being hinted at, but the fact that the people didn't make as much a deal about it like they did when Maleficent came to dinner surprised me. I mean they had guards holding back the citizens but when Maleficent appeared they ran away, wouldn't they have acted similarly if there were monsters coming to their kingdom. The attack by the Dark Fey on the castle was also one of those parts that made me wonder what the hell was going on. They are massacred on a big scale by the red powder which earlier in the film, it said that it was hard to make or took a long time, but they had butt loads of it in this battle. They had so much that when the Dark Fey retreat and change where they attack the humans even had traps setup in those areas as well. I mean it made for an interesting intense battle scene but Maleficent was the only one of her kind the humans had ever seen and only the Queen's servant said she saw one similar to her save her from the water. How did they know an army was coming and attacking by air. Good planning, smart Queen I guess. I was greatly disappointed that Maleficent didn't turn into a dragon like the cartoon. I love seeing a good dragon on screen but I guess the Phoenix was a good change and fit more with the story especially with her sacrifice. Phoenix's are reborn from their ashes as it says. The last part I found to be laughable was that when the battle is over Aurora is like, "Weddings back on". Her and the Prince are like, we will live in peace from now on with the Moors. Ok, you were just killing each other a couple of minutes ago, and so many Dark Fey died it wasn't even funny. Oh yeah, this movie also did quite a great job of hiding any blood whatsoever in a lot of scenes where there probably should have been some maybe a little. I mean Maleficent gets shot, Connall gets shot up like swiss-cheese, and the soldiers are shooting in the final battle and everyone has weapons like axes, swords, etc.. I really wanted to give this movie a 7 but I have to give it a 6/10.
The beginning started off strong for this movie and it immediately reminded me of what i liked about the first one. Angelina Jolie is just magnificent as Maleficent and you can tell she really enjoys acting the part. I didn't really understand why the people feared her is she wasn't a bad guy (which was the point of the first one I thought, showing the story from her side), but apparently the Queen was spreading rumors or stories to make people frightened. At the dinner scene it was quite believable from Maleficent's outburst that she might have done something to the King but to me it was too out of character that Aurora would believe her to do something like that. Also it was too Deus Ex Machina for another Fey, Connall to have been around close enough for him to save Maleficent when she is shot by an iron bullet. I really liked the scene where they fly around the underground caverns where the other Fey live and show the different biomes and talk about her unkown heritage. It bothered me that the Queen had that little fairy guy that was doing the experiments for her on his own people and how that stuff could kill him too, but what bothered me more was that it never showed his motivations when he released the little creatures in the dungeon. It just showed him do it and never said why or what changed his mind, I feel like there might have been a scene cut there or something. And then there was a couple of ridiculous scenes for me that almost killed this movie for me. One was that all the fairy creatures were invited to the wedding, which was obviously a trap with the red powder already being hinted at, but the fact that the people didn't make as much a deal about it like they did when Maleficent came to dinner surprised me. I mean they had guards holding back the citizens but when Maleficent appeared they ran away, wouldn't they have acted similarly if there were monsters coming to their kingdom. The attack by the Dark Fey on the castle was also one of those parts that made me wonder what the hell was going on. They are massacred on a big scale by the red powder which earlier in the film, it said that it was hard to make or took a long time, but they had butt loads of it in this battle. They had so much that when the Dark Fey retreat and change where they attack the humans even had traps setup in those areas as well. I mean it made for an interesting intense battle scene but Maleficent was the only one of her kind the humans had ever seen and only the Queen's servant said she saw one similar to her save her from the water. How did they know an army was coming and attacking by air. Good planning, smart Queen I guess. I was greatly disappointed that Maleficent didn't turn into a dragon like the cartoon. I love seeing a good dragon on screen but I guess the Phoenix was a good change and fit more with the story especially with her sacrifice. Phoenix's are reborn from their ashes as it says. The last part I found to be laughable was that when the battle is over Aurora is like, "Weddings back on". Her and the Prince are like, we will live in peace from now on with the Moors. Ok, you were just killing each other a couple of minutes ago, and so many Dark Fey died it wasn't even funny. Oh yeah, this movie also did quite a great job of hiding any blood whatsoever in a lot of scenes where there probably should have been some maybe a little. I mean Maleficent gets shot, Connall gets shot up like swiss-cheese, and the soldiers are shooting in the final battle and everyone has weapons like axes, swords, etc.. I really wanted to give this movie a 7 but I have to give it a 6/10.
Chris Sawin (602 KP) rated Friday the 13th (2009) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
**I wrote this review a decade ago. I was going to change some stuff (mostly the last couple lines of the last paragraph), but thought it was too crude and hilarious to remove. Hopefully you feel the same way. Thanks for reading.**
In 1980, Pamela Voorhees set out to kill all the counselors at Camp Crystal Lake. Several years ago, the counselors did nothing as Mrs. Voorhees' son, Jason, drowned in the lake. Now, as the camp is about to re-open, Mrs. Voorhees has returned to seek revenge for her son and she only has one more victim before she accomplishes that goal. Unfortunately for Mrs. Voorhees, she didn't count on this particular camp counselor decapitating her and ending her reign of terror once and for all. Unbeknownst to anyone at the time, Jason was still alive and witnessed his mother's gruesome death. Now, in the present day, Jason is the one who seeks revenge and anyone who even comes near Camp Crystal Lake is at risk of feeling his onslaught.
It's been something like five and a half years since we last saw Jason Voorhees in the theater. So was it worth the wait? Does the remake measure up to the rest of the franchise? Is it a remake worth seeing at all? Does it continue the trend with 2009 being a strong year for the horror genre? The short answer to all of these questions is yes.
I've always been partial to the Friday the 13th franchise. Jason Voorhees has always been my favorite when it comes slasher films. So I was beyond excited by the time today finally rolled around. The film opens with a flashback that chronicles what would be the ending to the original film. Jump to the present day. Some kids decide to hike out into the woods to have some fun and wind up about a half mile from Camp Blood. Everything is fun and games until one of them turns up missing. The survivors wind up exploring and get picked off one by one while Jason wears a bag over his head. After the scene in the trailer where Jason runs towards the girl on the ground and swings his machete, we get a black screen with "Friday the 13th" in red plastered across it.
Six weeks later, Clay is looking for his sister, Whitney. She was one of the victims of the attack we just witnessed. It seems as though everyone has given up hope looking for her except him. Meanwhile, Trent and his friends are going up to his dad's cabin for the weekend which just so happens to reside on Camp Crystal Lake. It's basically just more pigs being sent out to slaughter from there. Jason's bag gets pulled off right before he disposes of one of his victims in a barn. It's there that he stumbles across a hockey mask and things begin to pick up from there.
The film definitely delivers in all of the elements that make up the formula to a Friday the 13th film. There's plenty of T&A and sex for any sexhound. I haven't seen any R-rated film with this much nudity and sexual content in quite a while. The kills are also pretty satisfactory for a Friday fan. I think Trent's death is probably the most memorable, but I'm partial to Amanda's death because it was an interesting twist on the sleeping bag kill. Officer Bracke's kill was also a favorite of mine. Then, of course, there's Jason's death. It's interesting since it seems obvious how things are going to turn out for Jason, but it winds up happening in a round-a-bout way. Something is thrown in there to throw the audience off and that not many would see coming. Kind of like a, "Oh, maybe he'll die this way instead," kind of thing. Thinking back on it, it also felt like a throwback to one of the earlier sequels, which is pretty cool.
We can't finish this review without talking about Derek Mears as the man behind the hockey mask. I feel like he did a great job. I prefer him over Ken Kirzinger in Freddy Vs Jason. He kind of reminded me as a cross between C.J. Graham(part VI) and Kane Hodder(parts VII-IX). He also ran at times, which may put some people off. I actually enjoyed the running quite a bit. It reminded me of Jason in The Final Chapter, which is my favorite F13 film. He had the body movements down to perfection and is a worthy addition to the list of actors who have donned the hockey mask.
My one complaint is that it seemed like it was hard to see what was going on in certain scenes. The camera would be too shaky or scenes wouldn't have enough lighting and be too dark. It's really a minor complaint though as it usually only lasted a few seconds when it did occur.
So, all in all, I feel like it was well worth the wait for this film. I am really hoping it does well because I would welcome sequels with open arms. The remake follows the Friday the 13th formula extremely well. Right down to the ending. I guess the only thing that's not like some of the previous sequels is the acting, which seems to be top notch for a slasher film. As a Friday the 13th fan, I'm more than satisfied with the remake. To tell the truth, it was just nice to see a film with Jason Voorhees in theaters again. And as I've told quite a few friends, the feeling I had after walking out of the theater was equivalent to the way I feel after I blow my load. Not many films can plaster that on their movie poster, but this one could. And really, that's the biggest compliment of all.
In 1980, Pamela Voorhees set out to kill all the counselors at Camp Crystal Lake. Several years ago, the counselors did nothing as Mrs. Voorhees' son, Jason, drowned in the lake. Now, as the camp is about to re-open, Mrs. Voorhees has returned to seek revenge for her son and she only has one more victim before she accomplishes that goal. Unfortunately for Mrs. Voorhees, she didn't count on this particular camp counselor decapitating her and ending her reign of terror once and for all. Unbeknownst to anyone at the time, Jason was still alive and witnessed his mother's gruesome death. Now, in the present day, Jason is the one who seeks revenge and anyone who even comes near Camp Crystal Lake is at risk of feeling his onslaught.
It's been something like five and a half years since we last saw Jason Voorhees in the theater. So was it worth the wait? Does the remake measure up to the rest of the franchise? Is it a remake worth seeing at all? Does it continue the trend with 2009 being a strong year for the horror genre? The short answer to all of these questions is yes.
I've always been partial to the Friday the 13th franchise. Jason Voorhees has always been my favorite when it comes slasher films. So I was beyond excited by the time today finally rolled around. The film opens with a flashback that chronicles what would be the ending to the original film. Jump to the present day. Some kids decide to hike out into the woods to have some fun and wind up about a half mile from Camp Blood. Everything is fun and games until one of them turns up missing. The survivors wind up exploring and get picked off one by one while Jason wears a bag over his head. After the scene in the trailer where Jason runs towards the girl on the ground and swings his machete, we get a black screen with "Friday the 13th" in red plastered across it.
Six weeks later, Clay is looking for his sister, Whitney. She was one of the victims of the attack we just witnessed. It seems as though everyone has given up hope looking for her except him. Meanwhile, Trent and his friends are going up to his dad's cabin for the weekend which just so happens to reside on Camp Crystal Lake. It's basically just more pigs being sent out to slaughter from there. Jason's bag gets pulled off right before he disposes of one of his victims in a barn. It's there that he stumbles across a hockey mask and things begin to pick up from there.
The film definitely delivers in all of the elements that make up the formula to a Friday the 13th film. There's plenty of T&A and sex for any sexhound. I haven't seen any R-rated film with this much nudity and sexual content in quite a while. The kills are also pretty satisfactory for a Friday fan. I think Trent's death is probably the most memorable, but I'm partial to Amanda's death because it was an interesting twist on the sleeping bag kill. Officer Bracke's kill was also a favorite of mine. Then, of course, there's Jason's death. It's interesting since it seems obvious how things are going to turn out for Jason, but it winds up happening in a round-a-bout way. Something is thrown in there to throw the audience off and that not many would see coming. Kind of like a, "Oh, maybe he'll die this way instead," kind of thing. Thinking back on it, it also felt like a throwback to one of the earlier sequels, which is pretty cool.
We can't finish this review without talking about Derek Mears as the man behind the hockey mask. I feel like he did a great job. I prefer him over Ken Kirzinger in Freddy Vs Jason. He kind of reminded me as a cross between C.J. Graham(part VI) and Kane Hodder(parts VII-IX). He also ran at times, which may put some people off. I actually enjoyed the running quite a bit. It reminded me of Jason in The Final Chapter, which is my favorite F13 film. He had the body movements down to perfection and is a worthy addition to the list of actors who have donned the hockey mask.
My one complaint is that it seemed like it was hard to see what was going on in certain scenes. The camera would be too shaky or scenes wouldn't have enough lighting and be too dark. It's really a minor complaint though as it usually only lasted a few seconds when it did occur.
So, all in all, I feel like it was well worth the wait for this film. I am really hoping it does well because I would welcome sequels with open arms. The remake follows the Friday the 13th formula extremely well. Right down to the ending. I guess the only thing that's not like some of the previous sequels is the acting, which seems to be top notch for a slasher film. As a Friday the 13th fan, I'm more than satisfied with the remake. To tell the truth, it was just nice to see a film with Jason Voorhees in theaters again. And as I've told quite a few friends, the feeling I had after walking out of the theater was equivalent to the way I feel after I blow my load. Not many films can plaster that on their movie poster, but this one could. And really, that's the biggest compliment of all.
Acanthea Grimscythe (300 KP) rated Eat the Night in Books
May 16, 2018
If you’re looking for a good ol’, classic horror tale in the flavor of <i>Evil Dead</i> or <i>Army of Darkness</i>, Tim Waggoner’s <i>Eat the Night</i> is a must-read. It’s fast paced and filled with the sort of material horror fans like me grew up with. Death cult? Check. Mass suicide? Check. Possession? Check. Vivid, gore-filled scenes? Hideous monsters from another dimension? Reincarnation? Check, check, and check. I can’t even begin to describe how hungrily I devoured this book, and though it has its ridiculous moments, I’ll definitely be looking out for more from this author!
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.
Kristy H (1252 KP) rated How to Walk Away in Books
May 22, 2018
Touching read that hooked me immediately
Margaret Jacobsen is working on the perfect life she's always dreamed of: ideal job; handsome fiance, Chip; beautiful condo; and more. But that all changes in the blink of an eye, and Margaret wakes up in the ICU. Once there, she realizes how bad things really are. She's assigned a physical therapist, Ian, that even the nurses do not want her to have. He's gruff and unpleasant and barely speaks a word--the exact opposite of Margaret. The crash also brings back her wayward older sister Kitty, who hasn't spoken to the family in three years. However, Margaret recognizes she needs all the help she can get to heal--physically and emotionally-and move on with her life.
This was a fascinating and fun book, despite its serious subject matter. It had the unique ability to draw me in, even when I knew where it would go and wind up from practically the beginning. It reminded me how much I enjoy women's fiction, which I feel like I have pushed to the wayside a bit lately for thrillers and psychological fiction, the "it" genre du jour.
Anyway, it took me some time to warm up to Margaret, whose outgoing and chatty self is the complete opposite of me. However, I could identify with her need for perfection in her life, her unwillingness to fail, and her desperate desire to please those around her, especially her parents. She was a very real character, with her ability and need to fantasize about ideal situations and coming out on top when she wasn't in the best position. She was funny at times, but also serious, and it was so easy to root for her.
The other characters in the novel were dynamic, especially Ian and Kitty, if not a bit polarizing. The mothers (Margaret's and Chip's) are just awful, to the point where I wanted to shake them at times. I know Margaret's probably meant well, but good grief! There's a lot of sideline drama with Margaret's family, most of which proves a good accompaniment to Margaret's issues. It's a very emotional read, making it easy to grow attached to the likeable characters (and to dislike the "bad" ones). I was definitely along for the ride and caught up in Margaret's life, health, and drama.
Overall, this was a touching read with interesting and fun characters that hooked me immediately, even if I could see where it was heading.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was a fascinating and fun book, despite its serious subject matter. It had the unique ability to draw me in, even when I knew where it would go and wind up from practically the beginning. It reminded me how much I enjoy women's fiction, which I feel like I have pushed to the wayside a bit lately for thrillers and psychological fiction, the "it" genre du jour.
Anyway, it took me some time to warm up to Margaret, whose outgoing and chatty self is the complete opposite of me. However, I could identify with her need for perfection in her life, her unwillingness to fail, and her desperate desire to please those around her, especially her parents. She was a very real character, with her ability and need to fantasize about ideal situations and coming out on top when she wasn't in the best position. She was funny at times, but also serious, and it was so easy to root for her.
The other characters in the novel were dynamic, especially Ian and Kitty, if not a bit polarizing. The mothers (Margaret's and Chip's) are just awful, to the point where I wanted to shake them at times. I know Margaret's probably meant well, but good grief! There's a lot of sideline drama with Margaret's family, most of which proves a good accompaniment to Margaret's issues. It's a very emotional read, making it easy to grow attached to the likeable characters (and to dislike the "bad" ones). I was definitely along for the ride and caught up in Margaret's life, health, and drama.
Overall, this was a touching read with interesting and fun characters that hooked me immediately, even if I could see where it was heading.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Kristy H (1252 KP) rated I Have Lost My Way in Books
Apr 10, 2018
Lovely novel about three very different individuals
Freya, Harun, and Nathaniel. Three very different individuals whose paths are about to collide in New York City. Freya is an aspiring singer who has just lost her voice. Harun is running away-literally-from his loving, yet overbearing family. And Nathaniel is coming to New York following a misguided plan. Soon Freya will fall off a bridge and fatefully bring the three together. Each feels lost and alone in this giant city. Will accidentally finding each other change that?
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.
RəX Regent (349 KP) rated Duck Soup (1933) in Movies
Feb 18, 2019
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Not what I expected
I need to start off by saying that I wasnt a fan of Get Out, and I hadn't even see the trailer for Us, so I went into this with low/no expectations, and I was actually pleasantly surprised.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.