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Emma @ The Movies (1786 KP) rated Judy & Punch (2019) in Movies
Oct 31, 2019
This had been low on my list of things to see at the film festival but several people recommended it to me so I decided to take a look.
In the town of Seaside, which is nowhere near the sea, Judy lives in something less than domestic bliss with Punch and their baby. Punch's shows are a hit and he's got dreams of grand things, but Judy is the real brains behind the outfit though he'd never admit it.
Judy leaves Punch in charge of the baby while she runs errands but despite the responsibility he gets drunk and an unforgivable accident occurs. In his effort to cover his tracks Punch puts his wife on a journey that leads her to a community in the woods where she can plan her revenge on him for his evil ways.
The film has a very heavy sense of fairy tale about it and certainly the setting wouldn't be out of place in almost any tale you could bring to mind. The location and buildings are perfect and yet somehow didn't seem quite right, this is very much an afterthought though, as I watched it I thought the depiction was good.
The parallels shown between the story of the couple's home life and the puppet show are clear throughout, my only worry is that you might not get a good understanding of that if you aren't aware of the traditional Punch and Judy shows. This wouldn't have been something I'd have thought about before but more and more I talk about things with people and the response is "I've never heard of that"... god I feel old.
Damon Herriman has taken off his Manson mask for this one and I found him to be a very good lead as Punch. He manages to capture the devious side of Punch, and honestly, anyone who can pull off the scene with the baby with a straight face deserves recognition... and yes, I do feel kind of bad for laughing.
Mia Wasikowska (who also starred in Blackbird, review coming soon) had two very different versions of Judy to play. Judy-1 gives us an outgoing and resilient woman, Judy-2.0 is angry and vengeful though there's a happiness in her once she gets to know the community who rescue her. This second incarnation wasn't entirely to my liking, I much preferred the earlier more lighthearted take on her. I can see why the change in her demeanour was fitting it didn't quite feel like a true transformation.
I enjoyed Judy & Punch, it was something different to watch which I always find to be an interesting experience but I'm not sure I'd need to see it again. I was entertained while I sat through it but apart from one scene there was nothing I see myself remembering further down the line.
Just a couple of honourable mentions: I enjoyed the music, the jazzed up classical pieces fit in nicely, and the dog wearing its own ruff? Adorable!
What you should do
I don't think you need to rush out and see this one but if you happen to come across it at some point it might be worth watching.
Movie thing you wish you could take home
It has to be an impish little dog wearing a ruff... because what else would a sensible person pick?!
In the town of Seaside, which is nowhere near the sea, Judy lives in something less than domestic bliss with Punch and their baby. Punch's shows are a hit and he's got dreams of grand things, but Judy is the real brains behind the outfit though he'd never admit it.
Judy leaves Punch in charge of the baby while she runs errands but despite the responsibility he gets drunk and an unforgivable accident occurs. In his effort to cover his tracks Punch puts his wife on a journey that leads her to a community in the woods where she can plan her revenge on him for his evil ways.
The film has a very heavy sense of fairy tale about it and certainly the setting wouldn't be out of place in almost any tale you could bring to mind. The location and buildings are perfect and yet somehow didn't seem quite right, this is very much an afterthought though, as I watched it I thought the depiction was good.
The parallels shown between the story of the couple's home life and the puppet show are clear throughout, my only worry is that you might not get a good understanding of that if you aren't aware of the traditional Punch and Judy shows. This wouldn't have been something I'd have thought about before but more and more I talk about things with people and the response is "I've never heard of that"... god I feel old.
Damon Herriman has taken off his Manson mask for this one and I found him to be a very good lead as Punch. He manages to capture the devious side of Punch, and honestly, anyone who can pull off the scene with the baby with a straight face deserves recognition... and yes, I do feel kind of bad for laughing.
Mia Wasikowska (who also starred in Blackbird, review coming soon) had two very different versions of Judy to play. Judy-1 gives us an outgoing and resilient woman, Judy-2.0 is angry and vengeful though there's a happiness in her once she gets to know the community who rescue her. This second incarnation wasn't entirely to my liking, I much preferred the earlier more lighthearted take on her. I can see why the change in her demeanour was fitting it didn't quite feel like a true transformation.
I enjoyed Judy & Punch, it was something different to watch which I always find to be an interesting experience but I'm not sure I'd need to see it again. I was entertained while I sat through it but apart from one scene there was nothing I see myself remembering further down the line.
Just a couple of honourable mentions: I enjoyed the music, the jazzed up classical pieces fit in nicely, and the dog wearing its own ruff? Adorable!
What you should do
I don't think you need to rush out and see this one but if you happen to come across it at some point it might be worth watching.
Movie thing you wish you could take home
It has to be an impish little dog wearing a ruff... because what else would a sensible person pick?!
Gareth von Kallenbach (980 KP) rated Whiteout (2009) in Movies
Aug 9, 2019
For US Marshal Carrie Stetko (Kate Beckinsale), a remote posting in Antarctica was exactly what she needed to regroup after a harrowing assignment took an unexpected and devastating turn.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Sophia (Bookwyrming Thoughts) (530 KP) rated Through the White Wood in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>Through the White Wood</strong></em><strong> was interesting to read.</strong></h2>
Although there were some things I didn't like about this one, I enjoyed many aspects of Jessica Leake's latest novel. <em>Through the White Wood</em> is the companion novel to <em>Beyond a Darkened Shore</em>, following Katya as she journeys to the palace of Kiev after losing control of her powers. But as she enters palace life, she learns the country she calls home is threatened by outside forces.
We learn from the beginning Katya is feared since childhood due to her ability to freeze anything she touches. Throughout the book, Katya is constantly struggling with the question, "am I a monster?"
<h2><strong>Elements of History and Folklore.</strong></h2>
Although Leake mentions in the author's note she took liberties with certain elements, I loved seeing how they would come together in <em>Through the White Wood</em>. There's a good blend of history, folklore and fantasy that nothing seems out of place and sparks a curiosity to do my own research outside of the book.
<h2><strong>I wanted more from <em>Through the White Wood</em>.</strong></h2>
I enjoyed going back into the Byzantine Empire and seeing some of the Slavic folklore coming to life. However, I really felt there's something missing from the novel. As I got further into the story, I found myself somewhat disappointed with a few aspects:
~ Katya - I wanted more from her. Sometimes I feel she is going through actions because she feels she has to and eventually it morphs into wanting.
~ Prince Sasha - I also wanted more from him, particularly his backstory and the rumors surrounding him before Katya meets him. Also, Prince Sasha's real name is Vladimir, which kind of struck me as odd? The novel mentions Sasha is a childhood name, but I don't recall going into the particulars of <em>why</em>.
~ The romance - it just felt out of place and a little rushed. I found the world far more interesting.
Most of the novel dives into this struggle as Katya learns about her history and power, and she struggles with accepting her ability as part of who she is. There is little action up until the final battle, where everything feels a little rushed to get to victory. (Little action may just be me - at a certain time of day, lots of telling exhausts me and my goal is to stay awake.)
<h2><strong>Overall</strong></h2>
I enjoyed <em>Through the White Wood</em>! I liked seeing Katya's constant struggle of whether or not she's a monster and her journey to discover who she is. The world is interesting enough for me to continue reading Katya's story, and I liked seeing the various elemental powers being a part of it. Jessica Leake's latest novel is a solid story for those who enjoy a slower-paced book with historical and folklore elements woven together.
<a href="https://bookwyrmingthoughts.com/through-the-white-wood-by-jessica-leake/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>Through the White Wood</strong></em><strong> was interesting to read.</strong></h2>
Although there were some things I didn't like about this one, I enjoyed many aspects of Jessica Leake's latest novel. <em>Through the White Wood</em> is the companion novel to <em>Beyond a Darkened Shore</em>, following Katya as she journeys to the palace of Kiev after losing control of her powers. But as she enters palace life, she learns the country she calls home is threatened by outside forces.
We learn from the beginning Katya is feared since childhood due to her ability to freeze anything she touches. Throughout the book, Katya is constantly struggling with the question, "am I a monster?"
<h2><strong>Elements of History and Folklore.</strong></h2>
Although Leake mentions in the author's note she took liberties with certain elements, I loved seeing how they would come together in <em>Through the White Wood</em>. There's a good blend of history, folklore and fantasy that nothing seems out of place and sparks a curiosity to do my own research outside of the book.
<h2><strong>I wanted more from <em>Through the White Wood</em>.</strong></h2>
I enjoyed going back into the Byzantine Empire and seeing some of the Slavic folklore coming to life. However, I really felt there's something missing from the novel. As I got further into the story, I found myself somewhat disappointed with a few aspects:
~ Katya - I wanted more from her. Sometimes I feel she is going through actions because she feels she has to and eventually it morphs into wanting.
~ Prince Sasha - I also wanted more from him, particularly his backstory and the rumors surrounding him before Katya meets him. Also, Prince Sasha's real name is Vladimir, which kind of struck me as odd? The novel mentions Sasha is a childhood name, but I don't recall going into the particulars of <em>why</em>.
~ The romance - it just felt out of place and a little rushed. I found the world far more interesting.
Most of the novel dives into this struggle as Katya learns about her history and power, and she struggles with accepting her ability as part of who she is. There is little action up until the final battle, where everything feels a little rushed to get to victory. (Little action may just be me - at a certain time of day, lots of telling exhausts me and my goal is to stay awake.)
<h2><strong>Overall</strong></h2>
I enjoyed <em>Through the White Wood</em>! I liked seeing Katya's constant struggle of whether or not she's a monster and her journey to discover who she is. The world is interesting enough for me to continue reading Katya's story, and I liked seeing the various elemental powers being a part of it. Jessica Leake's latest novel is a solid story for those who enjoy a slower-paced book with historical and folklore elements woven together.
<a href="https://bookwyrmingthoughts.com/through-the-white-wood-by-jessica-leake/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Stone of Destiny in Books
Jan 23, 2020
A few confessions regarding Stone of Destiny:
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
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<i><b>I'll Be Home for Christmas is a fast-paced adventure that will keep you on your toes right until Christmas!
I am so thrilled to be part of the blog tour for Mills & Boon for I'll Be Home for Christmas. Check out the other amazing people that are participating in the blog tour as well:</b></i>
<img src="https://diaryofdifference.com/wp-content/uploads/2019/11/Book-Review-Banner-11.png"/>;
I'll Be Home for Christmas is the first Christmas book I have read this year, before the holidays begin. It is an amazing story about a popular UK singer, Jessika Malone, who receives an offer from a famous US singer to record a duet and go on a US Tour for a while. This is a dream come true, but this offer comes right after Jessica's boyfriend proposes. Wanting to spend all the time in her world with him, she is hesitant to go, but at the same time, this is an opportunity of a lifetime.
We see our heroine Jessika travel to the US and embark her adventure. I loved the fact that we get to feel what she feels, and live through her dream. We get to see her cope with new things and learn along the way, and it is amazing being on this journey with her. She is a character that knows what she wants and is not afraid to go and get it.
<i><b>Be ready for some drama, and also be ready to choose sides.</b></i>
The author makes it hard to know what is the right choice, and all choices seem to have their pros and cons, which makes the book even more realistic. I wish I knew what was right or wrong in life straightaway - that would be too easy. Instead, I keep coming across tough choices that sound amazing, and I have to really look though everything and choose what is right. You get to see this reality in the book, and it is refreshing.
Despite it being a Christmas book, I didn't really feel the Christmassy vibes too much, but I think that is due to the fact that the focus on this book wasn't entirely Christmas. We only got a glimpse of the holiday spirit around the end of the book - but it wasn't in a Home Alone sort of style. It was simple.
Despite that, I still enjoyed this book a lot, and it was the perfect book for me to get me through my days when I felt poorly and lying in bed. I recommend it to all of you out there that love romance, Christmas, a bit of an adventure and searching for our true selves.
<i><b>Thank you to the team at Mills & Boon, for letting me be a part of this Christmas adventure!</b></i>
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<i><b>I'll Be Home for Christmas is a fast-paced adventure that will keep you on your toes right until Christmas!
I am so thrilled to be part of the blog tour for Mills & Boon for I'll Be Home for Christmas. Check out the other amazing people that are participating in the blog tour as well:</b></i>
<img src="https://diaryofdifference.com/wp-content/uploads/2019/11/Book-Review-Banner-11.png"/>;
I'll Be Home for Christmas is the first Christmas book I have read this year, before the holidays begin. It is an amazing story about a popular UK singer, Jessika Malone, who receives an offer from a famous US singer to record a duet and go on a US Tour for a while. This is a dream come true, but this offer comes right after Jessica's boyfriend proposes. Wanting to spend all the time in her world with him, she is hesitant to go, but at the same time, this is an opportunity of a lifetime.
We see our heroine Jessika travel to the US and embark her adventure. I loved the fact that we get to feel what she feels, and live through her dream. We get to see her cope with new things and learn along the way, and it is amazing being on this journey with her. She is a character that knows what she wants and is not afraid to go and get it.
<i><b>Be ready for some drama, and also be ready to choose sides.</b></i>
The author makes it hard to know what is the right choice, and all choices seem to have their pros and cons, which makes the book even more realistic. I wish I knew what was right or wrong in life straightaway - that would be too easy. Instead, I keep coming across tough choices that sound amazing, and I have to really look though everything and choose what is right. You get to see this reality in the book, and it is refreshing.
Despite it being a Christmas book, I didn't really feel the Christmassy vibes too much, but I think that is due to the fact that the focus on this book wasn't entirely Christmas. We only got a glimpse of the holiday spirit around the end of the book - but it wasn't in a Home Alone sort of style. It was simple.
Despite that, I still enjoyed this book a lot, and it was the perfect book for me to get me through my days when I felt poorly and lying in bed. I recommend it to all of you out there that love romance, Christmas, a bit of an adventure and searching for our true selves.
<i><b>Thank you to the team at Mills & Boon, for letting me be a part of this Christmas adventure!</b></i>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Emma @ The Movies (1786 KP) rated Vivarium (2020) in Movies
Mar 8, 2020
I like the idea of these weird and wonderful takes, when I saw the synopsis I knew it needed to make my LFF shortlist.
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Darren (1599 KP) rated Night School (2018) in Movies
Aug 6, 2019
Story: Night School starts when high school dropout Teddy (Hart) sees his future go up in smoke right after proposing to his beautiful successful girlfriend Lisa (Echikunwoke) seeing his job vanish and his future employment needing a GED, this forces Teddy to return to high school for a night school.
The former class enemy is now the principal Stewart (Killam) and doesn’t want Teddy in the class, he must prove to the teacher Carrie (Haddish) that he wants to study, while keeping his struggles a secret from Lisa, which sees him becoming friends with the rest of the class to pass.
Thoughts on Night School
Characters – Teddy has been working in sales working off each pay check to look like he has been living a better life, he has a successful beautiful girlfriend, his life changes when he career goes up in smoke and his failure to complete high school is holding him back in searching for a new job. He tries night school, which sees him needing to challenge himself instead of trying to get through quickly. Carrie is a teacher of the night school, she doesn’t take anything from any student, though she is committed to helping people learn. Even if her methods might finally get through to Teddy. Mackenzie and Jaylen are two of the members of the class that are trying to get their education too, with their own stories.
Performances – Kevin Hart does fall back into his normal routine where he tries to throw more of his comedy into a role, rather than showing us a real character, with real problems that should be taken a lot more seriously. Tiffany Haddish continues to show she is great at the fast-taking jokes, but this doesn’t work for the character. The supporting performance are all mostly comedians trying to get their jokes out too.
Story – The story follows a high school dropout that needs to get his GED so he can find a new job to continue living his life of luxury and keep his girlfriend, only this becomes more difficult than he could ever imagine. This is a poorly used story which could address a much bigger issue in education, where the students can suffer with learning disabilities and not get the help needed, it seems to focus on making a joke out of trying to better yourself instead of using the real issues that are meant to be giving these people more of a chance in the future. Even though it might not use this in the final part of the film, it also tries to paint the idea that you could only have a beautiful partner if you are successful. By showing education being a joke for Teddy it doesn’t help anybody that has ever struggled with education before and in the end this does just feel like a stand up routine instead of an actual story.
Comedy – If you want to see fast flowing jokes which feels more like a stand-up routine so if you like that you will get on with this film.
Settings – The film does use the high school settings to show where the learning was coming from and the low paying job that Teddy must take just to make ends meet.
Scene of the Movie – Graduation.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that just misses on the fact the story should be taken a lot more seriously, sadly this could have elevated this film to a new level.
Overall: Unfunny comedy.
The former class enemy is now the principal Stewart (Killam) and doesn’t want Teddy in the class, he must prove to the teacher Carrie (Haddish) that he wants to study, while keeping his struggles a secret from Lisa, which sees him becoming friends with the rest of the class to pass.
Thoughts on Night School
Characters – Teddy has been working in sales working off each pay check to look like he has been living a better life, he has a successful beautiful girlfriend, his life changes when he career goes up in smoke and his failure to complete high school is holding him back in searching for a new job. He tries night school, which sees him needing to challenge himself instead of trying to get through quickly. Carrie is a teacher of the night school, she doesn’t take anything from any student, though she is committed to helping people learn. Even if her methods might finally get through to Teddy. Mackenzie and Jaylen are two of the members of the class that are trying to get their education too, with their own stories.
Performances – Kevin Hart does fall back into his normal routine where he tries to throw more of his comedy into a role, rather than showing us a real character, with real problems that should be taken a lot more seriously. Tiffany Haddish continues to show she is great at the fast-taking jokes, but this doesn’t work for the character. The supporting performance are all mostly comedians trying to get their jokes out too.
Story – The story follows a high school dropout that needs to get his GED so he can find a new job to continue living his life of luxury and keep his girlfriend, only this becomes more difficult than he could ever imagine. This is a poorly used story which could address a much bigger issue in education, where the students can suffer with learning disabilities and not get the help needed, it seems to focus on making a joke out of trying to better yourself instead of using the real issues that are meant to be giving these people more of a chance in the future. Even though it might not use this in the final part of the film, it also tries to paint the idea that you could only have a beautiful partner if you are successful. By showing education being a joke for Teddy it doesn’t help anybody that has ever struggled with education before and in the end this does just feel like a stand up routine instead of an actual story.
Comedy – If you want to see fast flowing jokes which feels more like a stand-up routine so if you like that you will get on with this film.
Settings – The film does use the high school settings to show where the learning was coming from and the low paying job that Teddy must take just to make ends meet.
Scene of the Movie – Graduation.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that just misses on the fact the story should be taken a lot more seriously, sadly this could have elevated this film to a new level.
Overall: Unfunny comedy.
BankofMarquis (1832 KP) rated Edward Scissorhands (1990) in Movies
Apr 23, 2020
Has more heart than later Burton/Depp collaborations
There have been many actor/director long term collaborations through the years - John Ford/John Wayne, Martin Scorcese/Robert DeNiro and Alfred Hitchock/Jimmy Stewart all come to mind. Another interesting collaboration is the unique one between Tim Burton and Johnny Depp. The films these 2 have made have shown an "outsider" being introduced into an environment - usually in a quirky and gothic dark manner. So it was interesting to go back to the film that started it all - 1990's EDWARD SCISSORHANDS.
Interestingly enough, this film works because of the lack of weight of previous Burton/Depp collaborations.
Let me explain...
If you were to hear today that Tim Burton and Johnny Depp were to collaborate on a film, what expectations would you have? Quirky, dark and gothic comes to mind. With EDWARD SCISSORHANDS, none of these expectations were in place. You can see the purity in the beginning of this collaboration with these 2 artists finding there footing together in a film that is...yes...quirky, dark and gothic.
It is also, unexpectedly, light, airy, funny and poignant - traits that I think get lost in later Burton/Depp collaborations....collaborations where the focus seemed to be on the design and look and less on the emotion.
Set in a timeless, stylized world that is part '50's, part '60's, part 80's and part "everything else", EDWARD SCISSORHANDS is Burton's loose retelling of the Frankenstein story, where an isolated inventor (in this case Vincent Price) creates life (Depp)...with scissors for hands (you'll have to see the film to see why). When a local resident (and door to door cosmetic saleslady) discovers Edward living alone, she invites him into her house - and into the lives of the the neighborhood that exists below.
Depp owns this character - and owns it well. He brings an innocence and integrity to this character that rides a fine line well. His character is naive - but not simpleminded. He is longing to please - and to be loved - but has his own mind. In Depp's performance, you see an actor coming into his own.
He is joined - wonderfully - by Diane Wiest as the lady that invites him into her home. Winona Ryder (who turned down Godfather 3 to appear in this film) as Wiest's daughter (and object of Edward's affections) and the great Alan Arkin as the patriarch of the family who is a fun stereo-type of the Suburban dad.
All of this is packaged - uniquely - by Burton with an "8 crayon" color palate that exaggerates the various styles of the time. It is an expert job of combining styles into a unique vision that works very, very well.
I also have to give Burton credit for casting the iconic horror movie veteran Vincent Price (in his last film role) as the inventor of Edward Scissorhands.
I was taken under the spell of this film - and not just because of the interesting visuals - it has a heart and soul (because of Depp's work) that, I think both Depp and Burton lose in some of their later collaborations.
If you haven't seen this film in awhile - check it out - I think you'll like it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Interestingly enough, this film works because of the lack of weight of previous Burton/Depp collaborations.
Let me explain...
If you were to hear today that Tim Burton and Johnny Depp were to collaborate on a film, what expectations would you have? Quirky, dark and gothic comes to mind. With EDWARD SCISSORHANDS, none of these expectations were in place. You can see the purity in the beginning of this collaboration with these 2 artists finding there footing together in a film that is...yes...quirky, dark and gothic.
It is also, unexpectedly, light, airy, funny and poignant - traits that I think get lost in later Burton/Depp collaborations....collaborations where the focus seemed to be on the design and look and less on the emotion.
Set in a timeless, stylized world that is part '50's, part '60's, part 80's and part "everything else", EDWARD SCISSORHANDS is Burton's loose retelling of the Frankenstein story, where an isolated inventor (in this case Vincent Price) creates life (Depp)...with scissors for hands (you'll have to see the film to see why). When a local resident (and door to door cosmetic saleslady) discovers Edward living alone, she invites him into her house - and into the lives of the the neighborhood that exists below.
Depp owns this character - and owns it well. He brings an innocence and integrity to this character that rides a fine line well. His character is naive - but not simpleminded. He is longing to please - and to be loved - but has his own mind. In Depp's performance, you see an actor coming into his own.
He is joined - wonderfully - by Diane Wiest as the lady that invites him into her home. Winona Ryder (who turned down Godfather 3 to appear in this film) as Wiest's daughter (and object of Edward's affections) and the great Alan Arkin as the patriarch of the family who is a fun stereo-type of the Suburban dad.
All of this is packaged - uniquely - by Burton with an "8 crayon" color palate that exaggerates the various styles of the time. It is an expert job of combining styles into a unique vision that works very, very well.
I also have to give Burton credit for casting the iconic horror movie veteran Vincent Price (in his last film role) as the inventor of Edward Scissorhands.
I was taken under the spell of this film - and not just because of the interesting visuals - it has a heart and soul (because of Depp's work) that, I think both Depp and Burton lose in some of their later collaborations.
If you haven't seen this film in awhile - check it out - I think you'll like it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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