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Purple Phoenix Games (2266 KP) rated The Oregon Trail Card Game in Tabletop Games
Nov 7, 2019
The Oregon Trail! A classic computer game from our youth that, despite being so hard to beat, kept us coming back for more! So when it was turned into a card game, I was SO EXCITED! Nothing like dying of Dysentery to bring back fond memories! Does this game live up to the hype of the OG game? Keep reading to find out!
The Oregon Trail Card Game is a cooperative game of hand management in which players are trying to make it all the way down the Oregon Trail! Players take turns playing Trail cards to advance on their journey, stopping at forts and towns along the way to collect supplies, and dealing with the Calamities of the open Trail – whether that’s fording across rivers or dealing with nasty rattlesnake bites. Do you and your party have what it takes to survive, or will the trail claim more lives in the end?
Ok so first things first – for nostalgia’s sake, this game is great. The artwork is a call-back to the original 8-bit design, the Calamities you may encounter are taken right from the computer game (there IS a “You have died of Dysentery” card), and the game is as hard to win as you remember. It definitely makes for a fun walk down memory lane.
Now, actually PLAYING the game is a different story. I think it’s a pretty bad attempt at a card game. For starters, the rulesheet (it’s more of a brochure than a book…) is extremely ambiguous. I had more questions about how to play after I read the rules than I did beforehand. The physical layout of the rules feels choppy, which makes it hard to logically follow, and the wording for some rules feels like it contradicts other rules. Overall, it just seems like the rulesheet was written in one go with no refining or editing – every single thought was thrown in and then not checked for accuracy or clarity.
Beyond the calamity that is the rulesheet, the game is hard to beat. The rules even say “More likely, the game ends when the last player dies.” Like even the creators know it’s impossible! I’ve never won a game because it is stacked against the players from the start. For starters, the game is so long. Without going too much into detail, by the end of the game 50 out of the 58 trail cards will be used – that’s almost ALL of them! And almost every card has a text action/consequence associated with it, which really reduces your likelihood of success. Some Calamity cards kill off players with no chance for remedy first, while some Trail cards are dictated by die rolls that can also either kill you or cause you to draw extra Calamity cards. I know the original game was tough, but since this card game is more based on the luck of the draw than your decisions, it feels futile to play. Luck-based games, when executed well, can be pretty fun. But unfortunately, it just doesn’t work for me in this game.
So do I like this game? Kind of? I like it for nostalgic purposes, but beyond that I really don’t. The rules make no sense and I feel like I interpret them differently every time – so who knows if I’ve actually ever played correctly. I have never won a game, the furthest I’ve ever gotten has been about halfway through to the end. Should you try The Oregon Trail Card Game? Probably not. You’re not really missing a lot besides reliving some childhood memories. Fun idea, but awful execution, in my opinion! Purple Phoenix Games (with guest score from a pal of Travis) gives The Oregon a Trail Card Game a choleric 12 / 24.
The Oregon Trail Card Game is a cooperative game of hand management in which players are trying to make it all the way down the Oregon Trail! Players take turns playing Trail cards to advance on their journey, stopping at forts and towns along the way to collect supplies, and dealing with the Calamities of the open Trail – whether that’s fording across rivers or dealing with nasty rattlesnake bites. Do you and your party have what it takes to survive, or will the trail claim more lives in the end?
Ok so first things first – for nostalgia’s sake, this game is great. The artwork is a call-back to the original 8-bit design, the Calamities you may encounter are taken right from the computer game (there IS a “You have died of Dysentery” card), and the game is as hard to win as you remember. It definitely makes for a fun walk down memory lane.
Now, actually PLAYING the game is a different story. I think it’s a pretty bad attempt at a card game. For starters, the rulesheet (it’s more of a brochure than a book…) is extremely ambiguous. I had more questions about how to play after I read the rules than I did beforehand. The physical layout of the rules feels choppy, which makes it hard to logically follow, and the wording for some rules feels like it contradicts other rules. Overall, it just seems like the rulesheet was written in one go with no refining or editing – every single thought was thrown in and then not checked for accuracy or clarity.
Beyond the calamity that is the rulesheet, the game is hard to beat. The rules even say “More likely, the game ends when the last player dies.” Like even the creators know it’s impossible! I’ve never won a game because it is stacked against the players from the start. For starters, the game is so long. Without going too much into detail, by the end of the game 50 out of the 58 trail cards will be used – that’s almost ALL of them! And almost every card has a text action/consequence associated with it, which really reduces your likelihood of success. Some Calamity cards kill off players with no chance for remedy first, while some Trail cards are dictated by die rolls that can also either kill you or cause you to draw extra Calamity cards. I know the original game was tough, but since this card game is more based on the luck of the draw than your decisions, it feels futile to play. Luck-based games, when executed well, can be pretty fun. But unfortunately, it just doesn’t work for me in this game.
So do I like this game? Kind of? I like it for nostalgic purposes, but beyond that I really don’t. The rules make no sense and I feel like I interpret them differently every time – so who knows if I’ve actually ever played correctly. I have never won a game, the furthest I’ve ever gotten has been about halfway through to the end. Should you try The Oregon Trail Card Game? Probably not. You’re not really missing a lot besides reliving some childhood memories. Fun idea, but awful execution, in my opinion! Purple Phoenix Games (with guest score from a pal of Travis) gives The Oregon a Trail Card Game a choleric 12 / 24.
Phil Leader (619 KP) rated Bloodrush (The Scarlet Star Trilogy #1) in Books
Nov 8, 2019
It is hard to describe this book purely because it appears to try to do too much.
It is set in an alternate universe where much is familiar but some things are very different.
It is a western, mostly set in an frontier town in Wyoming with the usual cast of restless townspeople, lone prospectors and ruthless land owners.
It is a fantasy involving faeries and magick
Yet in Galley's capable hands these elements are moulded into a seamless and thrilling story. All the different aspects fit together neatly and consistently producing a terrific platform for the characters and plot.
The main character is 13 year old Tonmerion Hark (known as Merion), son of the Prime Lord (think Prime Minister) of an alternate version of Victorian Britain. When his father is murdered by assailants unknown he is sent to his last remaining relative - an aunt living in Wyoming. Travelling with him is is best friend, a faerie called Rhin who is a fugitive from the rest of the Fae. Desperate to get back to London to find his father's killer and rescue his inheritance, Merion is instead drawn into conflict and underhand dealings in the small town of Fell Falls where is aunt is the undertaker.
The alternate universe is particularly striking. Very nearly everything is familiar but with important differences. The biggest of these is clearly that creatures such as the Fae exist (even if few people have ever seen one) but other changes include the natives of America, the Shohari, not being quite human and a lot of clever differences in London that really make it clear what kind of world Merion inhabits. The magick is also well thought out with a lot of thought and imagination given to its mechanics and its implications.
Galley's writing is a joy. It is clear and concise yet conveys the scene to the reader with impressive ease. The hot sun and gritty sand of the desert feel very real indeed. The characters are very well described and a great deal of care has been taken to express them. These are not cardboard cliches, which would have been easy. Merion is the hero but at heart is still a 13 year old boy, a boy who is impetuous and complains how life is unfair. All through the book there is a subtle undercurrent of wry humour.
What this whole book reminded me of - both in the writing and in the almost but not quite like our world setting - was a slightly darker Terry Pratchett. That is not an exaggeration, This book really is up there with the very best Discworld books in terms of story and inventiveness. It is darker in tone than anything Pratchett would write and not quite as laugh out loud funny in places but it is damn close.
The story itself unfolds at a fast pace - which is good because there is a lot to get through with several plots running intertwined through the narrative and sparking off each other as they twist and turn through every reveal. The final showdown is suitably climactic and the prose as well as the magick crackles off the page in a breathless rush towards the final chapter.
I do like to balance my reviews with maybe some small point that counts against the book but I really can't think of one for Bloodrush. It simply is a magnificent piece of work. You may not have known you wanted a alternate reality fantasy western but once you have read this you will wonder where the next one is coming from.
Very very highly recommended and the 5 star rating was easy to give.
Rated: Strong language so not for the youngest of young adults
It is set in an alternate universe where much is familiar but some things are very different.
It is a western, mostly set in an frontier town in Wyoming with the usual cast of restless townspeople, lone prospectors and ruthless land owners.
It is a fantasy involving faeries and magick
Yet in Galley's capable hands these elements are moulded into a seamless and thrilling story. All the different aspects fit together neatly and consistently producing a terrific platform for the characters and plot.
The main character is 13 year old Tonmerion Hark (known as Merion), son of the Prime Lord (think Prime Minister) of an alternate version of Victorian Britain. When his father is murdered by assailants unknown he is sent to his last remaining relative - an aunt living in Wyoming. Travelling with him is is best friend, a faerie called Rhin who is a fugitive from the rest of the Fae. Desperate to get back to London to find his father's killer and rescue his inheritance, Merion is instead drawn into conflict and underhand dealings in the small town of Fell Falls where is aunt is the undertaker.
The alternate universe is particularly striking. Very nearly everything is familiar but with important differences. The biggest of these is clearly that creatures such as the Fae exist (even if few people have ever seen one) but other changes include the natives of America, the Shohari, not being quite human and a lot of clever differences in London that really make it clear what kind of world Merion inhabits. The magick is also well thought out with a lot of thought and imagination given to its mechanics and its implications.
Galley's writing is a joy. It is clear and concise yet conveys the scene to the reader with impressive ease. The hot sun and gritty sand of the desert feel very real indeed. The characters are very well described and a great deal of care has been taken to express them. These are not cardboard cliches, which would have been easy. Merion is the hero but at heart is still a 13 year old boy, a boy who is impetuous and complains how life is unfair. All through the book there is a subtle undercurrent of wry humour.
What this whole book reminded me of - both in the writing and in the almost but not quite like our world setting - was a slightly darker Terry Pratchett. That is not an exaggeration, This book really is up there with the very best Discworld books in terms of story and inventiveness. It is darker in tone than anything Pratchett would write and not quite as laugh out loud funny in places but it is damn close.
The story itself unfolds at a fast pace - which is good because there is a lot to get through with several plots running intertwined through the narrative and sparking off each other as they twist and turn through every reveal. The final showdown is suitably climactic and the prose as well as the magick crackles off the page in a breathless rush towards the final chapter.
I do like to balance my reviews with maybe some small point that counts against the book but I really can't think of one for Bloodrush. It simply is a magnificent piece of work. You may not have known you wanted a alternate reality fantasy western but once you have read this you will wonder where the next one is coming from.
Very very highly recommended and the 5 star rating was easy to give.
Rated: Strong language so not for the youngest of young adults
365Flicks (235 KP) rated The Darkest Universe (2016) in Movies
Nov 20, 2019
Talk about a movie where you just don’t know where to start with!! Co-Directors (Yes Co) Tom Kingsley and Will Sharpe have crafted what I can only describe as my favorite completely surreal yet right down to earth drama I have watched in 2016… Wait no… In years.
As I have said recently I am on a real Indie hidden gem kick right now and the ever amazing Phil Wheat of Nerdly.co.uk asked me to check this movie out suspecting that it would be right up my street. The Darkest Universe is an absolute gem of a movie for more reasons than I can explain, but I will try.
Co-Director and Co-Writer Will Sharpe plays highly strung and highly stressed Zac Pratt. We join Zac on the verge of a complete breakdown following the disappearance of his sister and Break-up with his girlfriend. We follow him on somewhat of a journey of self realization and discovery. Zac starts up a fledging blog making video diaries of his search for his sister due to his frustration with the police coming up short. During this time we have a wonderfully interwoven series of flashbacks showing us what happened and giving us breadcrumbs of information.
A movie like this can live or die in the intricate plot woven style and this one flourishes because there is not one unnecessary moment on screen, it all matters. We find that Zac’s relationship with his girlfriend Eva (Sophia Di Martino, Channel 4s Flowers and Casualty) is strained and fragile which leads to a wonderfully awkward marriage proposal failure. While Zac would like us to believe from the get go that his sister Alice (Tiani Ghosh Co-Writer and first time acting, You couldn’t tell) is unhinged we slowly find she is probably the sanest person in his life, as she meets mis-fit wanderer Toby (Joe Thomas Inbetweeners and Fresh Meat). The relationship between Toby and Alice is almost as captivating as Sharpe’s all round performance and is just such a delicious watch.
Okay lets just get to it Will Sharpe in this movie is bloody outstanding. Think about Ezra Miller in We Need to Talk about Kevin, that is how intense this role can get, but he can also switch-up and be this charming at times funny sincere chap. There were moments I just didn’t know where it was gonna go and his performance was layered as such. Of course the script helps aswell because its to the point, at 90 minutes long the movie gets in, messes with your head a bit and gets out. Also no spoilers from me but this movie is never what you think it is and the ending is just a thing of beauty.
I take nothing away from anyone else in this movie because for her first time acting Tiani Ghosh is well above par and her chemistry with Joe Thomas is undeniable. On that note Joe Thomas of Inbetweeners fame was a surprising delight for me in this. A cheeky little cameo from fellow Inbetweener Simon Bird was received well and rounding off our cream of Brit comedy crop Chris Langham (The Thick of It) does not disappoint as Toby’s dad.
I really don’t think you will disappointed if you give this movie a shot, it has all the ingredients of what I would call an indie classic, people will find this movie and talk about it for years to come. Sharpe and Kingsley are a directing duo you have got to keep an eye on. I myself am pissed I never saw there first effort (did I mention this is just there second directorial outing) Black Pond but I will rectify that. They are miles ahead of there Ages and show a level of film-making maturity that most directors will struggle to get to. Effortless and beautiful I am so glad I will be ending 2016 with this movie.
As I have said recently I am on a real Indie hidden gem kick right now and the ever amazing Phil Wheat of Nerdly.co.uk asked me to check this movie out suspecting that it would be right up my street. The Darkest Universe is an absolute gem of a movie for more reasons than I can explain, but I will try.
Co-Director and Co-Writer Will Sharpe plays highly strung and highly stressed Zac Pratt. We join Zac on the verge of a complete breakdown following the disappearance of his sister and Break-up with his girlfriend. We follow him on somewhat of a journey of self realization and discovery. Zac starts up a fledging blog making video diaries of his search for his sister due to his frustration with the police coming up short. During this time we have a wonderfully interwoven series of flashbacks showing us what happened and giving us breadcrumbs of information.
A movie like this can live or die in the intricate plot woven style and this one flourishes because there is not one unnecessary moment on screen, it all matters. We find that Zac’s relationship with his girlfriend Eva (Sophia Di Martino, Channel 4s Flowers and Casualty) is strained and fragile which leads to a wonderfully awkward marriage proposal failure. While Zac would like us to believe from the get go that his sister Alice (Tiani Ghosh Co-Writer and first time acting, You couldn’t tell) is unhinged we slowly find she is probably the sanest person in his life, as she meets mis-fit wanderer Toby (Joe Thomas Inbetweeners and Fresh Meat). The relationship between Toby and Alice is almost as captivating as Sharpe’s all round performance and is just such a delicious watch.
Okay lets just get to it Will Sharpe in this movie is bloody outstanding. Think about Ezra Miller in We Need to Talk about Kevin, that is how intense this role can get, but he can also switch-up and be this charming at times funny sincere chap. There were moments I just didn’t know where it was gonna go and his performance was layered as such. Of course the script helps aswell because its to the point, at 90 minutes long the movie gets in, messes with your head a bit and gets out. Also no spoilers from me but this movie is never what you think it is and the ending is just a thing of beauty.
I take nothing away from anyone else in this movie because for her first time acting Tiani Ghosh is well above par and her chemistry with Joe Thomas is undeniable. On that note Joe Thomas of Inbetweeners fame was a surprising delight for me in this. A cheeky little cameo from fellow Inbetweener Simon Bird was received well and rounding off our cream of Brit comedy crop Chris Langham (The Thick of It) does not disappoint as Toby’s dad.
I really don’t think you will disappointed if you give this movie a shot, it has all the ingredients of what I would call an indie classic, people will find this movie and talk about it for years to come. Sharpe and Kingsley are a directing duo you have got to keep an eye on. I myself am pissed I never saw there first effort (did I mention this is just there second directorial outing) Black Pond but I will rectify that. They are miles ahead of there Ages and show a level of film-making maturity that most directors will struggle to get to. Effortless and beautiful I am so glad I will be ending 2016 with this movie.
Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
Gareth von Kallenbach (980 KP) rated Electric Slide (2015) in Movies
Aug 6, 2019
Today’s choice for your consideration is the 2014 film ‘Electric Slide’. A biographical crime film based on the life of antique/furniture salesman turned bank robber Eddie Dodson.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
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Sarah (7800 KP) rated Willy's Wonderland (2021) in Movies
Mar 20, 2021
Could’ve been so much better
If you’ve seen the trailer for Willy’s Wonderland, you were no doubt wondering what on earth your eyes had just been witness to, and I’m afraid the full film doesn’t get any less demented. Willy’s Wonderland is a 2021 horror comedy from director Kevin Lewis that is every bit a modern day B-movie, complete with cheesy script and questionable acting. On paper it sounds like it should be entertainingly bad but silly, but unfortunately in reality it’s just bad.
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
Lyndsey Gollogly (2893 KP) rated Next Door in Books
Jun 10, 2021
82 of 250
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.