"This really scared me coming out of it. You knew it was made for 10 cents – that was obvious – but it actually had some fabulous performances. Some of the moments – like when Leatherface kicks open the door and comes after them – I mean your blood just runs cold. It was just amazingly visceral visual storytelling. A few years earlier, I was at college and I wrote a synopsis for a novel and my teacher feedback was “this would make a great movie!” And I was crestfallen, but it made me realise I had a great visual imagination as well, and for years I fought it but eventually realised that was the thing I could do"

"I loved Pan’s Labyrinth. It transported me into another world. I like fantasy worlds; I love Lord of the Rings as well, for that reason, because you really get to get out of reality and go somewhere else. Pan’s Labyrinth was kind of this dark, sick, beautiful… it was like watching a moving painting, like a Salvador Dali painting or something like that. It was just really magical and it sort of provoked so many different feelings at one time. It’s kind of sick, you know, the guy with no eyes is coming at her and it felt like when you have a crazy dream — you’re watching someone’s crazy dream. It just affected me."

"This reminds me of childhood. It was a US release that took songs from their debut, Three Imaginary Boys, along with singles from the time. I could often hear it coming through the walls of my brother’s room. And that definitely had a big effect on how I remember that period. I don’t know what it was in particular that grabbed my attention; there was just something really enticing and compelling about it. We each had little hi-fi systems in our rooms and when he went out I’d just sort of nick or borrow it, take it into my room along with other stuff like The Smiths and Siouxsie & The Banshees."