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10 Cloverfield Lane (2016)
10 Cloverfield Lane (2016)
2016 | Sci-Fi, Thriller
Michelle (Mary Elizabeth Winstead) is a woman with many complications as we meet her just as she is leaving her engagement ring and fiancé behind to head off to a new future. We do not know what promoted this move other than an argument, but Michelle is unmoved by his plea-laden phone calls and opts to ignore them and move ahead with her life.

Things take an unexpected turn when Michelle is involved in a car crash and awakens chained to the wall in a concrete room. Her savior Howard (John Goodman) explains that he saved her life and that they are safe 40 feet below the surface following an unexpected attack which has made the world outside the bunker deadly.

This is the premise of “10 Cloverfield Lane” which teams Producer J.J. Abrams and Director Dan Trachternberg as they craft a film that is unsettling and at times hard to define.

Michelle believes that Howard is not telling her the entire truth and his flashes of anger over trivial things causes her and fellow guest Emmett (John Gallagher Jr.), to fear that things are not what they seem and that they are in serious danger.

This is where the film really becomes unsettling as Howard is shown as sympathetic and sensitive yet at times terrifyingly volatile and unstable. There are numerous things that can be inferred or deduced from what they discover, but many aspects of Howard are left for the viewers to figure out for themselves as there is much truth in what he says, but there are also several omissions and misdirection.

As the tensions mount, the film plays out as taught characters piece filled with tension that keeps you guessing what is coming next.

The film does take a Hollywood style turn towards where FX and some unexpected and to some, impractical outcomes and plotlines are introduced, but it is always compelling and does keep you asking what is coming next.

The film has some interesting loose threads that do hint that a sequel could be an option should they elect to do so down the road.

Goodman and the cast are very strong and they are able to hold your attention without having to rely on fancy visuals and other tricks.

For now, the film is a tense and compelling film that aside from taking the Hollywood way out at the end is one of the more pleasant and entertaining surprises of 2016.

http://sknr.net/2016/03/11/10-cloverfield-lane/
  
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Guy Pearce recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Okay. I do come back to The Godfather, and to be honest, if I had more time to think about it, I would probably leave The Godfather out only because I know that it’s a film that is often touted. But primarily, I think it’s about Pacino for me. I think all of the things that make The Godfather what people call the perfect film, where you’re taken into a world where, for most us, is really just — we’re never going to go there ourselves, into the world of the mafia and organized crime, but to see how it’s connected to family and how that is the basis of this story being the bond within a family, is so foreign to, I think, most of us. Foreign as far as where killing is part of family life. It’s just so unusual, but at the same time, it’s done in such a way that they make it feel perfectly normal. Of course, again, there’s Brando, there’s Pacino, and then in the second one we see De Niro. I think I’m often drawn to films primarily because of the performances, and speaking of performances, I would then probably move to Dog Day Afternoon with Al Pacino for very different reasons. We see Pacino in Godfather in an extremely restrained performance. And then, of course, in Dog Day Afternoon, we see just this loose mess of a human being spilling out out all over the place, and he’s just absolutely electric and just as compelling and just as unpredictable as the character Michael Corleone in Godfather, but completely at opposite ends of the spectrum. I just think Pacino is someone for me who, like Brando, I just find him completely watchable and can’t get enough of him. Anything he does, really, I would find compelling. Although there have been performances lately that haven’t been as interesting as the earlier stuff. [Godfather and Dog Day Afternoon] are so different. They’re really, really different. I think Godfather is a better film, but I think Dog Day — that performance — John Cazale‘s performance in Dog Day, as well — and as you know, I have really eclectic taste anyway in the kinds of things that I like, and the kinds of jobs that I choose, too. I get just as much out of both of those films. The potential energy that exists in Godfather versus Dog Day is that they’re just extreme, explosive kind of sweaty performances of Pacino [and they are] are two completely different things, but they both affect me a great deal."

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Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
Tom Holland nails awkward teenage Peter Parker (4 more)
Excellent continuity with the MCU
The Vulture is a compelling villain
Marisa Tomei, obviously
Sarcastic, Funny Tony Stark Returns!
Where's the Spider Senses? (0 more)
Peter Parker Done Right for Once!
Spider-Man: Homecoming is the perfect movie to kick off the character's triumphant addition to the MCU. I don't know exactly what kind of magic Disney worked out with Sony, but damn does it feel good. The Marvel execs know exactly how to handle the character, unlike Sony, and Sony still gets to rake in the cash from Marvel's hottest property. Spider-Man in the MCU is a huge win-win for everyone involved, but most importantly for the fans. Tom Holland plays Peter Parker/Spider-Man just as he should be, an awkward teenager still coming to grips with and refining his powers. He quips while fighting, running his mouth as a teenager with power would. Outside his costume, though, he is much more reserved. He is so uncomfortable just being himself, Peter Parker, and that fact is so integral to the character. Spider-Man has finally been perfected in live-action film, and Homecoming left me smiling and eager for Spidey to join the larger MCU conflicts once again.
  
City of Ashes (The Mortal Instruments, #2)
City of Ashes (The Mortal Instruments, #2)
Cassandra Clare | 2008 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
10
8.4 (37 Ratings)
Book Rating
In the second installment of the Mortal Instruments series Clare weaves a tale of love and betrayal and I loved every second of it! This book picks up where the first left off...Clary's mother is still in a coma in a NY hospital. Clary is desperate to get her back, but she has been plunged headfirst into the world of Shadowhunters. Luke is still trying to protect her & Jace is still smolderingly sexy.
Valentine is still lurking in every shadow that surrounds Jace & Clary. He is slowly working his way into their lives. The climax of the book is a HUGE battle on Valentine's ship in the East River which pits some of the Clave against Valentine's demon army. Of course the consequences of the battle impact all involved, none as much as Simon, Clary, & Jace...a love triangle that may just outmatch that between Edward, Bella, & Jacob.
I have to say the ending leaves you hanging in such a way that if you don't already have Book 3 on your shelf, you will feel the compelling urge to go hunt it down & devour it before you even leave the bookstore. Fortunately for me, it is on my shelf & is calling my name!
  
13 Reasons Why - Season 2
13 Reasons Why - Season 2
2018 | Drama
More compelling, deep teen drama
The second series follows a similar format to the first - where the first series focused on a different character's tape, and therefore that person's role in Hannah's suicide; this series uses each character's testimony in a trial against the school. Some of the story of the first series is shown to have been one person's side of the story, others are expanded on and shown to be very different.
Each episode is enjoyable and gripping. You start to hate some characters less; others even more, and some you really want something terrible to happen to.
The final episode gives an insight into the upcoming third series, with one character returning to school after some behavioural issues and trying to settle back in.
The series really shows the impact that decisions made by those in charge of a school, and how they react to issues, can have much wider impacts. No longer are we just thinking about how these things affected Hannah and made her decide to kill herself, but how they impact the mental health of those around her, how the authorities' inability to deal with those issues can snowball and how futile their attempts to react to crises are.
  
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Andy K (10823 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies

Apr 27, 2019 (Updated Apr 27, 2019)  
Jurassic World: Fallen Kingdom (2018)
Jurassic World: Fallen Kingdom (2018)
2018 | Action, Adventure, Sci-Fi
Still more dinosaurs...
I'm not sure what a 5th "Jurassic" film can say that wasn't said in the previous 4 films, but they tried anyways.

After a volcano spews hot lava and ash on the original Jurassic island, humanity is left with the choice whether to save the prehistoric beasts or let them become extinct again maybe as it was supposed to be.

One of John Hammond's original partners is involved in trying to relocate several species from the dying island to a new home where they can be free of tourists and left to live their lives out in peace. Of course evil animal poachers seeking to weaponize the ferocious beasts intervene and only Chris Pratt (overrated) and Bryce Dallas Howard (not sure if she wore high heels the entire film this time) are here to stop them.

Not enough new material here to keep the film exciting and fresh. The same people running, getting eaten, etc is present here and I was bored.

Some cool visuals during the first half with our heroes trying to escape the volcanic habitat were compelling, however, the second half was way too predictable and not very exciting.

This franchise should now become extinct.


  
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Sarah (7800 KP) Apr 27, 2019

? at the comment about the high heels

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Kristy H (1252 KP) rated Awake in Books

Feb 13, 2018  
Awake
Awake
Natasha Preston | 2015 | Thriller, Young Adult (YA)
4
5.0 (4 Ratings)
Book Rating
Scarlett doesn't remember anything before the age of four, which she doesn't find too unsettling, until, as a teen, a car accident jars her memory and makes her start wondering what happened to her as a kid. Around the same time as her accident, Scarlett meets Noah, a new kid to town, and falls for him immediately. Noah tries to help Scarlett remember her past, but does he have her best intentions at heart?

Not really sure how to explain this book. The story itself is odd - another quick teenage romance, with a cult thrown in! However, it is oddly compelling in its own strange way - I read the book in about a day or so. The writing is rather silly and disjointed at times and the plot seems unbelievable. It's not even the cult aspect, per se. It seems weird that Scarlett focuses so much on not being able to remember things before the age of four (is that really so strange)? The end of the book ties up awfully easily, without much semblance or adherence to legal niceties. All in all, while the book moves quickly, not sure it's worth that little amount of time.

(Note: I received an copy of this book from Netgalley in return for an unbiased review.)