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Hazel (2934 KP) rated The Resistance Girl in Books
Mar 27, 2022
The first book I have read or listened to by this author and if her others are anything like this one, it won't be the last.
Following the lives of a small group of people in Norway during WWII, this is a compelling story of their bravery as part of the resistance movement.
With exceptionally strong characters and a powerful story, this is an important part of history that I was not familiar with and although this is historical fiction, it does weave actual events into the story which gives it a sense of realism and shows you what lengths 'normal' people will go to to protect freedom and whilst they have a strong regard for the danger they are putting themselves and, potentially, others in, the bigger picture is far more important. A poignant read given the current events in Ukraine.
The narrator told the story with ease and kept me engaged and enthralled from beginning to end; her voice was perfect.
Recommended for anyone who enjoys a great story of bravery, love and the importance of family, friends and freedom.
Thank you to HarperCollins UK Audio and NetGalley for my copy in return for an honest, unbiased and unedited review.
Following the lives of a small group of people in Norway during WWII, this is a compelling story of their bravery as part of the resistance movement.
With exceptionally strong characters and a powerful story, this is an important part of history that I was not familiar with and although this is historical fiction, it does weave actual events into the story which gives it a sense of realism and shows you what lengths 'normal' people will go to to protect freedom and whilst they have a strong regard for the danger they are putting themselves and, potentially, others in, the bigger picture is far more important. A poignant read given the current events in Ukraine.
The narrator told the story with ease and kept me engaged and enthralled from beginning to end; her voice was perfect.
Recommended for anyone who enjoys a great story of bravery, love and the importance of family, friends and freedom.
Thank you to HarperCollins UK Audio and NetGalley for my copy in return for an honest, unbiased and unedited review.
LeftSideCut (3776 KP) rated The Northman (2022) in Movies
May 11, 2022
Robert Eggers continues his winning streak with The Northman, surely one of the most visually stunning and compelling movies in recent years. A Viking revenge story presented in his signature style is just cinematic crack waiting to happen as far as I'm concerned.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
Mark @ Carstairs Considers (2615 KP) rated A Sprinkle in Time in Books
May 28, 2022 (Updated May 28, 2022)
The Corpse in the Trunk. Maybe.
Trinidad Jones is focused on the Alpenfest that is in town for the new two weekends, hoping that the tourists will provide a nice bump to her Shimmy and Shake Shop before business slows for the winter. Her life gets complicated, however, when her grandfather finds a corpse in the trunk of his classic car. When the police show up, the body is gone, only to turn up floating in the lake. What is going on?
I enjoyed the first in the series, but this one was even better. I was pulled in right away, and the plot never lagged. Because of how it impacted some of the characters we got to know in the first book, I found it compelling. I had part of the solution figured out, but there was a lot I hadn’t pieced together. The characters are strong again. I laughed at parts, but because of how things were impacting everyone, I also got chocked up a time or two. There are two recipes at the end to help with your cravings for ice cream and sweets in general. I’m already looking forward to visiting the gang again soon.
I enjoyed the first in the series, but this one was even better. I was pulled in right away, and the plot never lagged. Because of how it impacted some of the characters we got to know in the first book, I found it compelling. I had part of the solution figured out, but there was a lot I hadn’t pieced together. The characters are strong again. I laughed at parts, but because of how things were impacting everyone, I also got chocked up a time or two. There are two recipes at the end to help with your cravings for ice cream and sweets in general. I’m already looking forward to visiting the gang again soon.
A Fall of Light
Book
LJ Greene brings to life one of her most compelling characters: the intensely creative bass...
Contemporary MM Romance
Double Blind
Book
Double Blind follows three close friends and their circle through a year of extraordinary...
Chasing Harmony
Book
A refreshing YA debut from Canadian author Melanie Bell, perfect for fans of Rainbow Rowell, Becky...
Young Adult LGBTQIA+
Otway93 (580 KP) rated The 7th Voyage of Sinbad (1958) in Movies
Dec 29, 2021
Special Effects (for the time) (2 more)
Story
Acting
Casting (1 more)
Acting
A film ahead of it's time.
An incredibly fun film, only improved by the the very special effects of Ray Harryhausen.
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
Kristy H (1252 KP) rated The Late Show (Renée Ballard, #1) in Books
Feb 13, 2018
THE LATE SHOW introduces us to a new character in the Connelly canon: Renee Ballard, a young female detective in the LAPD striving to prove herself. Ballard works the night shift, where she picks up evening cases. But Ballard hates that she never gets to see an investigation to fruition--always turning her cases over to the daytime detectives. So when she is assigned two late shift cases, the shooting of a young female in a nightclub and the horrible beating of a transsexual prostitute, she finagles a way to stay involved with both. This means still working the night shift while--mostly secretly--tracking down leads on her cases during the day. In doing so, Ballard gets caught up in department politics and a case that could lead her to immense danger.
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
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Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
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Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
Mr. Nobody
Book
When a man is found on a Norfolk beach, drifting in and out of consciousness, with no identification...





