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The Draughtsman's Contract (1982)
The Draughtsman's Contract (1982)
1982 | Comedy, Drama
7
7.0 (1 Ratings)
Movie Rating
Quite often more interesting in theory than practice, the films of Peter Greenaway can be inaccessible, oppressive and pretentious in the worst way. He himself would say his work is half film, half art, without apologising for it, and why should he? Looking at his CV, I can say there have been some I have enjoyed, or at least marvelled at: The Cook, The Thief, His Wife and Her Lover being the obvious one. Drowning by Numbers being another – ambitious and ingenious constructions that are startlingly effective if in the mood for such conceits. Whereas things like Prospero’s Books and The Pillow Book cross the line of pomposity and pretentiousness just too far. So it was with trepidation I approached this one, expecting that the wigs and costumes would far outshine the content of the story. I was quite wrong.

The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!
  
Sprinkles of Suspicion
Sprinkles of Suspicion
Kim Davis | 2020 | Mystery
8
8.0 (1 Ratings)
Book Rating
Emory Finds Herself Caught up in a Murder
When Emory discovers that her husband, Philip, is having an affair with her best friend, Tori, Emory naturally gets very angry and gets into a very public fight with Tori. That creates a problem, however, when Emory finds Tori’s very dead body just a few hours later. Naturally, the police consider Emory their best suspect, so Emory sets out to give them other suspects. As she tries to clear her name, is she prepared for the secrets she will uncover?

Between the Orange County, California, setting and the culinary cozy hook, I couldn’t pass this book up. As always, I enjoyed seeing the action taking place in areas I recognized even if I don’t know them super well. This book works in many ways like a TV pilot, readjusting Emory’s life as well as giving us a murder to solve. The murder got overshadowed a bit at times, but I always found the book compelling to read. There are several good surprises and twists to the mystery. The ending was a little weak, but it does answer all of our questions. I certainly sympathized with Emory since she comes across as very trusting, something that creates problems when your life becomes a mystery. I did feel her family was a little too self-absorbed. I’m sure it was supposed to be funny, but I found it more annoying. The 11 recipes at the end include some Western themed dishes as well as a couple of delicious sounding cupcakes. All told, this is a fun series debut that will leave you wondering just where cupcakes and murder will take Emory next.