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Gareth von Kallenbach (980 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Gareth von Kallenbach (980 KP) rated Shutter Island (2010) in Movies
Aug 8, 2019
The mysterious disappearance of a patient has left the security of Aschecliffe Mental Facility baffled. In an effort to figure out exactly what occurred, they have brought in US Marshalls Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo). But when a number of questionable situations are uncovered, such as the restricted castle where they keep the most violent patients and the mysterious muchrumored about lighthouse, Teddy ends up investigating more than he bargained for.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Kelly (279 KP) rated Ghost Stories (2018) in Movies
Jan 15, 2019
This would not be out of place in the Twilight Zone
In a time where the audience has become accustomed to jumpy Hollywood horrors, it’s hard to create a horror that provokes the viewer. Ghost stories does this well.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
Rob P (30 KP) rated Best Served Cold in Books
Jan 22, 2019
Morally taxing (2 more)
Satisfying story line
Exploration of side characters from the Abercrombie "First Law" universe
Brutal in places (although I'm fine with that) (1 more)
Not for the fainthearted
Best Served Cold
If you couldn't tell from the title, this is all about the revenge motif. If you've read Abercrombie, the savagery of the opening chapter (and plenty of others) should not bother you by this point, but having said that there were moments in this even I winced at.
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
Phil Leader (619 KP) rated The Chimera Vector (The Fifth Column #1) in Books
Nov 11, 2019
The Chimera Vector is a fast, brutal and engaging techno thriller. Sophia is an operative for the secretive Fifth Column, a network not related to any government that seeks to eliminate terrorists and corrupt governments.
When the extraction from a mission goes wrong, Sonia questions their real motives. Just whose side are they one? And which side is she on?
The questions of motives and who is working for who runs through the book with many double and even triple (and more) crosses happening. This really does keep the reader on their toes. Because everything is filtered through Sophia's perception it's never clear who can really be trusted - if anyone - it is only clear who Sophia trusts as the story moves on.
This moves at some pace too, with some terrific set pieces across the world. The momentum only increases as once the stakes are revealed the second half of the book is essentially one long action sequence which puts any Hollywood blockbuster to shame. The only other author I can really compare this too is Matthew Reilly, it is just as fast and fun.
Obviously there is a fair amount of suspension of disbelief expected on the part of the reader but the idea of a shadowy organisation carefully orchestrating what happens in the world is a compelling one. It also tends to sound like an arms catalogue at times - every gun and piece of combat equipment is described in detail. And I did get quite overwhelmed with the word 'flashbang' at points.
If you are looking for something that's fast paced, engaging without being too involving, clever without being smug about it and a plot that will keep you guessing, you can't go far wrong with this.
When the extraction from a mission goes wrong, Sonia questions their real motives. Just whose side are they one? And which side is she on?
The questions of motives and who is working for who runs through the book with many double and even triple (and more) crosses happening. This really does keep the reader on their toes. Because everything is filtered through Sophia's perception it's never clear who can really be trusted - if anyone - it is only clear who Sophia trusts as the story moves on.
This moves at some pace too, with some terrific set pieces across the world. The momentum only increases as once the stakes are revealed the second half of the book is essentially one long action sequence which puts any Hollywood blockbuster to shame. The only other author I can really compare this too is Matthew Reilly, it is just as fast and fun.
Obviously there is a fair amount of suspension of disbelief expected on the part of the reader but the idea of a shadowy organisation carefully orchestrating what happens in the world is a compelling one. It also tends to sound like an arms catalogue at times - every gun and piece of combat equipment is described in detail. And I did get quite overwhelmed with the word 'flashbang' at points.
If you are looking for something that's fast paced, engaging without being too involving, clever without being smug about it and a plot that will keep you guessing, you can't go far wrong with this.
Ross (3284 KP) rated Fires of the Dead in Books
Nov 12, 2019 (Updated Nov 12, 2019)
Very short but compelling story
* I received a free advance copy of this book from BookSirens, and would like to thank them, and the author, for the chance to review this book honestly *
This short story (around 90 pages) somehow manages to establish a well-explained magic system, and enough information about the world, and a decent story in a very small number of pages.
The story follows a small group of battle-worn mercenaries sent on a mission through the fire-ravaged wasteland to capture the skull of a dead pyromancer. Along the way they cross paths with other groups on similar missions as well as a stronger foe they had not intended to meet.
Herne has a talent for writing, that much is abundantly clear. His narrative is pithy, concise and very immersive. He changes PoV at a few points of the story, so the reader is given different viewpoints at different times (though sadly they don't change back again).
The characters are all uniquely defined and have their own place in the crew.
His story was well laid out, with some excellent, flowing action sequences. The story is well told and exposed at a good pace. There were a few small background details of the overall plot which I felt should have been outlined earlier, but given the character in question's background I can see why this happened this way.
My only complaint about this book was that it was too short. This could easily be expanded with more backstory and more information about the world without feeling padded out, I think. I would happily read this book again with another 300 pages of the same added in.
I will be reading the author's free short stories from his mailing list with relish.
This short story (around 90 pages) somehow manages to establish a well-explained magic system, and enough information about the world, and a decent story in a very small number of pages.
The story follows a small group of battle-worn mercenaries sent on a mission through the fire-ravaged wasteland to capture the skull of a dead pyromancer. Along the way they cross paths with other groups on similar missions as well as a stronger foe they had not intended to meet.
Herne has a talent for writing, that much is abundantly clear. His narrative is pithy, concise and very immersive. He changes PoV at a few points of the story, so the reader is given different viewpoints at different times (though sadly they don't change back again).
The characters are all uniquely defined and have their own place in the crew.
His story was well laid out, with some excellent, flowing action sequences. The story is well told and exposed at a good pace. There were a few small background details of the overall plot which I felt should have been outlined earlier, but given the character in question's background I can see why this happened this way.
My only complaint about this book was that it was too short. This could easily be expanded with more backstory and more information about the world without feeling padded out, I think. I would happily read this book again with another 300 pages of the same added in.
I will be reading the author's free short stories from his mailing list with relish.
Mark @ Carstairs Considers (2336 KP) rated Ghosts of Painting Past in Books
Nov 20, 2019
Uncovering the Past at Christmas
The house across the street from Rory is being torn down, so she is trying to drown out the sound of construction vehicles with Christmas carols when the sound suddenly stops. The crew has found bones buried under a building in the backyard. It isn’t long before the police have been able to identify the bones, but their identity puts Rory’s father in the role of suspect. Rory tries to help out with a variety of holiday events planned in the community, including finishing up her own ornaments to sell at the craft fair despite what is happening in town, but when a new body turns up, the stakes are raised. Can she figure out what happened in the past and how that is impacting the present?
Mysteries that involve the past can be great when there is a compelling reason for the characters to care about it today. That’s definitely the case here. Rory has a couple of reasons to make sure this case is wrapped up in time for Christmas, and she gets plenty of clues and red herrings to keep her guessing. The pace is fast, and the climax answers all our questions. The series’ tone is a bit darker overall, and that’s the case here again as well, but we do have some Christmas fun to help lighten the mood. I really enjoyed the fact that this book is set in Southern California, so, while we get plenty of holiday spirit, we do it without snow. I could relate. The main characters continue to grow, and the new characters are just as strong. With Christmas fast approaching, now is the perfect time to pick up this book.
Mysteries that involve the past can be great when there is a compelling reason for the characters to care about it today. That’s definitely the case here. Rory has a couple of reasons to make sure this case is wrapped up in time for Christmas, and she gets plenty of clues and red herrings to keep her guessing. The pace is fast, and the climax answers all our questions. The series’ tone is a bit darker overall, and that’s the case here again as well, but we do have some Christmas fun to help lighten the mood. I really enjoyed the fact that this book is set in Southern California, so, while we get plenty of holiday spirit, we do it without snow. I could relate. The main characters continue to grow, and the new characters are just as strong. With Christmas fast approaching, now is the perfect time to pick up this book.
Veronica Pena (690 KP) rated Darker (Fifty Shades as Told by Christian, #2) in Books
Jan 12, 2020
I far more enjoyed this novel than it's counterpart. Along the lines of my original review of its predecessor, I think that Christian is a far more interesting character than Ana. Ana's major character traits are that she's a virgin and kind of has mommy issues. I find his point of view, his thoughts, and his dreams, or nightmares rather, much more compelling than anything Ana really has to say. I think that he is a much stronger character and much more realistic than she is.
I originally rated this novel a 5/5 because I do truly love the story, I like the mystery, the thrill, the sex, I think it's great. I revised it, though, because as soon as I get into a good rhythm, reading 20 pages and feeling like it's been 5 minutes, I get pulled out of the story by something so small and seemingly irrelevant like a phrase or wording or the way they do something. It pulls me out of the story and forces me to remember that the writing isn't all that good. I've said previously about the dialogue and that always gets me - again, they sound English and they're not!!!! I'm not sure if E.L. James had an English editor either, but it seems like she could've because I think an American one would've caught those things.
Overall, I think that this is the best book of the 4 thus far - Fifty Shades of Grey, Grey, Fifty Shades Darker, and Darker. While I have enjoyed them all, somewhat of a guilty pleasure, I'm eager to read the final chapter of the trilogy and rage about how there isn't a Christian perspective. Stay tuned.
I originally rated this novel a 5/5 because I do truly love the story, I like the mystery, the thrill, the sex, I think it's great. I revised it, though, because as soon as I get into a good rhythm, reading 20 pages and feeling like it's been 5 minutes, I get pulled out of the story by something so small and seemingly irrelevant like a phrase or wording or the way they do something. It pulls me out of the story and forces me to remember that the writing isn't all that good. I've said previously about the dialogue and that always gets me - again, they sound English and they're not!!!! I'm not sure if E.L. James had an English editor either, but it seems like she could've because I think an American one would've caught those things.
Overall, I think that this is the best book of the 4 thus far - Fifty Shades of Grey, Grey, Fifty Shades Darker, and Darker. While I have enjoyed them all, somewhat of a guilty pleasure, I'm eager to read the final chapter of the trilogy and rage about how there isn't a Christian perspective. Stay tuned.
Kristy H (1252 KP) rated The Secrets They Left Behind in Books
Apr 23, 2020
At first I was disappointed this was not one of Redmond's excellent Cold Case novels featuring detective Lauren Riley, whom I love, but that disappointment was short lived. I quickly took to Shea O'Connor, a young but feisty and enjoyable officer who will stop at nothing to solve her case. We realize that Shea clearly had a close call with a serial killer the last time she was undercover and she's still recovering from those wounds. Our girl is hurting, but she's also focused--Shea will do anything to find those girls.
Shea is in a tough spot. She's a young, female officer in a male-dominated profession, and she's often mistaken for a teen. However, her youthful appearance pays off undercover. But is the FBI using her? There's more than a simple mystery to solve here, as we must unravel if Shea can trust those around her.
The central mystery itself, of the girls' disappearance, is engaging and fascinating. I had a fairly good inkling early on who might be involved, but it didn't stop my interest, and I flew through the book. There are, of course, plenty of dirty secrets in Kelly's Falls--as in most small towns--and Shea digs up plenty of them. There's also an interesting angle where she becomes close with one of the missing girl's brother. Shea excels at immersing herself in her undercover role, and it was fun to see her play the young, naive college student (with a knife hidden in her back pocket).
The writing is a little simplistic at times, but overall this is a compelling thriller with an engaging protagonist. 3.5 stars, rounded up to 4 here. I'd love to see another book featuring Shea.
Shea is in a tough spot. She's a young, female officer in a male-dominated profession, and she's often mistaken for a teen. However, her youthful appearance pays off undercover. But is the FBI using her? There's more than a simple mystery to solve here, as we must unravel if Shea can trust those around her.
The central mystery itself, of the girls' disappearance, is engaging and fascinating. I had a fairly good inkling early on who might be involved, but it didn't stop my interest, and I flew through the book. There are, of course, plenty of dirty secrets in Kelly's Falls--as in most small towns--and Shea digs up plenty of them. There's also an interesting angle where she becomes close with one of the missing girl's brother. Shea excels at immersing herself in her undercover role, and it was fun to see her play the young, naive college student (with a knife hidden in her back pocket).
The writing is a little simplistic at times, but overall this is a compelling thriller with an engaging protagonist. 3.5 stars, rounded up to 4 here. I'd love to see another book featuring Shea.