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Isabel Smith (34 KP) rated The Butterfly Garden in Books
Jun 24, 2018
The Butterfly Garden is no place to be...
When you think of a butterfly garden, you typically picture a peaceful place filled with nature’s beauty and warmth. Some may even go as far using the description: a little slice of heaven. This particular Butterfly Garden, however, is no such place. No one in their right mind would ever want to visit. Beauty is horribly distorted into grotesqueness, peace gives way to torture, and there is little warmth to be found within this garden. This garden is his personal, man-made house of horrors. Him. The man they call the Gardener. He kidnaps teenage girls and collects them in his garden, all the while subjecting them to an awful number of unspeakable atrocities. The girls, whom he calls his butterflies, form a family of sorts and team up in order to cope with the perverse Gardener and his twisted ways. Will they ever see the Outside again? What will it take to destroy the garden and break the Gardener’s evil cycle once and for all?
The Butterfly Garden is undeniably dark and disturbing, but it pulls you in right from the start and almost holds you against your will as you flip the pages faster and faster so you, too, can escape. It is definitely not an easy journey; it is bound to leave you speechless and incredibly disgusted. That being said, there is plenty of good in this novel that makes it worth the trip. The compelling story is as much about survivors as it is one of captives. The main character, Maya acts shady at times, but you will cheer for her as she struggles to keep the girls together and find ways to endure. Nevertheless, brace yourself and snuggle up with your fluffiest blanket and jammies when you read The Butterfly Garden.
The Butterfly Garden is undeniably dark and disturbing, but it pulls you in right from the start and almost holds you against your will as you flip the pages faster and faster so you, too, can escape. It is definitely not an easy journey; it is bound to leave you speechless and incredibly disgusted. That being said, there is plenty of good in this novel that makes it worth the trip. The compelling story is as much about survivors as it is one of captives. The main character, Maya acts shady at times, but you will cheer for her as she struggles to keep the girls together and find ways to endure. Nevertheless, brace yourself and snuggle up with your fluffiest blanket and jammies when you read The Butterfly Garden.
Sarah (126 KP) rated Evil Genius in TV
Aug 14, 2018
I found the beginning of Evil Genius to be truly, jaw-droppingly astonishing. Being in the UK, I don't remember ever actually hearing about this taking place. Having never heard or read anything about the case - or read any "blurb" about the series - I was genuinely shocked when witnessing the footage of what happens to Brian Wells. I honestly expected that things would "fizzle out", he would walk away with the police and the investigation would begin from there. Unsurprisingly, I spent the next few minutes with my eyes wide open, my mouth agape at what I had just witnessed.
Sadly, the documentary seems to go downhill from there.
The narrator/interviewer isn't particularly engaging in his commentary.
The story is somewhat disjointed, going from story to story, from suspect to suspect, without any real sense of flowing or logic. As such, at times it can feel a bit like you lose track of where you are and what has gone on, particularly when a thread is dropped only to be picked up later on, with additional information introduced but no logic to the way it has been brought in.
As something that seems to be a truly one-off type of crime, this should be such compelling viewing. Instead, after the initial shock-factor, it really does seem to fizzle out very quickly, and the only thing that compels you to keep watching is to find out what happened - and even that is something of a let down, as not all information seems to be followed up or confirmed.
Overall, it is an extremely interesting story which, unfortunately, has been let down by the way in which it has been put together.
Sadly, the documentary seems to go downhill from there.
The narrator/interviewer isn't particularly engaging in his commentary.
The story is somewhat disjointed, going from story to story, from suspect to suspect, without any real sense of flowing or logic. As such, at times it can feel a bit like you lose track of where you are and what has gone on, particularly when a thread is dropped only to be picked up later on, with additional information introduced but no logic to the way it has been brought in.
As something that seems to be a truly one-off type of crime, this should be such compelling viewing. Instead, after the initial shock-factor, it really does seem to fizzle out very quickly, and the only thing that compels you to keep watching is to find out what happened - and even that is something of a let down, as not all information seems to be followed up or confirmed.
Overall, it is an extremely interesting story which, unfortunately, has been let down by the way in which it has been put together.
Gareth von Kallenbach (980 KP) rated Husk in Video Games
Jun 19, 2019
Husk is a game with some great potential going in. The horror game is set in 1995 and involves a man with a questionable past taking the train home to his rural hometown of Shivercliff with his wife and teenage daughter along for the trip.
When the train derails and you are unable to find your family, players make their way into the small town to find it deserted with no signs of life anywhere.
There is a toxic fog about the town and soon strange creatures appear which forces players to look for keys, weapons, and other items of use in order to survive as they attempt to unravel the mystery, find your family, and escape.
The premise is compelling enough to take a look but sadly there are many issues with the game which really hamper the experience. I can overlook the dated graphics and the jerky controls and camera transitions, but the game made me feel like I was stuck in the 90s with the numerous glitches in the game. Keys would not be visible on a counter and I at times had to search wildly waiting to get the indicator that keys had been located.
Combat was very uninteresting as I had to simply flail about with a pipe at first without any real indication my blows were landing or doing damage until an enemy fell. I had hoped locating a pistol would make things a bit easier but once again the combat mechanics proved to be lacking.
If you do not mind bugs and glitches, dated graphics, and gameplay, then you will finds yourself entertained by Husk but for me the promising setup went away after the first hour or so of play and I found myself paying more attention to the numerous issues rather than the game.
http://sknr.net/2017/02/07/husk/
When the train derails and you are unable to find your family, players make their way into the small town to find it deserted with no signs of life anywhere.
There is a toxic fog about the town and soon strange creatures appear which forces players to look for keys, weapons, and other items of use in order to survive as they attempt to unravel the mystery, find your family, and escape.
The premise is compelling enough to take a look but sadly there are many issues with the game which really hamper the experience. I can overlook the dated graphics and the jerky controls and camera transitions, but the game made me feel like I was stuck in the 90s with the numerous glitches in the game. Keys would not be visible on a counter and I at times had to search wildly waiting to get the indicator that keys had been located.
Combat was very uninteresting as I had to simply flail about with a pipe at first without any real indication my blows were landing or doing damage until an enemy fell. I had hoped locating a pistol would make things a bit easier but once again the combat mechanics proved to be lacking.
If you do not mind bugs and glitches, dated graphics, and gameplay, then you will finds yourself entertained by Husk but for me the promising setup went away after the first hour or so of play and I found myself paying more attention to the numerous issues rather than the game.
http://sknr.net/2017/02/07/husk/
David McK (3663 KP) rated Assassin's Creed: Renaissance in Books
Jan 28, 2019
The Assassin's Creed video-games, for anyone who has been living in a cave for the last (roughly) decade or so, are Ubisoft's free-roaming murder-em-up games, detailing the ongoing secretive war between the order of the Assassins, and that of the Templars.
To date, I've played pretty much all of those games (or, atl least, those released for the PS3 and PS4), with the exception of Assassin's Creed: Unity. I'm also a heacvy reader, and have also seen to so-so Assassin's Creed movie (starring Michael Fassbender) that made the - in my eyes, wise, - decision to introduce a new character and historical period.
As such, I think it's fair to say I know enough about the series itself.
Of that series, the most enjoyable game (IMO) have been those set in the Renaissance period; those starring Ezio Auditore - the protaganist of this novel. Unfortunatley, however, this is a virtual retreading of the plot of the game, complete with passages where Ezio learns how to blend in (C'mon! It makes sense in the game, but not exactly an exciting narrative) or has to race hios accomplices from points A to point B (again, gives the player something to do in the game, but not exaclt exciting to read about).
It also doesn't help that this liberally mixes modern-day English and expressions with Italian phrases throughout (that require constant look-up to the glossary), nor that the author seemingly manages to make an entertaining game and compelling central character(s) into a bit of a chore to read through. On the plus side, it does away with all the modern-day Desmond sections from the game ...
Overall, however, I'm not impressed (sadly).
To date, I've played pretty much all of those games (or, atl least, those released for the PS3 and PS4), with the exception of Assassin's Creed: Unity. I'm also a heacvy reader, and have also seen to so-so Assassin's Creed movie (starring Michael Fassbender) that made the - in my eyes, wise, - decision to introduce a new character and historical period.
As such, I think it's fair to say I know enough about the series itself.
Of that series, the most enjoyable game (IMO) have been those set in the Renaissance period; those starring Ezio Auditore - the protaganist of this novel. Unfortunatley, however, this is a virtual retreading of the plot of the game, complete with passages where Ezio learns how to blend in (C'mon! It makes sense in the game, but not exactly an exciting narrative) or has to race hios accomplices from points A to point B (again, gives the player something to do in the game, but not exaclt exciting to read about).
It also doesn't help that this liberally mixes modern-day English and expressions with Italian phrases throughout (that require constant look-up to the glossary), nor that the author seemingly manages to make an entertaining game and compelling central character(s) into a bit of a chore to read through. On the plus side, it does away with all the modern-day Desmond sections from the game ...
Overall, however, I'm not impressed (sadly).
Gareth von Kallenbach (980 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Gareth von Kallenbach (980 KP) rated Shutter Island (2010) in Movies
Aug 8, 2019
The mysterious disappearance of a patient has left the security of Aschecliffe Mental Facility baffled. In an effort to figure out exactly what occurred, they have brought in US Marshalls Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo). But when a number of questionable situations are uncovered, such as the restricted castle where they keep the most violent patients and the mysterious muchrumored about lighthouse, Teddy ends up investigating more than he bargained for.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Kelly (279 KP) rated Ghost Stories (2018) in Movies
Jan 15, 2019
This would not be out of place in the Twilight Zone
In a time where the audience has become accustomed to jumpy Hollywood horrors, it’s hard to create a horror that provokes the viewer. Ghost stories does this well.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
Rob P (30 KP) rated Best Served Cold in Books
Jan 22, 2019
Morally taxing (2 more)
Satisfying story line
Exploration of side characters from the Abercrombie "First Law" universe
Brutal in places (although I'm fine with that) (1 more)
Not for the fainthearted
Best Served Cold
If you couldn't tell from the title, this is all about the revenge motif. If you've read Abercrombie, the savagery of the opening chapter (and plenty of others) should not bother you by this point, but having said that there were moments in this even I winced at.
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
Phil Leader (619 KP) rated The Chimera Vector (The Fifth Column #1) in Books
Nov 11, 2019
The Chimera Vector is a fast, brutal and engaging techno thriller. Sophia is an operative for the secretive Fifth Column, a network not related to any government that seeks to eliminate terrorists and corrupt governments.
When the extraction from a mission goes wrong, Sonia questions their real motives. Just whose side are they one? And which side is she on?
The questions of motives and who is working for who runs through the book with many double and even triple (and more) crosses happening. This really does keep the reader on their toes. Because everything is filtered through Sophia's perception it's never clear who can really be trusted - if anyone - it is only clear who Sophia trusts as the story moves on.
This moves at some pace too, with some terrific set pieces across the world. The momentum only increases as once the stakes are revealed the second half of the book is essentially one long action sequence which puts any Hollywood blockbuster to shame. The only other author I can really compare this too is Matthew Reilly, it is just as fast and fun.
Obviously there is a fair amount of suspension of disbelief expected on the part of the reader but the idea of a shadowy organisation carefully orchestrating what happens in the world is a compelling one. It also tends to sound like an arms catalogue at times - every gun and piece of combat equipment is described in detail. And I did get quite overwhelmed with the word 'flashbang' at points.
If you are looking for something that's fast paced, engaging without being too involving, clever without being smug about it and a plot that will keep you guessing, you can't go far wrong with this.
When the extraction from a mission goes wrong, Sonia questions their real motives. Just whose side are they one? And which side is she on?
The questions of motives and who is working for who runs through the book with many double and even triple (and more) crosses happening. This really does keep the reader on their toes. Because everything is filtered through Sophia's perception it's never clear who can really be trusted - if anyone - it is only clear who Sophia trusts as the story moves on.
This moves at some pace too, with some terrific set pieces across the world. The momentum only increases as once the stakes are revealed the second half of the book is essentially one long action sequence which puts any Hollywood blockbuster to shame. The only other author I can really compare this too is Matthew Reilly, it is just as fast and fun.
Obviously there is a fair amount of suspension of disbelief expected on the part of the reader but the idea of a shadowy organisation carefully orchestrating what happens in the world is a compelling one. It also tends to sound like an arms catalogue at times - every gun and piece of combat equipment is described in detail. And I did get quite overwhelmed with the word 'flashbang' at points.
If you are looking for something that's fast paced, engaging without being too involving, clever without being smug about it and a plot that will keep you guessing, you can't go far wrong with this.