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Monogamy is just the kind of book that I’ve come to learn that I really enjoy. It’s a beautifully written novel about marriage, and what happens to people in the marriage as well as those on the periphery. It’s not all action, it’s not hugely exciting, but it IS compelling and full of characters that you want to get to know.
The main characters, Graham and Annie, are written as real people: not everything they do is particularly likeable. Graham owns a bookshop, Annie is a photographer. They have a daughter together, and a son from Graham’s first marriage. His ex-wife is very much present in their lives, which may seem odd at first, but they all seem to get on well, with no-one feeling threatened by the arrangement.
This is a story mainly about grief. Graham dies and Annie is left to grieve his loss. Then at his funeral, Annie makes a discovery which then causes her to grieve more than just the loss of Graham.
I don’t want to give too much away, but I really did love how the feelings expressed in this book all seemed so relatable (even if you haven’t experienced what the main characters have experienced), and that Annie didn’t feel the need to ruin her daughters or stepsons memories of their father. It was nice just to read a reasoned reaction to Annie’s discovery.
I’ve probably said too much, but it’s tricky writing about this book without disclosing too much of the storyline!
Anyway, many thanks to The Pigeonhole for serialising this book. It’s not one that I would have known about without their serialisation, and that would have been a great shame. It’s a wonderful novel.
The main characters, Graham and Annie, are written as real people: not everything they do is particularly likeable. Graham owns a bookshop, Annie is a photographer. They have a daughter together, and a son from Graham’s first marriage. His ex-wife is very much present in their lives, which may seem odd at first, but they all seem to get on well, with no-one feeling threatened by the arrangement.
This is a story mainly about grief. Graham dies and Annie is left to grieve his loss. Then at his funeral, Annie makes a discovery which then causes her to grieve more than just the loss of Graham.
I don’t want to give too much away, but I really did love how the feelings expressed in this book all seemed so relatable (even if you haven’t experienced what the main characters have experienced), and that Annie didn’t feel the need to ruin her daughters or stepsons memories of their father. It was nice just to read a reasoned reaction to Annie’s discovery.
I’ve probably said too much, but it’s tricky writing about this book without disclosing too much of the storyline!
Anyway, many thanks to The Pigeonhole for serialising this book. It’s not one that I would have known about without their serialisation, and that would have been a great shame. It’s a wonderful novel.
LoganCrews (2861 KP) rated Giant (1956) in Movies
Sep 20, 2020
"𝘕𝘰𝘸 𝘩𝘦'𝘴 𝘵𝘰𝘰 𝘳𝘪𝘤𝘩 𝘵𝘰 𝘬𝘪𝘭𝘭."
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Kristy H (1252 KP) rated Dear Child in Books
Oct 29, 2020
Lena Beck disappeared fourteen years ago--a carefree student who simply vanished without a trace. Since then, her father, Matthias, and her mother have waited for any news about their daughter's whereabouts. Then, they receive a call: a woman has been found after an accident. She's in the hospital and a young girl, Hannah, presumably her daughter, is with her. From Hannah, we learn that Lena and Hannah were living in a cabin, basically unknown and cutoff from the outside world.
"He creates day and night. Like God."
This book was quite the ride! I couldn't put this one down. It was eerily reminiscent of Wendy Walker's Don't Look For Me, which I just read, and of course, Room, as everyone has mentioned. It's utterly captivating; I read it over the course of about 24 hours. The story is told from the perspective of Hannah, who has her own unique voice (that's putting it mildly); the woman known as Lena; and Matthias. Together, they tell us a creepy and often heartbreaking tale, going back in time to the cabin, as well as present day in the hospital.
I won't go too in-depth, because it's best to go in to this one blind. I will say that it's easy to get caught up in the characters, particularly Lena, and Hannah, in a sort of spellbinding way. I was mesmerized by their stories and totally enjoyed that I didn't guess the outcome. I thought this was going to be a 4.5-star read, but the ending wound up being a little crazy. It came on suddenly and just seemed a bit jarring.
Still, if you're looking for an eerie and compelling read--told by some original and haunting voices--you'll enjoy DEAR CHILD. 4 stars.
"He creates day and night. Like God."
This book was quite the ride! I couldn't put this one down. It was eerily reminiscent of Wendy Walker's Don't Look For Me, which I just read, and of course, Room, as everyone has mentioned. It's utterly captivating; I read it over the course of about 24 hours. The story is told from the perspective of Hannah, who has her own unique voice (that's putting it mildly); the woman known as Lena; and Matthias. Together, they tell us a creepy and often heartbreaking tale, going back in time to the cabin, as well as present day in the hospital.
I won't go too in-depth, because it's best to go in to this one blind. I will say that it's easy to get caught up in the characters, particularly Lena, and Hannah, in a sort of spellbinding way. I was mesmerized by their stories and totally enjoyed that I didn't guess the outcome. I thought this was going to be a 4.5-star read, but the ending wound up being a little crazy. It came on suddenly and just seemed a bit jarring.
Still, if you're looking for an eerie and compelling read--told by some original and haunting voices--you'll enjoy DEAR CHILD. 4 stars.
Leanne Crabtree (480 KP) rated A Brutal Tenderness (A Terrible Love, #2) in Books
Jan 11, 2021
3.5 stars.
I think this is the first time I have ever read the second book in a series that tells it from another’s POV. If you don’t know what I mean here’s an example: Hopeless (girl’s POV) and Losing Hope (guy’s POV) by Colleen Hoover… but I have to asmit it was very interesting seeing everything from Cas’ POV.
Well, there’s something about a guy who talks dirty when your in bed with him that I like. And Cas with Jess/Jewell is no exception. I think it’s his dominance that I like so much. He wont take no crap, at all, and he uses his body as a weapon in this; both in a seductive and a fighting way.
The bits we read from the crazy psychopath also know as Jess’/Jewell’s step-brother are weirdly creepy but insightful. We never saw anything from his POV in the first book so that was an interesting change between the two stories.
As was reading about the FBI team who were sent out to keep a watchful eye on her. Seeing the interaction between them when they were at FBI headquarters and how they acted when in close confines with Jess was quite fun. Friends one minute, beating each other up the next.
I’m not sure if I’ll ever read another duet like this, if I’m honest, because it is basically just another version of the first book but from another’s POV (although I do have Walking Disaster in paperback, yet-to-read) with added bits when they disappear from the pages of the other.
But if you like New Adult books then this duet are not to be missed. Sure they’re a little darker compared to others but they are compelling reading. I highly recommend them.
I think this is the first time I have ever read the second book in a series that tells it from another’s POV. If you don’t know what I mean here’s an example: Hopeless (girl’s POV) and Losing Hope (guy’s POV) by Colleen Hoover… but I have to asmit it was very interesting seeing everything from Cas’ POV.
Well, there’s something about a guy who talks dirty when your in bed with him that I like. And Cas with Jess/Jewell is no exception. I think it’s his dominance that I like so much. He wont take no crap, at all, and he uses his body as a weapon in this; both in a seductive and a fighting way.
The bits we read from the crazy psychopath also know as Jess’/Jewell’s step-brother are weirdly creepy but insightful. We never saw anything from his POV in the first book so that was an interesting change between the two stories.
As was reading about the FBI team who were sent out to keep a watchful eye on her. Seeing the interaction between them when they were at FBI headquarters and how they acted when in close confines with Jess was quite fun. Friends one minute, beating each other up the next.
I’m not sure if I’ll ever read another duet like this, if I’m honest, because it is basically just another version of the first book but from another’s POV (although I do have Walking Disaster in paperback, yet-to-read) with added bits when they disappear from the pages of the other.
But if you like New Adult books then this duet are not to be missed. Sure they’re a little darker compared to others but they are compelling reading. I highly recommend them.
Kristy H (1252 KP) rated The Perfect Guests in Books
Jan 14, 2021
A fascinating and atmospheric thriller
In 1988, fourteen-year-old Beth arrives at Raven Hall. An orphan, Beth has been chosen to keep Nina Averell, the teenage daughter who lives with her parents there, company. She becomes part of the family, almost feeling as if she belongs there. But then Nina's parents ask Beth to do something strange, forcing her to question everything, and soon nothing will ever be the same. In 2019, struggling actress Sadie Langton takes a job as part of a murder mystery dinner party. She's amazed when she arrives at the location, a beautiful manor called Raven Hall. But once the pretend party starts, Sadie realizes that something seems off--and that their "host" is toying with everyone, including her.
This was an excellent thriller that draws you in immediately and never lets go. Rous gives us an atmospheric tale, with Raven Hall and the Fens practically appearing before your eyes while reading. It doesn't get much better than a creepy book set in a weird, rambling castle, right?
THE PERFECT GUESTS alternates between Beth's story, set in the past; Sadie's, set in the present; and an unnamed voice. Trying to figure out how everyone is interconnected is part of the book's intrigue. I definitely worked some parts out early on--others were a surprise. Still, the result is a very twisty and compelling read.
Overall, this is a page-turner with a fascinating plot. I'm a fan of Emma Rous and her way of sucking the reader into her books. GUESTS sets an atmospheric scene and offers plenty for mystery fans to puzzle out. 3.75 stars, rounded up to 4 here.
I received a copy of this book from Berkley Publishing Group and Netgalley in return for an unbiased review. It is available on 1/12/2021.
In 1988, fourteen-year-old Beth arrives at Raven Hall. An orphan, Beth has been chosen to keep Nina Averell, the teenage daughter who lives with her parents there, company. She becomes part of the family, almost feeling as if she belongs there. But then Nina's parents ask Beth to do something strange, forcing her to question everything, and soon nothing will ever be the same. In 2019, struggling actress Sadie Langton takes a job as part of a murder mystery dinner party. She's amazed when she arrives at the location, a beautiful manor called Raven Hall. But once the pretend party starts, Sadie realizes that something seems off--and that their "host" is toying with everyone, including her.
This was an excellent thriller that draws you in immediately and never lets go. Rous gives us an atmospheric tale, with Raven Hall and the Fens practically appearing before your eyes while reading. It doesn't get much better than a creepy book set in a weird, rambling castle, right?
THE PERFECT GUESTS alternates between Beth's story, set in the past; Sadie's, set in the present; and an unnamed voice. Trying to figure out how everyone is interconnected is part of the book's intrigue. I definitely worked some parts out early on--others were a surprise. Still, the result is a very twisty and compelling read.
Overall, this is a page-turner with a fascinating plot. I'm a fan of Emma Rous and her way of sucking the reader into her books. GUESTS sets an atmospheric scene and offers plenty for mystery fans to puzzle out. 3.75 stars, rounded up to 4 here.
I received a copy of this book from Berkley Publishing Group and Netgalley in return for an unbiased review. It is available on 1/12/2021.
Becs (244 KP) rated Always You in Books
Oct 2, 2019
Always You by Krista Carleson
Genre: Short Story, Novella, Contemporary, Erotica
Synopsis: The army took my first love and left me with a broken heart. That was ten years ago, but fate has a funny sense of humor. Not only is Aidan Dowell my best friend’s older brother, he happens to be my new roommate: the one who chose duty over love- who I thought had left my life forever. Now that I have to live in the same apartment as Aidan, I try to avoid him and guard my heart, but it’s impossible when the person in question is one gorgeous, sexy billionaire. The pull is too strong. The heat between us is going to burn me again. Little did I know that Aidan has a painful secret that threatens to come between us and now I have to make a choice: Fight for him or refuse this second chance at love?
Audience/ Reading Level: High School+
Interests: Erotica, Novella, Short Stories, Best Friends Brother
Point of View: first person
Difficulty Reading: Short, simple, sweet with a lot of hot and steaminess.
Promise: A short yet compelling read that will leave you wanting just a bit more.
Insights: Writing was a bit amateurish but for being the style of book it is, it was a good read. Would recommend to others who like Eroticas.
Ah-Ha Moment: When the boy gets the girl he’s been in love with for the past ten years. And vice versa.
What will you gain: A simple yet refreshing read.
Aesthetics: It was cool to see a billionaire and his brother living together with Cat. But other than that, there was really anything that stood out that’s worth mentioning.
Genre: Short Story, Novella, Contemporary, Erotica
Synopsis: The army took my first love and left me with a broken heart. That was ten years ago, but fate has a funny sense of humor. Not only is Aidan Dowell my best friend’s older brother, he happens to be my new roommate: the one who chose duty over love- who I thought had left my life forever. Now that I have to live in the same apartment as Aidan, I try to avoid him and guard my heart, but it’s impossible when the person in question is one gorgeous, sexy billionaire. The pull is too strong. The heat between us is going to burn me again. Little did I know that Aidan has a painful secret that threatens to come between us and now I have to make a choice: Fight for him or refuse this second chance at love?
Audience/ Reading Level: High School+
Interests: Erotica, Novella, Short Stories, Best Friends Brother
Point of View: first person
Difficulty Reading: Short, simple, sweet with a lot of hot and steaminess.
Promise: A short yet compelling read that will leave you wanting just a bit more.
Insights: Writing was a bit amateurish but for being the style of book it is, it was a good read. Would recommend to others who like Eroticas.
Ah-Ha Moment: When the boy gets the girl he’s been in love with for the past ten years. And vice versa.
What will you gain: A simple yet refreshing read.
Aesthetics: It was cool to see a billionaire and his brother living together with Cat. But other than that, there was really anything that stood out that’s worth mentioning.
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