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LeftSideCut (3776 KP) rated Pan's Labyrinth (2006) in Movies
Oct 12, 2020
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
LeftSideCut (3776 KP) rated Cube Zero (2004) in Movies
Jan 19, 2021
Somewhere between the competent tightness of Cube and the rancid excrement of Cube 2: Hypercube, lies the average but relatively entertaining Cube Zero. Cube.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
Oddworld: Stranger's Wrath
Games
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Environmental Pollution and the Media: Political Discourses of Risk and Responsibility in Australia, China and Japan
Libby Lester, Meng Ji, Glenn D. Hook and Kingsley Edney
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This book offers a theoretically informed empirical investigation of national media reporting and...
Kristy H (1252 KP) rated The Lies That Bind in Books
Jun 11, 2020
After Cecily breaks up with her boyfriend, Matthew, she's filled with regret and what ifs. She finds herself at a bar, reaching for the phone to call him. But she's stopped by another patron, who tells her not to. They start chatting-fueled by alcohol-and spend a memorable night together (not in that way). But Grant is dealing with a lot: his brother is ill and he's about to head overseas to help him with his treatment. Still, Cecily promises to wait for him. Then Grant returns and is immediately lost in 9/11. Cecily begins to investigate, searching for answers about the man she felt was The One.
Well, this book played with my emotions, but not necessarily in a good way. It was somewhat predictable and, honestly, I'm not sure why it needed to use the backdrop of September 11th for its story. The "one that got away" could have happened without using such a tragic event in this way. Cecily talks so much about her feelings for New York that it felt wrong to have 9/11 as a plot point that didn't really need to be there (I don't want to go into more and spoil anything else).
I'll admit that the book is oddly compelling. I read it in about a day. Cecily made a lot of bad decisions, but I wanted to see how her life was going to turn out. The focus on love, trust, and loyalty certain gives us universal themes with which we can all relate. But I was frustrated with Cecily's choices, the weird plot decisions/coincidences, and the overall ending. Everything just left me with a bad taste in my mouth, even if I was quickly flipping the pages. I hope that makes sense. It's a shame, because overall, I really enjoy Giffin's books. Alas, this clocks in at 2.5 stars for me.
Well, this book played with my emotions, but not necessarily in a good way. It was somewhat predictable and, honestly, I'm not sure why it needed to use the backdrop of September 11th for its story. The "one that got away" could have happened without using such a tragic event in this way. Cecily talks so much about her feelings for New York that it felt wrong to have 9/11 as a plot point that didn't really need to be there (I don't want to go into more and spoil anything else).
I'll admit that the book is oddly compelling. I read it in about a day. Cecily made a lot of bad decisions, but I wanted to see how her life was going to turn out. The focus on love, trust, and loyalty certain gives us universal themes with which we can all relate. But I was frustrated with Cecily's choices, the weird plot decisions/coincidences, and the overall ending. Everything just left me with a bad taste in my mouth, even if I was quickly flipping the pages. I hope that makes sense. It's a shame, because overall, I really enjoy Giffin's books. Alas, this clocks in at 2.5 stars for me.
Mists of the Serengeti
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From New York Times and USA Today bestselling author, Leylah Attar, comes a compelling, emotionally...
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Bored and Brilliant: How Spacing Out Can Unlock Your Most Productive and Creative Self
9.0
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"Bored and Brilliant shows the fascinating side of boredom. Manoush Zomorodi investigates...
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