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The Goldfinch (2019)
The Goldfinch (2019)
2019 | Drama
The life of Theodore Decker (Ansel Elgort and Oakes Fegley) is for every changed when his mother is killed in an explosion at an art museum. In the same tragic moments when his mother is killed he also makes a decision that will help shape the rest of his life, he takes a rare and valuable painting in the chaos of surrounding. This painting, The Goldfinch, wasn’t something he planned on taking, but having it will be the only thing that brings him comfort in the days ahead. After the tragedy he is temporarily placed with a family he really enjoys. He has a best friend, Andy Barbour (Ryan Foust), and a mother figure in Mrs. Barbour (Nicole Kidman). Theodore also makes a connection to a girl Pippa (Aimee Laurence and later by Ashleigh Cummings) and her caretaker Hobie (Jeffrey Wright). Pippa and her uncle Welty (Robert Joy) were standing right next to Theodore when the explosion that killed his mother happened. Welty also passes away during the explosion but not before he would influence Theodore to take the painting. Thus changing the trajectory of the rest of his life.
This film is based on the Pulitzer Prize winning book by Donna Tartt of the same name. I have not read the book so I cannot make a comparison between the two. The director, John Crowley (Brooklyn and Closed Circuit) makes a visually beautiful film. You can tell that care was taken to make the film have a certain feel and texture. The cast is very good, including those mentioned above and Finn Wolfhard, Sarah Paulson, Aneurin Barnard and more. I particularly thought the casting of Oakes Fegley as the Young Theodore and Ansel Elgort as the adult Theodore was particularly good. The story skipped in sequence and you could see the similarity in the two actors as on character. The overall story is original and fascinating. But the film jumped around and made it feel choppy. Also the run time of two hours and twenty nine minutes somehow felt longer than that. The story moved at a snail’s pace and really seemed like it had no direction. Then in the final 10 minutes it wrapped up in a flash.
I thought overall the performances were good and the story was interesting but how it was presented really lacked. It was slow and developed in a non-compelling way. I could definitely see potential but it fell a little short for me. It did make me want to read the book and see how the author meant for the story to be told. I would recommend seeing this in a theater for the cinematography because it was beautifully shot.
  
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Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
Originally set to release in December of 2019; the long-delayed cinematic retelling of Agatha Christie’s “Death on the Nile” has finally arrived in cinemas. The last cinematic version of the classic book arrived in 1978 and this time; Director and star Kenneth Branagh beings his version of Master Detective Hercule Poirot to Egypt after a chance encounter with his friend Bouc (Tom Bateman) while on vacation; Poirot attends the wedding of wealthy socialite Linette Ridgeway (Gal Gadot) and notices that she has married a man named Simon Doyle (Armie Hammer).

The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.

The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.

Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.

The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.

The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.

Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.

In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.

4 stars out of 5.
  
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Heather Cranmer (2721 KP) created a post

Oct 22, 2022  
The very talented Shanti Hershenson joins me on my blog today to discuss the hardest thing about being a teen author and shares an excerpt from her young adult science fiction romance NEVERYDYING. Don't forget to enter the giveaway for a chance to win a paperback copy of the book - five winners!

https://alltheupsandowns.blogspot.com/2022/10/blog-tour-and-giveaway-neverdying.html

**BOOK SYNOPSIS**
If you could live forever, would it be a gift… or a disease?

A doctor created a genetic mutation meant as a gift to society—to those at random in future generations who were born with it: Immortality. But the risk of overpopulation and questions rising about the imbalance of only few being Immortals brings the ruthless President Wilde to a different stand—a facade of peace and equality whereas Immortals are executed daily—thus creating the ruination of the United States… and the world soon after.

Scarlett Caldwell is a girl of many mysteries—but along with that, she’s an Immortal. Having run away from a very young age and forced to forget the part of her identity that could get her assassinated, she turns to very few of her friends and spends the majority of her days hiding in the Immortals Legion, a compound for Immortals in hiding. But times are changing and tensions are only growing—Scarlett knows she can’t stay hidden forever. When she encounters an unfairly attractive Exterminator who, despite seeming rigid, has an amusing thing or two to say, she is left absolutely livid. But beyond that, beyond all the parts of him that she hates, there’s a secret. And Scarlett will do anything to unravel it.

Cain Hawkins is an Exterminator, a member of the country’s new authority specially trained to hunt down and exterminate the remaining Immortals. He truly believes that being an Exterminator is what he is meant for—despite what he may or may not know. And when a skirmish with an Immortal on the street leaves him questioning every last bit of himself, he will have to rise to stand with his president and failing country, or run from everything he was conditioned for. Besides, Cain has a secret: He is an Immortal too.

Their first encounter is far from the last, for an opportunity rises for the two to (unwillingly) work together. Already, they are left with a spark—a spark of hope for a future where Immortals are not prosecuted. And no matter if Cain sees the spark or not, the question still remains: How long will it be until a single spark ignites a fire?

TUCK EVERLASTING meets STAR WARS in this compelling and romantic novel by 14-year-old author, Shanti Hershenson.