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Ross (3284 KP) rated The Tower of Living and Dying in Books
Aug 14, 2018
The Empire (of Dust) Strikes Back
*** I received an advance copy of this book from NetGalley in exchange for an honest review. This is that review ***
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
Gareth von Kallenbach (980 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Gareth von Kallenbach (980 KP) rated The Girl on the Train (2016) in Movies
Jun 19, 2019
Rachael (Emily Blunt) is a woman who has hit rock bottom. Her downward spiral has cost her a marriage, her career, and everything else she cherished and left her a severe alcoholic. Rachael is so far gone that she rides the commuter train into New York every day secretly drinking along the way. There is some method to this madness as the train goes by her former home and this allows Rachael a look in at the woman who replaced her and the new family her ex now enjoys.
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
Hazel (1853 KP) rated The Followers in Books
Dec 17, 2018
My rating: 3.5
<i>I received this book for free through Goodreads First Reads.
The Followers</i> is the compelling second novel of the British author Rebecca Wait. Stephanie is living a mundane life with her daughter, making what little money she can at a local coffee shop. But then she meets Nathaniel, a man who says he wants to love her, look after her and make her happy. Stephanie and Judith move in with Nathaniel at a place known as the Ark, with a bunch of other people who are part of a religious cult. Nathaniel, who proclaims himself as a prophet, is determined for Stephanie to forget about her past and turn herself to God. Judith, however, is not so easy to persuade. However a turn of events raise questions as to whether Nathaniel should really be trusted.
The story begins with Stephanie in prison where she is serving her sentence for a crime the reader has no knowledge of. It then switches between “before” and “after” with “before” being when Stephanie meets Nathaniel and “after” involving the prison scenes. From the very start the reader knows something bad is going to happen, that Stephanie is going to break a law bad enough for her to be imprisoned. The following chapters keep readers guessing what exactly that offence would be.
The novel gets darker and darker as the truth about the running of the Ark is revealed. With violence and punishments being doled out, Nathaniel is no longer the man he originally appeared. As the book climaxes it is shocking when the reader realizes what it is that Stephanie is going to do.
As well as Judith there are other children living in the Ark, but the difference is they were born there and have known nothing else except doing things in the name of God. Judith on the other hand was not sheltered from the “evils” of the outside world and thus has a different opinion about the way Nathaniel treats his followers. As it turns out, Judith is right to distrust the ways of this man, but there is nothing she can do about her situation.
Although containing a strong religious theme, <i>The Followers</i> is not a piece of Christian fiction. The behaviour of Nathaniel and the members of the Ark does not reflect the average Christian, and everyone, whether religious or not, will be shocked by the happenings in this book.
It took a while to get into the storyline and the first few chapters did not feel particularly well written, however readers will quickly be sucked into the plot and will want to keep reading to find out what happens. <i>The Followers</i> is not a happy story and there are a few sad and distressing scenes, which make the reader really feel for some of the characters. Overall it is a very interesting read.
<i>I received this book for free through Goodreads First Reads.
The Followers</i> is the compelling second novel of the British author Rebecca Wait. Stephanie is living a mundane life with her daughter, making what little money she can at a local coffee shop. But then she meets Nathaniel, a man who says he wants to love her, look after her and make her happy. Stephanie and Judith move in with Nathaniel at a place known as the Ark, with a bunch of other people who are part of a religious cult. Nathaniel, who proclaims himself as a prophet, is determined for Stephanie to forget about her past and turn herself to God. Judith, however, is not so easy to persuade. However a turn of events raise questions as to whether Nathaniel should really be trusted.
The story begins with Stephanie in prison where she is serving her sentence for a crime the reader has no knowledge of. It then switches between “before” and “after” with “before” being when Stephanie meets Nathaniel and “after” involving the prison scenes. From the very start the reader knows something bad is going to happen, that Stephanie is going to break a law bad enough for her to be imprisoned. The following chapters keep readers guessing what exactly that offence would be.
The novel gets darker and darker as the truth about the running of the Ark is revealed. With violence and punishments being doled out, Nathaniel is no longer the man he originally appeared. As the book climaxes it is shocking when the reader realizes what it is that Stephanie is going to do.
As well as Judith there are other children living in the Ark, but the difference is they were born there and have known nothing else except doing things in the name of God. Judith on the other hand was not sheltered from the “evils” of the outside world and thus has a different opinion about the way Nathaniel treats his followers. As it turns out, Judith is right to distrust the ways of this man, but there is nothing she can do about her situation.
Although containing a strong religious theme, <i>The Followers</i> is not a piece of Christian fiction. The behaviour of Nathaniel and the members of the Ark does not reflect the average Christian, and everyone, whether religious or not, will be shocked by the happenings in this book.
It took a while to get into the storyline and the first few chapters did not feel particularly well written, however readers will quickly be sucked into the plot and will want to keep reading to find out what happens. <i>The Followers</i> is not a happy story and there are a few sad and distressing scenes, which make the reader really feel for some of the characters. Overall it is a very interesting read.
Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
Emma @ The Movies (1786 KP) rated Happy Death Day 2U (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Hands up if you laughed your way through this one? *throws hands up in the air*
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
MaryAnn (14 KP) rated The Secrets of Paper and Ink in Books
Nov 4, 2019
Lindsay Harrel presents a powerful story of healing, forgiveness, and finding the courage to write your own story. A year after the death of her abusive fiancé, domestic violence counselor Sophia Barrett finds returning to work too painful. She escapes to Cornwall, England—a place she’s learned to love through the words of her favorite author—and finds a place to stay with the requirement that she help out in the bookstore underneath the room she’s renting. Given her love of all things literary, it seems like the perfect place to find peace. Ginny Rose is an American living in Cornwall, sure that if she saves the bookstore she co-owns with her husband then she can save her marriage as well. Fighting to keep the first place she feels like she belongs, she brainstorms with her brother-in-law, William, and Sophia to try to keep the charming bookstore afloat. More than 150 years before, governess Emily Fairfax knew two things for certain: she wanted to be a published author, and she was in love with her childhood best friend. But he was a wealthy heir and well out of her league. Sophia discovers Emily’s journals, and she and William embark on a mission to find out more about this mysterious and determined woman, all the while getting closer to each other as they get closer to the truth. The lives of the three women intertwine as each learns the power she has over the story of her life.
My Thoughts: This was a very compelling read for me. This is not just a story about one woman finding her healing from an abusive relationship but of three women finding out who they are and finding their true love.
I love the way the author combines the three lives of these women to form a story that the reader will be unable to put down.
There is a quote in the book that really stuck out to me "All we have in life are the choices we make. We must make choices we can live with - and die with if it comes to that". This is so true, life is made up of our choices, some may be good and others may not be so good. In the end, we have to live with our choices and the consequences of them. This is what Emily's father told her once and it was good advice. Emily is my favorite of the three women. She had a desire and she saw it through, she never gave up on her writing. She held to her convictions and had a love for others. She never let defeat get her down or to stop her from doing what she wanted to do.
I really enjoyed this novel, and I believe that other readers will enjoy it as much as I did; I think each reader will take something away with them from this novel. I hope to read more from this author.
My Thoughts: This was a very compelling read for me. This is not just a story about one woman finding her healing from an abusive relationship but of three women finding out who they are and finding their true love.
I love the way the author combines the three lives of these women to form a story that the reader will be unable to put down.
There is a quote in the book that really stuck out to me "All we have in life are the choices we make. We must make choices we can live with - and die with if it comes to that". This is so true, life is made up of our choices, some may be good and others may not be so good. In the end, we have to live with our choices and the consequences of them. This is what Emily's father told her once and it was good advice. Emily is my favorite of the three women. She had a desire and she saw it through, she never gave up on her writing. She held to her convictions and had a love for others. She never let defeat get her down or to stop her from doing what she wanted to do.
I really enjoyed this novel, and I believe that other readers will enjoy it as much as I did; I think each reader will take something away with them from this novel. I hope to read more from this author.
Phil Leader (619 KP) rated Emperor of Thorns in Books
Nov 12, 2019
Emperor of Thorns is the third in the Broken Empire Trilogy of books. Having read and enjoyed the first two books immensely (Prince of Thorns and King of Thorns) I was really looking forward to this installment and had high hopes. I was not disappointed.
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
Night Reader Reviews (683 KP) rated The Queen Of The Geraticaian Empire in Books
Jan 9, 2020
The Queen of the Geraticaian Empire by Anna Hampton is the third book in The Two Worlds of Geratica Series. This book continues perfectly from where there the previous book left off. I am also happy to see that this is not the final book in the Geratica series. I look forward to seeing the world(s) carry on.
At the direction of The Mistress, Alexandra creates the first Constitution of Geratica that is adopted by the new government. Two main political parties form, Conservatives and Radicals, and elections begin. Elizabeth surprisingly joins the Conservative Party alongside Linda instead of the Radicals as everyone expected after her involvement with the Male Rights Protesters. Unsurprisingly Linda also runs in the elections, not wanting to give up her power. Meanwhile, Alexandra graduates from Castra University and starts looking for employment.
Things are not all smooth sailing though as conditions in Geraticai are still out of balance. The woman placed there from Geratica to be their Queen is put in jail by her own sister-in-law in a play for the throne. The sister-in-laws seat is not secure either as the Hybrid living inside the Mistress starts thinking up ways to get back at those in Geratica it feels wronged it. The Hybrid plans to attack Geratica, specifically targeting Queen Alexandra and Linda in order to name itself The Queen of the Geraticaian Empire.
What I liked best about this one was how the characters evolved over the course of the book. Linda is starting to relax on her views and accept that times are changing. Other characters are evolving and growing as well, yet her transformation is the most shocking. Although this book was packed full of surprises. There is once again very little that I can negatively say about this book. Having to choose something I would pick the issue of transport between Geratica and Geraticai after the two are separated. It states that direct travel through the transport capsules is no longer possible yet there are a few connected to the Mistress who can still do it so why not everyone?
The target readers for this book remains the same as the first two. That means this book is geared towards adult female readers more so than other groups. While there isnt as much sex in this one as the previous two books, politics and the occurrence of rape still keeps it at an adult level. I rate this book 4 out of 4. For many books, as the series moves on it starts to lose something and just rides off of the popularity of earlier books. That is not the case with this book. I found this book to be just as well written and compelling as the first two in the series.
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At the direction of The Mistress, Alexandra creates the first Constitution of Geratica that is adopted by the new government. Two main political parties form, Conservatives and Radicals, and elections begin. Elizabeth surprisingly joins the Conservative Party alongside Linda instead of the Radicals as everyone expected after her involvement with the Male Rights Protesters. Unsurprisingly Linda also runs in the elections, not wanting to give up her power. Meanwhile, Alexandra graduates from Castra University and starts looking for employment.
Things are not all smooth sailing though as conditions in Geraticai are still out of balance. The woman placed there from Geratica to be their Queen is put in jail by her own sister-in-law in a play for the throne. The sister-in-laws seat is not secure either as the Hybrid living inside the Mistress starts thinking up ways to get back at those in Geratica it feels wronged it. The Hybrid plans to attack Geratica, specifically targeting Queen Alexandra and Linda in order to name itself The Queen of the Geraticaian Empire.
What I liked best about this one was how the characters evolved over the course of the book. Linda is starting to relax on her views and accept that times are changing. Other characters are evolving and growing as well, yet her transformation is the most shocking. Although this book was packed full of surprises. There is once again very little that I can negatively say about this book. Having to choose something I would pick the issue of transport between Geratica and Geraticai after the two are separated. It states that direct travel through the transport capsules is no longer possible yet there are a few connected to the Mistress who can still do it so why not everyone?
The target readers for this book remains the same as the first two. That means this book is geared towards adult female readers more so than other groups. While there isnt as much sex in this one as the previous two books, politics and the occurrence of rape still keeps it at an adult level. I rate this book 4 out of 4. For many books, as the series moves on it starts to lose something and just rides off of the popularity of earlier books. That is not the case with this book. I found this book to be just as well written and compelling as the first two in the series.
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Kirk Bage (1775 KP) rated Gerald's Game (2017) in Movies
Mar 3, 2020
When I first heard about the Stephen King book called Gerald’s Game I was about 16 years old, and it scared the shit out of me! Just the concept and the idea of it happening to you. So I never read the book. In my mind, I had imagined the worst already and did not want to go there.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.