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Suswatibasu (1702 KP) rated Shot in the Dark in TV
Nov 25, 2017 (Updated Nov 26, 2017)
Great for the first few episodes
For fans of @Nightcrawler (2014), this is the real-life version following the journeys of three stringers, competing to out-shoot each other. From fires, crashes to shootings and industrial accidents, it's life and death on a daily basis, but at what cost?
Howard Raishbrook of RMG News attempts to ward off competition from his more successful counterparts Scott Lane of LoudLabs and Zak Holman of OnScene, in this cutthroat industry where morals seem sparse. While not as completely corrupt as Jake Gyllenhaal's character in Nightcrawler, Scott and Zak seem closer to his personality, with nothing off the table. In between are internal battles with Raishbrook's twin brother becoming a news story himself, the monopoly of the industry squeezing out smaller companies such as RMG, and how close each of them get to sudden death every night.
It's a great series, but after four episodes it begins to wear you down quite quickly and the images end up appearing no different to one another (I should know, we used to use stringers in the newsroom every day). As a result, it has a desensitising effect, and the series' initial lure begins to wear thin. The show could have been cut down by four episodes to remain interesting.
Howard Raishbrook of RMG News attempts to ward off competition from his more successful counterparts Scott Lane of LoudLabs and Zak Holman of OnScene, in this cutthroat industry where morals seem sparse. While not as completely corrupt as Jake Gyllenhaal's character in Nightcrawler, Scott and Zak seem closer to his personality, with nothing off the table. In between are internal battles with Raishbrook's twin brother becoming a news story himself, the monopoly of the industry squeezing out smaller companies such as RMG, and how close each of them get to sudden death every night.
It's a great series, but after four episodes it begins to wear you down quite quickly and the images end up appearing no different to one another (I should know, we used to use stringers in the newsroom every day). As a result, it has a desensitising effect, and the series' initial lure begins to wear thin. The show could have been cut down by four episodes to remain interesting.
LucyB (47 KP) rated Frankenstein in Books
Jul 23, 2017
Best classic horror story - by a mile
MY ALL TIME FAVOURITE! If it wasn't awesome enough that this was written by a woman in the 1800s (let's face it - a bit of an achievement in itself), this is one of the most genuinely unsettling books ever written.
The true magic of this book lies in its underlying theme- the notion of 'reaching too far' and trying to beat nature. Throughout, there are men trying to achieve unnatural things, and the book illustrates beautifully the dire consequences of doing so. As for Frankenstein's creature - every time I read this book, he completely breaks my heart; and he serves to highlight the shallowness of the humans around him. Yes, admittedly, he's a murderer... but it's testament to Shelley's skill that she makes us understand what drove him to it.
I love the origins of the book too - Shelley's writing competition at Lake Geneva (is that the right lake?) where she pitted her talents against Lord Byron, John Polidori and her husband, Percy Bysshe Shelley... you can just imagine that dark night, and all those amazing writers trying to outdo each other with their horror stories!
Love every aspect of this book. Yes, Dracula and Dr Jekyll / Mr Hyde are also fabulous, but for me, Mary Shelley's Frankenstein is the pinnacle of gothic horror.
The true magic of this book lies in its underlying theme- the notion of 'reaching too far' and trying to beat nature. Throughout, there are men trying to achieve unnatural things, and the book illustrates beautifully the dire consequences of doing so. As for Frankenstein's creature - every time I read this book, he completely breaks my heart; and he serves to highlight the shallowness of the humans around him. Yes, admittedly, he's a murderer... but it's testament to Shelley's skill that she makes us understand what drove him to it.
I love the origins of the book too - Shelley's writing competition at Lake Geneva (is that the right lake?) where she pitted her talents against Lord Byron, John Polidori and her husband, Percy Bysshe Shelley... you can just imagine that dark night, and all those amazing writers trying to outdo each other with their horror stories!
Love every aspect of this book. Yes, Dracula and Dr Jekyll / Mr Hyde are also fabulous, but for me, Mary Shelley's Frankenstein is the pinnacle of gothic horror.
tapestry100 (306 KP) rated Star Wars: Han Solo in Books
Aug 2, 2017
I believe this volume takes place shortly after Episode IV: A New Hope.
After deciding to take a break from the Rebellion and go back to being a smuggler, Han Solo is abruptly pulled back into the Rebellion by Leia with a proposal he finds hard to turn down: a chance to race the Dragon Void run, a prestigious racing competition. Of course, Leia has ulterior motives for needing Han, but all he sees is a chance at the prestige of winning this race. The race itself made me feel a little like this was a galactic version of the Hunger Games, as the race's organizers set up specific obstacles for the racers to avoid (not that this is a race to the death, but I just got the impression of that idea). There was also a little more science fiction than I'm used to with Star Wars, with the inclusion of wormholes and other dimensions, but it worked really well here. Marjorie Liu really had a grasp of the characters and handled them quite well; I had no problem hearing Han's and Leia's voices in my head. Mark Brooks' art is fantastic here and I'm hoping that Marvel utilizes him more frequently on the Star Wars titles. Overall, this is a solid addition to the Marvel portion of the Star Wars universe.
After deciding to take a break from the Rebellion and go back to being a smuggler, Han Solo is abruptly pulled back into the Rebellion by Leia with a proposal he finds hard to turn down: a chance to race the Dragon Void run, a prestigious racing competition. Of course, Leia has ulterior motives for needing Han, but all he sees is a chance at the prestige of winning this race. The race itself made me feel a little like this was a galactic version of the Hunger Games, as the race's organizers set up specific obstacles for the racers to avoid (not that this is a race to the death, but I just got the impression of that idea). There was also a little more science fiction than I'm used to with Star Wars, with the inclusion of wormholes and other dimensions, but it worked really well here. Marjorie Liu really had a grasp of the characters and handled them quite well; I had no problem hearing Han's and Leia's voices in my head. Mark Brooks' art is fantastic here and I'm hoping that Marvel utilizes him more frequently on the Star Wars titles. Overall, this is a solid addition to the Marvel portion of the Star Wars universe.
Rhys (240 KP) rated Firefly: The Game in Tabletop Games
Aug 21, 2018
Shiny.
There is a LOT to this game. Like, a lot. Setting everything up requires roughly at least a four foot square space not including each player’s own Firefly board. Basically, it is BIG.
In the simplest game mode (‘First time in the captain’s chair.’) you need the board, which is huge, the plastic ships, around 3 decks of cards, money and crew (all provided). Admittedly, the instructions are not awfully clear and you may end up creating your own variations which work better than the ‘official’. A first game should be dedicated to learning the rules and how to play before any competition starts.
However, once you know what you’re doing you can have several hours of fun. You need to do jobs for money, spend it on upgrades and crew to complete goals, often go to a place and buy or sell something. Think Monopoly meets Risk. Upgrades to Firefly ships are fairly balanced, ones that allow stealthy movements reduce movement range, while increasing range may increase fuel consumption. Although, some are more imbalanced than others, but nothing is ‘game breaking’.
Overall a fun game that takes a little time to really get into.
(Oh, no real knowledge of the series or the expanded universe is required.)
In the simplest game mode (‘First time in the captain’s chair.’) you need the board, which is huge, the plastic ships, around 3 decks of cards, money and crew (all provided). Admittedly, the instructions are not awfully clear and you may end up creating your own variations which work better than the ‘official’. A first game should be dedicated to learning the rules and how to play before any competition starts.
However, once you know what you’re doing you can have several hours of fun. You need to do jobs for money, spend it on upgrades and crew to complete goals, often go to a place and buy or sell something. Think Monopoly meets Risk. Upgrades to Firefly ships are fairly balanced, ones that allow stealthy movements reduce movement range, while increasing range may increase fuel consumption. Although, some are more imbalanced than others, but nothing is ‘game breaking’.
Overall a fun game that takes a little time to really get into.
(Oh, no real knowledge of the series or the expanded universe is required.)
Bong Mines Entertainment (15 KP) rated Parachute - Single by Jaclyn Manfredi in Music
Jun 18, 2019
Jaclyn Manfredi is a singer-songwriter from Long Island, New York. Not too long ago, she released a grungy contemporary R&B tune, entitled, “Parachute”.
“We’re five thousand feet in the air. But it feels like you couldn’t care. I can see right through your blank stare. And I know it’s time for me to prepare.” – lyrics
‘Parachute’ tells an interesting tale of a young woman who feels cold whenever she’s by her significant other’s side.
Every day, thoughts about their relationship being a mistake filter into her mind, and her frustration about her partner’s missteps has multiply sky high.
Later, she admits that they’re running out of time, and the air in their relationship is running thin.
‘Parachute’ contains a relatable storyline, ear-comforting vocals, and groovy instrumentation flavored with retro-soul, R&B, and funk elements.
“‘Parachute’ is a song about a toxic relationship that you can’t wait to get out of and the feeling of having a weight lifted off your shoulders.” – Jaclyn Manfredi
At the age of seventeen, Jaclyn Manfredi performed at the acclaimed Apollo Theatre and Carnegie Hall in New York City. Shortly afterward, she won the IMTA national singing talent competition in 2017.
Her musical influences include Amy Winehouse, Alicia Keys, and the contemporary funk of Bruno Mars.
https://www.bongminesentertainment.com/jaclyn-manfredi-parachute/
“We’re five thousand feet in the air. But it feels like you couldn’t care. I can see right through your blank stare. And I know it’s time for me to prepare.” – lyrics
‘Parachute’ tells an interesting tale of a young woman who feels cold whenever she’s by her significant other’s side.
Every day, thoughts about their relationship being a mistake filter into her mind, and her frustration about her partner’s missteps has multiply sky high.
Later, she admits that they’re running out of time, and the air in their relationship is running thin.
‘Parachute’ contains a relatable storyline, ear-comforting vocals, and groovy instrumentation flavored with retro-soul, R&B, and funk elements.
“‘Parachute’ is a song about a toxic relationship that you can’t wait to get out of and the feeling of having a weight lifted off your shoulders.” – Jaclyn Manfredi
At the age of seventeen, Jaclyn Manfredi performed at the acclaimed Apollo Theatre and Carnegie Hall in New York City. Shortly afterward, she won the IMTA national singing talent competition in 2017.
Her musical influences include Amy Winehouse, Alicia Keys, and the contemporary funk of Bruno Mars.
https://www.bongminesentertainment.com/jaclyn-manfredi-parachute/
Heather Cranmer (2721 KP) rated Black Mirror - Season 5 in TV
Jun 21, 2019
Black Mirror has been going downhill since Netflix acquired it from Channel 4.
The first season was fantastic, and the second season wasn’t too bad. It’s like the Black Mirror writers are in a competition to make each season worst than the last.
It used to be speculative fiction, but even that is no more in season 5. I wish there were more than just 3 measly episodes especially with how long it took them to release season 5.
Striking Vipers was the worst episode in my opinion. To me, it focused too much on sex instead of the actual story which had the potential to be good.
Smithereens was the best episode in season 5 although it was just alright. At least there was a heartfelt story behind it all. Plus, the acting was fantastic for the most part. Yes, there were a few shoddy acting bits, but most of it was good.
Rachel, Jack and Ashley Too started off being a good episode, but it just turned ridiculous towards the end. It did start with a good message, but the ridiculousness of it turned this episode into more of a comedy. I guess they were just too focused on Miley Cyrus bringing in the viewers instead of the actual story.
I’m really losing hope for Black Mirror. They need to just stop making episodes or hire better writers.
The first season was fantastic, and the second season wasn’t too bad. It’s like the Black Mirror writers are in a competition to make each season worst than the last.
It used to be speculative fiction, but even that is no more in season 5. I wish there were more than just 3 measly episodes especially with how long it took them to release season 5.
Striking Vipers was the worst episode in my opinion. To me, it focused too much on sex instead of the actual story which had the potential to be good.
Smithereens was the best episode in season 5 although it was just alright. At least there was a heartfelt story behind it all. Plus, the acting was fantastic for the most part. Yes, there were a few shoddy acting bits, but most of it was good.
Rachel, Jack and Ashley Too started off being a good episode, but it just turned ridiculous towards the end. It did start with a good message, but the ridiculousness of it turned this episode into more of a comedy. I guess they were just too focused on Miley Cyrus bringing in the viewers instead of the actual story.
I’m really losing hope for Black Mirror. They need to just stop making episodes or hire better writers.
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