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Jamie (131 KP) rated When Dimple Met Rishi in Books
Aug 15, 2017
Sweet romance (1 more)
Great commentary about cultural identity
Underdeveloped plot (2 more)
Unconvincing setting
Frustrating main character
A sweet summer romance with potential that just didn't work for me
Sigh. It’s hard for me to decide how to start this review because I found myself confused and disappointed when I finished. I think I suffered a little bit from overhype about this book since it was recommended so highly and talked about like mad over the summer. I wanted to love this book because everything just sounded so perfect: a strong willed STEM girl heroine, a clash between cultures, a sweet summer romance with lots of laughs, and one of the cutest book covers I’ve seen in a long time–I was all over it!
I absolutely adored the first half of this book. I could sympathize with both of the main characters, especially Dimple, whose mother reminded me of my own. I too was that nerdy awkward girl that felt uncomfortable wearing makeup and dresses and found happiness in front of a computer screen grinding out code to make websites and browser games. Like my mom, Dimple’s mother pushes her to be more feminine and doesn’t fully understand modern western culture. Dimple struggles with feeling like an outsider in both of her worlds, an experience shared by many American children with immigrant parents. It made me happy that this duality is explored in the novel as I think it’s important for children and teens that, like me, had difficulties with their cultural identity.
On the other hand there’s Rishi, who embraces his cultural heritage and doesn’t care whether or not he “fits in” with either group. He is still a modern young man adapted to western culture that also values tradition and believes with all of his heart in the fairy tale romance of his parents. He is exceptionally sweet and witty and is pretty much the ideal cute nerd boyfriend. The romance between Dimple and Rishi is swoon-worthy and made my heart melt.. Which was great for exactly half of the book.
With the Insomnia Con setting what I expected was a summer “coding camp” similar to ones like the Make School Summer Academy and others held on college campuses around the country every year. Many of these camps usually offer workshops to practice making programs, opportunities to make professional connections and to meet industry leaders, and very often have competitions where they can create and submit their own apps for a cool cash prize. I guess my expectations were misplaced because What I got, sadly, was high school drama with hook ups and a talent show that turned more into a dance competition? Dance? In a coding camp??
This was the start of when the book stopped working for me.
A large part of Dimple’s story revolves around her desire to develop her own app to catapult her into a successful tech career. The book talks at length about how much this matters to her, how she’s dying to make connections to help her on her way, and how she’s so different from other girls by being interested in coding. The book tells the reader all of these things but fails to actually show the reader these things. It’s easy to forget that the main characters are even at a coding camp because so little time is spent on it. The plot just gets plain weird and doesn’t seem to have any sort of focus, even the romance felt rushed.
Also I’m sorry, the dance competition was exceedingly boring to read. That and, well, the love story has already happened by then so the build up for that is finished as well. So what else was there? I thought heavily about skimming or just putting the book down at that point but I honestly wanted to know if Dimple would win the competition (the app one, not the dance one) and achieve her dream of becoming a high powered STEM girl. I was still optimistic that the book would get back to the code camp, but it never does. In fact, three weeks out of the six week camp is skipped completely as the story fast forwards to the result of the app completion. The more I read the more disappointed I was as the plot became more and more juvenile.
By the 3/4 mark it seemed like there was no story left to tell and was starting to seriously drag. So of course there had to be some drama to keep it going. I hated this part. Dimple’s actions in the later portion of the book quite frankly left me feeling confused because they didn’t make any sense whatsoever. It was frustrating and I quite frankly got a little mad at how Dimple treated Rishi in the latter half of the novel. Such a shame considering how amazing the story set up was and how strong the early chapters were.
The characters drift from dinners, parties, and dance practices with next to no time actually coding and it made for a surprisingly boring and mediocre read for me personally. Even despite my criticisms, When Dimple Met Rishi is still a sweet summer romance that shined in the first half of the book. Just because it didn’t work out so well for me doesn’t mean that it won’t work out for others, in fact I seem to be in quite the minority for this book. This book definitely had a lot of potential and I honestly wish that the tech girl part of the story could have been developed better and for the setting to be a little more convincing.
I absolutely adored the first half of this book. I could sympathize with both of the main characters, especially Dimple, whose mother reminded me of my own. I too was that nerdy awkward girl that felt uncomfortable wearing makeup and dresses and found happiness in front of a computer screen grinding out code to make websites and browser games. Like my mom, Dimple’s mother pushes her to be more feminine and doesn’t fully understand modern western culture. Dimple struggles with feeling like an outsider in both of her worlds, an experience shared by many American children with immigrant parents. It made me happy that this duality is explored in the novel as I think it’s important for children and teens that, like me, had difficulties with their cultural identity.
On the other hand there’s Rishi, who embraces his cultural heritage and doesn’t care whether or not he “fits in” with either group. He is still a modern young man adapted to western culture that also values tradition and believes with all of his heart in the fairy tale romance of his parents. He is exceptionally sweet and witty and is pretty much the ideal cute nerd boyfriend. The romance between Dimple and Rishi is swoon-worthy and made my heart melt.. Which was great for exactly half of the book.
With the Insomnia Con setting what I expected was a summer “coding camp” similar to ones like the Make School Summer Academy and others held on college campuses around the country every year. Many of these camps usually offer workshops to practice making programs, opportunities to make professional connections and to meet industry leaders, and very often have competitions where they can create and submit their own apps for a cool cash prize. I guess my expectations were misplaced because What I got, sadly, was high school drama with hook ups and a talent show that turned more into a dance competition? Dance? In a coding camp??
This was the start of when the book stopped working for me.
A large part of Dimple’s story revolves around her desire to develop her own app to catapult her into a successful tech career. The book talks at length about how much this matters to her, how she’s dying to make connections to help her on her way, and how she’s so different from other girls by being interested in coding. The book tells the reader all of these things but fails to actually show the reader these things. It’s easy to forget that the main characters are even at a coding camp because so little time is spent on it. The plot just gets plain weird and doesn’t seem to have any sort of focus, even the romance felt rushed.
Also I’m sorry, the dance competition was exceedingly boring to read. That and, well, the love story has already happened by then so the build up for that is finished as well. So what else was there? I thought heavily about skimming or just putting the book down at that point but I honestly wanted to know if Dimple would win the competition (the app one, not the dance one) and achieve her dream of becoming a high powered STEM girl. I was still optimistic that the book would get back to the code camp, but it never does. In fact, three weeks out of the six week camp is skipped completely as the story fast forwards to the result of the app completion. The more I read the more disappointed I was as the plot became more and more juvenile.
By the 3/4 mark it seemed like there was no story left to tell and was starting to seriously drag. So of course there had to be some drama to keep it going. I hated this part. Dimple’s actions in the later portion of the book quite frankly left me feeling confused because they didn’t make any sense whatsoever. It was frustrating and I quite frankly got a little mad at how Dimple treated Rishi in the latter half of the novel. Such a shame considering how amazing the story set up was and how strong the early chapters were.
The characters drift from dinners, parties, and dance practices with next to no time actually coding and it made for a surprisingly boring and mediocre read for me personally. Even despite my criticisms, When Dimple Met Rishi is still a sweet summer romance that shined in the first half of the book. Just because it didn’t work out so well for me doesn’t mean that it won’t work out for others, in fact I seem to be in quite the minority for this book. This book definitely had a lot of potential and I honestly wish that the tech girl part of the story could have been developed better and for the setting to be a little more convincing.
A Bibliophagist (113 KP) rated Space Opera in Books
Jan 25, 2020 (Updated Jan 25, 2020)
Fun writing (2 more)
Creative
Witty
Overwritten (3 more)
Lacking plot
Disjointed and distracted
Boring
Technicolor Encyclopedia entry
Space Opera seems to be a book, that based on other reviews, you either love or hate. The love reviewers can't seem to tell me why they love it, most attempting to replicate the style of the author and relying on a menagerie of adjectives to express themselves. "A glitter punk, Eurovision romp!" "Technicolor whirlwind!" but not actually saying WHY they liked it, or just saying "well you didn't get the humor". The ones who disliked it are pretty clear, and as I struggled with this book I found I agreed with their complaints. However, I have to thank the sheer number of DNFs from the disliked group for causing me to, ironically, finish it. I hate DNFing books, to begin with, but when I saw just how many bad reviews didn't make it through, it felt as bad as the good reviews not actually reviewing anything. So I powered through, and honestly, it was worth finishing. The author really got back on track and it was a great ending.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
ClareR (5726 KP) rated A Spark Of Light in Books
Feb 21, 2019
A thought-provoking, emotional novel
My first Jodi Picoult book, and what a way to start. This has had some extreme reviews - people who really enjoyed it, and others who hated it and considered it to be too 'preachy'. I didn't feel that way about it. I felt that it gave a measured representation to all sides of abortion: pro-choice and anti-abortion/ pro-life.
It showed that those who have abortions don't see it as a lifestyle choice, but as a last resort. That those who are pro-life believe that they are fighting for what they strongly believe in. And both of those views are valid. There will always be people who will not have abortions for religious reasons, and there will be those who have abortions because they believe it's the only option open to them - and this is well described in this book.
We also see the desperation of fathers who will do anything to protect their daughters - whether it's taking hostages in an abortion clinic, or trying to talk that same man down.
This book hasn't changed my stance on the subject, but I can see that both sides of the story have people who believe that they are right in what they do (even if that means killing people to save a life not yet begun) and Picoult represents them both well. The Authors Note at the end of the book is really interesting as well, and I would urge the reader to read this part. It goes in to her research, the people she talked to: she spoke to a lot of people, watched abortions and made sure that she spoke to those who represented all sides of the story.
I can see why Jodi Picoult has so many fans, her writing is so good - this is well worth reading and is very thought provoking.
Many thanks to Smashbomb for providing me with a copy of this book in their giveaway competition. It was a prize well worth winning!!
It showed that those who have abortions don't see it as a lifestyle choice, but as a last resort. That those who are pro-life believe that they are fighting for what they strongly believe in. And both of those views are valid. There will always be people who will not have abortions for religious reasons, and there will be those who have abortions because they believe it's the only option open to them - and this is well described in this book.
We also see the desperation of fathers who will do anything to protect their daughters - whether it's taking hostages in an abortion clinic, or trying to talk that same man down.
This book hasn't changed my stance on the subject, but I can see that both sides of the story have people who believe that they are right in what they do (even if that means killing people to save a life not yet begun) and Picoult represents them both well. The Authors Note at the end of the book is really interesting as well, and I would urge the reader to read this part. It goes in to her research, the people she talked to: she spoke to a lot of people, watched abortions and made sure that she spoke to those who represented all sides of the story.
I can see why Jodi Picoult has so many fans, her writing is so good - this is well worth reading and is very thought provoking.
Many thanks to Smashbomb for providing me with a copy of this book in their giveaway competition. It was a prize well worth winning!!
Mark @ Carstairs Considers (2206 KP) rated Survive or Die in Books
Mar 7, 2019
World’s Worst Team Building Ever
The employees of Bender Clips are going on a corporate retreat. Jack Bender, the owner, has shut things down for a week and rented out the Survive or Die camp in the Colorado mountains. The camp was used as the location for a reality TV show of the same name a decade ago, and the host is still basking off the fame that show brought him. Jack has a surprise for his employees. The winner of the week will get a raise, and the loser will get fired. Leave early? You might be fired as well. The employees, and a few spouses tagging along, are less than enthusiastic at this turn. And some of the employees have their own agendas for the week that go beyond the challenges.
Before things get too far, a small group of employees find a death threat left on Jack Bender’s car. The first night, someone dies, only it isn’t Jack. Was it a tragic accident? Is there a killer at camp? Who will win the raise? Or will accidents befall more people?
This is a creative book. The plot is as much about the competition as the murder, and I got caught up in both stories. One part of the climax turned things darker than I was expecting, but overall, I enjoyed the book and everything is explained by the end. While we have a core number of characters, there are a lot of them, and I had trouble keeping them all straight at times. Fortunately, we usually got the needed context when someone entered a scene. The core characters are well developed, and we get some nice growth in most of them. There is subtle humor aimed at corporate life in the book; as a corporate employee during the day, I found it fun while hitting too close to home.
Before things get too far, a small group of employees find a death threat left on Jack Bender’s car. The first night, someone dies, only it isn’t Jack. Was it a tragic accident? Is there a killer at camp? Who will win the raise? Or will accidents befall more people?
This is a creative book. The plot is as much about the competition as the murder, and I got caught up in both stories. One part of the climax turned things darker than I was expecting, but overall, I enjoyed the book and everything is explained by the end. While we have a core number of characters, there are a lot of them, and I had trouble keeping them all straight at times. Fortunately, we usually got the needed context when someone entered a scene. The core characters are well developed, and we get some nice growth in most of them. There is subtle humor aimed at corporate life in the book; as a corporate employee during the day, I found it fun while hitting too close to home.
Goddess in the Stacks (553 KP) rated Empress of All Seasons in Books
Mar 20, 2019
Characters (2 more)
World-building
Japanese mythology
I am so torn on this book. I'm really tired of the trope of "batch of girls competing to win a dude" that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of "girls competing to win a dude" deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Hazel (1853 KP) rated The Elite (The Selection, #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
In <i>The Selection</i> Kiera Cass introduced young adult readers to a dystopian society where people are sorted into different castes which dictate how rich or poor they are. America Singer (a five) was selected amongst many other girls to live at the palace where eventually one will be chosen to marry Prince Maxon. With only six girls remaining, the story continues in <i>The Elite</i>.
America and the girls are faced with more challenges to prove they have what it takes to become a princess and eventually a queen, however is this something America wants? It is clear to America and the reader that she has strong feelings for Maxon but she cannot easily forget her childhood sweetheart, Aspen. Things become more confusing for America as she begins to question Maxon’s intentions. She can love him but can she trust him? America needs to decide whether she still wants a place in this competition as she faces rebel attacks and discovers information about the history of Illéa.
The will they, won’t they aspect of America and Maxon’s relationship keeps us engaged in the story, and the love triangle adds even more tension. Cass writes so well that readers will find themselves so engrossed in the novel that they may even become frustrated when things do not go they way they wished they had.
Although America recaps on the major events of book one, this is for the benefit of refreshing readers’ minds and not to ease new readers into the story. Without prior knowledge things may be confusing so make sure to read <i>The Selection</i> first.
Overall, <i>The Elite</i> is a great sequel and it will be exciting to find out where the story goes next. <i>The Selection</i> in general is a great series for teenage girls who love a bit of romance.
In <i>The Selection</i> Kiera Cass introduced young adult readers to a dystopian society where people are sorted into different castes which dictate how rich or poor they are. America Singer (a five) was selected amongst many other girls to live at the palace where eventually one will be chosen to marry Prince Maxon. With only six girls remaining, the story continues in <i>The Elite</i>.
America and the girls are faced with more challenges to prove they have what it takes to become a princess and eventually a queen, however is this something America wants? It is clear to America and the reader that she has strong feelings for Maxon but she cannot easily forget her childhood sweetheart, Aspen. Things become more confusing for America as she begins to question Maxon’s intentions. She can love him but can she trust him? America needs to decide whether she still wants a place in this competition as she faces rebel attacks and discovers information about the history of Illéa.
The will they, won’t they aspect of America and Maxon’s relationship keeps us engaged in the story, and the love triangle adds even more tension. Cass writes so well that readers will find themselves so engrossed in the novel that they may even become frustrated when things do not go they way they wished they had.
Although America recaps on the major events of book one, this is for the benefit of refreshing readers’ minds and not to ease new readers into the story. Without prior knowledge things may be confusing so make sure to read <i>The Selection</i> first.
Overall, <i>The Elite</i> is a great sequel and it will be exciting to find out where the story goes next. <i>The Selection</i> in general is a great series for teenage girls who love a bit of romance.
Hazel (1853 KP) rated White Petals in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
First her father died, then her Nana, and to top it all off her mother has been placed in a psychiatric hospital. Life for Emmeline Rose has not been easy but the unfortunate circumstances are going to lead her to the discovery of a secret gift. In this young adult novel, <i>White Petals</i>, Maria Grace creates a heartwarming tale of grief, friendship and fantasy.
Fourteen-year-old Em has been placed in a children’s home whilst her mother recovers from a psychotic breakdown. Here she begins to make friends with some of the other children, however she finds herself being bullied at school. Yet, what she cannot understand is why she gets a painful ringing in her ears whenever the school bully is around. But when her mother starts explaining mind-boggling things about their family, things start to make more sense.
The novel is a first person narrative therefore everything is shown from Em’s point of view. This, however, results in the story sounding like a young teenager has written it, which can be rather annoying. On the other hand, this aspect helps relate to the intended target audience.
The biggest issue with <i>White Petals</i> is the way mental illness is described. Phrases such as “off her tree”, “crazy”, “psycho” and “nutter” are frequently used throughout the narrative. Mental health stigma is a growing problem that many charities and organizations are challenging. Although many teenagers may genuinely think this way due to a lack of understanding, there is no attempt in this book to contradict these beliefs and educate the reader.
Overall I personally do not think this book is anything special, however many teenagers may enjoy the humour some of the characters bring to the story. Each chapter is headed by illustrations that were the result of a competition held in Wales for eleven to eighteen year olds. Despite certain misgivings, the story was still interesting to read.
First her father died, then her Nana, and to top it all off her mother has been placed in a psychiatric hospital. Life for Emmeline Rose has not been easy but the unfortunate circumstances are going to lead her to the discovery of a secret gift. In this young adult novel, <i>White Petals</i>, Maria Grace creates a heartwarming tale of grief, friendship and fantasy.
Fourteen-year-old Em has been placed in a children’s home whilst her mother recovers from a psychotic breakdown. Here she begins to make friends with some of the other children, however she finds herself being bullied at school. Yet, what she cannot understand is why she gets a painful ringing in her ears whenever the school bully is around. But when her mother starts explaining mind-boggling things about their family, things start to make more sense.
The novel is a first person narrative therefore everything is shown from Em’s point of view. This, however, results in the story sounding like a young teenager has written it, which can be rather annoying. On the other hand, this aspect helps relate to the intended target audience.
The biggest issue with <i>White Petals</i> is the way mental illness is described. Phrases such as “off her tree”, “crazy”, “psycho” and “nutter” are frequently used throughout the narrative. Mental health stigma is a growing problem that many charities and organizations are challenging. Although many teenagers may genuinely think this way due to a lack of understanding, there is no attempt in this book to contradict these beliefs and educate the reader.
Overall I personally do not think this book is anything special, however many teenagers may enjoy the humour some of the characters bring to the story. Each chapter is headed by illustrations that were the result of a competition held in Wales for eleven to eighteen year olds. Despite certain misgivings, the story was still interesting to read.
Virgil Exner: Visioneer: The Official Biography of Virgil M. Exner, Designer Extraordinaire
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The story of a man that brought his own personal style to the world of industrial design, from...