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Rachel King (13 KP) rated The Help in Books
Feb 11, 2019
Despite the length of this book, I raced through it with ease. I watched the movie before I read the book, and in this case, it made the book much more enjoyable, as I had a few ideas of what to expect. As for book versus movie, I think both are worth the effort, and the movie does a decent job of keeping to the book's overall plot.
The book is told in three voices: Miss Skeeter, Aibileen, and Minny. All three are very unique and specific to each personality, and all come through as strong and confident voices. Truly, I cannot say which voice is the strongest, as they all are essential to the narration of the book, nor can I really pick a favorite.
I grew up in Louisiana, and I can remember some of the stories my dad told me of my grandma's having "help" part-time. This book "struck home" for me because I can remember very clearly my grandma's racism, and how even my own dad still harbored some of that racism. The book does a very thorough job of illustrating how racism can infiltrate every mode of thought and speech, from hygiene and bodily functions, to dress and etiquette. Miss Hilly is the epitome of this racism, wearing her ignorance like a badge of honor, but there are varying degrees in many of the other characters. It is easy to see that in many of these situations, the people involved are simply victims of the times and can hardly be blamed for their perspective, as they were never taught to think differently. For that reason alone, I wish that this book had been based on a true story, for the good such a plot could have done in real life.
Miss Skeeter gives the unique perspective of the white women and how they come to fit this mold of hiring and lording over the help, even as she reevaluates her own issues of racism. With her, the reader is able to see into the minds of other prominent women in the story, such as Miss Hilly and Miss Leefolt, and how they reason and justify their treatment of the colored people they hire. Miss Hilly has the unique role of pursuing a greater separation between the two groups, whereas the other white women just go along with whatever they are told. While Hilly does pay the consequences for her behavior, it is unlikely her type ever really learns from their mistakes.
Aibileen seems to represent the voices of the older generation of colored help, mourning her losses of the past while attempting to adjust to the volatile climate of the present war on segregation. She plays the voice of reason for the other two women more often than not, always knowing how they should proceed with their secret project. Her personal focus seems to always be on the children, the ones she has raised that belonged to white women, as well as the loss of her own son. I particularly loved the effort she went through to teach Mae Mobley both self-confidence and an appreciation for humanity that ignores skin color, so much so that I use some of her same tactics with my own daughters.
Minny represents the voice of the younger, more emotional generation of colored help, with her snarky speech and blunt honesty. She kept me laughing from cover to cover, and it's her cooking I would love to try, even despite the pie trick. Her character also brings to light the poverty and abuse that many suffered through as a result of segregation laws. What I found ironic is that both her and Aibileen, in their struggles to survive, showed a strength and maturity that seems to only arise under extreme circumstances of hardship.
While those segregation laws have been abolished, I know that many of those same mental biases still exist - and not just in the southern U.S. This wonderful book is only a small part of the education required to erase the ignorance from the hearts and minds of all people. If there is one book you read this year, The Help needs to be it.
The book is told in three voices: Miss Skeeter, Aibileen, and Minny. All three are very unique and specific to each personality, and all come through as strong and confident voices. Truly, I cannot say which voice is the strongest, as they all are essential to the narration of the book, nor can I really pick a favorite.
I grew up in Louisiana, and I can remember some of the stories my dad told me of my grandma's having "help" part-time. This book "struck home" for me because I can remember very clearly my grandma's racism, and how even my own dad still harbored some of that racism. The book does a very thorough job of illustrating how racism can infiltrate every mode of thought and speech, from hygiene and bodily functions, to dress and etiquette. Miss Hilly is the epitome of this racism, wearing her ignorance like a badge of honor, but there are varying degrees in many of the other characters. It is easy to see that in many of these situations, the people involved are simply victims of the times and can hardly be blamed for their perspective, as they were never taught to think differently. For that reason alone, I wish that this book had been based on a true story, for the good such a plot could have done in real life.
Miss Skeeter gives the unique perspective of the white women and how they come to fit this mold of hiring and lording over the help, even as she reevaluates her own issues of racism. With her, the reader is able to see into the minds of other prominent women in the story, such as Miss Hilly and Miss Leefolt, and how they reason and justify their treatment of the colored people they hire. Miss Hilly has the unique role of pursuing a greater separation between the two groups, whereas the other white women just go along with whatever they are told. While Hilly does pay the consequences for her behavior, it is unlikely her type ever really learns from their mistakes.
Aibileen seems to represent the voices of the older generation of colored help, mourning her losses of the past while attempting to adjust to the volatile climate of the present war on segregation. She plays the voice of reason for the other two women more often than not, always knowing how they should proceed with their secret project. Her personal focus seems to always be on the children, the ones she has raised that belonged to white women, as well as the loss of her own son. I particularly loved the effort she went through to teach Mae Mobley both self-confidence and an appreciation for humanity that ignores skin color, so much so that I use some of her same tactics with my own daughters.
Minny represents the voice of the younger, more emotional generation of colored help, with her snarky speech and blunt honesty. She kept me laughing from cover to cover, and it's her cooking I would love to try, even despite the pie trick. Her character also brings to light the poverty and abuse that many suffered through as a result of segregation laws. What I found ironic is that both her and Aibileen, in their struggles to survive, showed a strength and maturity that seems to only arise under extreme circumstances of hardship.
While those segregation laws have been abolished, I know that many of those same mental biases still exist - and not just in the southern U.S. This wonderful book is only a small part of the education required to erase the ignorance from the hearts and minds of all people. If there is one book you read this year, The Help needs to be it.
Lee (2222 KP) rated Fighting with My Family (2019) in Movies
Mar 1, 2019
It's been many years since I last watched any wrestling, and I certainly haven't seen anything of the WWE Divas, or more specifically Paige - the wrestling name of the young British girl whose story is featured in Fighting With My Family. I first got into WWE wrestling, or WWF as it was known back then, sometime during 1986 - just in time for Wrestlemania 3 and the classic main event of Hulk Hogan Vs André the Giant in front of a crowd of over 93,000. It was like nothing I'd ever seen before, and I was hooked. Following that, I used to have to wake up my younger brothers at around midnight whenever there was a major wrestling event on TV, so that we would be able to watch it live from the US. And then eventually, in 1992, they brought Summerslam to Wembley Stadium, and we were able to finally attend an event a little bit closer to home.
Fighting With My Family begins with a young Paige, real name Saraya-Jade, enjoying the WWF wrestling on TV with brother Zak and trying out some of the moves and holds on each other, similar to how I managed to perfect the figure four leglock on my younger brother.... But, that's where the similarities end as Saraya-Jade and Zak are positively encouraged by their parents to beat the crap out of each other, whereas I would probably have been grounded for making my brother cry or something. Their parents, Patrick ‘Rowdy Ricky Knight’ and Julia ‘Sweet Saraya’ are former wrestlers themselves who now run World Association of Wrestling (WAW), where grown up Saraya-Jade (Florence Pugh) and Zak (Jack Lowden) now fight each other for money in regular evening shows. Each day they head out in their WAW van to pick up a bunch of local kids, who would otherwise be headed down a path of criminality, and head to the gym to train them in the ring. Elder brother Roy was also a wrestler, but is currently in prison. It's a simple, close-knit working class family - all looking out for each other, highly passionate about wrestling and each having (or had at one point) a dream to one day make it big in the WWE.
One day that dream has a chance of becoming reality when tryouts for the WWE come to The O2 in London and Zak and Raya are selected to come along. WWE Coach Hutch (Vince Vaughn) puts them through their paces but only Raya is selected to move onto the next stage in Florida. While she heads out to continue her dream, a rejected Zak resigns himself to the fact that he's only ever going to be a small time wrestler. Raya becomes Paige and sets about trying to prove herself as the ordinary Brit girl in among all the dancers, models and cheerleaders who are also with her at boot camp. She's resentful of the others, as they were 'only selected for their tits and ass' and are without any kind of wrestling background. She's lonely, angry and lacking the self confidence she needs to really make it happen. Meanwhile, Zak is struggling with missing out on heading to Florida - disinterested in his new born baby, undertaking grueling matches in front of small crowds, and picking fights in bars just for the hell of it.
Fighting With My Family boasts some real laugh out loud moments, but there is also a lot of relatable family drama and emotion. The cast are all incredible, particularly Florence Pugh as Raya/Paige. Vince Vaughn is a lot of fun as the coach and The Rock also brings a lot of comedy to the few scenes he's in. I absolutely loved everything about this movie and couldn't really fault it at all. Despite knowing beforehand the outcome for Paige, the whole movie just has you wondering throughout if she's going to make it or if she's going to quit, which makes the ending all the more enjoyable. And when you see clips during the credits of her real life family, you appreciate just how spot on some of the casting and acting is too!
Fighting With My Family begins with a young Paige, real name Saraya-Jade, enjoying the WWF wrestling on TV with brother Zak and trying out some of the moves and holds on each other, similar to how I managed to perfect the figure four leglock on my younger brother.... But, that's where the similarities end as Saraya-Jade and Zak are positively encouraged by their parents to beat the crap out of each other, whereas I would probably have been grounded for making my brother cry or something. Their parents, Patrick ‘Rowdy Ricky Knight’ and Julia ‘Sweet Saraya’ are former wrestlers themselves who now run World Association of Wrestling (WAW), where grown up Saraya-Jade (Florence Pugh) and Zak (Jack Lowden) now fight each other for money in regular evening shows. Each day they head out in their WAW van to pick up a bunch of local kids, who would otherwise be headed down a path of criminality, and head to the gym to train them in the ring. Elder brother Roy was also a wrestler, but is currently in prison. It's a simple, close-knit working class family - all looking out for each other, highly passionate about wrestling and each having (or had at one point) a dream to one day make it big in the WWE.
One day that dream has a chance of becoming reality when tryouts for the WWE come to The O2 in London and Zak and Raya are selected to come along. WWE Coach Hutch (Vince Vaughn) puts them through their paces but only Raya is selected to move onto the next stage in Florida. While she heads out to continue her dream, a rejected Zak resigns himself to the fact that he's only ever going to be a small time wrestler. Raya becomes Paige and sets about trying to prove herself as the ordinary Brit girl in among all the dancers, models and cheerleaders who are also with her at boot camp. She's resentful of the others, as they were 'only selected for their tits and ass' and are without any kind of wrestling background. She's lonely, angry and lacking the self confidence she needs to really make it happen. Meanwhile, Zak is struggling with missing out on heading to Florida - disinterested in his new born baby, undertaking grueling matches in front of small crowds, and picking fights in bars just for the hell of it.
Fighting With My Family boasts some real laugh out loud moments, but there is also a lot of relatable family drama and emotion. The cast are all incredible, particularly Florence Pugh as Raya/Paige. Vince Vaughn is a lot of fun as the coach and The Rock also brings a lot of comedy to the few scenes he's in. I absolutely loved everything about this movie and couldn't really fault it at all. Despite knowing beforehand the outcome for Paige, the whole movie just has you wondering throughout if she's going to make it or if she's going to quit, which makes the ending all the more enjoyable. And when you see clips during the credits of her real life family, you appreciate just how spot on some of the casting and acting is too!
Ryan Hill (152 KP) rated Avengers: Age of Ultron (2015) in Movies
May 10, 2019
"you didn't see that coming?"
I laughed. I wet my fan boy undies more than once. I wanted to pump the air with my fist and shout 'Hell yeah!' on more than one occasion. (ok, I did. Once. No one was looking. I think)
And still I feel disappointed that Age of Ultron did not manage to cut its own strings attached so strongly to the Marvel Template.
From the opening it's clear we're watching a film without bookends. Thrust into the action with Whedon's trademark 'give every character its moment' visuals, the second installment in the Avengers is aware it doesn't need to introduce itself, it just needs to reacquaint itself with a flashy entrance. And boy does it ever. There's the quick-fire banter, the kinetic action and the energetic fun that made the first film so great.
When the plot kicks in, many of Whedon's quirks remain and to great effect. It's fun, familiar and exciting. We get thrust from one amazing set piece to the next, are treated with some truly outstanding action sequences and are easily allowed to sit back and enjoy the ride. There are a couple of outstanding character moments, most notably for the more 'human' Avengers, something I felt worked rather well, mostly because it was unexpected and because it provided some much needed connection to characters without their own movie franchise.
The new characters are fine. Quicksilver is underdeveloped and never transcends his power, but the Scarlet Witch is absolutely spot on. Olsen plays her with conviction and her development is handled beautifully. Can't wait to find out what they have in store for her. When the Vision first made his appearance I audibly gasped. A firm favourite of mine, his creation and subsequent actions were put in the film especially for me. I'm sure of it.
What misfired for me was some of the comedy, which felt rather forced and the villain. The first is rather easy to step over, the second is a bigger problem. Ultron is a truly formidable adversary, one that deserves a larger platform than he is given here. It seems that the second film was always going to be a transition film to the (probable) epicness ahead and I therefore find Ultron to be an odd choice for the villain. Don't get me wrong, he looks and sounds fantastic and Spader does a truly excellent job, but he feels shoehorned into a middle part that is structured the exact same way the previous film was and most Marvel films are. Again, not necessarily a problem, but I had expected more from this one. The hinted at darker tone is not really there, the seriousness of the threat is not really convincing because it is not given the time to develop properly. There is a moment in the film I felt it was going to happen, where the team is truly rattled and defeated, but it is fleeting as we're already hurrying towards the next sequence. Whedon lacks focus here and seems preoccupied with building up rather than just telling a story. And that's a shame. I felt there was an opportunity here to break away from the mould most of these films seem intent to cast themselves in and it is an opportunity they missed. Better luck next time.
Now, having said all that, I always rate these films by how much fun I had and let me assure you, there is plenty to be had. The Hulkbuster, the final showdown, the nightmare visions all had me smiling like a git.
For all its faults it still is a cut above most big blockbusters in that it delivers the goods with confidence and gusto and never forgets to try and entertain the crap out of its audiences.
And still I feel disappointed that Age of Ultron did not manage to cut its own strings attached so strongly to the Marvel Template.
From the opening it's clear we're watching a film without bookends. Thrust into the action with Whedon's trademark 'give every character its moment' visuals, the second installment in the Avengers is aware it doesn't need to introduce itself, it just needs to reacquaint itself with a flashy entrance. And boy does it ever. There's the quick-fire banter, the kinetic action and the energetic fun that made the first film so great.
When the plot kicks in, many of Whedon's quirks remain and to great effect. It's fun, familiar and exciting. We get thrust from one amazing set piece to the next, are treated with some truly outstanding action sequences and are easily allowed to sit back and enjoy the ride. There are a couple of outstanding character moments, most notably for the more 'human' Avengers, something I felt worked rather well, mostly because it was unexpected and because it provided some much needed connection to characters without their own movie franchise.
The new characters are fine. Quicksilver is underdeveloped and never transcends his power, but the Scarlet Witch is absolutely spot on. Olsen plays her with conviction and her development is handled beautifully. Can't wait to find out what they have in store for her. When the Vision first made his appearance I audibly gasped. A firm favourite of mine, his creation and subsequent actions were put in the film especially for me. I'm sure of it.
What misfired for me was some of the comedy, which felt rather forced and the villain. The first is rather easy to step over, the second is a bigger problem. Ultron is a truly formidable adversary, one that deserves a larger platform than he is given here. It seems that the second film was always going to be a transition film to the (probable) epicness ahead and I therefore find Ultron to be an odd choice for the villain. Don't get me wrong, he looks and sounds fantastic and Spader does a truly excellent job, but he feels shoehorned into a middle part that is structured the exact same way the previous film was and most Marvel films are. Again, not necessarily a problem, but I had expected more from this one. The hinted at darker tone is not really there, the seriousness of the threat is not really convincing because it is not given the time to develop properly. There is a moment in the film I felt it was going to happen, where the team is truly rattled and defeated, but it is fleeting as we're already hurrying towards the next sequence. Whedon lacks focus here and seems preoccupied with building up rather than just telling a story. And that's a shame. I felt there was an opportunity here to break away from the mould most of these films seem intent to cast themselves in and it is an opportunity they missed. Better luck next time.
Now, having said all that, I always rate these films by how much fun I had and let me assure you, there is plenty to be had. The Hulkbuster, the final showdown, the nightmare visions all had me smiling like a git.
For all its faults it still is a cut above most big blockbusters in that it delivers the goods with confidence and gusto and never forgets to try and entertain the crap out of its audiences.
Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Movie Metropolis (309 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Jun 10, 2019
Does it live up to the hype?
When it came to choosing a director for Star Wars: the Force Awakens, there really was only one choice: J.J Abrams. He had the difficult task of bringing the beloved Star Trek series back onto the big screen after numerous misfiring movies and did so with two near-perfect films.
With Episode VII of the sci-fi soap opera proving to be the most-hyped movie of the last decade, Abrams had a lot riding on this film. But does it live up to it all?
Following on from the events of Return of the Jedi, Episode VII follows the story of the First Order – born from the remains of the Empire destroyed at the end of the original trilogy. Taking them on is the Resistance, aka the good guys. That’s as much as I will say about the story, as anymore would be venturing dangerously close to spoiler territory.
A whole host of new characters join the old blood fans have been dying to see for years and the exceptional writing here means they blend seamlessly together without the need to delve into sickly nostalgia. That’s not to say there isn’t any nostalgia of course, but it’s tastefully referenced.
Of the newcomers, Daisy Ridley’s scavenger Rey and John Boyega’s disillusioned Stormtrooper Finn make the most impact and are commanding in each of their many action sequences; their acting prowess is impeccable considering their lack of experience in big blockbusters.
Elsewhere, the much-marketed ball droid BB-8 ends up becoming one of the most memorable characters to grace the series and is up there with R2-D2 and C-3P0 and will no doubt become a fan favourite as the new trilogy progresses.
It’s wonderful to see J.J Abrams grounding Star Wars with its roots. Carrie Fisher and Harrison Ford certainly look different to how we remember them, but their characters still remain the feisty figures that we know and love, though a little more of Leia would be welcome throughout The Force Awakens.
Over on the dark side, Adam Driver’s Kylo Ren is a menacing presence. His many tantrums are a joy to watch and you can feel the evil radiating from him. He’s most definitely deserving of a place in the Star Wars Villain Hall of Fame and makes more of an impact than any of the bad guys in the prequel trilogy.
The special effects are absolutely sublime. Beautiful sets and stunning planets are brilliantly juxtaposed with intergalactic dogfights featuring some of the series’ much-loved ships and yes the Millennium Falcon looks as good as ever. The action sequences are filmed with such confidence that every single frame looks 100% convincing.
It’s impossible to know where Abrams has chosen to use CGI and when he has opted for good old practical effects. This is how film-making should be and The Force Awakens is all the better for it.
Unfortunately, the story is somewhat lacking. A near carbon-copy of what we saw in A New Hope means it’s easy to see where the film is going from the off and while this doesn’t detract from the overall viewing experience, it would have been nice to have something a little more original to really sink your teeth into.
Nevertheless, this is a film with a fantastic sense of humour. Abrams and writing partners Lawrence Kasdan and Michael Arndt have managed to inject some genuinely funny moments – most of them involving BB-8 – into the film’s 135 minute running time.
Overall, J.J Abrams need not worry. Star Wars: the Force Awakens has topped off a year that has included some incredible films and this is one to add to the list. With some of the best special effects ever put to the big screen and a cast of intriguing and memorable characters, Episode VII is the film that fans of the series deserve and there’s a lot for newcomers to enjoy too.
Does it live up to the hype? Not quite, but it’s a memorable movie nonetheless.
https://moviemetropolis.net/2015/12/20/does-it-live-up-to-the-hype-star-wars-the-force-awakens-review/
With Episode VII of the sci-fi soap opera proving to be the most-hyped movie of the last decade, Abrams had a lot riding on this film. But does it live up to it all?
Following on from the events of Return of the Jedi, Episode VII follows the story of the First Order – born from the remains of the Empire destroyed at the end of the original trilogy. Taking them on is the Resistance, aka the good guys. That’s as much as I will say about the story, as anymore would be venturing dangerously close to spoiler territory.
A whole host of new characters join the old blood fans have been dying to see for years and the exceptional writing here means they blend seamlessly together without the need to delve into sickly nostalgia. That’s not to say there isn’t any nostalgia of course, but it’s tastefully referenced.
Of the newcomers, Daisy Ridley’s scavenger Rey and John Boyega’s disillusioned Stormtrooper Finn make the most impact and are commanding in each of their many action sequences; their acting prowess is impeccable considering their lack of experience in big blockbusters.
Elsewhere, the much-marketed ball droid BB-8 ends up becoming one of the most memorable characters to grace the series and is up there with R2-D2 and C-3P0 and will no doubt become a fan favourite as the new trilogy progresses.
It’s wonderful to see J.J Abrams grounding Star Wars with its roots. Carrie Fisher and Harrison Ford certainly look different to how we remember them, but their characters still remain the feisty figures that we know and love, though a little more of Leia would be welcome throughout The Force Awakens.
Over on the dark side, Adam Driver’s Kylo Ren is a menacing presence. His many tantrums are a joy to watch and you can feel the evil radiating from him. He’s most definitely deserving of a place in the Star Wars Villain Hall of Fame and makes more of an impact than any of the bad guys in the prequel trilogy.
The special effects are absolutely sublime. Beautiful sets and stunning planets are brilliantly juxtaposed with intergalactic dogfights featuring some of the series’ much-loved ships and yes the Millennium Falcon looks as good as ever. The action sequences are filmed with such confidence that every single frame looks 100% convincing.
It’s impossible to know where Abrams has chosen to use CGI and when he has opted for good old practical effects. This is how film-making should be and The Force Awakens is all the better for it.
Unfortunately, the story is somewhat lacking. A near carbon-copy of what we saw in A New Hope means it’s easy to see where the film is going from the off and while this doesn’t detract from the overall viewing experience, it would have been nice to have something a little more original to really sink your teeth into.
Nevertheless, this is a film with a fantastic sense of humour. Abrams and writing partners Lawrence Kasdan and Michael Arndt have managed to inject some genuinely funny moments – most of them involving BB-8 – into the film’s 135 minute running time.
Overall, J.J Abrams need not worry. Star Wars: the Force Awakens has topped off a year that has included some incredible films and this is one to add to the list. With some of the best special effects ever put to the big screen and a cast of intriguing and memorable characters, Episode VII is the film that fans of the series deserve and there’s a lot for newcomers to enjoy too.
Does it live up to the hype? Not quite, but it’s a memorable movie nonetheless.
https://moviemetropolis.net/2015/12/20/does-it-live-up-to-the-hype-star-wars-the-force-awakens-review/
Beckie Shelton (40 KP) rated Beast: The Beginning (Hate Story, #1) in Books
Feb 8, 2018
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
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🌟🌟🌟🌟Stars
I loved Beast: The Beginning (Hate Story, #1). From the minute I started reading This I was lost in another world, one of blood, hate and organised crime.
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
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Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/ (less)
https://www.beckiebookworm.com/
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🌟🌟🌟🌟Stars
I loved Beast: The Beginning (Hate Story, #1). From the minute I started reading This I was lost in another world, one of blood, hate and organised crime.
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
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Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/ (less)
BankofMarquis (1832 KP) rated The Dark Knight Rises (2012) in Movies
Jun 27, 2018
A "good enough" ending to the trilogy
Going into the filming of THE DARK KNIGHT RISES, Director Christopher Nolan had a problem on his hands. The previous film in this trilogy - 2008's THE DARK KNIGHT - had turned into a cultural phenomenon based, in part, on the late Heath Ledger's bravura performance as The Joker. So how does he top it?
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Darren (1599 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 20, 2019
Story: This follows up from the first one so we have to remember unlike the Avengers and Dark Knight we are dealing with a teenage superhero. He has different problems like whether he wants a girlfriend or whether to go to college, you know the serious stuff. We have him putting out all the cheesy lines against the person he fights not taking anything seriously. While Peter is trying to figure out what his life holds next, the people against him start their own stories. We have the generic loner scientist who ends up having an accident, gaining powers and using them for evil, been there seen that in every Spider-man film. We also have the Harry Osborn who wants Spider-Man’s blood to cure his sickness and when he can’t have it he goes on a rampage against Spider-Man. It would be fair this is a slow moving film and it really is building up for the next chapter. (7/10)
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/