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Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Lottie disney bookworm (1056 KP) rated Poor Unfortunate Soul: A Tale of the Sea Witch (Villains #3) in Books
Sep 7, 2019
Contains spoilers, click to show
A review by The Disney Bookworm:
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
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