"This album has multiple covers and titles; it seems to be barely official. This is Coltrane’s last tour with Davis. He didn't want to go. His career had already started. He is sulky and petulant on these shows. His playing is edging towards the more raucous howl of his later revolutionary period. The night before this show he was booed in Paris; Miles would leave the stage during his solos. In Stockholm, eight minutes into ‘All Blues’, Coltrane does a remarkable thing. He hits a split note, a strangled harmonic that is clearly unintentional. He plays the same mistake a second time, and I would be prepared to venture that this second time was also accidental. Then he plays it a third time, then a fourth and fifth. It could be that he is going for the rule that if you play a mistake, then you should play it again and it becomes a part. You underline it and make it seem intentional. But it’s more than that. Coltrane is fascinated by this tortured phrase. He becomes obsessed with what his saxophone is doing, or rather what it isn't doing. He is going into a trance and circling the five notes again and again, sometimes with the smallest changes, sometimes repeated in different ways, but always this curious, odd, raspy note in the middle. The audience doesn't exist. It is just him and this one phrase. In total, he repeats the line 33 times. I just counted. The band goes with him as well, from initial worry to uncertainty and finally to outrageous confidence. It is both the dumbest and most intelligent piece of music I've ever heard, and I think about it all the time when I'm making records. It speaks about the power of repetition, the beauty of pure experimentation, and what you can get away with if you show confidence."

"Broadcast News is next on the list. I’m a big Holly Hunter fan. I just think it’s a great movie; it’s funny, it’s sad, it’s interesting. It’s got that archetype of the ambitious news woman, you know? I like that she’s behind the scenes. It’s a character that I’ve never played in a movie. I think that I’m always waiting for that role; they all seem to go to Rachel McAdams. [laughs] You know, that inquisitive journalist who’s behind the scenes and is super feisty. We’ve done a couple episodes of Community where I got to sort of channel that energy. But it’s definitely a role I’ve always had my eye on, and Holly Hunter is such a singular actress in her style, and her voice is unique, and she’s such a petite woman; I think she carries her strength in an interesting way. She just emanates strength and confidence. She also has amazing crying scenes. It’s a great showcase of her acting."

"I watched [it] just about every day growing up. In like seventh or eighth grade every day after school, my friend Andrew and I would watch Wayne’s World. And I think it’s a great example of a sketch effectively turned into a movie and a story that really works with a good journey. Not easily accomplished but such a good journey. And I’m drawn to it because I watched Saturday Night Live growing up, but also I think the duo of Mike Myers and Dana Carvey, who are both from the same world and yet are such different guys. You know, the sort of confidence and leadership of Wayne and then the understated kind of genius of Garth: very meta and self-aware, which at that time wasn’t all over TV and film yet. It’s like the cross promotion for Pepsi and Advil and all that kind of stuff wasn’t overly present yet, and I think he really nailed it."