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Cyn Armistead (14 KP) rated and Falling, Fly (Harrowing #1) in Books
Mar 1, 2018
[a:Sam Chupp|11847|Sam Chupp|http://photo.goodreads.com/authors/1219698183p2/11847.jpg] has been after me to read this book for weeks, so as soon as I finished [b:All Clear|7519231|All Clear (All Clear, #2)|Connie Willis|http://photo.goodreads.com/books/1267552735s/7519231.jpg|9735628], I started it. This book is different from anything else I've read in years. I hesitate to say it's more literary than most fantasy, because I don't like "literary" books - they're usually stuffy, dry, and presumptuous.
After the first few chapters, there's no slowing down, because you're as caught up in what's happening as the characters are. I was transfixed by White's descriptions, which can make even ugliness fascinating.
<blockquote>We are traveling into time, burning two hours for every one I endure beside this babbling, cursed child of Greece. I see them all the time, these bastard half children of stories and mortals, trapped between worlds, the genetic lineage of myth reasserting itself across the inextricable ages. Helen of Troy is born the socialite child of a partial Zeus mated to half of a swan-loving Leda, the mythic DNA in each of them dormant until they breed and damn their offspring with its expression.</blockquote>
White's vampire mythos is like no other I've encountered. I found it far more believable than most of what's being printed over and over and over again. Another refreshing thing about the book is that there's no feeling of a set up for a series. Oddly, though, I'm now seeing the book identified as the first of a series called Harrowing, at least on GoodReads, but as far as I can tell, the second book has no characters in common with the first. Perhaps it's simply set in the same universe?
In any case, I've added [b:In Dreams Begin|7850577|In Dreams Begin|Skyler White|http://photo.goodreads.com/books/1269478625s/7850577.jpg|10971303] to my to-read stack, and I'll be keeping an eye on [a:Skyler White|2977214|Skyler White|http://photo.goodreads.com/authors/1290046039p2/2977214.jpg].
After the first few chapters, there's no slowing down, because you're as caught up in what's happening as the characters are. I was transfixed by White's descriptions, which can make even ugliness fascinating.
<blockquote>We are traveling into time, burning two hours for every one I endure beside this babbling, cursed child of Greece. I see them all the time, these bastard half children of stories and mortals, trapped between worlds, the genetic lineage of myth reasserting itself across the inextricable ages. Helen of Troy is born the socialite child of a partial Zeus mated to half of a swan-loving Leda, the mythic DNA in each of them dormant until they breed and damn their offspring with its expression.</blockquote>
White's vampire mythos is like no other I've encountered. I found it far more believable than most of what's being printed over and over and over again. Another refreshing thing about the book is that there's no feeling of a set up for a series. Oddly, though, I'm now seeing the book identified as the first of a series called Harrowing, at least on GoodReads, but as far as I can tell, the second book has no characters in common with the first. Perhaps it's simply set in the same universe?
In any case, I've added [b:In Dreams Begin|7850577|In Dreams Begin|Skyler White|http://photo.goodreads.com/books/1269478625s/7850577.jpg|10971303] to my to-read stack, and I'll be keeping an eye on [a:Skyler White|2977214|Skyler White|http://photo.goodreads.com/authors/1290046039p2/2977214.jpg].
Dianne Robbins (1738 KP) rated 9-1-1 in TV
Jul 8, 2019 (Updated Apr 4, 2021)
Stiff acting (4 more)
Fake fake fake fake fake
Scenarios no professional first responder would ever get into.
Terrible writing
Are there no medical director/firefighter/police officer technical advisers to tell them the correct way to do ALL OF THIS?
I like Connie Britton, who was a cast member during the first season of this show. However, she is no longer there and there is nothing to hold my interest and many, many things to make me lose interest. 911 has stiff acting and outrageously fake scenarios. She was replaced by Jennifer Love Hewitt, whom I'm neutral on for the most part, but I don't like her character, the scenarios she gets into, or her lines. Her acting isn't that great in this show, either, come to think of it. The manufactured drama is too forced. I've seen her do a better job with drama so I don't know if it's the director's choice or if she's taking dramatic license, but either way, her character isn't great. The characters, for the most part, are not believable or likable. It's just not a good cast. I like the diversity of the cast. There are several black cast members, an Asian cast member, and at least one Latinx cast member, which is so much better than most other shows, and let's face it than most of society. Come on, people, Let's mingle and mix things up.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
Visual Design Solutions: Principles and Creative Inspiration for Learning Professionals
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Enhance learners' interest and understanding with visual design for instructional and information...
Sketch Master - My Cartoon Photo Filter Avatar Pad
Catalogs and Business
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SKETCH MASTER is a simple, funny app that lets you convert your photos into sketch or cartoon...
Sketch Master Pro - My Cartoon Photo Effects Filter & Pic Editor Booth
Catalogs and Business
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SKETCH MASTER Pro is a simple, funny app that lets you convert your photos into sketch or cartoon...
Gareth von Kallenbach (980 KP) rated This Is Where I Leave You (2014) in Movies
Aug 6, 2019
This is Where I Leave You focuses on Judd Altman (Jason Bateman) and his relationships with the many personalities in his family. We open the film with Judd walking in on his wife in bed with his boss. We flash forward about 3 months to find Judd feeling pretty miserable still, only to find out that his father passed away. And his father’s last wish is that his family sit Shiva (a Jewish tradition of mourning where the close relatives of the deceased sit for 7-days in the same house, as friends and family come by to offer their condolences. (There’s more to it than this, but it’s the general idea). Over the 7-days following the funeral, a rollercoaster of emotions, excitement and tragedy pass.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. It’s simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Judd’s siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, cliché jokes are used, and we all know how it ends. However, we don’t really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I haven’t read the book myself, I have been told it’s quite good. And if it’s half as good as this film, I’m definitely going to enjoy reading it.
Bottom line: if you’re looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. It’s simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Judd’s siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, cliché jokes are used, and we all know how it ends. However, we don’t really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I haven’t read the book myself, I have been told it’s quite good. And if it’s half as good as this film, I’m definitely going to enjoy reading it.
Bottom line: if you’re looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
Nymphomaniac Volume I (2014)
6.7
Rate It
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1. "The Compleat Angler" Inspired by a fly fishing hook in the wall behind her and Seligman's love...
Toca Builders
Education and Entertainment
App
If you can imagine it you can build it with the six Toca Builders! Join your new builder friends on...
Bob Mann (459 KP) rated The Happytime Murders (2017) in Movies
Sep 28, 2021
Why did some muppet green light this?
Man, this is grim.
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
BankofMarquis (1832 KP) rated Promising Young Woman (2020) in Movies
Apr 10, 2021
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)