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Mark @ Carstairs Considers (2225 KP) rated Death Washes Ashore in Books
Apr 30, 2024
Death of a Gladiator
One morning Clark Thomas is awakened by a text from one of the detectives in town requesting his presence at a crime scene. The body of Connor West has washed up on the local state beach. Connor was the star of one of the local tourist attractions, a gladiator themed dinner and show.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
MelanieTheresa (997 KP) rated The New Husband in Books
Jan 22, 2020 (Updated Jan 22, 2020)
Having read and enjoyed the author's previous book, Saving Meghan, I was pretty excited about this one - and I wasn't disappointed. The New Husband is completely different from Saving Meghan, but just as twisted.
The first half of this book is somewhat of a slow burn....and then about halfway through - BAM! - we're hit with a reveal that changes everything and has me saying "Wait, what?? Hold on a sec..." and flipping back a couple of pages to make sure I'd gotten it right. From there it's a disturbing, non-stop ride to the twisty end.
Some quick character impressions:
Nina: Most of the time, I wanted to grab Nina by the shoulders, shake her, and tell her to get her mental shit together so she could see what was going on. The amount of gaslighting that goes on - that she accepts! - is mind-blowing.
Simon: I had an immediate, almost visceral reaction to Simon. The minute he appeared on the page, I was like ugh, this guy - and not once throughout the story did that opinion change.
Maggie: Oh, Maggie. The true hero of this story. I wanted so badly for Nina to believe the things Maggie was bringing to her attention.
Connor: I would have liked to have seen Connor support his sister, rather than immediately assuming she was just being "dramatic."
As the reader, your best bet is to go into this one as blind as you can so you can enjoy it for what it is - a crazy ride of a psychological thriller.
Thank you to NetGalley and St. Martin’s Press for providing me with a digital ARC in exchange for my honest review!
The first half of this book is somewhat of a slow burn....and then about halfway through - BAM! - we're hit with a reveal that changes everything and has me saying "Wait, what?? Hold on a sec..." and flipping back a couple of pages to make sure I'd gotten it right. From there it's a disturbing, non-stop ride to the twisty end.
Some quick character impressions:
Nina: Most of the time, I wanted to grab Nina by the shoulders, shake her, and tell her to get her mental shit together so she could see what was going on. The amount of gaslighting that goes on - that she accepts! - is mind-blowing.
Simon: I had an immediate, almost visceral reaction to Simon. The minute he appeared on the page, I was like ugh, this guy - and not once throughout the story did that opinion change.
Maggie: Oh, Maggie. The true hero of this story. I wanted so badly for Nina to believe the things Maggie was bringing to her attention.
Connor: I would have liked to have seen Connor support his sister, rather than immediately assuming she was just being "dramatic."
As the reader, your best bet is to go into this one as blind as you can so you can enjoy it for what it is - a crazy ride of a psychological thriller.
Thank you to NetGalley and St. Martin’s Press for providing me with a digital ARC in exchange for my honest review!
Mark @ Carstairs Considers (2225 KP) rated Murder, She Meowed in Books
Jan 31, 2019
Corpse of a Stripper
With three weeks before her wedding, Stan Connor is finding it hard to keep her mother and sister from taking over and planning things their way. She does finally give in to her sister’s desire to throw her a traditional bachelorette party, but things end on a somber note when the stripper is found dead in the cake he was supposed to jump out of. Worse yet, Stan knew the young man. Feeling the need to investigate, Stan tries to figure out who would have wanted to kill him. Can she do it?
I did feel this book got sidetracked at times by the wedding planning sub-plot, but that might be because I’m a guy. There is definitely a strong mystery here with several viable suspects and a great climax. Along the way, we get plenty of twists and turns. While Stan’s relationship with her family has grown some, the wedding planning brings out some of their old relationships, and it was interesting to see this side of the characters again. Some of the regulars play smaller parts here, but it is great to see the regulars no matter how much page time they got. Those who have pets will be interested in the two new recipes for organic treats at the end of the book.
I did feel this book got sidetracked at times by the wedding planning sub-plot, but that might be because I’m a guy. There is definitely a strong mystery here with several viable suspects and a great climax. Along the way, we get plenty of twists and turns. While Stan’s relationship with her family has grown some, the wedding planning brings out some of their old relationships, and it was interesting to see this side of the characters again. Some of the regulars play smaller parts here, but it is great to see the regulars no matter how much page time they got. Those who have pets will be interested in the two new recipes for organic treats at the end of the book.
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.