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    Photo Measures Lite

    Photo Measures Lite

    Productivity and Utilities

    (0 Ratings) Rate It

    App

    Photo Measures is the most elegant and the easiest way to save measures on your own photos on...

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Debbiereadsbook (1197 KP) rated Let Me Show You in Books

May 30, 2019  
Let Me Show You
Let Me Show You
Becca Seymour | 2019 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
super sweet but so bloody good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Carter finds himself stuck, and naked, when construction worker, Tanner comes to price up some renovations on his home. Tanner immediately takes a shine to the sexy but very shy vet. When Carter has problems at work, and when they go out, Tanner goes all alpha-male-MINE on Carter, and Carter thinks FINALLY! Tanner’s best friend needs him though, it’s why he moved to town. Can Tanner commit to Carter the way Carter wants, and needs?

OH, SO very stinking cute, this one! AND warm and fuzzies! I really kinda fell into this one, and it was SOOOOO good!

Carter isn’t looking for love, it kinda finds him and knocks him for six. Tanner is a breath of fresh air, and after weeks of flirting they FINALLY get down and dirty. I mean, I was waiting, and waiting and bloody WAITING for them to get their act together and give in to the attraction but it takes them FOREVER!!!

BUT!!!

I LOVED that it did! The tension between builds over time, and I really did appreciate being made to wait for the main event.

It’s not overly dramatic, with no real drama, just a guy in a bad place taking it out on Carter at work. It’s not especially explicit, but it IS so bloody sexy. It’s not too complicated a plot to follow and there is no real violence.

There is, though, a lotta love! A lot of people love Carter and Tanner, together and separately. And they make no bones about what they want for their friends, which is for Carter and Tanner to be together.

It’s well written, from both Carter and Tanner’s point of view, in the first person. Each voice is clear and distinctive, and each change of voice occurs as the chapter changes and is clearly headed. I saw no spelling or editing errors to spoil my reading.

It’s one of those books you just FALL into, you know. You can lose a couple of hours on a wet and windy Tuesday morning, after all the chores are done, you sit down with a cuppa tea, and read a bit, and before you know it, the book is finished!

It really was far too stinking cute for its own good, and you know what?? I wrote four stars at the top of the page, but I can’t figure out why, so changing my mind, and giving it the full..

5 stars

**same worded review will appear elsewhere**
  
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Kristy H (1252 KP) rated The Child in Books

Jan 21, 2018  
The Child
The Child
Fiona Barton | 2017 | Fiction & Poetry
8
8.3 (15 Ratings)
Book Rating
As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.

I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.

Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.

Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.

Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.