Search
Search results
Darren (1599 KP) rated Eternal Code (2019) in Movies
Sep 13, 2019
Characters – Corey is a homeless suicidal war veteran, he keeps to himself and when he gets given money, he spends the money on helping the fellow homeless, being friendly with lonely older men in the park and helping somebody in danger. He will get a chance to use his skills once again to help a teenage girl who is being hunted down by criminals, his skills will help make him deadly to anyone who crosses his path. Oliver is the leader of the project, he wants to continue using it for his own good, which means he will go to the extremes to make sure it gets done. Charlie is one of the criminals that has taken the family members, she along with her team are solely in this for the money. Mark is the husband of Bridget, he tries to advice, even though he will only support her decision. Bridget is the woman that has invented a revolutionary idea, which she doesn’t want used for the wrong thing, her pulling the plug has set about the events including her kidnapping.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.
BackToTheMovies (56 KP) rated Fear Clinic (2014) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
A Horror Movie That Makes You Think!
The film revolves around a shooting that takes place in a diner that traumatizes a group of survivors who check themselves into the Fear Clinic, a clinic run by Dr.Andover a man who has created a unique way of treating phobia's using a revolutionary new technology called the fear chamber. The fear chamber works by re-animating your worst fears into hallucinations so you can combat your fear face to face. However within the story the fears start manifesting themselves in the real world and this new technology that Dr.Andover has created is slowly opening up a doorway to allow fear incarnate to wreak havoc on the patients of the clinic.
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)